Talk:Lee Miller
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Miller's Work with Vogue
[edit]I want to add a section to this page about Miller's work with Vogue, specifically pieces towards the end of the war, rather than general events she witnessed. I feel that this article could benefit from citing specific work from Miller's catalogue and how, like other writers, her works has become important.
I have found two articles from Vogue, one from September 1944 and another from June 1945, which give an account of what she saw and show her style of work.
A key piece I want to put on this page are Miller's actions, along with other broadcasters and war correspondents, after Victory in Europe, during the liberation of camps in Germany. During this time there was large public disbelief that this was still happening. The photographs taken by photojournalists at this time were used as evidence to support the claims of journalists and officials.
Sources: [1] http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=a075def2-75d1-4bad-946b-7f133f4cf899%40sessionmgr103&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=130602340&db=hlh
[2] https://search.proquest.com/docview/879228545/fulltext/34F0E5DA2B694649PQ/1?accountid=17233
[3] https://search.proquest.com/docview/897851275/fulltext/101A1625FC824D32PQ/1?accountid=17233
References
- ^ Hilditch, L., 2018. BELIEVE IT! Lee Miller's Second World War Photographs as Modern Memorials. Journal of War & Culture Studies, 3 July, 11(3), pp. 209 - 222.
- ^ Miller, L., 1944. People and Ideas: U.S.A. Tent Hospital in France. Vogue, 15 September, 104(5), pp. 138, 139, 149, 141, 142, 143, 204, 205, 206, 207, 208, 209, 210, 211, 219.
- ^ Miller, L., 1945. Features/Articles/People: Germans are Like This: The German people - audacious, servile, well-fed - have forgotten that they are Nazis, the we are their enemies. Notes on Germany now .... Vogue, 1 June, 105(10), pp. 102j, 192, 193.
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