Collateral (film)
| Collateral | |
|---|---|
.jpg) Theatrical poster | |
| Directed by | Michael Mann |
| Written by | Stuart Beattie Michael Mann Frank Darabont |
| Produced by | Michael Mann Julie Richardson Associate producer: Michael Doven |
| Starring | Tom Cruise Jamie Foxx Mark Ruffalo Jada Pinkett Smith Javier Bardem |
| Cinematography | Dion Beebe |
| Edited by | Jim Miller Paul Rubell |
| Music by | James Newton Howard |
| Distributed by | DreamWorks Paramount Pictures |
Release dates |
|
Running time | 120 minutes |
| Country | Template:Film US |
| Language | English |
| Budget | $65 million |
| Box office | $217,764,291[1] |
Collateral is a 2004 crime thriller film starring Tom Cruise and Jamie Foxx. It was directed by Michael Mann and written by Stuart Beattie. It was Mann's first feature film to be shot mostly with high-definition cameras. Mann had previously used the format for portions of Ali and for his CBS drama Robbery Homicide Division.
The film is set in Los Angeles, California. In an HBO movie review, director Michael Mann stated that the film takes place on the night of January 24 to 25, 2004 from 6:30 PM to 5:40 AM. Foxx was widely praised for his performance and was nominated for the Academy Award for Best Supporting Actor.
Plot
Nightshift cab driver Max Durocher (Jamie Foxx) drives U.S. Justice Department prosecutor Annie Farrell (Jada Pinkett Smith) to her office building to spend the night preparing for a pending Federal Grand jury drug indictment case convening the following day. Annie takes a liking to Max, leaving her business card as he drops her off. Vincent (Tom Cruise) hails the cab next, explaining he's in town for one night closing a real estate deal and bribes Max with US$600 on the pretense of chauffeuring him to his five appointments. As Max waits at the first stop, Vincent enters an apartment complex and shoots drug dealer Ramone Ayala. Ayala unexpectedly falls out of the window directly onto the cab, forcing Vincent to reveal himself as a hitman. He coerces Max to hide the body in the trunk and continue with their arrangement.
Max is pulled over on the way to the second stop due to the damage from Ayala's impact. The officers prepare to have the cab towed but are summoned to a higher priority call seconds before discovering the corpse. Vincent leaves Max tied to the steering wheel in an alley as he murders attorney Sylvester Clarke in his condominium. Max calls for help from passersby but gets robbed and Vincent arrives back on the scene just in time to gun down the thugs before they make off with his briefcase. He then brings Max to a jazz club under the guise of having a few drinks with club owner Daniel Baker (Barry Shabaka Henley). After the club closes, Max witnesses Vincent callously execute Baker when he incorrectly answers a question about jazz legend Miles Davis. Max suffers a panic attack, aghast from Vincent's savagery.
Next, Vincent insists they visit Max's mother Ida (Irma P. Hall) in the hospital to avoid breaking routine. He pretends to be Max's business colleague and develops a rapport with Ida which upsets Max to the point that he runs out of the hospital with the briefcase and tosses it off a bridge overpass onto the freeway below. With his hit list now destroyed, Vincent takes Max to a Hispanic nightclub and demands he go inside to obtain a backup copy from the contractor, lest he murder Max's mother. Inside the club, Max meets with drug lord Felix Reyes-Torrena (Javier Bardem) and successfully passes himself off as a hitman to acquire the USB flash drive containing details of the last two targets. Felix orders his men to follow and eliminate Max once the job is finished and Vincent uses the cab's mount computer to direct Max to club "Fever" and the fourth target; Korean gangster Peter Lim.
Meanwhile, LAPD Detective Ray Fanning (Mark Ruffalo) uncovers the connection between the three victims and reports his finding to FBI Special Agent Frank Pedrosa (Bruce McGill), who identifies them as witnesses for the pending indictment case against Felix. Pedrosa assembles backup to secure their final witness, Lim, and converges on the crowded nightclub simultaneously with Vincent and Felix's men. Vincent manages to execute Lim and slips out of the club amid the chaos of the subsequent gun fight. Fanning rescues Max and smuggles him outside but is killed by Vincent, who beckons Max back into the cab. Following their hasty getaway, Max admits to Vincent that he views him a sociopath but in return, Vincent chastises Max for his passivity and procrastination to follow his ambitions. Max angrily speeds through the empty downtown streets and deliberately crashes the cab. Vincent takes off on foot before a responding police officer arrives at the wreck and notices the corpse in the trunk.
Max spots Annie's profile on the cab computer and, realizing she's Vincent's final target, overpowers the officer and takes his gun. He sprints to Annie's building and arrives at her office to prevent the assassination by sufficiently wounding Vincent enough for them to escape. Max flees with Annie, boarding a metro rail train with Vincent in close pursuit. Boxed in and left with no other option, Max makes his last stand; capriciously asserting himself to protect Annie. He miraculously remains unharmed while mortally wounding Vincent in a face-to-face shootout. Vincent slumps into a seat and expires as he reiterates an anecdote of "a man that rode the metro rail train for six hours before anyone noticed he was dead." Max and Annie get off at the next station, leaving Vincent's body on the train as it continues on in the breaking dawn of the new day.
Cast
- Tom Cruise as Vincent
- Jamie Foxx as Max Durocher
- Jada Pinkett Smith as Annie Farrell
- Mark Ruffalo as LAPD Detective Ray Fanning
- Bruce McGill as FBI Special Agent Frank Pedrosa
- Javier Bardem as Felix
- Irma P. Hall as Ida Durocher
- Peter Berg as Richard Weidner
- Jason Statham as Airport Man
Production
When he was 17, Australian writer Stuart Beattie took a cab home from Sydney airport, and had the idea of a homicidal maniac sitting in the back of a cab with the driver nonchalantly entering into conversation with him, trusting his passenger implicitly. Beattie drafted his idea into a two-page treatment entitled "The Last Domino", then later began writing the screenplay. The original story centered around an African-American female cop who witnesses a hit, and the romance between the cab driver and his then librarian girlfriend. The film has limited resemblance to the original treatment.
Beattie was waiting tables when he ran into friend Julie Richardson, who he'd met on a UCLA Screenwriting Extension course. Richardson had become a producer, and was searching for projects for Edge City, Frank Darabont, Rob Fried and Chuck Russell's company created to make low budget genre movies for HBO. Beattie later pitched her his idea of "The Last Domino". Richardson pitched the idea to Frank Darabont, who brought the team in for a meeting, including Beattie, and set up the project under Edge City. After two drafts, HBO passed on the project. At a general meeting at DreamWorks with executive Marc Haimes, Beattie mentioned the script. Marc Haimes immediately contacted Richardson, read the script overnight, and DreamWorks put in an offer the following day.
Collateral sat on DreamWorks development books for three years. Mimi Leder was initially attached to direct, it then passed on to Janusz Kamiński. It wasn't until Russell Crowe became interested in playing Vincent that the project started generating any heat. Crowe brought Michael Mann on board, but the constant delays meant that Crowe left the project. Mann immediately went to Tom Cruise with the idea of him playing the hitman and Adam Sandler as the cabbie.
Beattie wanted the studio to cast Robert De Niro as Max (once again making him a taxi driver, though the exact opposite of Travis Bickle). However the studio refused, insisting they wanted a younger actor in the role.
Michael Mann chose to use the Viper FilmStream High-Definition Camera to film many of the scenes of Collateral, the first such use in a major motion picture. There are many scenes in the movie where the use of a digital camera is evident, in particular, scenes where the Los Angeles skyline or landscape is visible in the background. One event of note was the filming of the coyotes running across the road; the low-light capability allowed Mann to spontaneously film the animals that just happened to pass, without having to set up lighting for the shot. Mann would later employ the same camera for the filming of Miami Vice.[2]
The sequence in the Korean nightclub was shot in 35mm.
The film was co-produced by DreamWorks and Paramount Pictures. The former studio would handle North American rights, while the latter held international rights. Upon Paramount's purchase of DreamWorks in 2006, they also acquired the US/Canadian rights. Paramount released the film on Blu-ray on March 30, 2010 (the first Region 1 video release that they distributed, previous releases were distributed by Universal Studios).
Reception
The film received positive reviews. On the review aggregator Rotten Tomatoes, 87% of critics gave the film positive reviews, based on 221 reviews.[3] On Metacritic, the film had an average score of 71 out of 100, based on 41 reviews.[4]
The film opened August 6, 2004 in 3,188 theaters in the United States and Canada and grossed $24.7 million its opening weekend, ranking number 1 at the box office.[5] It remained in theaters for 14 weeks and eventually grossed $101,005,703 in the United States and Canada. In other countries it grossed a total of $116,758,588 for a total worldwide gross of $217,764,291.[1]
Richard Roeper placed Collateral as his 10th favorite movie of 2004. The film was voted as the 9th best film set in Los Angeles in the last 25 years by a group of Los Angeles Times writers and editors with two criteria: "The movie had to communicate some inherent truth about the L.A. experience, and only one film per director was allowed on the list".[6]
Awards and nominations
2005 ASCAP Film and Television Music Awards
- Won - Top Box Office Film — James Newton Howard, Antonio Pinto
2005 Academy Awards (Oscars)
- Nominated - Best Performance by an Actor in a Supporting Role — Jamie Foxx
- Nominated - Best Editing — Jim Miller, Paul Rubell
2005 Academy of Science Fiction, Fantasy & Horror Films (Saturn Awards)
- Nominated - Best Actor (Film) — Tom Cruise
- Nominated - Best Director — Michael Mann
- Nominated - Best Action/Adventure/Thriller Film
- Nominated - Best Writing — Stuart Beattie
2005 American Society of Cinematographers
- Nominated - Outstanding Achievement in Cinematography in Theatrical Releases — Dion Beebe, Paul Cameron
2005 Art Directors Guild
- Nominated - Feature Film - Contemporary Film — David Wasco, Daniel T. Dorrance, Aran Mann, Gerald Sullivan, Christopher Tandon
2005 BAFTA Film Awards
- Won - Best Cinematography — Dion Beebe, Paul Cameron
- Nominated - Best Actor in a Supporting Role — Jamie Foxx
- Nominated - David Lean Award for Direction — Michael Mann
- Nominated - Best Editing — Jim Miller, Paul Rubell
- Nominated - Best Screenplay (Original) — Stuart Beattie
- Nominated - Best Sound — Elliott Koretz, Lee Orloff, Michael Minkler, Myron Nettinga
2005 Black Reel Awards
- Won - Best Supporting Actor — Jamie Foxx
- Nominated - Best Supporting Actress — Jada Pinkett Smith
2005 Broadcast Film Critics Association Awards
- Nominated - Best Supporting Actor — Jamie Foxx
- Nominated - Best Picture
2005 Golden Globe Awards
- Nominated - Best Supporting Actor - Jamie Foxx
2005 MTV Movie Award
- Nominated - Best Villain - Tom Cruise
Soundtrack
The Collateral soundtrack was released on August 3, 2004 by Hip-O Records.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Briefcase" | Tom Rothrock | 2:07 |
| 2. | "The Seed (2.0)" (Extended Radio Edit) | The Roots, Cody Chesnutt | 4:13 |
| 3. | "Hands of Time" | Groove Armada | 4:19 |
| 4. | "Guero Canelo" | Calexico | 3:00 |
| 5. | "Rollin' Crumblin'" | Tom Rothrock | 2:21 |
| 6. | "Max Steals Briefcase" | James Newton Howard | 1:48 |
| 7. | "Destino De Abril" | Green Car Motel | 5:15 |
| 8. | "Shadow on the Sun" | Audioslave | 5:43 |
| 9. | "Island Limos" | James Newton Howard | 1:33 |
| 10. | "Spanish Key" | Miles Davis | 2:25 |
| 11. | "Air" | Klazz Brothers & Cuba Percussion | 5:46 |
| 12. | "Ready Steady Go (Korean Style)" | Paul Oakenfold | 4:48 |
| 13. | "Car Crash" | Antonio Pinto | 2:19 |
| 14. | "Vincent Hops Train" | Howard | 2:02 |
| 15. | "Finale" | Howard | 2:18 |
| 16. | "Requiem" | Pinto | 1:56 |
| Total length: | 51:53 | ||
References
- ^ a b "Collateral (2004)". Box Office Mojo. Retrieved October 10, 2009.
- ^ "Miami Vice in HD". Retrieved October 10, 2009.
- ^ "Collateral - Rotten Tomatoes". Rotten Tomatoes. Retrieved October 10, 2009.
- ^ "Collateral (2004): Reviews". Metacritic. Retrieved October 10, 2009.
- ^ "Collateral (2004) - Weekend Box Office". Box Office Mojo. Retrieved October 10, 2009.
- ^ Boucher, Geoff (August 31, 2008). "The 25 best L.A. films of the last 25 years". Los Angeles Times. Retrieved October 10, 2009.
External links
