Livia

For other uses, see Livia (disambiguation).

diva Livia
Empress of Rome
Born	30 January 58 BC
Died	AD 29 (aged 86) detroit
Burial	Mausoleum of Augustus
Spouse	Tiberius Claudius Nero Augustus
Issue	Tiberius Nero Claudius Drusus
Father	Marcus Livius Drusus Claudianus
Mother	Aufidia

Livia Drusilla, (Classical Latin: LIVIA•DRVSILLA, LIVIA•AVGVSTA) (58 BC-AD 29 ), after her formal adoption into the Julian family in AD 14 also known as Julia Augusta, was a Roman empress as the third wife of the Emperor Augustus and his adviser. She was the mother of the Emperor Tiberius, paternal great-grandmother of the Emperor Caligula, paternal grandmother of the Emperor Claudius, and maternal great-great grandmother of the Emperor Nero. She was deified by Claudius who acknowledged her title of Augusta.

Portrait of Livia in Egyptian basalt, ca. 31 BC, Louvre

Birth and first marriage to Tiberius Claudius Nero

She was born on 30 January 59 or 58 BC as the daughter of Marcus Livius Drusus Claudianus by his wife Aufidia, a daughter of the magistrate Marcus Aufidius Lurco. The diminutive Drusilla often found in her name suggests that she was a second daughter. Marcus Livius Drusus was her brother She was probably married in 43 BC. Her first child, the future Emperor Tiberius, was born in 42 BC. Her father married her to Tiberius Claudius Nero, her cousin of patrician status who was fighting with him on the side of Julius Caesar's assassins against Octavian. Her father committed suicide in the Battle of Philippi, along with Gaius Cassius Longinus and Marcus Junius Brutus, but her husband continued fighting against Octavian, now on behalf of Mark Antony and his brother. In 40 BC, the family was forced to flee Italy in order to avoid Octavian's proscriptions and joined with Sextus Pompeius in Sicily, later moving on to Greece.

Wife of Augustus

A general amnesty was announced, and Livia returned to Rome, where she was personally introduced to Octavian in 39 BC. At this time, Livia already had a son, the future emperor Tiberius, and was pregnant with the second, Nero Claudius Drusus (also known as Drusus the Elder). Legend said that Octavian fell immediately in love with her, despite the fact that he was still married to Scribonia. Octavian divorced Scribonia in 39 BC, on the very day that she gave birth to his daughter Julia the Elder (Cassius Dio). Seemingly around that time, when Livia was six months pregnant, Tiberius Claudius Nero was persuaded or forced by Octavian to divorce Livia. On 14 January, the child was born. Octavian and Livia married on January 17, waiving the traditional waiting period. Tiberius Claudius Nero was present at the wedding, giving her in marriage "just as a father would." The importance of the patrician Claudii to Octavian's cause, and the political survival of the Claudii Nerones are probably more rational explanations for the tempestuous union. Nevertheless, Livia and Octavian remained married for the next 51 years, despite the fact that they had no children apart from a single miscarriage. She always enjoyed the status of privileged counselor to her husband, petitioning him on the behalf of others and influencing his policies, an unusual role for a Roman wife in a culture dominated by the paterfamilias.

After Mark Antony's suicide following the Battle of Actium in 31 BC, Octavian had removed all obstacles to his power and henceforth ruled as Emperor, from 27 BC on, under the honorary title Augustus. He and Livia formed the role model for Roman households. Despite their wealth and power, Augustus's family continued to live modestly in their house on the Palatine Hill. Livia would set the pattern for the noble Roman matrona. She wore neither excessive jewelry nor pretentious costumes, she took care of the household and her husband (often making his clothes herself), always faithful and dedicated. In 35 BC Octavian gave Livia the unprecedented honour of ruling her own finances and dedicated a public statue to her. She had her own circle of clients and pushed many protégés into political offices, including the grandfathers of the later emperors Galba and Otho.

With Augustus being the father of only one daughter (Julia the Elder by Scribonia), Livia revealed herself to be an ambitious mother and soon started to push her own sons Tiberius and Nero Claudius Drusus into power. Drusus was a trusted general and married Augustus's favourite niece, Antonia Minor, and had three children: the popular general Germanicus, Livilla, and the Emperor Claudius. Tiberius married Augustus' daughter Julia the Elder in 11 BC and was ultimately adopted by his stepfather in 4 BC and named as Augustus' heir.

Rumor had it that when Marcellus, nephew of Augustus, died in 23 BC, it was no natural death, and that Livia was behind it. After the two elder sons of Julia by Marcus Vipsanius Agrippa, whom Augustus had adopted as sons and successors, had died, the one remaining son Agrippa Postumus was incarcerated and finally killed. Tacitus charges that Livia was not altogether innocent of these deaths and Cassius Dio also mentions such rumours, but not even the gossipmonger Suetonius, who had access to official documents, repeats them. Most modern historical accounts of Livia's life discount the idea. There are also rumors mentioned by Tacitus and Cassius Dio that Livia brought about Augustus' death by poisoning fresh figs. Augustus' granddaughter was Julia the Younger. Sometime between 1 and 14, her husband Paullus was executed as a conspirator in a revolt. Modern historians theorize that Julia's exile was not actually for adultery but for involvement in Paulus' revolt. Livia Drusilla plotted against her stepdaughter's family and ruined them. This led to open compassion for the fallen family. Julia died in 29 AD on the same island where she had been sent in exile twenty years earlier.

Life after Augustus, Death, and Aftermath

Augustus died in AD 14, being deified by the senate shortly afterwards. In his will, he left one third of his property to Livia, and the other two thirds to Tiberius. In the will, he also adopted her into the Julian family and granted her the honorific title of Augusta. These dispositions permitted Livia to maintain her status and power after his death, under the new name of Julia Augusta.

Livia as Pietas.

For some time, Livia and her son Tiberius, the new Emperor, appeared to get along with each other. Speaking against her became treason in AD 20, and in AD 24 he granted his mother a theatre seat among the Vestal Virgins. Livia exercised unofficial but very real power in Rome. Eventually, Tiberius became resentful of his mother's political status, particularly against the idea that it was she who had given him the throne. At the beginning of the reign he vetoed the unprecedented title Mater Patriae ("Mother of the Fatherland") that the Senate wanted to bestow upon her, in the same manner in which Augustus had been named Pater Patriae ("Father of the Fatherland"). (Tiberius also consistently refused the title of Pater Patriae for himself.)

The historians Tacitus and Cassius Dio depict an overweening, even domineering dowager, ready to interfere in Tiberius’ decisions, the most notable instances being the case of Urgulania, (grandmother of Claudius's first wife Plautia Urgulanilla) a woman who correctly assumed that her friendship with the empress placed her above the law, and Munatia Plancina, suspected of murdering Germanicus and saved at Livia’s entreaty. (Plancina committed suicide in 33 AD after being accused again of murder after Livia's death). A notice from AD 22 records that Julia Augusta (Livia) dedicated a statue to Augustus in the centre of Rome, placing her own name even before that of Tiberius.

Sardonyx cameo of Livia with the bust of the Divus Augustus (Vienna)

Ancient historians give as a reason for Tiberius’ retirement to Capri his inability to endure her any longer. Until AD 22 there had, according to Tacitus, been "a genuine harmony between mother and son, or a hatred well concealed;" Dio tells us that at the time of his accession already Tiberius heartily loathed her. In AD 22 she had fallen ill, and Tiberius had hastened back to Rome in order to be with her. But in AD 29 when she finally fell ill and died, he remained on Capri, pleading pressure of work and sending Caligula to deliver the funeral oration. Suetonius adds the macabre detail that "when she died... after a delay of several days, during which he held out hope of his coming, [she was at last] buried because the condition of the corpse made it necessary...". Divine honours he also vetoed, stating that this was in accord with her own instructions. Later he vetoed all the honours the Senate had granted her after her death and canceled the fulfillment of her will.

It would not be until 13 years later in AD 42 and the reign of her grandson Claudius that all her honours would be restored and her deification finally completed. Named Diva Augusta (The Divine Augusta), she received an elephant-drawn chariot to convey her image to all public games. A statue of her was set up in the temple of Augustus along with her husband's, races were held in her honour, and women were to invoke her name in their sacred oaths. In 410 AD during the Sack of Rome (410) her ashes were scattered when Augustus' tomb was sacked.

Her Villa ad Gallinas Albas north of Rome is currently being excavated; its famous frescoes of imaginary garden views may be seen at National Museum of Rome. One of the most famous statues of Augustus - the Augustus of Prima Porta came from the grounds of the villa.

Livia's personality

Livia Drusilla statue, from Paestum.

While reporting various unsavoury hearsay, the ancient sources generally portray Livia (Julia Augusta) as a woman of proud and queenly attributes, faithful to her imperial husband, for whom she was a worthy consort, forever poised and dignified. With consummate skill she acted out the roles of consort, mother, widow and dowager. Dio records two of her utterances: "Once, when some naked men met her and were to be put to death in consequence, she saved their lives by saying that to a chaste woman such men are in no way different from statues. When someone asked her how she had obtained such a commanding influence over Augustus, she answered that it was by being scrupulously chaste herself, doing gladly whatever pleased him, not meddling with any of his affairs, and, in particular, by pretending neither to hear nor to notice the favourites of his passion."

With time, however, and widowhood, a haughtiness and an overt craving for power and the outward trappings of status came increasingly to the fore. Livia had always been a principal beneficiary of the climate of adulation that Augustus had done so much to create, and which Tiberius despised ("a strong contempt for honours", Tacitus, Annals 4.37). In 24, typically, whenever she attended the theatre, a seat among the Vestals was reserved for her (Annals 4.16), and this may have been intended more as an honour for the Vestals than for her (cf. Ovid, Tristia, 4.2.13f, Epist.Ex Ponto 4.13.29f).

Livia played a vital role in the formation of her children Tiberius and Drusus. Attention focuses on her part in the divorce of her first husband, father of Tiberius, in 39/38 BC. It would be interesting to know her role in this, as well as in Tiberius’ divorce of Vipsania Agrippina in 12 BC at Augustus' insistence: whether it was merely neutral or passive, or whether she actively colluded in Caesar’s wishes. The first divorce left Tiberius a fosterchild at the house of Octavian; the second left Tiberius with a lasting emotional scar, since he had been forced to abandon the woman he loved for dynastic considerations.

Livia in literature and popular culture

Livia in ancient literature

In Tacitus' Annals, Livia is depicted as having great influence, to the extent where she "had the aged Augustus firmly under control — so much so that he exiled his only surviving grandson to the island of Planasia".

Livia's image appears in ancient visual media such as coins and portraits. She was the first woman to appear on provincial coins in 16 BC and her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman. Livia's image evolves with different styles of portraiture that trace her effect on imperial propaganda that helped bridge the gap between her role as wife to the emperor Augustus, to mother of the emperor Tiberius. Becoming more than the "beautiful woman" she is described as in ancient texts, Livia serves as a public image for the idealization of Roman feminine qualities, a motherly figure, and eventually a goddesslike representation that alludes to her virtue. Livia's power in symbolizing the renewal of the Republic with the female virtues Pietas and Concordia in public displays had a dramatic effect on the visual representation of future imperial women as ideal, honorable mothers and wives of Rome.

Livia in modern literature

In the popular fictional work I, Claudius by Robert Graves--based on Tacitus' innuendo—Livia is portrayed as a thoroughly Machiavellian, scheming political mastermind. Determined never to allow republican governance to flower again, as she felt they led to corruption and civil war, and devoted to bringing Tiberius to power and then maintaining him there, she is involved in nearly every death or disgrace in the Julio-Claudian family up to the time of her death. In her deathbed she only fears divine punishment for all she had done, and secures the promise of future deification by her grandson Claudius, an act which, she believes, will guarantee her a blissful afterlife. However, this portrait of her is balanced by her intense devotion to the well-being of the Empire as a whole, and her machinations are justified as a necessarily cruel means to what she firmly considers a noble aspiration: the common good of the Romans, achievable only under strict imperial rule. In the 1976 BBC television series based on the book, Livia was played by Siân Phillips. Phillips won a BAFTA for her portrayal of the role.

In the ITV television series The Caesars, Livia was played by Sonia Dresdel.

A heavily fictionalized version of Livia appears as Xena's daughter in season 5 (1999/2000) of the television series Xena: Warrior Princess portrayed by Adrienne Wilkinson.

Livia was dramatized in the HBO/BBC series Rome. Introduced in the 2007 episode "A Necessary Fiction", Livia (Alice Henley) soon catches the eye of young Octavian, who has never been married or fathered any children. Historically, of course, Octavian had already been married to and divorced Clodia Pulchra by this time, and was married to a pregnant Scribonia. Rome does acknowledge the existence of Livia's child, Tiberius, by her first husband, but not that she was pregnant with Nero Claudius Drusus when she met Octavian. Livia is portrayed as deceptively submissive in public, while in private she possesses an iron will, and a gift for political scheming that matches Atia's.

Livia appears in Neil Gaiman's comic "Distant Mirrors - August" collected in The Sandman: Fables and Reflections.

In John Maddox Roberts's short story "The King of Sacrifices," set in his SPQR series, Livia hires Decius Metellus to investigate the murder of one of Julia the Elder's lovers.

In Antony and Cleopatra by Colleen McCullough, Livia is portrayed as a cunning and effective advisor to her husband, whom she loves passionately.

Livia plays an important role in two Marcus Corvinus mysteries by David Wishart, Ovid (1995) and Germanicus (1997). She is mentioned posthumously in Sejanus (1998).

Luke Devenish's "Empress of Rome" novels, "Den of Wolves" (2008) and "Nest of Vipers" (2010), have Livia as central character in a fictionalized account of her life and times.

Descendants

Although her marriage with Augustus produced only one child, which she later miscarried, through her sons by her first husband, Tiberius and Drusus, she is a direct ancestor of all of the Julio Claudian emperors as well as the vast majority of the extended Julio-Claudian imperial family. The line possibly continued for at least another century after the dynasty's downfall through the son and grandson of Livia's great-great-granddaughter Rubellia Bassa (see below); however, it is unknown whether or not this line was continued or if it went extinct.

1. Tiberius, 42 BC - AD 37, had 2 children

A. Drusus Julius Caesar, 13 BC - AD 23, had three children

I. Julia, AD 5 - AD 43, had 4 children

a. Gaius Rubellius Plautus, 33 - 62, had several children

b. Rubellia Bassa, born between 33 and 38, had at least 1 child

i. Octavius Laenas, had at least 1 child

i. Sergius Octavius Laenas Pontianus

c. Gaius Rubellius Blandus

d. Rubellius Drusus

II. Tiberius Julius Caesar Nero Gemellus, 19 - 37 or 38, died without issue

III. Tiberius Claudius Caesar Germanicus II Gemellus, 19 - 23, died young

b. Tiberillus, died young

2. Drusus 38 BC - AD 9, had three children

A. Germanicus, 16 BC or 15 BC - AD 19, had 6 children

I. Nero Caesar, 6 - 30, died without issue

II. Drusus Caesar, 7 - 33, died without issue

III. Caligula, 12 - 41, had 1 child;

a. Julia Drusilla, 39 - 41, died young

IV. Agrippina the Younger, 15 - 59, had 1 child;

a. Nero, 37 - 68, had 1 child;

i. Claudia Augusta, Jan. 63 - April 63; died young

V. Julia Drusilla, 16 - 38, died without issue

VI. Julia Livilla, 18 - 42, died without issue

B. Livilla, 13 BC - AD 31, had three children

I. see children of Drusus Julius Caesar listed above

C. Claudius, 10 BC - AD 54, had 4 children

I. Claudius Drusus, died young

II. Claudia Antonia, c. 30 - 66, had 1 child

a. a son, died young

III. Claudia Octavia, 39 or 40 - 62, died without issue

IV. Tiberius Claudius Caesar Britannicus, 41 - 55, died without issue

See also

• Julio-Claudian family tree

Further reading

• Elizabeth Bartman, Portraits of Livia: Imaging the Imperial Woman in Augustan Rome (Cambridge: Cambridge University Press. 1998).

External links

• As goddess and priestess of Demeter
• Portraits of Livia
• Livia: Love and Politics (in spanish)