Jump to content

Thomas Bangalter

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by AunTime (talk | contribs) at 15:23, 13 October 2010 (→‎Personal life). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Thomas Bangalter

Thomas Bangalter (born January 3, 1975)[1] is a French electronic musician best known as a member of the French house music duo Daft Punk. He has also recorded and released music as a member of the trio Stardust, the duo Together, and as a solo artist including compositions for the film Irréversible.

Thomas Bangalter owns a music label called Roulé. Outside of music production, his credits include film director and cinematographer. Bangalter resides in Beverly Hills, California, with his wife, French actress Élodie Bouchez, and his two sons, Tara-Jay[2][3] and Roxan.[4]

Biography

Thomas Bangalter began playing the piano at the age of six.[5] Bangalter stated in a video interview that his parents were strict in keeping up his practice, for which he later thanked them. His father, Daniel Vangarde was a famous songwriter and producer for such performers as the Gibson Brothers, Ottawan, and Sheila B. Devotion.[6] As expressed by Bangalter, "I never had any intention to do what my father was doing."[2]

Professional life

Bangalter met Guy-Manuel de Homem-Christo while attending the Lycée Carnot school in 1987.[1] It was there that they discovered their mutual fascination of films and music of the 1960s and 70s, "very basic cult teenager things, from Easy Rider to the Velvet Underground."[7] They and Laurent Brancowitz eventually joined to form an indie rock trio called Darlin', in which Bangalter performed bass guitar. Bangalter felt that "It was still maybe more a teenage thing at that time. It's like, you know, everybody wants to be in a band."[7] A negative review from Melody Maker magazine referred to the act as "a bunch of daft punk", which inspired Bangalter and de Homem-Christo's new name.[8]

Shortly before reaching the age of 18, Daft Punk grew interested in electronic music, which led Brancowitz to leave the group in pursuit of efforts with fellow Parisian band Phoenix.[7][8] In 1993 Bangalter presented a demo of Daft Punk material to Stuart Macmillan of Slam that led to their first single "The New Wave". Daniel Vangarde provided valuable advice for the duo. "He helped us by presenting to us what the situation was with the record industry and how it worked. Knowing that, we made certain choices in order to achieve what we wanted."[9]

Vangarde was thanked for his efforts in the liner notes of Homework. The title of the album is partially attributed to the fact that Homework was recorded in Bangalter's bedroom. As he remarked, "I had to move the bed into another room to make space for the gear."[6] In the years following the 1997 release, Bangalter focused on his own record label, Roulé ("rolled" in French). The label released singles by Romanthony, Roy Davis Jr., and Bangalter's own solo material among others. Bangalter's solo works were released on two vinyl-only EPs titled Trax on da Rocks in 1995 and 1998 respectively. The songs "Outrun", "Extra Dry" and "Turbo" from the EPs later appeared in the video game Midnight Club II. The track "On da Rocks" was featured in a "Da Funk" behind-the-scenes video included with D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes. Bangalter collaborated with Alan Braxe and Benjamin Diamond and in 1998 released the club hit "Music Sounds Better with You" under the name Stardust. Just as for Homework, the single was recorded in Bangalter's home studio.[6][10]

Around the same time of "Music Sounds Better with You", Bangalter co-produced Bob Sinclar's second single titled "Gym Tonic". The single caused a minor dispute as it contained samples from a Jane Fonda workout tape, which led Fonda herself to refuse permission for the single to be released officially.[11] A different act called Spacedust released an re-recorded version of the track, titled "Gym and Tonic" under the label EastWest to wider commercial success. "Gym and Tonic" became a number one single in the United Kingdom shortly after "Music Sounds Better with You" had peaked at number two in the same chart.[12]

During 1998, Bangalter and de Homem-Christo collaborated with Romanthony in what would become the first of the Discovery sessions.[1] One of tracks produced, "One More Time" became Daft Punk's most successful single in 2000. Bangalter also performed on a Yamaha Cs-60 synthesizer on the track "Embuscade" in Phoenix's debut album United, which was released the same year.[13] He also teamed up with DJ Falcon under the name Together to release their eponymous 2000 single.

Bangalter produced the score to the film Irréversible, released in 2002. A soundtrack album of the same name was later released featuring Bangalter's tracks as well as the works by Gustav Mahler, Étienne Daho and Beethoven used in the film. North American pressings of the album feature only the Bangalter tracks. Three of the tracks from the Trax on da Rocks EPs were released on the album: "Outrun", "Ventura" and "Extra Dry". 2002 also saw the release of the Bangalter produced track "113 Fout La Merde" for French hip hop group 113. Bangalter can be seen dancing in the music video, wearing his Daft Punk helmet.

Together released the single "So Much Love to Give" in 2003. The Eric Prydz track "Call on Me" was initially thought to be a follow-up to the Together release due to the similarity between the two songs and DJ Falcon's use of "Call on Me" in DJ sets.[14]

Bangalter was the sound effects director for the 2009 film Enter the Void, his second work with filmmaker Gaspar Noé following Irréversible.[15]

Personal life

In 2002, Bangalter fathered a son, Tara-Jay with actress Élodie Bouchez.[3] In late 2004, Bangalter moved to his current home in Beverly Hills, California. The move is attributable to Bouchez's career in Hollywood and Bangalter's own interests in filmmaking.[2][3] On 2 June 2008 Bouchez gave birth to Bangalter's second son, Roxan.[4]

In regards to drug usage, he said:

Personally I don't like ecstasy. It makes me lose any sense of critical judgement, it makes me like every track I hear. All the music we've done, I think people can enjoy it and really go crazy even if they're not on any drugs. Maybe that's why it's successful and has crossed over.[7]

Both he and Guy-Manuel de Homem-Christo expressed that they have very little or no interest in being celebrities. Although the duo rarely grants interviews, Bangalter is cited as being the more talkative and opinionated one. When asked a question in regards to fame and popularity, he responded:

We don't believe in the star system. We want the focus to be on the music. If we have to create an image, it must be an artificial image. That combination hides our physicality and also shows our view of the star system. It is not a compromise.[16] We're trying to separate the private side and the public side. It's just that we're a little bit embarrassed by the whole thing. We don't want to play this star system thing. We don't want to get recognised in the streets. Yes. Everyone has accepted us using masks in photos so far, which makes us happy. Maybe sometimes people are a little bit disappointed but that's the only way we want to do it. We think the music is the most personal thing we can give. The rest is just about people taking themselves seriously, which is all very boring sometimes.[7]

In the same interview, he was also asked a question if stardom can be avoided, while making successful music.

Yes. I think people understand what we are doing. I know many people who maybe like the way we are handling things. People understand that you don't need to be on the covers of magazines with your face to make good music. Painters or other artists, you don't know them but you know what they are doing. We are very happy that the concept in itself is becoming famous. In France, you speak of Daft Punk and I'm sure millions of people have heard it, but less than a few thousand people know our face - which is the thing we're into. We control it, but it's not us physically, our persons. We don't want to run into people who are the same age as us, shaking our hand and saying, 'Can I have your autograph?' because we think we're exactly like them. Even girls, they can fall in love with your music, but not with you. You don't always have to compromise yourself to be successful. The playing with masks is just to make it funnier. Pictures can be boring. We don't want all the rock n' roll poses and attitudes - they are completely stupid and ridiculous today."[7]

It was reported that Bangalter had quit DJing in clubs due to developing tinnitus in 2002, saying "I’ve given up because I want to protect my ears". Orde Meikle of Slam later stated that Bangalter had sufficiently recovered from the condition, stating that "he had a bit of a scare and thought he’d damaged his ear and had to take obviously reasonably drastic steps to see how bad the damage was."[17]

Selected discography

Albums

EPs and singles

  • "Trax on da Rocks" (1995)
  • "Spinal Scratch" (1996)
  • "Trax on da Rocks Vol. 2" (1998)
  • "Outrage" (2003)

References

  1. ^ a b c Daft Punk Musique Vol. 1 Official Website. Archived from April 10, 2006. Cite error: The named reference "MusiqueVol.1" was defined multiple times with different content (see the help page).
  2. ^ a b c Suzanne Ely, "Return of the Cybermen" Mixmag (July 2006) Cite error: The named reference "Mixmag 2006" was defined multiple times with different content (see the help page).
  3. ^ a b c Élodie Bouchez at IMDb
  4. ^ a b Elodie Bouchez maman d'un petit Daft Punk purepeople.com. Retrieved on July 24, 2008.
  5. ^ Michael Hamersly, "Ask the DJ" Miami Herald (November 10, 2006).
  6. ^ a b c Chris Gill, "ROBOPOP" Remix Magazine Online (May 2001)
  7. ^ a b c d e f Matthew Collin, "Do You Think You Can Hide From Stardom?" Mixmag (August 1997) (archived at techno.de)
  8. ^ a b Darlin' biography at Discogs. Retrieved on February 20, 2007.
  9. ^ Alan Di Perna, "We Are The Robots" Pulse! (April 2001).
  10. ^ Music Sounds Better With You at Discogs
  11. ^ James, Martin. French Connections: From Discotheque to Discovery. London, United Kingdom: Sanctuary Publishing Ltd., 2003. pg 201. (ISBN 1-8607-4449-4)
  12. ^ Discogs entry of Spacedust Discogs. Retrieved on October 1, 2007.
  13. ^ United at Discogs. Retrieved on April 7, 2007
  14. ^ Eric Prydz at thedjlist.com. Retrieved on April 21, 2007.
  15. ^ ENTER THE VOID festival-cannes.com. Retrieved on May 8, 2009.
  16. ^ CANOE - JAM! Music - Artists - Daft Punk: Who are those masked men? canoe.ca. Retrieved on March 6, 2007.
  17. ^ Tinnitus Trips Up Another Top DJ inthemix.com.au Retrieved on May 14, 2009.

Template:Persondata

Retrieved from "https://en.wikipedia.org/w/index.php?title=Thomas_Bangalter&oldid=390512662"