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Hu Zhiying

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This is an old revision of this page, as edited by DGG (talk | contribs) at 17:18, 2 December 2020 (Commenting on submission (AFCH 0.9.1)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

  • Comment: I will consider the article. What you should do first is see if you can get an English language publication about the work at the Metropolitan Museum of NY--try their wenb site as a start. It would also help if you could find reviews of his books--in any language. DGG ( talk ) 17:18, 2 December 2020 (UTC)
  • Comment: Scope_creep - Exhibitions look fine. I'll leave it up to another reviewer to give it a pass/fail. Snowycats (talk) 17:43, 25 October 2020 (UTC)
  • Comment: Hi @Snowycats: The exhibitions sections have been cleaned up. Can you have another look at them please and tell me exactly what is required. Thanks. scope_creepTalk 13:07, 25 October 2020 (UTC)
  • Comment: scope_creep My issue with tone is the "Exhibitions" section. It is excessive for the article. Snowycats (talk) 18:39, 20 October 2020 (UTC)
  • Comment: Hi @Snowycats: I don't see problem with tone, unless you can point to a specific area. There is barely any article there. Regarding the references, is it too many primary sources. Thanks. scope_creepTalk 08:53, 20 October 2020 (UTC)
  • Comment: These issues remain. Snowycats (talk) 04:34, 20 October 2020 (UTC)
  • Comment: When you look at it, the majority of the article is referenced to Source 2, which is his own book. More secondary sources are needed. scope_creepTalk 12:22, 9 October 2020 (UTC)
  • Comment: Probably notable but the draft has significant problems. Several sections are unsourced, but the particular problem is large sections are sources to the subjects own book or related sources. In these sections the tone the wrong, being vaguely promotional, using peacock terms and the references don't support the statements in some cases. For example, Art Form is referenced to his own work. Another example of promotional text and peacock terms Hu Zhiying's art is mysterious and profound, presenting a state of pluralistic coexistence of world space, like the disorder of people's thinking, as well as the disorder of video code - the original state of the world. This kind of works has a very deep spirit of Chinese culture in it. It gives people a sense of misplacement or overlap of time and space in ancient and modern times. In fact, people are both historical and realistic, both present and eternal. It is again references to his own book. Those sections needs copyedited to remove this promotional language and genuine secondary WP:SECONDARY sources added to to support the language. That whole section Art Style can easily go and it doesn't add anything.
    It needs to be written in a neutral tone, which is absent at the moment. The Life and Career is again using sources from his own book? Where is the secondary sources to the support and verify per WP:V. scope_creepTalk 12:21, 9 October 2020 (UTC)
I agree with scope_creep's opinion above. --Jujiang (talk) 12:28, 20 October 2020 (UTC)
@Scope creep: I will improve the draft according to your comments. Thank you. --Jujiang (talk) 12:43, 9 October 2020 (UTC)
@Scope creep:Hello there, I've added more secondary WP:SECONDARY sources to most chapters of the draft. There are 12 sources in the Life and Career section, only two of which are from his own books. Some sentences with promotional tone have been deleted. Part of the sentence was rewritten, keeping the tone as neutral as possible. Could you please review it again? I can continue to revise the draft. Thank you. --Jujiang (talk) 14:04, 12 October 2020 (UTC)
Hu Zhiying
胡志穎
Born (1959-11-12) November 12, 1959 (age 64)
Ganzhou, Jiangxi Province, China
Other namesYuling
Citizenship
Education
Occupation(s)Artist, Poet, Professor
Known forArt, Contemporary Art, Literature
Notable work
  • A Collection of Works by Hu Zhiying
  • Beyond the Chains of Illusion— Hu Zhiying's Paintings 1989-2009
  • Experience and Transcendence: Hu Zhiying's Art 1987-2017
  • On the Paramitality in Literature
Awards
  • Won the Merit Award of the International Palm Art Award 2010, Leipzig, Germany
  • Won the Exposure Award, New York, USA (2015)

Hu Zhiying ((Chinese: 胡志穎; pinyin: Hú zhìyǐng; born November 12, 1959) is a contemporary Chinese avant-garde artist, art educator and poet. He also works within the areas of painting, installation, video art and conceptual art. His artworks are displayed wordwide. He has taught painting and calligraphy in Guangzhou Academy of Fine Arts and South China Normal University.[1][2][3][4][5]

Life and career

Hu was born in Ganzhou, Jiangxi. He was part of the "Class of 1977", the first group of Chinese students to take the National College Entrance Examination after its resumption in 1977.[6] He graduated from the Art Department of Jiangxi Normal University.[4] In 1987, he was admitted to Guangzhou Academy of Fine Arts and studied in the Department of Chinese painting.[1] During his graduate studies, he joined the 1989 June 4th Democracy Movement.[7]: 224  In 1990, Hu Zhiying's master's thesis About the Transiency of Art was labeled as "not in line with Marxist principles" and was denied.[8][9][10] In 2002, Hu received his Ph.D. degree from the College of Liberal Arts of Jinan University with the thesis "On the Paramitality in Literature".[11] His poems are published in Chinese and Western Poetry,[12] Survivors Poetry,[13] etc.[14]Hu Zhiying is also a dissident in mainland China. Articles criticizing the autocracy of Chinese Communist Party are published in "Beijing Spring",[15] "Huanghuagang Magazine",[16] and Taiwan's Chinese Culture Monthly,[17]: 31–46  etc.

Exhibitions

Selected solo exhibitions

  • Hu Zhiying, Galleria Piziarte (Teramo, Italy, 2008)[18]
  • Hu Zhiying’s Paintings (1989-2009), the Wall Art Museum (Beijing, 2010)[19][20][21]
  • The installation The Hans Christian Andersen's Fairy Tales (Museum of Modern Art, New York, 2016)[22][23]
  • Hu Zhiying’s Art (1987-2017) (53 Art Museum, Guangzhou, 2017)[24][25][26]

Selected group exhibitions

1990s

2010s

  • Window in the Wall：India and China – Imaginary Conversations, Pearl Lam Galleries, (Shanghai, 2011)[29]
  • ART FRONTIER Contemporary Art Exhibition, Songzhuang Art Museum (Beijing, 2012)[30]
  • 55th Venice Biennale • Voice of the Unseen (Venice, Italy, 2013)[31][32]
  • The Exposure Award, Louvre Museum (Paris, 2015)[33]
  • Let There Be Books, video, the Museum of the Sichuan Fine Arts Institute (Chongqing, 2019)[34]

Hu created and exhibited the following installation art:

Publications

Portfolio

Major works published by Hu:

  • Hu, Zhiying (2011). Hu Zhiying zuo pin ji [A Collection of Works by Hu Zhiying] (in Chinese and English) (1st ed.). Fuzhou: Haifeng Publishing House. ISBN 9787551200295. OCLC 862563238.
  • Bao Dong (2010). Beyond the Chains of Illusion— Hu Zhiying's Paintings 1989-2009 (in Chinese and English). Hong Kong: WorldCat. ISBN 978-988-18938-0-2. OCLC 728523572.
  • Hu, Zhiying (2017). Ti yan yu chao yan Hu Zhiying yi shu (1987-2017) [Experience and transcendence : Hu Zhiying's art (1987-2017)] (in Chinese and English). Hong Kong: China Artists Publishing House. ISBN 978-988-78237-6-6. OCLC 1100122878.

Monographs

The following studies by Hu were published as monographs:

  • Hu, Zhiying (2003). A study on the otherness in literature (in Chinese) (1st ed.). Beijing: China Social Sciences Press. ISBN 7-5004-4164-9. OCLC 163817330.
  • Hu, Zhiying (2003). The state of Western contemporary art (in Chinese) (1st ed.). Beijing: People’s Fine Arts Publishing House. ISBN 7-102-02714-1. OCLC 213906305.

References

  1. ^ a b "Hu Zhiying（胡志穎）". China Artists Association.
  2. ^ "HU ZHIYING". ASIA ART ARCHIVE.
  3. ^ "Hu Zhiying video works showing". Sichuan Fine Arts Institute.
  4. ^ a b "HU ZHIYING". ARTRON.
  5. ^ "ART". Absolute Magazine. 2017-08-14.
  6. ^ "List of 1977 graduates of Jiangxi Normal University". Geography Teacher.
  7. ^ Hu Zhiying (2011). A Collection of Works by Hu Zhiying (Chinese-English), Hu Zhiying, Haifeng Publishing House, Fuzhou, 2011. Metropolitan Museum of Art. ISBN 978-7-5512-0029-5.
  8. ^ Hu Zhiying. "About the Transiency of Art". CNKI.
  9. ^ Wang Huangsheng The Transiency of Cultural Power——Reading Hu Zhiying: "Therefore, Hu Zhiying got himself into trouble with his brilliant paper About the Transiency of Art, and the mere presentation of his personal meditation was considered a challenge to the so-called authority." Jiangsu Art Monthly, No.2, 1997, Jiangsu Fine arts Publisher House
  10. ^ "1990, His graduation thesis About the Transiency of Art (completed according to his plan of study) was negated by Chi Ke, director of the Theory Teaching and Research Section of Guangzhou Academy of Fine Arts, who put the political label "not in line with Marxist principles" on it. He was denied the chance to defend his thesis and eventually failed to acquire the diploma and the master’s degree certificate. At that time, young teachers (including those of the Theory Teaching and Research Section), postgraduates who had finished their programme and those who were still studying at Guangzhou Academy of Fine Arts jointly expressed their opinion to the Academy authorities and authorities at a higher level responsible for the work concerned that academic freedom should be respected and learning should not be confused with administration. (The full text of About the Transiency of Art was published in Northern Art, journal of Tianjin Academy of Fine Arts in 2001. The title of his thesis was included in the Index of Theory of Plastic Art of 2001 by Center of Data from Newspapers and Magazines of Renmin University of China.)", Chronology, A Collection of Works by Hu Zhiying (Chinese-English), Hu Zhiying, Haifeng Publishing House, Fuzhou, 2011:224
  11. ^ Hu Zhiying (2003). On the Paramitality in Literature. Library of Congress. ISBN 7-5004-4164-9.
  12. ^ Huang Lihai. Chinese and Western Poetry, Guangzhou, 2014, 2016, 2017, 2018, 2019
  13. ^ Mang Ke, Yang Lian, and Tang Xiaodu. Survivors Poetry, Beijing, 2018. No.4
  14. ^ 林崗“遲到的先鋒”，《書城》2012年9月號，上海三聯書店
  15. ^ Hu Zhiying. "中國當代官方體育批判". Beijing Spring.
  16. ^ Hu Zhiying. "從"邦迪對峙事件"透析美中兩國之間法律和軍隊的本質區別". Huanghuagang.
  17. ^ Hu Zhiying《泛論馬克思主義作為一種理想主義之意義——兼及中國問題的思考》 典藏臺灣官網，《中國文化月刊》十月（259卷），臺中市，2001
  18. ^ "Hu Zhiying". Piziarte Gallery.
  19. ^ Art in America, New York, 2010, No.6
  20. ^ "BEYOND THE CHAINS OF ILLUSION - HU ZHIYING'S PAINTINGS FROM 1989 TO 2009 (solo)". ARTLINKART.
  21. ^ "BEYOND THE CHAINS OF ILLUSION - HU ZHIYING'S PAINTINGS FROM 1989 TO 2009 (solo)". ARTRON.
  22. ^ : 56–57 
  23. ^ Paul Bridgewater & William J. Sheehy & Meadow. "The Installations of Hu Zhiying In the MoMA". issuu.
  24. ^ "Experience and Transcendence: Hu Zhiying's Art (1987-2017)". 53 Art Museum.
  25. ^ "Experience and Transcendence: Hu Zhiying's Art (1987-2017)". ARTRON.
  26. ^ "Experience and Transcendence: Hu Zhiying's Art (1987-2017) (Hu Zhiying 30 Years Art Retrospective Exhibition)". ARTRON.
  27. ^ "China-Aktuelles aus 15 Ateliers". Asia Art Archive.
  28. ^ "CHINA NOW!". Littmann Kulturprojekte.
  29. ^ "Window in the Wall：India and China – Imaginary Conversations". DOUBAN.
  30. ^ "ART FRONTIER Contemporary Art Exhibition". Artron.Net.
  31. ^ "55th Venice Biennale • Voice of the Unseen". Art.163.
  32. ^ Voice of the Unseen, ALTE BRÜCKE VERLAG, Germany, 2013 ISBN 978-3-939-24918-4
  33. ^ "THE EXPOSURE AWARD—Art Photography Collection". issuu.
  34. ^ "Let There Be Books". Sichuan Fine Arts Institute.
  35. ^ a b Gallery (No.241), Lingnan Fine Arts Publishing House, 2018
  36. ^ "HU ZHIYING's Installation: POSTCOLONIAL WORKSHOP in the Metropolitan Museum of Art". Yidian-Inc.

External links


Category:1959 births Category:Living people Category:People from China Category:20th-century Chinese painters Category:21st-century Chinese painters Category:Chinese contemporary artists Category:20th-century Chinese poets Category:21st-century Chinese poets

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