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Ouija

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For the photographer, see Weegee. For the 2007 Philippine film, see Ouija (film).
File:Ouijiwie.png
U.S. patent D056449. Design patent for toys (D21/813) which was filed May 26, 1920. Issued Oct 26, 1920. Patentee was Clifford H. McGlasson.

A ouija (often pronounced "wee-gee" or called weegee box) is any flat surface printed with letters, numbers, and other symbols, to which a planchette or movable indicator points, supposedly in answer to questions from people at a séance. The fingers of the participants are placed on the planchette that then moves about the board to spell out messages. Ouija is a trademark for a talking board currently sold by Parker Brothers.[1] While the word is not considered a genericized trademark, it has become a trademark which is often used generically to refer to any talking board. In popular culture these boards are considered to be a spiritual gateway used to contact the dead; however, the only evidence for this is the various accounts of users.

History

According to some sources, the first historical mention of something resembling a Ouija board is found in China around 1200 B.C., a divination method known as Fu Ji (扶乩).[citation needed] Other sources claim that according to a French historical account of the philosopher Pythagoras, in 540 B.C. his sect would conduct séances at "a mystic table, moving on wheels, moved towards signs, which the philosopher and his pupil, Philolaus, interpreted to the audience as being revelations supposedly from an unseen world."[2] However, other sources call both claims into dispute, claiming that Fu Ji is spirit writing, not the use of a spirit board, and that there is no record of Pythagoras or his students actually having used this method of achieving oracles or divinations.[3] In addition, the claim of ancient Greek use is called into doubt by questions of historical accuracy, as Philolaus was never the pupil of Pythagoras, and indeed was born roughly twenty-five years after Pythagoras's death.

The first undisputed use of the talking boards came with the Spiritualism movement in The United States in the mid-19th century. Methods of divination at that time used various ways to spell out messages, including swinging a pendulum over a plate that had letters around the edge or using an entire table to indicate letters drawn on the floor. Often used was a small wooden tablet supported on casters. This tablet, called a planchette, was affixed with a pencil that would write out messages in a fashion similar to automatic writing. These methods may predate modern Spiritualism.

During the late 1800s, planchettes were widely sold as a novelty. The businessmen Elijah Bond and Charles Kennard had the idea to patent a planchette sold with a board on which the alphabet was printed. The patentees filed on May 28, 1890 for patent protection and thus had invented the first Ouija board. Issue date on the patent was February 10, 1891. They received U.S. patent 446,054. Bond was an attorney and was an inventor of other objects in addition to this device. An employee of Kennard, William Fuld took over the talking board production and in 1901, he started production of his own boards under the name "Ouija".[3] The Fuld name would become synonymous with the Ouija board, as Fuld reinvented its history, claiming that he himself had invented it. Countless talking boards from Fuld's competitors flooded the market and all these boards enjoyed a heyday from the 1920s through the 1960s. Fuld sued many companies over the "Ouija" name and concept right up until his death in 1927. In 1966, Fuld's estate sold the entire business to Parker Brothers, who continues to hold all trademarks and patents. About 10 brands of talking boards are sold today under various names.[3]

Etymology

There are several theories about the origin of the term "Ouija". According to one of these, the word is derived from the French "oui" (for "yes") and the German/Norwegian "ja" (also for "yes"). An alternative story suggests that the name was revealed to inventor Charles Kennard during a Ouija séance and was claimed to be an Ancient Egyptian word meaning "good luck." It has also been suggested that the word was inspired by the name of the Moroccan city Oujda. Despite its common usage, "Ouija" is a registered trademark[4][5] (but the term "Ouija Board" has been abandoned as a registered trademark[6]).

Explanation

Scientific explanation

People believe the motion of the planchette is explained by the ideomotor effect. A typical session with the board has two or more people touching the planchette with at least one hand each, so that no single person need apply much force in order for the group as a whole to cause it to move. Each person experiences the illusion that the planchette moves under its own power.

Skeptic and magician James Randi, in his book An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural, points out that when blindfolded, Ouija board operators are unable to produce intelligible messages.[7] Magicians Penn & Teller performed a similar demonstration in an episode of their cable television show Bullshit! in which the operators moved the planchette into what they thought was the positions of "yes" and "no" without knowing that the board was turned upside-down, which caused them to move the planchette into blank spaces on the board.

Spiritualist explanation

Spiritualists who believe Ouija boards can be used to make actual contact with the spirit world feel that the act of hindering a medium’s ability to use his or her own eyes while the board is in use effectively places too great of a handicap on the whole exercise (see ad hoc hypothesis). (This argument stems from the belief that contacted spirits actually utilize the eyes of the medium during a Ouija session in order to point to the letters and words needed to form a message.) Most believers of this notion believe that the board has no intrinsic power in and of itself, but rather, is used simply as a tool to aid a medium while in communication with the spirit world. Although many people have made positive connections with the Ouija board, there have been several horrifying myths and stories.[8]

Literature

Talking boards have become an iconic part of culture, demonstrated by their appearances in many books and movies. Their roles in such vary from being a benign object to an evil entity. A more peculiar role of talking boards in literature stems from authors using the board to channel complete written works from the deceased.

In the early 1900s, St. Louis housewife Pearl Curran used her Ouija board communications with the ubiquitous spirit Patience Worth to publish a number of poems and prose. Pearl claimed that all of the writings came to her through séances, which she allowed the public to attend. In 1917 writer Emily G. Hutchings believed she had communicated with and written a book dictated by Mark Twain from her Ouija board. Twain's living descendants went to court to halt publication of the book that was later determined to be so poorly written that it could not have been written by Twain dead or alive.

Sylvia Plath's poem Ouija was influenced by the experiments she and Ted Hughes made with a board. Her Dialogue over a Ouija Board, written in 1957, incorporates the text of one of the sessions.

Author John Fuller used a Ouija board in his research for his 1976 book The Ghost of Flight 401. As he was skeptical of its effectiveness, he worked with a medium and claimed they both contacted Don Repo, the flight engineer on the flight which crashed into the Everglades en route to Miami. According to Fuller, the information divined described facts that neither he nor the medium previously knew.

More recently, Pulitzer Prize winning poet James Merrill used a Ouija board and recorded what he claimed were messages from a number of deceased persons. He combined these messages with his own poetry in The Changing Light at Sandover (1982).

Criticism of Ouija boards

Although Ouija boards are viewed by some to be a simple toy, there are people who believe they can be harmful, including Edgar Cayce, who called them "dangerous."[9] Critics warn that "evil demons" pretend to be cooperative ghosts in order to trick players into becoming spiritually possessed.

Some practitioners claim to have had bad experiences related to the use of talking boards by being haunted by "demons," seeing apparitions of spirits, and hearing voices after using them. A few paranormal researchers, such as John Zaffis, claim that the majority of the worst cases of so-called demon harassment and possession are caused by the use of Ouija boards. The American demonologists Ed and Lorraine Warren, stated that "Ouija boards are just as dangerous as drugs."[10] They further state that "séances and Ouija boards and other occult paraphernalia are dangerous because 'evil spirits' often disguise themselves as your loved ones—and take over your life."[11]

In 1944, occultist Manly P. Hall, the founder of the Philosophical Research Society and an early authority on the occult in the 20th century, stated in Horizon magazine that, "during the last 20-25 years I have had considerable personal experience with persons who have complicated their lives through dabbling with the Ouija board. Out of every hundred such cases, at least 95 are worse off for the experience." He went on to say that, "I know of broken homes, estranged families, and even suicides that can be traced directly to this source."[12]

Many Christians hold the belief that using a Ouija board allows communication with demons, which they say is Biblically forbidden as a form of divination.[13] Some people who claim to have been oppressed by evil spirits after using a board say that they could only get rid of these problems after Christian deliverance.[14] Many Christians believe that no dead person's soul can be summoned, and that the only summoned spirits are demons who are trying to harm humans.[15]

As early as 1924, Harry Houdini wrote that five people from Carrito, California were driven insane by using a board.[16] That same year, Dr. Carl Wickland in his book stated that "the serious problem of alienation and mental derangement attending ignorant psychic experiments was first brought to my attention by cases of several persons whose seemingly harmless experiences with automatic writing and the Ouija board resulted in such wild insanity that commitment to asylums was necessitated."[17]

The former medical director of the State Insane Asylum of New Jersey, Dr. Curry, stated that the Ouija board was a "dangerous factor" in unbalancing the mind and believed that if their popularity persisted insane asylums would be filled with people who used them.[18]

Decades later, in 1965, parapsychologist Martin Ebon in his book Satan Trap: Dangers of the Occult, states that "it all may start harmlessly enough, perhaps with a Ouija board," which will, "bring startling information... establishing credibility or identifying itself as someone who is dead. It is common that people... as having been 'chosen' for a special task." He continues, "Quite often the Ouija turns vulgar, abusive or threatening. It grows demanding and hostile, and sitters may find themselves using the board compulsively, as if 'possessed' by a spirit, or hearing voices that control or command them."[19]

In her 1971 autobiography, the psychic Susy Smith said, "Warn people away from Ouija and automatic writing. I experienced many of the worst problems of such involvement. Had I been forewarned by reading that such efforts might cause one to run the risk of being mentally disturbed, I might have been more wary."[20]

Additionally, the late Roman Catholic priest Malachi Martin believed talking boards are dangerous and claimed that by using these devices a person opens themselves to demonic oppression or possession, topics upon which Martin spoke and wrote extensively for many years.[21]

Crowley and Modern Occultism

Little is published regarding Aleister Crowley's advocacy of the Ouija Board. Yet, he had great admiration for the use of one and the Ouija board played a passing role in his magical workings.[22][23]

Jane Wolfe, who lived with Crowley at his infamous Abbey of Thelema, also used the Ouija board. She credits some of her greatest spiritual communications to use of this implement. Crowley also discussed the Ouija board with another of his students, and the most ardent of them, Frater Achad (Charles Stansfeld Jones): it is frequently mentioned in their unpublished letters.

Throughout 1917 Achad experimented with the board as a means of summoning Angels, as opposed to Elementals. In one letter Crowley told Jones: "Your Ouija board experiment is rather fun. You see how very satisfactory it is, but I believe things improve greatly with practice. I think you should keep to one angel, and make the magical preparations more elaborate."

Over the years, both became so fascinated by the board that they discussed marketing their own design. Their discourse culminated in a letter, dated February 21, 1919, in which Crowley tells Jones, "Re: Ouija Board. I offer you the basis of ten percent of my net profit. You are, if you accept this, responsible for the legal protection of the ideas, and the marketing of the copyright designs. I trust that this may be satisfactory to you. I hope to let you have the material in the course of a week." In March, Crowley wrote to Achad to inform him, "I'll think up another name for Ouija." But their business venture never came to fruition and Crowley's new design, along with his name for the board, has not survived.

Crowley has stated, of the Ouija Board, that, "There is, however, a good way of using this instrument to get what you want, and that is to perform the whole operation in a consecrated circle, so that undesirable aliens cannot interfere with it. You should then employ the proper magical invocation in order to get into your circle just the one spirit you want. It is comparatively easy to do this. A few simple instructions are all that is necessary, and I shall be pleased to give these, free of charge, to any one who cares to apply."[24]

Other Notable users

  • GK Chesterton used a Ouija board. Around 1893 he had gone through a crisis of skepticism and depression, and during this period Chesterton experimented with the Ouija board and grew fascinated with the occult. [25]
  • Poet James Merrill used a Ouija board for years, and even encouraged entrance of spirits into his body. He wrote the poem "The Changing Light at Sandover" with the help of a Ouija board. Before he died, he recommended people to not use Ouija boards.[26]
  • Italian Prime Minister Romano Prodi claimed under oath that, in a séance held in 1978 with other professors at the University of Bologna, the "ghost" of Giorgio La Pira spelled the name of the street where Aldo Moro was being held by the Red Brigades in a Ouija. According to Peter Popham of The Independent: "Everybody here has long believed that Prodi's ouija board tale was no more than an ill-advised and bizarre way to conceal the identity of his true source, probably a person from Bologna's seething far-left underground whom he was pledged to protect."[27]
  • Bill Wilson the co-founder of Alcoholics Anonymous used the Ouija Board to contact spirits.[28] His wife said that he would get messages directly without even using the board.[29]For a while, his participation in AA was deeply affected by his involvement with the Ouija board. Wilson claimed that he received the twelve step method directly from a spirit without the board and wrote it down.[30]
  • The investigators of Most Haunted have been known to use Ouija Boards.
  • Razorlight singer Johnny Borrell is said to have used an Ouija board to help him write songs, particularly "Keep the Right Profile" and "Hold On".
  • Bone Thugs-N-Harmony are noted for their use of the Ouija board during their highschool years. They made songs called "Mr. Ouija" and "Mr. Ouija 2". The group has since said that they quit using the Ouija board.
  • '70s powerpop band Cheap Trick got its name from an Ouija board. They asked it what was for dinner, and by collectively moving the planchette, they spelled out "Cheap trick."
  • On the July 25, 2007 edition of the paranormal radio show Coast to Coast AM, host George Noory attempted to carry out a live Ouija board experiment on national radio despite the strong objections of one of his guests, Jordan Maxwell, and with the encouragement of his other guests, Dr. Bruce Goldberg, Rosemary Ellen Guiley and Jerry Edward Cornelius. In the days and hours leading up to the show, unfortunate events kept occurring to Noory's friends and family as well as some of his guests, but these events would likely be considered coincidences by skeptics. After recounting a near-death experience in 2000 and noting bizarre events taking place, Noory canceled the experiment.
  • In 1963, Jane Roberts and her husband, Robert Butts, experimented with a Ouija board as part of Robert's research for a book on extra-sensory perception. According to Roberts and Butts, on December 2, 1963 they began to receive coherent messages from a male personality who eventually identified himself as Seth. Jane Roberts authored three books of channeled material from Seth.
  • In the music video of "Bittersweet" (Apocalyptica feat. Ville Valo and Lauri Ylönen), Ville and Lauri are seen using a Ouija board.
  • Matthew Bellamy, lead singer of rock band Muse, has said that his mother was a medium. When he was a young boy, he and his family played with Ouija boards.
  • The Mars Volta have written the album, The Bedlam in Goliath in an attempt to reverse the bad luck from an Ouija board that Omar Rodriguez-Lopez bought on a trip to Jerusalem and later buried after a disastrous tour. The Vinyl version will come with it's own Ouija board built into the gatefold.
  • In one episode of Monty Python's Flying Circus, a squad of police officers use an Ouija board to obtain information about a suspect. They receive the message "UP YOURS".
  • In the TV show Aqua Teen Hunger Force, Meatwad gets a game for his Atari called Video Ouija and when he turns two joysticks upside down and draws a pentagram on the floor, he can contact the dead people trapped in the game.

Other types of boards

Other iterations of the board exist in Asia. These are all home-made, with words written on paper in local languages. The planchette is replaced by other items, most commonly a pen, a dish (Chinese condiment saucer) or a coin. It is often played by inquisitive teenagers.

Various horror movies have been made about the consequences of playing with these incarnations of the board, most notably by the Hong Kong and South Korea movie industry. One of the more well-known movies to date is the 2004 South Korean film Bunshinsaba.

See also

References

Footnotes

  1. ^ United States Patent and Trademark Office retrieved 22/08/07
  2. ^ Melton, J. Gordon (1996). Encyclopedia of Occultism & Parapsychology (4th ed.). Gale Research. ISBN 0-8103-9487-1
  3. ^ a b c http://www.museumoftalkingboards.com/ancient.html
  4. ^ http://tess2.uspto.gov/bin/showfield?f=doc&state=vs2op0.2.3
  5. ^ http://tess2.uspto.gov/bin/showfield?f=doc&state=vs2op0.2.1
  6. ^ http://tess2.uspto.gov/bin/showfield?f=doc&state=vs2op0.2.2
  7. ^ Randi, James (1995). "An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural". St. Martin's Press. Retrieved 2007-03-28.
  8. ^ Museum of Talking Boards
  9. ^ An American Prophet, Sidney D. Kirkpatrick, Riverhead Books, 2000
  10. ^ Graveyard Ed and Lorraine Warren, 1992, pages 137-138
  11. ^ Graveyard Ed and Lorraine Warren, 1992, pages 137-138
  12. ^ Horizon Magazine, Manly P. Hall, October-December 1944, pages 76-77
  13. ^ Contemporary Christian Divination, by Bob DeWaay
  14. ^ Dialog with a Demon, by Lona Kay
  15. ^ The Ouija Board:A Doorway to the Occult, Edmund C. Gruss, P & R Publishing, Chapter 3, 1994.
  16. ^ A Magician Among the Spirits, Harry Houdini, Harper, 1924
  17. ^ Thirty years Among the Dead, Dr. Carl Wickland, 1934
  18. ^ Edmund The Ouija Board: Doorway to the Occult, Edmund C. Gruss, Moody Press, Chicago, Illinois 1995 page 75.
  19. ^ Satan Trap: Dangers of the Occult, Martin Ebon
  20. ^ Confessions of a Psychic, Susy Smith, 1971
  21. ^ Hostage to the Devil: The Possession and Exorcism of Five Americans, Malachi Martin, 1976
  22. ^ Cornelious, J. Edward Aleister Crowley and the Ouija Board. 2005 ISBN 978-1-932595-10-9
  23. ^ Mini site for Cornelious, J. Edward’s book, Aleister Crowley and the Ouija Board, http://feralhouse.com/press/mini_sites/ouija/
  24. ^ Cornelious, J. Edward Aleister Crowley and the Ouija Board. 2005 ISBN 978-1-932595-10-9
  25. ^ http://www.bbc.co.uk/radio4/history/greatlives/ingrams_chesterton.shtml
  26. ^ Ouija: The Most Dangerous Game, Stoker Hunt, Chapter 6, pages 44-50.
  27. ^ Popham, Peter (2005-12-02). "The seance that came back to haunt Romano Prodi". The Independent. Retrieved 2007-11-28. {{cite web}}: Cite has empty unknown parameter: |1= (help)
  28. ^ Pass It On, New York A. A., 1984, page 278.
  29. ^ Pass It On, New York A. A., 1984, pages 278-279.
  30. ^ Pass It On, New York A. A., 1984, pages 196-197.
  31. ^ [1]

Books

Information on talking boards

Skeptics

Others

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