A Knight's Tale
| A Knight's Tale | |
|---|---|
 Theatrical release poster | |
| Directed by | Brian Helgeland |
| Written by | Brian Helgeland |
| Produced by | Todd Black Brian Helgeland Tim Van Rellim |
| Starring | Heath Ledger Mark Addy Shannyn Sossamon Alan Tudyk Paul Bettany |
| Cinematography | Richard Greatrex |
| Music by | Carter Burwell |
| Distributed by | Columbia Pictures 20th Century Fox Buena Vista International |
Release dates | United States May 8, 2001 |
Running time | 132 min. Unrated cut: 144 min. |
| Country | Template:FilmUS |
| Language | English |
| Budget | $41,000,000 |
| Box office | $117,487,473 |
A Knight's Tale is a Template:Fy action-adventure romantic comedy directed, produced, and written by Brian Helgeland. The film stars Heath Ledger, Shannyn Sossamon, Mark Addy, Alan Tudyk, and Paul Bettany as Geoffrey Chaucer. The film follows the story of William Thatcher, a peasant turned knight, along with his companions in the world of Medieval jousting. William poses as a knight and competes in tournaments, winning accolades and acquiring friendships with such historical figures as Edward, the Black Prince of Wales and Geoffrey Chaucer. The film takes its title from Chaucer's "The Knight's Tale" in his Canterbury Tales. The film was a box office success, garnering $117,487,473 with a budget of just over $41,000,000.
Plot summary
Set in late Medieval Europe in the 1370s, the story begins with the protagonists and squires, William (Heath Ledger), Roland (Mark Addy) and Wat (Alan Tudyk), discovering their master, Sir Ector (Nick Brimble), dead of his wounds in the middle of a jousting tournament. He was ahead "three lances to none" and merely had to finish the final round to win the tournament and be awarded the money that was to buy food for them all. While Wat and Roland resign themselves to destitution now that they no longer have Sir Ector's employment and protection, William Thatcher takes the armour, and more importantly the helm, from Ector's body and poses as the noble to finish the match. William's inexperience is evident, as he disappointingly receives a lance blow to the face mask, but regardless wins the tournament (and the money) due to Ector's previous lead. This gives William the idea that, with proper training, he and his companions could make a living in jousting.
Along the way to his first tournament in Rouen, William and his friends come upon Geoffrey Chaucer (Paul Bettany), "trudging" down a road with no clothes or money. William persuades the writer to forge his patents of nobility, as it is illegal for peasants to joust, and joins the jousting circuit under the pseudonym of "Sir Ulrich von Liechtenstein" from Gelderland. Chaucer is then discovered to have a terrible gambling problem, which William saves him from by paying his debts with his tournament winnings, and therefore gains Geoffrey's true loyalty (and services as an announcer at the tournaments). Helped by Chaucer, Wat and Roland, he begins to win match after match. When his armour -- still the same suit taken from Sir Ector -- becomes loose and damaged, he gains an addition to his fellowship, Kate the Farrier (Laura Fraser), who makes him revolutionary new armour and decides to travel with them. William soon meets and falls in love with a noble lady, Jocelyn (Shannyn Sossamon), who has already been noticed by the evil yet powerful Count Adhemar (Rufus Sewell). A rivalry begins between the two of them for the affection of Jocelyn and the accolades of the tournaments, and Adhemar defeats William in his first tournament.
In the following tournament, they are both assigned to tilt against Prince Edward (James Purefoy), who has entered under the name "Sir Thomas Colville," hoping he will get a rare chance to compete if his opponents do not know what the man whose lives they are endangering is the Prince of Wales. Adhemar learns his identity and withdraws at the last minute, not willing to take the risk. When William's turn comes, however, his competitiveness overcomes the pressure to withdraw, and he jousts with Edward (to Edward's surprise and pleasure) and wins the tournament, along with Edward's respect. Following this good omen, Will's companions, Wat, Roland, Kate and Geoff, gamble all of their share of the money that William will win the French tournament in Paris. Coincidentally, and simultaneously, Jocelyn tells William that he must lose the tournament to prove his love to her. After he openly accepts defeat after defeat, she changes her mind; that is, he must now win to prove his love. He does win the tournament, which is followed by a romantic scene.
The group travels to London for the World Championship, and an important flashback to William's childhood is shown. His father, wanting the best for his son, reluctantly gives him over for squire services to Sir Ector, so that someday, he can realize his dream of becoming a knight and "change his stars" to live a better life than his father. Returning to the present -- and to London for the first time since childhood -- William, assuming that his father has long since died, visits his old neighborhood and inquires of a young local girl whether or not she remembers his father. She informs him that he is in fact still alive and well, albeit blind. William visits his father, concealing himself at first using his alias Ulrich, until he tells his father that he has a message from his son William -- that he has "changed his stars" after all. His father, overcome with joyous emotion, realizes it is actually his son, and they embrace and spend hours catching up.
Although everything appears well, Adhemar has returned from fighting in the Battle of Poitiers and discovers William's humble origins. He alerts the authorities to the secret. William's friends beg him to flee, including Jocelyn, who promises to give up her privileged life and run away with him, but he refuses to run and is arrested. Adhemar visits him in prison and gloats that he will marry Jocelyn while beating the defenseless William. When William is moved to the stocks, his companions all stand with him to defend him from the crowd, which grows increasingly hostile until Prince Edward emerges from the mob. Silencing the crowd, he kneels beside William and quietly says, "What a pair we make, hmm? Both trying to hide who we are, both unable to do so. Your men love you. If I knew nothing else about you, that would be enough. But you also tilt when you should withdraw, and that is knightly too." He orders William released, telling the crowd that his historians have discovered that William is descendant from an "ancient royal line" and that he is entitled to a knighthood after all. The newly dubbed "Sir William" goes on to resume his place in the tournament and compete against Adhemar.
Adhemar cheats with an illegal lance with a sharp point on the tip, which stabs into William's shoulder during the first round. William, unable to grip his lance or breathe properly due to his injury, has his armour removed and his lance strapped to his arm and competes in the final round wearing only ordinary clothing. The two adversaries charge for the final bout, with William's life in the balance. He shouts his finally accepted true name, "WILLIAM," and knocks Adhemar from his horse, winning the tournament. Chaucer remarks that he should write this whole story down, a reference to "The Knight's Tale" of the Canterbury Tales. Jocelyn runs out ecstatically to meet William and they embrace in a long kiss.
Cast
- Heath Ledger as Sir William Thatcher/Sir Ulrich von Lichtenstein of Gelderland
- Mark Addy as Roland
- Alan Tudyk as Wat
- Paul Bettany as Geoffrey Chaucer
- Rufus Sewell as Count Adhemar of Anjou
- Shannyn Sossamon as Lady Jocelyn
- Laura Fraser as Kate the Farrier
- James Purefoy as Sir Thomas Colville/Edward, the Black Prince
- Bérénice Bejo as Christiana
- Christopher Cazenove as John Thatcher
- Nick Brimble as Sir Ector
- Leagh Conwell as Young William Thatcher
- Olivia Williams as Phillipina Chaucer
- Alice Connor as Lone Girl in Cheapside
- Rob Brydon as First Villager
Setting
 | This section possibly contains original research. (April 2009) |
It can be deduced that the movie is set sometime between 1368 and 1376; Chaucer mentions having already written The Book of the Duchess, which was written no earlier than 1368, while Edward, the Black Prince (who appears in the movie) died in 1376. There is also a reference to a French pope which could either be Pope Urban V or Pope Gregory XI, because both reigned during that period and both of them were French.
The time period can be further narrowed down to between 1369—1371. It is stated that the Black Prince resumed his campaign in southern France (1369), and the campaign historically ended in 1371.[1] However, the Battle of Poitiers is shown as occurring during the course of the film, despite taking place in 1356. Additionally, Edward is depicted as a fairly young man, closer to the 26 suggested by Poitiers than the 39 to 41 suggested by his campaign in southern France.[original research?]
Even though the approximate setting of the film can be easily deduced, the costuming (especially the armor) is much more in late 15th century style than 14th.[original research?]
In spite of the title, the story bears little relation to Chaucer's The Knight's Tale but instead resembles the career of the twelfth- and thirteenth century William Marshal, first Earl of Pembroke, whose biography, written shortly after his death in 1219, describes among other things his adventures as an impecunious knight amassing a fortune by traveling England and France to compete in tournaments.
Use of anachronisms
In the film's actor/director DVD commentary, Brian Helgeland, co-commentating with Paul Bettany, states that the film was intended to have occurred sometime in the 1370s during a six-month period that Chaucer had apparently gone missing and show what he might have done during this time, which Helgeland says later on in the commentary inspired Chaucer to write his Canterbury Tales (the first Canterbury tale being The Knight's Tale). In stating this, however, Helgeland convientently forgets that in the film Chaucer refers to the work 'about the pilgrim' that he wrote 'last year', thus suggesting that Canterbury Tales (which Chaucer had not finished by his death) had already been written by the time the film takes place.
Helgeland also jokes in the commentary that he chose 1970s music and hairstyles for the movie because "the seventies are always the same", regardless of century. More seriously, Helgeland justifies his use of music by speculating that even during the 1370s, persons in the main characters' age group would've enjoyed newer, more contemporary music than something that had been around since their great grandparents were young, and opted to use music that would affect the audience the same way late 1300s music would've affected the youth of the 1370s. Thus, Helgeland attempted to stylize the movie in such a way as to bring the Middle Ages to the audience, rather than force the audience into the Middle Ages.
To this end, many intentional anachronisms are used within the story itself. Jocelyn's appearance combines medieval and modern styles, and the armor Kate makes for William is engraved with a symbol resembling the Nike logo. In the first jousting scene, when "We Will Rock You" is playing, the crowd provides the rhythmic thump-thump-clap as a modern-day crowd that recognizes the song would, and a teenage girl is shown in the stands doing a distinctly twentieth-century dance. At a banquet, Count Adhemar tries to trip up the unsophisticated "Sir Ulrich" by urging him to show the other guests a dance from his own country; William, not knowing any real dances, improvises with Jocelyn and comes up with something suited to a rock video.
Language is also borrowed from the present day. An extended metaphor involving hunting during William's first conversation with Jocelyn leads to his calling her a "foxy lady." The first time Chaucer introduces William at a competition, he ends with a comedy-club "Thank you, I'll be here all week" in response to the crowd's wild cheers. When Jocelyn defends herself during an argument with William by saying, "Better a silly girl with a flower than a silly boy with a horse and a stick," an offended Wat calls after her, "It's called a lance... hellooo?" with the particular sarcastic intonation that gained popularity during the 1990's.
Controversy
Newsweek revealed in June 2001 that print ads for at least four movies released by Columbia Pictures, including A Knight's Tale and The Animal (2001), contained glowing comments from a film reviewer who did not exist. The fake critic, David Manning, was created by a Columbia employee who worked in the advertising department. "Manning" was misrepresented as a reviewer for a newspaper in a small Connecticut town.
Production
The entire movie was filmed in Prague, the Czech Republic.
The film includes a great deal of jousting footage. The initial scene of the two knights jousting is actually footage of Heath Ledger's stunt double in an accident. During filming of a later scene in the movie, the lance of the stunt double's opponent moved off target and hit him in the head. The double fell to the ground unconscious. In another incident, Heath Ledger knocked out one of director Brian Helgeland's front teeth with a broomstick when the two were demonstrating a jousting move. It was several months before Helgeland's mouth had healed enough to repair the damage.
Plenty of effort was expended creating lances that would splinter convincingly without injuring the stunt riders as well. The body of each lance was scored so it would break easily, and the tips were made of balsa wood. Each was also hollowed out, and the hole filled with balsa chips, uncooked linguini and sawdust to make convincing splinters.
Music
The film is notable for its deliberate use of classic rock songs like Queen's "We Will Rock You," War's "Low Rider," David Bowie's "Golden Years," Thin Lizzy's "The Boys Are Back in Town" and many others[2][3] in the soundtrack of a film that notionally takes place during the Middle Ages. In addition, there is an allusion to the Grateful Dead at the conclusion of William and Adhemar's final joust. Adhemar is sprawled on the ground, and the rest of William's group comes to peer over him with their heads meeting in the center of their circle. This view resembles a similar photo of the band, which is featured on the cover of "Grateful Dead 365" by Holly George-Warren.
Reception
Initially the reception for this film was mixed, with complaints about the anachronisms, the many jousting scenes and the thin plot. Rotten Tomatoes gave it 59%.
References
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