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John M. Ford

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John M. Ford portrait 2000

John Milo "Mike" Ford (April 10, 1957September 25, 2006) was an American science fiction and fantasy writer, game designer, and poet.

Ford was widely regarded, and all obituaries, tributes and memories describe him, as an extraordinarily intelligent, erudite and witty man. He was a popular contributor to several online discussions. He composed poems, often improvised, in both complicated forms and blank verse, notably Shakespearean pastiche; he also wrote pastiches and parodies of many other authors and styles. At Minicon and other science fiction conventions he would perform "Ask Dr. Mike", giving humorous answers to scientific and other questions in a lab coat before a whiteboard.

Dr. Mike at Minicon 38 in 2003

Life

Ford was born in East Chicago, Indiana, and raised in Whiting, Indiana.[1] In the mid-1970s he attended Indiana University Bloomington, where he was active in the IU science fiction club and Society for Creative Anachronism (using the name Miles Atherton de Grey); while there, he published his first short story "This, Too, We Reconcile" in the May 1976 Analog.

Ford left IU and moved to New York to work in the newly-founded Isaac Asimov's Science Fiction Magazine,[1] where since mid-1978 he published poetry, fiction, articles, and game reviews; although his last non-fiction appeared there in September 1981, he was tenth most frequent contributor for the 1977-2002 period.[2] About 1990, he moved to Minneapolis.[1] In addition to writing, he worked at various times as a hospital orderly, computer consultant, slush pile reader, and copy editor.

Ford suffered from complications related to diabetes since childhood and also had renal dysfunction which required dialysis and in 2000, a kidney transplant which improved his quality of life considerably. He was found dead from natural causes in his Minneapolis home on September 25, 2006 by his partner[1] since the mid-1990s, Elise Matthesen. He was a prominent member of the Friends of the Minneapolis Public Library, which established a John M. Ford Book Endowment after his death [1] with the donations to be used as interest-generating capital for yearly purchase of new books.

Work

The best-selling fantasy genre writer in the country, James Rigney (pen name: Robert Jordan), called Ford "the best writer in America — bar none." New York Times best-selling sci-fi author and Wisconsinite Neil Gaiman called Ford "my best critic … the best writer I knew."   ...
"Most normal people had the slight sense that something large and super-intelligent and trans-human had sort of flown over," said Patrick Nielsen Hayden... "There would be a point where basically the plot would become so knotted and complex he would lose all of us."[1]

Though Ford's novels varied in setting and style, several were of the Bildungsroman (coming-of-age) type: in Web of Angels, The Final Reflection, Princes of the Air, Growing Up Weightless, and The Last Hot Time, Ford wrote variations on the theme of growing up, learning about one's world and one's place in it, and taking responsibility for it — which involves taking on the power and wisdom to influence events, to help make the world a better place.

Otherwise, Ford's works are characterized by an aversion to doing things that have been done before. This is perhaps most notable in his two Star Trek novels, The Final Reflection (1984) and How Much for Just the Planet? (1987). The Final Reflection is the story of a small group of Klingons who prevent a war between the Klingon Empire and the Federation while the regular series characters are relegated to cameo appearances. (This novel introduced the fictional language Klingonaase.) In How Much for Just the Planet?, the Enterprise crew compete with a Klingon crew for control of a planet, whose colonists are not happy with this and defend their peace in inventive ways, which soon make everything a farce. Both novels present the Klingons in a more positive light, not just as the token evil menace of the week,[3] while giving strong hints that the United Federation of Planets is not quite the shining utopia of goodwill and interspecies fellowship generally depicted in the television series.

Ford avoided repetition not only of the work of others, but also of his own work. Where many writers make a name for themselves by developing a known style that repeats in many books, Ford always surprised with his ability to use a variety of styles that best suited the world, characters, and situations he had chosen to write about. This might have limited his readership, however he was much respected by his fellow writers, editors, critics and fans.

Bibliography

Books

  • Web of Angels (1980, Pocket Books, ISBN 0-671-82947-5; 1992, Tor Books, ISBN 0-8125-0959-5), an early exploration of some topics that would later be described as cyberpunk
  • The Princes of the Air (1982, Pocket Books, ISBN 0-671-44482-4; 1991, Tor Books, ISBN 0-8125-0958-7), a space opera
  • The Dragon Waiting (1983, Timescape Books, ISBN 0-671-47552-5; 1985, Avon Books, ISBN 0-380-69887-0; 2002, Gollancz, ISBN 0-575-07378-0), a fantasy alternate history combining vampires, the Medicis, and the convoluted English politics surrounding Edward IV and Richard III; winner of the 1984 World Fantasy Award
  • The Final Reflection (1984, Pocket Books, ISBN 0-671-47388-3; 1985, Ultramarine, ISBN 0-318-37547-8; 1985, Gregg Press, ISBN 0-8398-2885-3; 1991, Pocket Books, ISBN 0-671-74354-6; 2004, Pocket Books, ISBN 0-7434-9659-0 [omnibus edition]), a Star Trek tie-in novel
  • How Much for Just the Planet? (1987, Pocket Books, ISBN 0-671-62998-0; 1990, ISBN 0-671-72214-X; 1991, ISBN 0-671-03859-1), a Star Trek tie-in novel
  • The Scholars of Night (1988, Tor Books, ISBN 0-312-93051-8; 1989, ISBN 0-8125-0214-0), a high tech Cold War thriller involving an undiscovered Christopher Marlowe play
  • Casting Fortune (1989, Tor Books, ISBN 0-8125-3815-3), a collection of stories set in the Liavek shared world, reprints "A Cup of Worrynot Tea" and "Green Is the Color" and original story "The Illusionist"
  • Fugue State (1990, Tor Books, ISBN 0-8125-0813-0), a longer version of the novella of the same name, published as Tor SF Double No. 25 with The Death of Doctor Island by Gene Wolfe
  • Growing Up Weightless (1993, Bantam Spectra, ISBN 0-553-37306-4; 1994, ISBN 0-553-56814-0), a Bildungsroman set on a human-colonized Moon; joint winner of the 1993 Philip K. Dick Award
  • Timesteps (1993, Rune Press), a selection of poems
  • From the End of the Twentieth Century (1997, NESFA Press, ISBN 0-915368-74-9, ISBN 0-915368-73-0), a collection of short stories, poetry, and essays [2]
  • The Last Hot Time (2000, Tor Books, ISBN 0-312-85545-1; 2001 paperback, ISBN 0-312-87578-9), urban fantasy set in a magical Chicago, Illinois
  • Heat of Fusion and Other Stories (2004, Tor Books, ISBN 0-312-85546-X), a collection of short stories and poetry, finalist for the World Fantasy Award in 2005

With Darrell Schweitzer and George H. Scithers, Ford co-authored On Writing Science Fiction (The Editors Strike Back!) (1981, Owlswick Press, ISBN 0-913896-19-5; Wildside Press 2000, ISBN 1-880448-78-5), a writers' manual with advice illustrated by short stories that were first sales to IASFM [3].

Some shorter works

  • "A Cup of Worrynot Tea" in Liavek: The Players of Luck (1986, edited by Emma Bull and Will Shetterly)
  • "Green Is the Color", "Eel Island Shoals" (song), "Pot-Boil Blues" (song) in Liavek: Wizard's Row (1987, edited by Emma Bull and Will Shetterly)
  • "Riding the Hammer" in Liavek: Spells of Binding (1988, edited by Emma Bull and Will Shetterly)
  • "The Grand Festival: Sestina" (poem), "Divination Day: Invocation" (poem), "Birth Day: Sonnet" (poem), "Procession Day/Remembrance Night: Processional/Recessional" (poem), "Bazaar Day: Ballad" (poem), "Festival Day: Catechism" (poem), "Restoration Day: Plainsong" in Liavek: Festival Week (1990, edited by Emma Bull and Will Shetterly)
  • "Scrabble with God", IASFM October 1985, reprinted in From the End of the Twentieth Century

Ford published a variety of short fiction and poetry, from short short stories that are essentially fantastic jokes, to novellas revealing a deep understanding of human frailties and emotions. His poem "Winter Solstice, Camelot Station" won the World Fantasy Award for Short Fiction in 1989.

Ford published some children's fiction under pseudonyms that he did not make public, and two children's gamebooks under house names Michael J. Dodge (Star Trek: Voyage to Adventure, 1984) and Milo Dennison (The Case of the Gentleman Ghost, 1985).

Ford plotted three issues of Captain Confederacy alternate history comics in the late 1980s and wrote issue number 10, "Driving North."

Ford also contributed to The World of Robert Jordan's The Wheel of Time (2001, Tor Books, ISBN 0-312-86936-3), drawing some of the maps.

Games

  • The Yellow Clearance Black Box Blues (1985, West End Games, ISBN 0-87431-027-X), an adventure for the Paranoia roleplaying game
  • GURPS Time Travel with Steve Jackson (1991, Steve Jackson Games, ISBN 1-55634-115-6), a resource book for the GURPS roleplaying game
  • GURPS Y2K with Steve Jackson et al. (1999, Steve Jackson Games, ISBN 1-55634-406-6), a resource book for the GURPS roleplaying game
  • GURPS Traveller: Starports (2000, Steve Jackson Games, ISBN 1-55634-401-5), a resource book for the GURPS Traveller roleplaying game
  • GURPS Infinite Worlds with Steve Jackson and Kenneth Hite (2005, Steve Jackson Games, ISBN 1-55634-734-0), a resource book for the GURPS roleplaying game

Ford further wrote Klingon manuals for the Star Trek role-playing game [4], and a number of RPG articles, which appeared in Autoduel Quarterly, Pyramid, Roleplayer, Space Gamer, and Journal of the Travellers' Aid Society.

In The Final Reflection he described a chess-like game played by Klingons, klin zha, which has been adopted by Klingon fandom.

Awards

Nominations

References

  1. ^ a b c d e Tad Vezner, Crafters of sci-fi attend obscure writer's eulogy: Peers laud Minneapolis author for his unpredictable works, St. Paul Pioneer Press, October 28, 2006. Discussion of the article and a few factual errors in it by fans
  2. ^ James Patrick Kelly, On the Net: Frequent Fliers, Asimov's 4/2003. See also Ford's entries in the Asimov's index.
  3. ^ It has been suggested that Ford's sympathetic portrayal of Klingon culture influenced the later canonical TV and movie depictions of honor-driven Klingons (such as Worf); certainly it influenced many Klingon fans. See The Final Reflection – Influence of the book and Burns's article linked below.

Texts by Ford online

About Ford

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