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Surf's Up (album)

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Surf's Up is an album title for The Beach Boys based on a song with the same title written by Brian Wilson and Van Dyke Parks for the abandoned 1966–1967 Beach Boys Smile album. The song was reworked and used as the title track for the seventeenth studio album by The Beach Boys, released in 1971. Smile, including the original version of the song 'Surf's Up,' was finally completed and released by Brian Wilson and his band in 2004.

Album history

In the fall of 1970, after the commercial failure of the Sunflower album, The Beach Boys hired Jack Rieley as their manager. Rieley, a DJ, had impressed the band with his falsified credentials (a supposed Peabody Award-winning stint as NBC bureau chief in Puerto Rico) and ideas on how to regain respect from American music fans and critics. His first initiative was to have The Beach Boys record songs with more socially aware lyrics. Rieley also insisted that the band officially appoint Carl Wilson "musical director" in recognition of the integral role he had played keeping the group together since 1967. Most importantly, he demanded the completion of "Surf's Up" for release by composer and erstwhile bandleader Brian Wilson, a song that had taken on mythical proportions in the underground press since the demise of Smile three years earlier. He also organized a guest appearance at a Grateful Dead concert in April 1971, further enhancing the Beach Boys' once-lacking hip credentials.

According to Rieley in 1996 posts to the "Smiley Smile" message board, the band had split into two camps: the artistically inclined, drug using, bashful Wilson brothers and the commercially-oriented, teetotalling triumvirate of Mike Love, Al Jardine, and Bruce Johnston. In his opinion, if the group were to return to their mid-60s heights, the former group would have to fully assert itself. To this end, Rieley all but ordered Al Jardine to stop work on "Loop de Loop", an intentionally juvenile and childlike collaboration with Brian Wilson that Jardine thought would revive the band's commercial prospects.

Haunted by memories of the Smile era, Brian Wilson initially refused to work on "Surf's Up", now the eponymous track of the band's new album. Nevertheless, an undaunted Carl Wilson overdubbed a new vocal in the song's first part, a backing track dating from 1966. The second movement was composed of a 1966 solo piano demo recorded by Brian Wilson augmented with vocal and Moog bass overdubs.

To the surprise and glee of his associates, Brian Wilson emerged near the end of the sessions to aid his brother and engineer Stephen Desper in the completion of the third movement, which combined the end of the 1966 demo with the "Child Is Father Of The Man" vocal tag and a final lyrical couplet possibly written by Rieley. The newly recorded lead vocals - sung by Al Jardine over a choral backdrop featuring all the Beach Boys - were sped up by Desper for continuity purposes in an attempt to make them sound more like they did in 1966.

The album also included "'Til I Die" a song Brian had been working on for well over a year. Though Mike Love was reported at the time to dislike it, he has praised and performed the song in recent years. Brian Wilson spent weeks arranging the song, crafting a harmony-driven, vibraphone and organ-laden background that closely resembled the halcyon-era sonic tapestries of Pet Sounds.

"Long Promised Road" and "Feel Flows" were Carl Wilson's first significant solo compositions; both songs were almost entirely recorded by him. "Student Demonstration Time" (essentially the R&B classic "Riot In Cell Block #9") and "Don't Go Near the Water" found Love and Jardine eagerly embracing the group's new topical-oriented direction. "A Day in the Life of a Tree" was Brian Wilson's sole new contribution. Although it is often dismissed by fans as a throwaway effort, several attempts at recording the song were made before the pump organ-led arrangement was nailed. The slightly off-key lead vocal from Rieley (at Wilson's insistence) and equally jarring background vocals from Van Dyke Parks could be interpreted as perfectly befitting the song's weary tone or a joke on the part of the composer. Bruce Johnston's "Disney Girls (1957)" was hailed as a masterpiece by Brian Wilson and has been covered by Art Garfunkel and Cass Elliot.

The Dennis Wilson songs "4th of July", "Fallin' In Love" (also known as Lady), and "Wouldn't It Be Nice To Live Again" were excised from the final running order shortly before release. Although "4th of July"'s elagaic tone and lyrical relevance made it a logical thematic choice, Rieley has claimed that it was met with a reception of "glaring envy" by Wilson's bandmates. The song was duly replaced with Jardine's "Take A Load Off Your Feet", a novelty in the vein of "Loop De Loop". In the case of "Wouldn't It Be Nice To Live Again", a disagreement between the middle and younger Wilson brothers resulted in the song being left off the album. Dennis wanted the song to be the final track on the album, segueing out of "'Til I Die", while Carl felt "Surf's Up" should have that place. As a consequence, Dennis took the song out of the album's final running order. "Fallin' In Love" was released in late 1970 as the B-side of a solo single. Wilson (in collaboration with Beach Boys touring keyboardist Daryl Dragon) had been stockpiling songs for a potential solo album throughout the era and left the band on a provisional basis for a brief time in early 1971. Dennis's work during this period ultimately produced two songs for the next album, the solo single, "Lady," and the solo album itself finally came out in 1977 as Pacific Ocean Blue.

Surf's Up was released that August to more public anticipation than The Beach Boys had had for several years. It outperformed Sunflower commercially, reaching #29 in the US (their first Top 40 album since Wild Honey) and #15 in the UK. Like Sunflower, Surf's Up was released on EMI's Stateside label internationally.

The album was ranked #61 on Pitchfork Media's The Top 100 Albums Of The 1970's list.

Artwork

The cover art is a painting based on the sculpture End of The Trail by James Earle Fraser (1876 – 1953).

This lone figure on his weary horse is one of the most recognized symbols of the American West.[citation needed] The title Surf's Up juxtaposed with what appears to be an exhausted and thirsty warrior adds an ironic quality to a title that only ten years before would have carried no hint of irony whatsoever.[original research?]

Track listing

Side one
No.TitleWriter(s)Lead VocalsLength
1."Don't Go Near the Water"Mike Love/Al JardineMike Love/Al Jardine2:39
2."Long Promised Road"Carl Wilson/Jack RieleyCarl Wilson3:30
3."Take a Load Off Your Feet"Jardine/Brian Wilson/Gary WinfreyBrian Wilson/Jardine2:29
4."Disney Girls (1957)"Bruce JohnstonBruce Johnston4:07
5."Student Demonstration Time"Jerry Leiber/Mike Stoller/Mike LoveLove3:58
Side two
No.TitleWriter(s)Lead VocalsLength
1."Feel Flows"C. Wilson/RieleyC. Wilson4:44
2."Lookin' at Tomorrow (A Welfare Song)"Jardine/WinfreyJardine1:55
3."A Day in the Life of a Tree"B. Wilson/RieleyJack Rieley/Van Dyke Parks/Jardine3:07
4."'Til I Die"B. WilsonC. Wilson/B. Wilson/Love2:41
5."Surf's Up"B. Wilson/Van Dyke ParksC. Wilson/B. Wilson/Jardine4:12

Singles

  • "Long Promised Road" b/w "Deidre" (from Sunflower (Brother 1015), 24 May 1971
  • "Long Promised Road" b/w "'Til I Die" (Brother 1047), 11 October 1971 US #89
  • "Surf's Up" b/w "Don’t Go Near The Water" (Brother 1058), 8 November 1971

Surf's Up is now paired on CD with Sunflower.

Landlocked (Second Warner Brothers Album)

Heavily bootlegged, it is commonly thought that the following songs were for an uncompleted album entitled Landlocked. It has since been discovered that the songs were part of a compilation reel of songs considered for the "Surf's Up" album. Part of the reason this is not spectacularly likely are the presence of "Fallin' In Love," "Susie Cincinnati," "Take A Load Off Your Feet," "I Just Got My Pay," "Good Time," and "When Girls Get Together" which were intended for the rejected Add Some Music album, but discarded when the album was reworked into Sunflower. Also, Jardine seems to have not been happy with "Loop De Loop." The version of "'Til I Die" featured here appears on Endless Harmony Soundtrack and the liner notes say it was definitely not intended for release but the engineer's own personal pleasure.

Nonetheless, this tape somehow made it to Jack Rieley with orders to submit to Warner for opinion (by whom is uncertain; Desper disputes the existence of Landlocked as intended for release). Rieley proposed that an appropriate title for a new Beach Boys album be called Landlocked before actually hearing it. He then decided that the album was completely inappropriate for the title (it is unknown who compiled it, and who ordered its submission, but what is clear is that no Wilson, engineer or Rieley approved the material). He then played the material he rejected to the executives for comments, perhaps without telling anyone (hence the album's myth).

  1. "Loop De Loop"
  2. "Susie Cincinnati"
  3. "San Miguel"
  4. "H. E. L. P. Is on the Way"
  5. "Take A Load Off Your Feet"
  6. "Carnival"
  7. "I Just Got My Pay"
  8. "Good Time"
  9. "Big Sur"
  10. "Fallin' In Love"
  11. "When Girls Get Together"
  12. "Lookin' at Tomorrow"
  13. "'Til I Die"

Sources

  • Sunflower/Surf's Up CD booklet notes, Timothy White, c.2000.
  • "The Nearest Faraway Place: Brian Wilson, The Beach Boys and the Southern California Experience", Timothy White, c. 1994.
  • "Wouldn't It Be Nice - My Own Story", Brian Wilson and Todd Gold, c. 1991.
  • "Top Pop Singles 1955-2001", Joel Whitburn, c. 2002.
  • "Top Pop Albums 1955-2001", Joel Whitburn, c. 2002.
  • Allmusic.com
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