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Idlewild (band)

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Idlewild

Idlewild are a Scottish rock band, originally based in Edinburgh. The band is composed of Roddy Woomble (lead vocals), Rod Jones (guitar, backing vocals), Colin Newton (drums), Allan Stewart (guitar) and Gareth Russell (bass). To date, the band has released five studio albums.

Initially, the band's sound obeyed the conventions of 1990s British indie-punk guitar music, however, unlike many of their contemporaries, it developed over time, from an edgy and angular sound (as heard in their early material - once described by the NME as "the sound of a flight of stairs falling down a flight of stairs"[1]) to a sweeping, melodic rock sound as displayed on The Remote Part and Warnings/Promises. While Idlewild's sound cannot be easily placed into a specific genre, they have clearly been influenced by the likes of: Gang Of Four, R.E.M., The Smiths and Fugazi.

Part of Idlewild's early success can be attributed to their singles gaining heavy rotation on Steve Lamacq's Evening Session on BBC Radio 1. Alongside his all-round endorsement of the band, Lamacq often cites them as one of his favourite bands.

Currently, the band are in the midst of writing their sixth full-length album.

History

Beginnings, Captain and Hope Is Important (1995–1998)

Idlewild, named after the quiet meeting place in Anne of Green Gables, formed in December 1995 in Edinburgh, Scotland when a 19 year-old Roddy Woomble met drummer Colin Newton at a party. The two discovered that they had much in common, including similar musical interests and record collections. By the end of the night, they had discussed forming a band together. On the same night, the two were introduced to guitarist Rod Jones and the three kept in contact afterwards, meeting up to listen to music. Soon, the trio began writing songs together, and, in need of a bassist, they brought Phil Scanlon into the fold, due to the fact that he owned a bass guitar.

Idlewild played their first show on 16 January, 1996, at the Subway Club in Edinburgh to a crowd of thirty friends, which led to many more shows around Edinburgh throughout the course of the year. In May, 1996 the band, now with over twenty songs written, entered Split Level Studios to record. The tape of these recordings earned the band many bookings at various venues around Scotland, including Glasgow. Local publications that heard the tape reviewed it favorably.

Phil Scanlon decided to leave the band in February, 1997 to concentrate on his studies. Since leaving Idlewild, he has become a highly successful chemical engineer and currently resides in Detroit. Woomble asked Bob Fairfoull to replace the departing bassist. Fairfoull had been present at every Idlewild show since the summer of 1996, and had impressed the others with his spoken-word, solo acoustic shows as well as his performances with Edinburgh band, Pussy Hoover. Fairfoull's debut with the band took place on 28 February at Glasgow bar, Nice N' Sleazy's.

The band's debut single "Queen of the Troubled Teens" was released on 17 March 1997, and built upon the chaotic reputation of their shows. Radio Scotland DJ Peter Easton, and influential Radio One DJ Steve Lamacq, came across copies. Lamacq was particularly impressed with the track "Self Healer" and asked, on the air, that if anyone knew anything about the band, they should contact him. In the summer of 1997, Idlewild played their first London shows which were attended by the likes of Lamacq, and representatives from Deceptive Records. Reviews at this time, in the pages of NME and Melody Maker compared their live gigs to "a flight of stairs falling down a flight of stairs". The band were soon asked to record a single for Fierce Panda and to record an EP/mini-album with Deceptive Records. In October 1997, the band spent six days with producer Paul Tipler in South London. The result was Captain, which the band describes as "an innocent, frank nugget of noise pop magic". After the release of the "Chandelier" single, the band signed a deal with Food Records/EMI in December. Following the record deal, the members quit their respective jobs or university courses.

1998 marked the year where the public became actively aware of Idlewild, who kicked off the year with their first UK tour, supporting the band Midget. The release of Captain, on January 18, received positive reviews in the NME, Melody Maker and Kerrang!. In February the band re-entered the studio, once again with Paul Tipler to record their first full-length album for Food Records. Two singles were released before the album's release, "A Film for the Future" (compared to "Smells Like Teen Spirit" by one journalist) and "Everyone Says You're So Fragile". Both singles helped to expand the band's growing fanbase alongside notable appearances at summer festivals. October marked the arrival of their debut album Hope Is Important which the band now describes as "a confused, skewered, noisy, sad pop record". Further singles from the album included, "I'm a Message" and fan favorite, "When I Argue I See Shapes". Tours supporting Ash, Placebo and Manic Street Preachers followed the release.

100 Broken Windows (1999–2001)

Idlewild eventually returned to Edinburgh in 1999 to begin writing new songs, and contacted engineer Bob Weston, from Chicago, who recorded six songs with them in London. These songs held a more aggressive, emptier sound than those previously, and the band were pleased with the results; however, they remained unsure of their direction. During the summer, Idlewild were invited to play at the opening of the Scottish Parliament in Edinburgh, a momentous day for Scottish history. Scotland is where the band would remain for a while, letting the surrounding environment influence their songwriting and letting the songs represent the band as they were. Hitting a stride, the band returned to the studio with producer Dave Eringa and recorded "Little Discourage" and "Roseability" in their first session. Very happy with the results, the band continued to record what would become their second full-length album, 100 Broken Windows. The song "Little Discourage" was released in September and brought Idlewild a larger fan-base and much more radio play. Hope Is Important was released in America, and to support it, the band performed a small number of tour dates on the East Coast. The remainder of the year was spent mixing the new album in Glasgow.

In March the following year, the band released "Actually it's Darkness" and embarked on their biggest UK tour to date. Jeremy Mills joined the band on tour, playing guitar and keyboards. Their sound had now evolved from simplistic punk-rock to a more mature sound resembling R.E.M., Echo and the Bunnymen, and Smiths. 100 Broken Windows reached silver status in the UK and the band went on tour in Europe and North America. Further singles released from the album included "These Wooden Ideas" and "Roseability".

As 2001 began, the band entered the studio once again, this time with producer Stephen Street to record songs written in the last half of 2000. While happy with the results the band put their next album aside to tour America. American music magazine Spin named 100 Broken Windows the "number one album you didn't hear in 2000" and the album received other rave reviews in the American press on its release in April. Whilst touring the album in America, Allan Stewart replaced Jeremy Mills as touring guitarist.

The Remote Part (2001–2003)

Idlewild eventually moved up to the highlands of Scotland and began the writing and demoing process of what would become The Remote Part. Both Allan and Jeremy joined the band in a cottage in Inchnadamph, Sutherland. Woomble began a friendship with Scottish poet laureate Edwin Morgan who would eventually end up on the song "Scottish Fiction," the album's closing track. The remainder of the year was spent recording and mixing the album in various locations with producer Dave Eringa. This period marked the band's longest absence from performing.

The first single from the album, "You Held the World in Your Arms", became 'A-listed' on Radio One and entered the UK Singles Chart at number nine, marking the band's biggest hit to date. A UK tour followed with Ikara Colt supporting and a second single, "American English", was released. On release, The Remote Part entered the album charts at number three, and was considered a record of considerable depth, as well as one of the most melodic records of the year. The album went gold in the UK and a third single, "Live in a Hiding Place", was released as the band embarked upon a four-month European tour in September, which included supporting dates with Coldplay.

On 29 September, Bob Fairfoull left the band, following a show in Amsterdam. Fairfoull had become increasingly distant from the band over the past year. The band and Fairfoull remain friends, and Bob now plays bass with Edinburgh-based band Degrassi and Paper Beats Rock. Longtime Irish friend, Gavin Fox, joined the band as his replacement, while touring guitarist, Allan Stewart, became a permanent member of the band. While Fox learned his parts in Dublin, technician and friend Alex Grant filled in to assist the band.

2002 was Idlewild's most successful year, with The Remote Part entering many 'Best of the Year' lists.

With Gavin and Allan officially in the band, Idlewild spent January of the following year writing songs and practising in an old lighthouse outside Edinburgh. A final single from The Remote Part, "A Modern Way of Letting Go", introduced the new lineup to the UK via several television appearances and another short tour of Britain and Ireland.

The Remote Part received its US release in March 2003 and the band embarked upon a cross-continent, nine-week headline tour playing their biggest US shows in New York City and Los Angeles. The band then returned to America in May at the request of Pearl Jam, who asked the band to open one leg of their Riot Act world tour. These were the biggest venues Idlewild had played in, and they found friends in Pearl Jam, even playing with them onstage on the final night in Chicago. Subsequently, in June 2007 Pearl Jam requested Idlewild to support them for a one-off date at Wembley Arena.

Warnings/Promises (2003–2005)

The band then returned to Scotland to reflect upon the year, and soon headed for a house in Glenelg in the Scottish Highlands to start working on songs for the next record. Writing continued intermittently until early December (pausing only to open for The Rolling Stones in September at Glasgow's SECC).

As 2004 began, Idlewild spent the first four months of the year writing and demoing new songs up in the Scottish Highlands, and in Roddy's flat in London. The band chose to work with American producer Tony Hoffer and flew out to Los Angeles and spent the next three months recording and mixing the new songs. This marked the first time Idlewild had recorded an album all in one go.

The band finished up the record in October 2004, in New York with mixer, Michael Brauer. Roddy rented a room on the Lower East Side and stayed there for the remainder of the year, listening to the album they'd just made. 2004 became the first in the band's existence devoted almost entirely to writing and recording an album. At the end of this year they titled it Warnings/Promises.

2005 began with a series of acoustic shows around the UK. The first single from Warnings/Promises, entitled "Love Steals Us from Loneliness", appeared in February and became Idlewild's fourth Top 20 single. The album followed two weeks later and debuted within the UK Top Ten. Warnings/Promises received mainly positive reviews; however, some critics and fans disliked the band's direction with this album.

In the UK, the band embarked upon an extensive UK tour, changing the setlist every night and revisiting songs from each of their albums. In the summer, Idlewild played a number of festivals and opened shows for U2, R.E.M. and the Pixies. The year ended with a Christmas show at the band's "spiritual home", famed venue the Glasgow Barrowlands.

In November, the band announced that they had parted ways with their record company Parlophone after fulfilling their contractual obligation over eight years, leaving them without a record deal. However, despite rumors that they were breaking up, the band claimed that they were looking forward to the future. [2]

After their December Barrowlands gig, Gavin Fox left the band and was replaced by former Astrid bassist Gareth Russell.

Make Another World (2006-2007)

Idlewild performing at The Outsider festival in Aviemore, June 23, 2007.

In July 2006, Roddy Woomble released an album of folk music under his own name titled My Secret is My Silence. Woomble's solo material was written alongside Rod Jones, friend Michael Angus and folksinger Karine Polwart, and produced by folk musician John McCusker. Roddy toured the album in July and August. Rod Jones meanwhile worked on an album with Inara George called George Is Jones

The band spent spent many months writing new material, which was recorded with 100 Broken Windows and The Remote Part producer Dave Eringa in their rehearsal room.

In July 2006, it was announced Idlewild would sign to 1960s label Sequel, which was reactivated by music group Sanctuary.

The album Make Another World was released on March 5, 2007. "If It Takes You Home" was the first single released from it and was available as a download and 7" single. "No Emotion" was the second single released; it went to #36 in the UK Top 40 chart. "A Ghost in the Arcade" was the next single, released on 18th June, though only as an internet-downloadable track and not available on physical CD.

At the 19 March, 2007, Aberdeen concert on the Make Another World UK Tour, Woomble announced the show was being filmed for a live DVD release (included with special edition of the band's greatest hits album Scottish Fiction - Best of 1997-2007). The band played a twenty-three song setlist which included a considerable number of songs from earlier albums such as Hope is Important. It was at this gig that the video for "A Ghost in the Arcade" was filmed.

During their 16 May gig in The Liquid Room, Edinburgh, Woomble announced an Idlewild 'Greatest Hits' compilation would be released later in the year at the request of former label Parlophone. Scottish Fiction - Best of 1997-2007 was released on 1 October 2007 by Parlophone and is a 17 track 'best of' compilation featuring career highlights, and includes the aforementioned DVD.

A second compilation album was also released on 29 October. A Distant History - Rarities 1997-2007 included the band's early singles as well as many B-sides and was available only through download stores.

Next Album

In November 2007, writing on the band's MySpace site, Woomble denied rumours Idlewild would split, instead stating that they would shortly be beginning work on their seventh studio album. [3] Recently, the band played at Edinburgh's hogmany celebrations and won the best festival act award at the Tartan Clef awards. The band continue to play more gigs while working on their next album. Meanwhile, Woomble has been writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.

The band will play five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble notes that the band "are going to try to play every track [they've] ever written - including B-sides - which has to be more than 100 songs."[4]

A new song, "City Hall", has appeared in a recent setlist, and the band plan on entering the studio in January 2009.[5]

Outkast Confusion

The band Outkast released an album of music from their film Idlewild that caused Roddy Woomble to comment "Not sure what's up with this new OutKast album. Keep seeing posters for it and thinking I've forgotten about a concert." [6] The use of the name is not expected to cause much confusion though, as the two acts are very different. Upon being asked about the chances of a collaboration, Roddy commented "Maybe when our new LP comes out next February some unfamiliars will think we're some sort of OutKast tribute. Could be interesting. Probably won't be."

In 2007 rumours surfaced that the band would call their new album "Outkast" in reply. [7]

Members

Current

Former

Discography

Studio Albums

Year Title UK Chart Position Other Info
1998 Captain - often considered to be a mini-album
1998 Hope Is Important #53 -
2000 100 Broken Windows #15 -
2002 The Remote Part #3 -
2005 Warnings/Promises #9 -
2007 Make Another World #24 -

Compilation Albums

Year Title UK Chart Position Other Info
2007 Scottish Fiction - Best of 1997-2007 #79
2007 A Distant History - Rarities 1997-2007 - download only

Singles

Single Title Year / Month Album UK Singles Chart
"Queen of the Troubled Teens" (Not Eligible) 1997 March -
"Chandelier" (Not Eligible) 1997 December -
"Satan Polaroid" 1998 February Captain 160
"A Film for the Future" 1998 April Hope Is Important 53
"Everyone Says You're So Fragile" 1998 July 47
"I'm a Message" 1998 October 41
"When I Argue I See Shapes" 1999 February 19
"Little Discourage" 1999 September 100 Broken Windows 24
"Actually It's Darkness" 2000 March 23
"These Wooden Ideas" 2000 June 32
"Roseability" 2000 October 38
"You Held the World in Your Arms" 2002 April The Remote Part 9
"American English" 2002 June 15
"Live in a Hiding Place" 2002 October 26
"A Modern Way of Letting Go" 2003 February 28
"Love Steals Us from Loneliness" 2005 February Warnings/Promises 16
"I Understand It" 2005 May 32
"El Capitan" 2005 July 39
"If It Takes You Home" (download only) 2006 December Make Another World n/a
"No Emotion" 2007 February 36
"A Ghost in the Arcade" (download only) 2007 June n/a

Other appearances

References