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when are we going to face the facts that genuine critics generally slam the artistic wing of the Falun Gong?
→‎Reception: removed – this piece is an obvious advertorial write-up to publicise and sell tickets for the show
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''The [[San Francisco Chronicle]]'' wrote that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."<ref name="sfgate"/> Paula Citron, theater critic for Canada's ''[[Globe and Mail]]'' said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."<ref name="globeandmail"/> A critic for ''[[Chicago Tribune]]'' remarked that the female dancers were "as delicate as they are quick, and their skills include a nimble mastery of traditional talents, such as the classic fan dance."<ref name=chicagotribune/> Joel Markowitz of DC Theatre Scene described tenor Guan Guimin's voice as similar to that of [[Beniamino Gigli]], "with a glorious sweet upper range-and crystal clear diction, sung with great emotion."<ref name=dctheatre>Joel Markowitz, [http://dctheatrescene.com/2007/01/28/january-pleasures/ ‘January Pleasures’], DC Theatre Scene, 28 January 2007.</ref> A reviewer with the ''Philadelphia City Paper'' remarked on how "the orchestra's blend of Western and Chinese instrumentation and timbre works, its erhu players seamlessly mixing in with more traditional musicians."<ref name=philcitypaper>A.D. Amorosi, [http://archives.citypaper.net/articles/2008/12/18/divine-performing-arts ‘Divine Performing Arts’], ''Philadelphia City Paper'', 16 Dec 2008.</ref> The ''New York Observer'' noted that the 2011 production at New York's Lincoln Center received “highly favorable reviews.”<ref name=Observer>Elise Knutsen, [http://www.observer.com/2011/07/shindigger-shen-yun-performance-brings-out-stars-and-awareness/ ‘Shen Yun Performance Brings out Stars and Awareness’], ''New York Observer'', 5 July 2011.</ref> In 2008, by contrast, ''[[The Toronto Star]]'' gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "consistently banal"<ref name=star20080120>Susan Walker [http://www.thestar.com/entertainment/article/295651 (Falun) Gong New Year event mere propaganda], ''The Toronto Star'', 20 January 2008</ref>
''The [[San Francisco Chronicle]]'' wrote that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."<ref name="sfgate"/> Paula Citron, theater critic for Canada's ''[[Globe and Mail]]'' said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."<ref name="globeandmail"/> A critic for ''[[Chicago Tribune]]'' remarked that the female dancers were "as delicate as they are quick, and their skills include a nimble mastery of traditional talents, such as the classic fan dance."<ref name=chicagotribune/> Joel Markowitz of DC Theatre Scene described tenor Guan Guimin's voice as similar to that of [[Beniamino Gigli]], "with a glorious sweet upper range-and crystal clear diction, sung with great emotion."<ref name=dctheatre>Joel Markowitz, [http://dctheatrescene.com/2007/01/28/january-pleasures/ ‘January Pleasures’], DC Theatre Scene, 28 January 2007.</ref> A reviewer with the ''Philadelphia City Paper'' remarked on how "the orchestra's blend of Western and Chinese instrumentation and timbre works, its erhu players seamlessly mixing in with more traditional musicians."<ref name=philcitypaper>A.D. Amorosi, [http://archives.citypaper.net/articles/2008/12/18/divine-performing-arts ‘Divine Performing Arts’], ''Philadelphia City Paper'', 16 Dec 2008.</ref> The ''New York Observer'' noted that the 2011 production at New York's Lincoln Center received “highly favorable reviews.”<ref name=Observer>Elise Knutsen, [http://www.observer.com/2011/07/shindigger-shen-yun-performance-brings-out-stars-and-awareness/ ‘Shen Yun Performance Brings out Stars and Awareness’], ''New York Observer'', 5 July 2011.</ref> In 2008, by contrast, ''[[The Toronto Star]]'' gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "consistently banal"<ref name=star20080120>Susan Walker [http://www.thestar.com/entertainment/article/295651 (Falun) Gong New Year event mere propaganda], ''The Toronto Star'', 20 January 2008</ref>


Shen Yun's depictions of religious content and political repression in China have also drawn mixed reviews from critics and audiences.<ref name="nyt">{{Cite news| last =Konigsberg | first =Eric | title =A Glimpse of Chinese Culture That Some Find Hard to Watch | newspaper =[[The New York Times]] | date =6 February 2008| url =http://www.nytimes.com/2008/02/06/nyregion/06splendor.html?_r=1&oref=slogin}}</ref><ref name='buffallownews'>{{Cite web|url=http://www.buffalonews.com/2010/05/30/1066022/songdance-spectacular-not-exactly.html#comment |title=Song & dance spectacular not exactly what it seems |first=Colin |last=Dabkowski |work= Buffalo News |date=30 May 2010 |accessdate=21 June 2010  }}</ref> A Shen Yun production manager explained that while most of the performance does not deal with persecution, other acts nonetheless have "uplifting moral themes and extol virtues promoted by Falun Gong: truthfulness, compassion and forbearance."<ref name="WFP"/> Although some reviewers have praised the artistry and message of these acts,<ref>Richard Connema, [http://www.talkinbroadway.com/regional/sanfran/s991.html Chinese New Year Spectacular Returns to San Francisco], Talkin' Broadway.</ref><ref name=dctheatre/> others have noted the political elements may lead to a "biased view of Chinese history and contemporary culture."<ref name="Wright"/> ''[[The Daily Telegraph]]'' stated the show presented "a Disneyfied version of Chinese culture" and described the performance as "propaganda as entertainment."<ref name=telegr>{{Cite web|url=http://www.telegraph.co.uk/culture/theatre/dance/3671451/Shen-Yun-Propaganda-as-entertainment.html |title=Shen Yun: Propaganda as entertainment |work=The Daily Telegraph |first=Sue |last=Crompton |date=25 February 2008 |accessdate=1 April 2009 }}</ref> ''[[The Guardian]]'' gave the show 2 stars out of 5, writing that whilst "the sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans... [the show] ... is all too weird a mix of propaganda and bling."<ref>{{Cite web|url=http://www.guardian.co.uk/stage/2008/feb/25/dance |title=Dance review: Shen Yun Royal Festival Hall, London |first=Judith |last=Mackrell |work=The Guardian |date=25 February 2008 |accessdate=1 April 2009  }}</ref> The [[St. Paul Pioneer Press]] wrote that while the 2012 production had "plenty of grace, athleticism, lovely music and eye-poppingly colorful costuming and backdrops," "a bite emerges" whenever the performance touched on the contemporary political situation in China. "It's clear that the creators of these tradition-fueled dance works are acting as protectors of the past but also advocates for openness in the present."<ref>Rob Hubbard, [http://www.twincities.com/entertainment/ci_20143859/shen-yun-troupe-offers-chinese-dance-twist Shen Yun troupe offers Chinese dance, with a twist], Pioneer Press, 9 March 2012.</ref>
Shen Yun's depictions of religious content and political repression in China have also drawn mixed reviews from critics and audiences.<ref name="nyt">{{Cite news| last =Konigsberg | first =Eric | title =A Glimpse of Chinese Culture That Some Find Hard to Watch | newspaper =[[The New York Times]] | date =6 February 2008| url =http://www.nytimes.com/2008/02/06/nyregion/06splendor.html?_r=1&oref=slogin}}</ref><ref name='buffallownews'>{{Cite web|url=http://www.buffalonews.com/2010/05/30/1066022/songdance-spectacular-not-exactly.html#comment |title=Song & dance spectacular not exactly what it seems |first=Colin |last=Dabkowski |work= Buffalo News |date=30 May 2010 |accessdate=21 June 2010  }}</ref> A Shen Yun production manager explained that while most of the performance does not deal with persecution, other acts nonetheless have "uplifting moral themes and extol virtues promoted by Falun Gong: truthfulness, compassion and forbearance."<ref name="WFP"/> Although some reviewers have praised the artistry and message of these acts,<ref>Richard Connema, [http://www.talkinbroadway.com/regional/sanfran/s991.html Chinese New Year Spectacular Returns to San Francisco], Talkin' Broadway.</ref><ref name=dctheatre/> others have noted the political elements may lead to a "biased view of Chinese history and contemporary culture."<ref name="Wright"/> ''[[The Daily Telegraph]]'' stated the show presented "a Disneyfied version of Chinese culture" and described the performance as "propaganda as entertainment."<ref name=telegr>{{Cite web|url=http://www.telegraph.co.uk/culture/theatre/dance/3671451/Shen-Yun-Propaganda-as-entertainment.html |title=Shen Yun: Propaganda as entertainment |work=The Daily Telegraph |first=Sue |last=Crompton |date=25 February 2008 |accessdate=1 April 2009 }}</ref> ''[[The Guardian]]'' gave the show 2 stars out of 5, writing that whilst "the sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans... [the show] ... is all too weird a mix of propaganda and bling."<ref>{{Cite web|url=http://www.guardian.co.uk/stage/2008/feb/25/dance |title=Dance review: Shen Yun Royal Festival Hall, London |first=Judith |last=Mackrell |work=The Guardian |date=25 February 2008 |accessdate=1 April 2009  }}</ref>


==Chinese government reaction==
==Chinese government reaction==

Revision as of 16:15, 15 June 2012

Shen Yun
File:Logo-shenyun.png
Company logo
Traditional Chinese神韻藝術團
Simplified Chinese神韵艺术团

Shen Yun Performing Arts, formerly known as Divine Performing Arts, is a performing arts and entertainment company based in New York.[1] It performs classical Chinese dance, ethnic and folk dance, and story-based dance,[2] with orchestral accompaniment and solo performers.

Founded in 2006, Shen Yun is associated with the Falun Gong (Falun Dafa) spiritual practice,[3][4] and performances around the world are hosted by local Falun Dafa Associations. Shen Yun states that its underlying mission is to "revive the essence of 5000 years of Chinese culture", which it asserts to have been nearly demolished by the Chinese Communist government.[5]

The group is composed of three performing arts companies: The New York Company, The Touring Company, and the International Company, with of a total of over 200 performers. For seven months a year, Shen Yun Performing Arts tours to over 130 cities across Europe, North America, Oceania, and Asia.[6] The show's acts and production staff are trained at Shen Yun’s headquarters in Cuddebackville, in Orange County, New York.[6]

Shen Yun has received both favourable and negative reviews for the artistry of it performances, and the inclusion of political and religious content—such as acts which depict the suppression of Falun Gong in China—has been referred to as "weird" and "propaganda as entertainment" from critics. The performances have also allegedly faced interference from the Chinese government due to its affiliation to Falun Gong.

History

Shen Yun was founded in 2006 in New York by expatriate Chinese Falun Gong practitioners[7] living in North America. The company’s first tour took place in 2007, when the company comprised 90 dancers, musicians, soloists and production staff.[8][9] Initially the shows were titled "Chinese Spectacular",[3][4] "Holiday Wonders",[10] Chinese New Year Splendor, and "Divine Performing Arts", but now the company performs under the name "Shen Yun." As of 2009, Shen Yun had expanded to three full companies and orchestras that tour the world simultaneously.[8] Every year, the three full companies of Shen Yun tour simultaneously. By the end of the 2010 season, approximately one million people had seen the troupe perform.[6]

Content

Each year, Shen Yun creates original productions lasting 2.5 hours and consisting of approximately 20 vignettes featuring classical Chinese dance and ethnic dance, as well as solo musicians and operatic singing.[11][6] Before each act, bilingual MCs introduce the upcoming performance in Chinese and in local languages.[6][12]

Dance

Each touring company consists of approximately 60 male and female dancers, and large-scale group dance is at the center of Shen Yun productions.[4] The shows mainly feature what is described on the company’s website as "classical Chinese dance" – a comprehensive dance system passed down through thousands of years and which is recognizable in part for its extensive use of acrobatic and tumbling techniques, forms and postures.[9][13]

Shen Yun’s repertoire draws on stories from Chinese history and legends, such as legend of Mulan,[2][14] Journey to the West[15] and Outlaws of the Marsh.[16] It also depicts “the story of Falun Gong today.”[8][17] During the 2010 production, for instance, at least two out of 16 scenes depicted the "persecution and murder of Falun Gong practitioners" in contemporary China, including the beating of a young mother to death, and the jailing of a Falun Gong protester.[18] In addition to classical Chinese dance, Shen Yun also draws inspiration from the spirit of various ethnicities, including Yi, Miao, and Mongolian dance.[19]

Shen Yun describes classical Chinese dance as comprising three core components: bearing (yun), form, and technical skill.[3] Technical skill describes the physical techniques of jumping, flipping, and leaping. Form encompasses the subtle expressive movements and postures that make up Chinese dance. Finally, bearing is described by Shen Yun are referring to the "inner spirit…something resembling cultural DNA or an ethnic flavor" that allows the dancer's emotional state to be conveyed.[20] Because the "bearing" (yun) of classical Chinese dance is related to a society's culture, some of what makes up the distinct Chinese bearing has been "lost in the process" since the cultural changes of the Communist revolution, according to Shen Yun choreographer Vina Lee.[3] Lee relates that dancers must "refine their moral character" in order to "convey the transcendence and spiritual realm that is the very soul of Chinese culture."[21]

Music

Shen Yun dances are accompanied by a Western philharmonic orchestra that integrates several traditional Chinese instruments, including the pipa, suona, dizi, guzhen, and a variety of Chinese percussion instruments.[6][22] There are solo performances featuring Chinese instruments such as the erhu.[3][11] Interspersed between dance sequences are operatic singers performing songs which sometimes invoke spiritual or religious themes, including references to the Falun Gong faith.[6][18] A performance in 2007, for instance, included reference to the Chakravartin, a figure in Buddhism who turns the wheel of Dharma.[23]

The company counts a number of noted musicians among its ranks. Three performers – flutist Ningfang Chen, erhuist Mei Xuan and tenor Guan Guimin—were recipients of the Chinese Ministry of Culture’s “National First Class Performer” awards. Prior to joining Shen Yun, Guan Guimin was well known in China for his work on soundtracks for over 50 movies and television shows.[24][25] Other notable performers include Erhu soloist Xiaochun Qi,[26] and bassoonist Hsiao-Ch’un Wang.[citation needed]

Costume and backdrops

Shen Yun’s dancers perform wearing intricate costumes, often accompanied by a variety of props.[3][6] Some costumes are intended to imitate the dress various ethnicities, while other depict ancient Chinese court dancers, soldiers, or characters from classic stories.[3] Props include colorful handkerchiefs, drums,[3] fans, chopsticks, or silk scarves.[17][27]

Each Shen Yun piece is set against a digitally projected backdrop, usually depicting landscapes such as Mongolian grasslands, imperial courts, ancient villages, temples, or mountains.[6][12][28] Not all the backdrops are static; some contain moving elements that integrate with the performance.[27]

Artists

Principal Dancers

Orchestra

Soloists

Choreographers

Composers

[29]

Advertising

Shen Yun is heavily promoted in major cities with commercials, billboards, and brochures displayed in the streets and in businesses. Promotion of Shen Yun is often done by practitioners of Falun Gong, a spiritual practice that is persecuted in China.[7][30][31] Some journalists have raised objections about the show's promotion strategy, which does not always clearly note that there is Falun Gong-related, or what has been described as political content, in the performance.[32][33][30] The Winnipeg Free Press noted that Shen Yun's promotional materials contained "a line in very small, pale type" that the local Falun Dafa Association is the sponsor of the show.[18] There are also permanent banners cross-promoting Shen Yun in the Epoch Times and NTDTV websites.[34][35]

Reception

The San Francisco Chronicle wrote that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."[3] Paula Citron, theater critic for Canada's Globe and Mail said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."[17] A critic for Chicago Tribune remarked that the female dancers were "as delicate as they are quick, and their skills include a nimble mastery of traditional talents, such as the classic fan dance."[27] Joel Markowitz of DC Theatre Scene described tenor Guan Guimin's voice as similar to that of Beniamino Gigli, "with a glorious sweet upper range-and crystal clear diction, sung with great emotion."[23] A reviewer with the Philadelphia City Paper remarked on how "the orchestra's blend of Western and Chinese instrumentation and timbre works, its erhu players seamlessly mixing in with more traditional musicians."[36] The New York Observer noted that the 2011 production at New York's Lincoln Center received “highly favorable reviews.”[37] In 2008, by contrast, The Toronto Star gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "consistently banal"[38]

Shen Yun's depictions of religious content and political repression in China have also drawn mixed reviews from critics and audiences.[32][33] A Shen Yun production manager explained that while most of the performance does not deal with persecution, other acts nonetheless have "uplifting moral themes and extol virtues promoted by Falun Gong: truthfulness, compassion and forbearance."[18] Although some reviewers have praised the artistry and message of these acts,[39][23] others have noted the political elements may lead to a "biased view of Chinese history and contemporary culture."[7] The Daily Telegraph stated the show presented "a Disneyfied version of Chinese culture" and described the performance as "propaganda as entertainment."[40] The Guardian gave the show 2 stars out of 5, writing that whilst "the sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans... [the show] ... is all too weird a mix of propaganda and bling."[41]

Chinese government reaction

The Chinese government has attempted to cancel or delay Shen Yun performances through political pressure via its embassies according to the US State Department and Falun Gong-related sources.[42][43][44] The Chinese embassy in Ottawa, Canada, said that the show was “propaganda” whose objective was to “smear China’s image” and damage bilateral relationships.[45] Chinese diplomats have sent letters to elected officials in the West exhorting them not to attend or otherwise support the performance.[46]

In Moldova the government cancelled two performances in 2010 after the government suggested that it might "hurt diplomatic relations with China."[47][48][49] In Romania, government intervention also prevented Shen Yun from performing at a theater in Bucharest due to a "contract issue", despite protest from several Romanian members of the European Parliament. Performances in Ukraine were also cancelled after alleged pressure from China.[50][51] In late January 2010, the government of Hong Kong refused entry visas for members of Shen Yun's production crew, resulting in the show's cancelation. Democratic Party chairman Albert Ho said the denial of the visas was a worrying new erosion of Hong Kong's freedoms and reputation. The Hong Kong immigration department did not comment on the specific case, but said that applicants "generally had to offer expertise not easily found locally".[52] The decision was overturned in March.[53]

See also

References

  1. ^ "Mission". Retrieved 15 November 2009. The Mission statement of Shen Yun Performing Arts
  2. ^ a b "International Incident". The Pacific Northwest Inlander. Retrieved 15 November 2009.
  3. ^ a b c d e f g h i Hunt, Mary Ellen (4 January 2009). "Chinese New Year Spectacular in S.F., Cupertino". San Francisco Chronicle. Retrieved 4 September 2009.
  4. ^ a b c Wenzel, John (1 October 2007). "Chinese New Year embracing tradition". The Denver Post. Retrieved 5 September 2009.
  5. ^ About the company
  6. ^ a b c d e f g h i SUSAN HODARA. 5,000 Years of Chinese Music and Dance, in One Night. New York Times. 13 August 2010.
  7. ^ a b c Wright, E. Assata (22 December 2011). "Shen Yun returns". Hudson Reporter. Retrieved 23 April 2012.
  8. ^ a b c Shen Yun Performing Arts About the Company
  9. ^ a b Adriana Rambay Fernandez, Dancing around the world, Hudson Reporter, 22 Jan 2012.
  10. ^ Higgins, Beau (15 November 2007). "'Holiday Wonders' Chinese Meets West Extravaganza". Broadway World. Retrieved 5 September 2009.
  11. ^ a b Sparacino, Micaele (19 January 2010). "Deities, Dragons, Dancers, and Divas". Concertonet.com. Retrieved 29 January 2010.
  12. ^ a b Goodwyn, Albert (11 January 2007). "Chinese New Year Spectacular". San Francisco Bay Times. Retrieved 5 September 2009.
  13. ^ Shen Yun, ‘Chinese Classical Dance Intro’
  14. ^ Shen Yun Performing Arts, “Tales from Chinese Literature”
  15. ^ Journey to the West
  16. ^ Outlaws of the Marsh
  17. ^ a b c Paula Citron. A dazzling show with a clear message. The Globe and Mail: Arts. 22 January 2008.
  18. ^ a b c d Mayes, Alison (3 April 2010). "The politics of dancing". Winnipeg Free Press. Retrieved 23 April 2012.
  19. ^ Shen Yun Performing Arts, Chinese Ethnic and Folk Dance.
  20. ^ Shen Yun Performing Arts, Classical Chinese Dance.
  21. ^ Maureen Scott, Shen Yun: 5,000 years of Chinese Culture and Civilization set to Song and Dance and the LAC, Jan 23 2012.
  22. ^ Elina Shatkin. Vina leads Divine Performing Arts' Chinese New Year Spectacular. Los Angeles Times. 1 January 2009.
  23. ^ a b c Joel Markowitz, ‘January Pleasures’, DC Theatre Scene, 28 January 2007.
  24. ^ Shen Yun Profile of Guan Guimin
  25. ^ Zhao Jingyu, 傳遞真善與真美 提升人類道德 神韻藝術團 台北加演 Liberty Times, 13 March 2011.
  26. ^ Robert Baxter, "New Year show, old traditions preserve Chinese culture," Courier Post, 30 December 2007.
  27. ^ a b c Sid Smith, ‘Women flow like water in spectacle’, 28 January 2008.
  28. ^ Meredith Galante. A Day In The Life Of A Professional Dancer In A Traditional Chinese Company. Business Insider. 11 January 2012.
  29. ^ http://www.shenyunperformingarts.org/artists
  30. ^ a b Pousner, Howard (17 January 2012). "Many Atlantans OK with Chinese dance troupe's politics". Atlanta Journal-Constitution. Retrieved 23 April 2012.
  31. ^ Gumbrecht, Jamie (21 January 2012). "Surprised by the politics in shows like Shen Yun?". The Atlanta Journal-Constitution. Retrieved 23 April 2012.
  32. ^ a b Konigsberg, Eric (6 February 2008). "A Glimpse of Chinese Culture That Some Find Hard to Watch". The New York Times.
  33. ^ a b Dabkowski, Colin (30 May 2010). "Song & dance spectacular not exactly what it seems". Buffalo News. Retrieved 21 June 2010.
  34. ^ Main page. Epoch Times Archived 15 June 2012
  35. ^ Main page. New Tang Dynasty Television. Archived 15 June 2012
  36. ^ A.D. Amorosi, ‘Divine Performing Arts’, Philadelphia City Paper, 16 Dec 2008.
  37. ^ Elise Knutsen, ‘Shen Yun Performance Brings out Stars and Awareness’, New York Observer, 5 July 2011.
  38. ^ Susan Walker (Falun) Gong New Year event mere propaganda, The Toronto Star, 20 January 2008
  39. ^ Richard Connema, Chinese New Year Spectacular Returns to San Francisco, Talkin' Broadway.
  40. ^ Crompton, Sue (25 February 2008). "Shen Yun: Propaganda as entertainment". The Daily Telegraph. Retrieved 1 April 2009.
  41. ^ Mackrell, Judith (25 February 2008). "Dance review: Shen Yun Royal Festival Hall, London". The Guardian. Retrieved 1 April 2009.
  42. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR,International Religious Freedom Report 2010 Report, 17 November 2010
  43. ^ Epoch Times Article, Hans Bengtsson, 28 Mar 2009, "Empty Threats From The Chinese Embassy Backfire"
  44. ^ Epoch Times Article, Joshua Philipp, 4 Jun 2010, "Despite Chinese Regime Pressure, The Show Goes On"
  45. ^ Canadian Broadcasting Corporation, Chinese New Year Spectacular 'just propaganda': Chinese Embassy, 17 January 2007.
  46. ^ Keegan Hamilton, Chinese Government Kindly Reminds Seattle Officials About the 'Evil Cult' Coming to Town, Seattle Weekly, 6 Feb 2012.
  47. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Moldova country report, 17 November 2010
  48. ^ Epoch Times Article, Leeshai Lemish, 30 May 2010,"Shen Yun Locked Out in Moldova, a First-Person Account"
  49. ^ Epoch Times Article, Epoch Times Staff, 25 May 2010, "Chinese Regime Pressures Moldovan Theater to Close Doors to Shen Yun"
  50. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Romania country report, 17 November 2010
  51. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Ukraine country report, 17 November 2010
  52. ^ Agence-France Presse, Falungong decries HK as democracy row deepens, 27 January 2010.
  53. ^ Sonya Bryskine, Kong Court Upholds Freedom and Shen Yun, The Epoch Times, 10 March 2010.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Shen_Yun&oldid=497736005"