Wikipedia:Articles for creation/2007-05-15
Capitol Crimes
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Sources69.244.109.66 00:36, 15 May 2007 (UTC)
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Adam Jefferson Richardson, Jr.
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Previous content copyright violation: http://www.famu.edu/oldsite/homecoming2k6/celebrate.php?content=richardson Third-Party Source-http://www.2ndamec.org/PDFgallery-Bishop.htm Third Party Source-http://www.famu.edu/oldsite/homecoming2k6/celebrate.php?content=richardson 69.139.224.13 01:02, 15 May 2007 (UTC)
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Peninsula Pilots
 Archived discussion follows below. Please do not modify it.
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. The Peninsula Pilots play at Historic War Memorial Stadium, which was named for those who served in World War 2. There have been many Single A teams that played at this stadium. However, since 2000 the Peninsula Pilots have been playing at this stadium. Henry Mrgan purchased the team in 2001 and continues to own it. The Pilots are a part of the Coastal Plain League. This league provides competitive baseball for college students when they are not playing for their college. Sourceshttp://peninsulapilots.com/stadium.shtml 68.10.186.131 01:28, 15 May 2007 (UTC)
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John Kelly
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. Jhon Kelly is a mamas boy that goes to millbrook middle school and he is married to his hat
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Headline text
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. |
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David Fuchs
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. Sourceswww.tournaments.org.uk www.matchplays.com 85.233.185.146 01:32, 15 May 2007 (UTC)
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Wil
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Will
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Sources140.159.2.31 01:42, 15 May 2007 (UTC)
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PissWeek
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PissWeek is the 28th week of the year when people in hamilton city, new zealand excrete in public. Acts can include: -Pissing in bottles, plastic or glass. -Pissing on buildings -Pissing on sidewalk -Taking a dump in the gutter. For more information contact Hamilton City Council. SourcesHamilton City Council: http://www.hamilton.co.nz/ Environment Waikato: http://www.ew.govt.nz/
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Lexie Kelly
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. SourcesLexie Kelly herself. 24.24.137.23 02:55, 15 May 2007 (UTC)
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Thorlinthia
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. Thorlinthia is solar system that was blasted out of the galaxy of Tyria in a war with the last Deep Deciever. The people of Thorlinthia were almost destroyed and a pupil of the Deep Deceiver found them and fed them incorrect information. The story of the Thorlinthians and their revenge against humans is being slowly released on their web site as an online book. You can view the developing story on Thorlinthia at Tell me about Thorlinthia SourcesThe main Thorlinthian web site is located at Thorlinthia.comand will be built as the stories in the blog develop. 66.143.196.165 03:36, 15 May 2007 (UTC)
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DJ Mada
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Over the years, DJ Mada of DJ Mada Music has entertained crowds with artists such as RZA, Das EFX, Coolio and Ras Michael, who drumed for Bob Marley, and many many others. He has rocked the best shows with the biggest crowds at Concerts, Clubs, Fashion Shows, After Party's, and MC Battles. Majority of DJ'n is solo, although he can also be found rock'n a tag team set with co-founder of Boxcutaz LLC, DJ SD. DJ Mada is known for his mix genre set involving rock, hip-hop, funk, break beat, pop, reggae or R&B. Audiences go wild with the hype that DJ Mada brings to events. With Boxcutaz LLC, he bring forward key elements to music production both on and off the turntables. Listening to the sounds of DJ Mada and the Boxcutaz DJ's can be found at few different websites. - djmadamusic.com - dj-mada.com - myspace.com/djmadamusic
Sourceshttp://www.myspace.com/djmadamusic
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Web NM
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This request for creation has been reviewed. The reviewer comments appear below the article text.
If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
SourcesClementvins 04:42, 15 May 2007 (UTC)
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Web NMS(Network Management System)
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Sasy
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Sasy is meh skank hoe. she is the best thing ever. i cant wait to be with here in towns!!! its awsome there cause somtimes pickelish drops by but she never talks to me anymore which bothers me cause i dont know wat i did but im starting to get the feeling she just hates me now, o well. all i know is that sasy is a awsome woman who i loves and will love! cause she is meh skank hoe y wouldnt i love her! <>,....,<> i bite joo! Sources72.130.19.77 04:54, 15 May 2007 (UTC)
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Dylan Tollemache
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SourcesSource: myself
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Apricot Speed Eating
Apricot Speed Eating
History
The first recorded Apricot Speed Eating (ASE) contest was held in Berkeley, California in the summer of 2007. The winner was 27 year old Peter Kaes, with a time of 2.84 seconds. Second place was Mike Seltzer.
Rules
The goal of ASE is to consume an apricot (not including the pit) as quickly as possible. All contestants must begin with their hands placed on their legs and the apricot sitting on a table-like surface. At the "begin" call, players can use whatever techniques desired to consume the fruit, so long as all of the apricot is ingested. When finished, the contestant must open their mouth, revealing no remaining pieces.
Strategy
Numerous gameplans were created by the initial contestants to minimize the required time to down the apricot. Some sort of bite, follwed by some direction of rotation was the most popular strategy. Mr. Kaes achieved his sub-three second time by biting the apricot along the seam and then rotating in a direction perpendicular to that seam.
Future
Apricot Speed Eating has presumably long been a mostly underground event. With the first public competition bringing light to the sport in 2007, event organizers hope to see strong growth in the fruitful competition over the next few years. The 2008 event should bring in as many as 40 contestants and could score a slot on local public access television stations.
Source: PBK Daily Journal, issue 12 vol 3, 12 May 2007
Musical Instrument Digital Input
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MIDI (Musical Instrument Digital Input) is an industry-standard electronic communications protocol that enables electronic musical instruments, computers and other equipment to communicate, control and synchronize with each other in real time.  MIDI does not transmit an audio signal or media — it simply transmits digital data "event messages" such as the pitch and intensity of musical notes to play, control signals for parameters such as volume, vibrato and panning, cues and clock signals to set the tempo. As an electronic protocol, it is notable for its success, both in its widespread adoption throughout the industry, and in remaining essentially unchanged in the face of technological developments since its introduction in 1983. Also see: Category:MIDI standards HistoryBy the end of the 1970s, electronic musical devices were becoming increasingly common and affordable. However, devices from different manufacturers were generally not compatible with each other and could not be interconnected. Different interfacing models included:
In an attempt to find a way forward from this situation, audio engineer and synthesizer designer Dave Smith of Sequential Circuits, Inc. proposed the MIDI standard in 1981 in a paper to the Audio Engineering Society. The proposal received widespread enthusiasm within the industry, and the MIDI Specification 1.0 was published in August 1983. Today, Dave Smith is generally regarded as the "Father of MIDI" and MIDI technology has been standardized and is maintained by the MIDI Manufacturers Association (MMA). OverviewAll official MIDI standards are jointly developed and published by the MIDI Manufacturers Association (MMA) in Los Angeles, California, USA (http://www.midi.org), and for Japan, the MIDI Committee of the Association of Musical Electronic Industry (AMEI) in Tokyo (http://www.amei.or.jp). The primary reference for MIDI is The Complete MIDI 1.0 Detailed Specification, document version 96.1, available only directly from MMA in English, or from AMEI in Japanese. The MIDI Show Control (MSC) protocol (in the Real Time System Exclusive subset) is an industry standard ratified by the MIDI Manufacturers Association in 1991 which allows all types of media control devices to talk with each other and with computers to perform show control functions in live and canned entertainment applications. Just like musical MIDI (above), MSC does not transmit the actual show media — it simply transmits digital data providing information such as the type, timing and numbering of technical cues called during a multimedia or live theatre performance. Almost all music recordings today use MIDI devices. In addition, MIDI is also used to control hardware including recording devices and live performance equipment such as stage lights and effects pedals. MIDI allows computers, synthesizers, MIDI controllers, sound cards, samplers and drum machines to control one another, and to exchange system data. MIDI was a major factor in bringing an end to the "wall of synthesizers" phenomenon in 1970s-80s rock music concerts, when keyboard instrument performers were sometimes hidden behind banks of various instruments. Following the advent of MIDI, many synthesizers were released in rack-mount versions, enabling performers to control multiple instruments from a single keyboard. Another important effect of MIDI has been the development of hardware and computer-based sequencers, which can be used to record, edit and play back performances. Synchronization of MIDI sequences is made possible by the use of MIDI timecode, an implementation of the SMPTE time code standard using MIDI messages, and MIDI timecode has become the standard for digital music synchronization. A number of music file formats have been based on the MIDI bytestream. These formats are very compact; a file as small as 10 KB can produce a full minute of music. This is advantageous for applications such as mobile phone ringtones, and some video games. The term "MIDI sound" has often been used as a synonym for "bad sounding computer music", but this reflects a misunderstanding: MIDI does not define the sound, only the control protocol. This is probably a result of the poor quality sound sythesis provided by many early sound cards, which relied on FM synthesis instead of wavetables to produce audio. MIDI inputsAll MIDI In and MIDI Out connectors are part of a MIDI input. A MIDI input moves internal binary data to the MIDI Out connector for transmission to another device's MIDI In connector, in MIDI message form. It also receives incoming MIDI messages arriving on the MIDI In connector (from another device's MIDI Out connector) into internal binary data. All MIDI compatible instruments have a built-in MIDI input. Some computers' sound cards have a built-in MIDI Input, whereas others require an external MIDI Input which is usually connected to the computer via USB or FireWire. MIDI message interoperabilityAll MIDI compatible controllers, musical instruments, and MIDI-compatible software follow the same MIDI 1.0 specification, and thus interpret any given MIDI message the same way, and so can communicate with and understand each other. For example, if a note is played on a MIDI controller, it will sound at the right pitch on any MIDI instrument whose MIDI In connector is connected to the controller's MIDI Out connector. How MIDI channel messages workWhen a musical performance is played on an MIDI instrument (or controller) it transmits MIDI channel messages from its MIDI Out connector. A typical MIDI channel message sequence corresponding to a key being struck and released on a keyboard is:
Note On, Aftertouch, and Note Off are all channel messages. For the Note On and Note Off messages, the MIDI specification defines a number (from 0–127) for every possible note pitch (C, C#, D etc.), and this number is included in the message. For example, the Middle C note played on any MIDI compatible musical instrument will always transmit the same MIDI channel message from its MIDI Out connector. Other performance parameters can be transmitted with channel messages, too. For example, if the user turns the pitch wheel on the instrument, that gesture is transmitted over MIDI using a series of Pitch Bend messages (also a channel message). The musical instrument generates the messages autonomously; all the musician has to do is play the notes (or make some other gesture that produces MIDI messages). This consistent, automated abstraction of the musical gesture could be considered the core of the MIDI standard. How MIDI Show Control worksMain article: MIDI Show Control. When any cue is called by a user (typically a Stage Manager) and/or preprogrammed timeline in a show control software application, the show controller transmits one or more Real Time System Exclusive messages from its 'MIDI Out' port. A typical MSC message sequence is:
The MIDI 1.0 ProtocolIMPORTANT: Some of the information in this section diverges from the official MMA/AMEI MIDI specifications in terminology and in technical detail. Developers interested in maximizing interoperability are encouraged to work directly from the official MMA/AMEI specifications. There are two sides to MIDI 1.0: the hardware transport specification describing the electrical and mechanical connection, and the message format specification. Hardware Transport (Electrical and Mechanical Connections) The MIDI standard consists of a communications messaging protocol designed for use with musical instruments, as well as a physical input standard. It consists physically of a one-way (simplex) digital current loop serial communications electrical connection signaling at 31,250 bits per second. One start bit (must be 0), eight data bits, no parity bit and one stop bit (must be 1) is used. Message FormatEvery MIDI connection is a one-way connection from the MIDI Out connector of the sending device to the MIDI In connector of the receiving device. Each such connection can carry a stream of MIDI messages, with most messages representing a common musical performance event or gesture such as note-on, note-off, controller value change (including volume, pedal, modulation signals, etc.), pitch bend, program change, aftertouch, channel pressure. All of those messages include channel number. There are 16 possible channels in the protocol. The channels are used to separate "voices" or "instruments", somewhat like tracks in a multi-track mixer. Low bandwidthMIDI messages are extremely compact, due to the low bandwidth of the connection, and the need for real-time accuracy. Most messages consist of a status byte (channel number in the low 4 bits, and an opcode in the high 4 bits), followed by one or two data bytes. However, the serial nature of MIDI messages means that long strings of MIDI messages take an appreciable time to send, at times even causing audible delays, especially when dealing with dense musical information or when many channels are particularly active. To further optimize the data stream, "Running status", a convention that allows the status byte to be omitted if it would be the same as that of the previous message, helps to mitigate bandwidth issues somewhat. MIDI file formatsStandard MIDI File (SMF) FormatMIDI messages (along with timing information) can be collected and stored in a computer file system, in what is commonly called a MIDI file, or more formally, a Standard MIDI File (SMF). The SMF specification was developed by, and is maintained by, the MIDI Manufacturers Association (MMA). MIDI files are typically created using desktop/laptop computer-based sequencing software (or sometimes a hardware-based MIDI instrument or workstation) that organizes MIDI messages into one or more parallel "tracks" for independent recording and editing. In most but not all sequencers, each track is assigned to a specific MIDI channel and/or a specific General MIDI instrument patch. Although most current MIDI sequencer software uses proprietary "session file" formats rather than SMF, almost all sequencers provide export or "Save As..." support for the SMF format. An SMF consists of one header chunk and one or more track chunks. There are three SMF formats; the format is encoded in the file header. Format 0 contains a single track and represents a single song performance. Format 1 may contain any number of tracks, enabling preservation of the sequencer track structure, and also represents a single song performance. Format 2 may have any number of tracks, each representing a separate song performance. Sequencers do not commonly support Format 2. Large collections of SMFs can be found on the web, most commonly with the extension MIDI Karaoke File (.KAR) FormatMIDI-Karaoke (which uses the ".kar" file extension) files are an "unofficial" extension of MIDI files, used to add synchronized lyrics to standard MIDI files. SMF players play the music as they would a .mid file but do not display these lyrics unless they have specific support for .kar messages. These often display the lyrics synchronized with the music in "follow-the-bouncing-ball" fashion, essentially turning any PC into a karaoke machine. MIDI-Karaoke file formats are not maintained by any standardization body. XMF File FormatsThe MMA has also defined (and AMEI has approved) a new family of file formats, XMF (eXtensible Music File), some of which package SMF chunks with instrument data in DLS format (Downloadable Sounds, also an MMA/AMEI specification), to much the same effect as the MOD file format. The XMF container is a binary format (not XML-based, although the file extensions are similar). See the main article Extensible Music Format (XMF). RMI File FormatOn Microsoft Windows, the system itself uses RIFF-based MIDI files with the The RMI file format is not maintained by any standardization body. MIDI usage and applicationsExtensions of the MIDI standardMany extensions of the original official MIDI 1.0 spec have been standardized by MMA/AMEI. Only a few of them are described here; for more comprehensive information, see the MMA web site. General MIDIThe General MIDI (GM) and General MIDI 2 (GM2) standards define a MIDI instrument's response to the receipt of a defined set of MIDI messages. As such, they allow a given, conformant MIDI stream to be played on any conformant instrument. Although dependent on the basic MIDI 1.0 specification, the GM and GM2 specifications are each separate from it. As such, it is not generally safe to assume that any given MIDI message stream or MIDI file is intended to drive GM-compliant or GM2-compliant MIDI instruments. General Midi 1 was introduced in 1991. General MIDI 2Later, companies in Japan's Association of Musical Electronics Industry (sic) (AMEI) developed General MIDI Level 2 (GM2), incorporating aspects of the Yamaha XG and Roland GS formats, extending the instrument palette, specifying more message responses in detail, and defining new messages for custom tuning scales and more. The GM2 specs are maintained and published by the MMA and AMEI. General MIDI 2 was introduced in 1992. SP-MIDILater still, GM2 became the basis of the instrument selection mechanism in Scalable Polyphony MIDI (SP-MIDI), a MIDI variant for mobile applications where different players may have different numbers of musical voices. SP-MIDI is a component of the 3GPP mobile phone terminal multimedia architecture, starting from release 5. GM, GM2, and SP-MIDI are also the basis for selecting player-provided instruments in several of the MMA/AMEI XMF file formats (XMF Type 0, Type 1, and Mobile XMF), which allow extending the instrument palette with custom instruments in the Downloadable Sound (DLS) formats, addressing another major GM shortcoming. Alternate Hardware TransportsIn addition to the original 31.25 kBaud current-loop, 5-pin DIN transport, transmission of MIDI streams over USB, IEEE 1394 AKA FireWire, and ethernet is now common. Perhaps in the long run the IETF's RTP MIDI specification for transport of MIDI streams over ethernet and internet may completely supersede the original DIN transport, since RTP MIDI is capable of providing the high-bandwidth channel that earlier alternatives to MIDI (such as ZIPI) were intended to bring. See external links below for further information. Alternate TuningsBy convention, instruments that receive MIDI generally use the conventional 12-pitch per octave equal temperament tuning system. Unfortunately this tuning system makes many types of music inaccessible because the music depends on a different intonation system. To address this issue in a standardized manner, in 1992 the MMA ratified the MIDI Tuning Standard, or MTS. This standard allow MIDI instruments that support MTS to be tuned in any way desired, through the use of a MIDI Non-Real Time System Exclusive message. MTS uses three bytes, which can be thought of as a three-digit number base 128, to specify a pitch in logarithmic form. The following formula gives the byte values needed to encode a given frequency in Hertz: For a note in A440 equal temperament, this formula delivers the standard MIDI note number. Any other frequencies fill the space evenly. While support for MTS is not particularly widespread in commercial hardware instruments, it is nonetheless supported by some instruments and software, for example the free software programs Timidity and Scala (program), as well as other microtuners. Other applications of MIDIMIDI is also used every day as a control protocol in applications other than music, including:
Such non-musical applications of MIDI are possible because any device built with a standard MIDI Out connector should in theory be able to control any other device with a MIDI In port, just as long as the developers of both devices have the same understanding about the semantic meaning of all the MIDI messages the sending device emits. This agreement can come either because both follow the published MIDI specifications, or else in the case of any non-standard functionality, because the message meanings are agreed upon by the two manufacturers. MIDI controllers: hardware, software, datastreamThe term MIDI controller is used in two different ways.
Beyond MIDI 1.0Although traditional MIDI connections work well for most purposes, a number of newer message protocols and hardware transports have been proposed over the years to try to take the idea to the next level. Some of the more notable efforts include: ZIPIIn 1994 UC Berkeley's Center for New Music and Audo Technologies (CNMAT) proposed a new protocol called ZIPI to replace MIDI. ZIPI used a high-bandwidth transport and a message system that was very similar to MIDI (though incompatible with MIDI). The message system was not based on channels, instead shifting the control to individual notes on each device. Channel messages were emulated by grouping note messages. The ZIPI protocol failed to gain more than limited acceptance, primarily due to lack of commercial demand. ZIPI was developed at CNMAT and was not administered by any standards organization. OSCThe Open Sound Control (OSC) protocol was developed by the same CNMAT team responsible for ZIPI. OSC has been implemented in the well-known software synthesizer Reaktor and in other projects including SuperCollider, Pure Data, Isadora, Max/MSP, Csound, VVVV and ChucK. The Lemur Input Device, a customizable touch panel with MIDI controller-type functions, also uses OSC. OSC differs from MIDI over traditional 5-pin DIN in that it can run at broadband speeds when sent over Ethernet connections. Unfortunately few mainstream musical applications and no standalone instruments support the protocol so far, making whole-studio interoperability problematic. OSC is not owned by any private company, however it is also not maintained by any standards organization. mLANYamaha has its mLAN[1] protocol, which is a based on the IEEE 1394 transport (also known as FireWire) and carries multiple MIDI message channels and multiple audio channels. mLAN is not maintained by a standards organization as it is a proprietary protocol. mLAN is open for licensing. HD-MIDIDevelopment of a major modernization of MIDI is now under discussion in the MMA. Tentatively called "High-Definition MIDI" (HD-MIDI™), this new standard would support modern high-speed transports, provide greater range and/or resolution in data values, increase the number of MIDI Channels, and support the future introduction of entirely new kinds of MIDI messages. Representatives from all sizes and types of companies are involved, from the smallest specialty show control operations to the largest musical equipment manufacturers. No technical details or projected completion dates have been announced. [2] [3] See also: New Inputs for Musical Expression MIDI softwareSound samples
See also
External linksOfficial MIDI Standards Organizations
Unofficial Sources
MIDI Search enginesOther resources
58.107.248.153 07:03, 15 May 2007 (UTC)
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The Green Book
The Green Book Directory or Guide is the most popular directory and welcomed industrial and commercial directory in Singapore.
The Green Book was established in 1980 by our present CEO, Mr. Francis Teo and Our Present Americian Director Mr. Ralph Victor Showalter. The Green Book has been a prominent source of business information since 1980.
Our comprehensive database of information and innovative products satisfy the procurement needs of a wide range of industries and interests. With its roots in the printed media, The Green Book has a rich 27 year tradition of providing user-friendly sources of business information.
The Green Book has become a trusted name for establishing business contacts for hundreds of thousands of users in Singapore and the rest of the world. The Green Book Directory have 3 main product to help Users find Company Products and Services, Supplier, Manufacturer Faster. The main products are:
The Green Book Printed Edition
Search & Locate Your Supplier by using The Green Book 3 Unique Features The Green Book Printed Edition is designed using the most user friendly methodology. The information about supplier is categorized into 3 unique features includes:
1. Specific Classifications
The specific classification features in The Green Book help purchasers and buyers source for all kinds of products and services with ease.
For example if technician working in an oil refinery plant need to replace some blunt Non-Sparking tools, how would he go about looking for the Non-Sparking Tools?
Most Directories have only one general classification. “Tools”, which do not specify the type of tools in their listings. So if you were looking for the Non-Sparking Tools, you would have to go through the tedious process of calling up all the company listed under the general classification, “Tools” to check whether they sell Non-Sparking Tools.
The Green Book overcame this problem with its concise and specific classifications. All you have to do is look under the classifications “Tools:Non-Sparking” and you can get a listing of all the Companies in Singapore that selling Non-Sparking Tools which will saves a lot of your time!
With specific classifications, purchasers, buyers and users are able to obtain information they need faster.
2. Comprehensive Trade Name and Brand Name Information Listing
The Green Book trade name or brand name information is very useful for buyers, purchasers and users to seeking for the agent or suppliers of a particular brand of products.
For instance, if a buyer is looking for agent of “JUMO” Control Instrument. All the buyer need to do is look under the trade/brand name section (which lists all brand name in alphabetical order), under the alphabet “J” and the buyer will be able to locate the agent of “JUMO” Control Instruments within minutes.
With more than 25,000 trade/brand names, The Green Book Trade/Brand name section is one of the most comprehensive in Singapore and is highly acclaimed “ The Trade Name Bible of Singapore”
It is said “If you can't find a brand name in The Green Book, You Will most probably can't find it anywhere else!”
3. Specific Guides
Our Wide array of 19 comprehensive specific guides, provide users with detailed information pertaining to their interest in less than a minute!
Specific Guides such as Computer Guide provides all companies that selling computer products, services and accessories in Singapore.
The Green Book CD-ROM
Green book cd-rom is the 1st interactive cd-rom that helps you find anything you want immediately. Its convenient for users who do not have internet access at home or offices. The Green Book CD-ROM
a.List all the companies listed in industrial-commercial guide
b.User Friendly designed which allow users to search by products name, brand name, company name, phone number and specific guide.
c.Approximately 500.000 copies of CD-ROM distributed to local and overseas users from different background.
d.Contain the most updated product & service, brand and company information.
e.Contain advertiser webpage from different companies, which allows users to view their products and services that the company offers.
The Green Book Website (http://www.thegreenbook.com)
The Green Book Internet is one of the most popular Online B2B Search Directory to locate products and services in Singapore.
The Green Book Online Search Directory allow users to search information by:
1.Products & Service
2.Company Name
3.Brand Name
4.Telephone & Fax
madunit
The first internet community legend. madunit began at the official Wests Tigers forum back in July 2003. madunit quickly made his way to the top of the list for most posts for the forum, reaching 3600 posts before the forum server crashed and was unable to continue in its current form, in January 2005. During that time however, madunit also became a member at the League Unlimited websites forum, on September 14, 2003. After 2 months of trolling in the Souths forum, and several warnings, madunit found himself in LU's Firkin Fun Bar, where he was quickly established as an icon, alongside other forummers, Forum Idiot, Raider_69, Ron Jeremy and [furrycat]. In December 2004, madunit was banned for making repeated comments towards a group of forummers that were putrid, vile and blatant breaches of the sites guidelines. He was consequently suspended for 3 weeks. At the time he was also the member with most posts at LU with just over 3500. When he returned from his ban in January 2005, the official Wests Tigers forum had closed down, and 2500 of his posts at LU had been deleted and pruned. However, his return was met by the opening of a new forum called The Fight Club. madunit became a moderator of TFC, and then over the next few months became moderator of Firkin Fun Bar, Wests Tigers forum, Manly Forum, NRL Forum, State Of Origin Forum, NSWRL Forum, Cronulla Forum, Music Forum, Controversy Corner and Computer Games Forums. Since that time, he has been one of the few members to reach 25000 posts. His comments are always entertaining and his blatant intentional arrogance towards most members purely for his own amusement is one of his most commonly known traits. His ability to abuse members is also another great trait.
Sources
http://forums.leagueunlimited.com/member.php?u=6047
124.187.14.253 09:21, 15 May 2007 (UTC)
Miniclip & Free Online Games
Miniclip & Free Online Games. What does this mean? Basically it is just pure fun. I`m sure you all heard about Flash Arcade sites or Miniclip or other sinonyms that have the same meaning. You just visit google and type miniclip and thousands if not millions of results pop-up. A good example is http://hotduels.com ... I discovered this site by scrolling down on google's results for miniclip. When i visited the site i got that feeling: "Ohhh it's just another typical flash games site". But as i read a few game titles i realised that i didn`t see these games before. I tried one... And another.. And soon i reached my 10 games / day limit. Then without having second thoughts i clicked register, and discovered a great world of rare games, friends and best of all Prizes. You join free but can earn money just by playing the game of the month or participating in the contests. It is great, i recommend it to everyone.
Miniclip & Free Online Games I hope you`ll like this article and i wait for your feedback about HotDuels.
Djeby 11:36, 15 May 2007 (UTC)
Sources
82.99.239.56 11:47, 15 May 2007 (UTC) http://en.wikipedia.org/w/index.php?title=List_of_international_social_bookmarking_websites&action=edit
NOP slide
A NOP slide as it is commonly called, or NOP sled, is a sequence of NOP (no-operation) instructions (Intel x86 opcode 0x90) meant to "slide" the CPU's instruction execution flow to its final, desired, destination. Generally a NOP slide will be used in cases where execution will branch into a position that cannot be determined with absolute accuracy, therefore "padding" the memory area before and after the approximate branch address is performed in hopes to avoid an exception which causes will cause the program or system to crash. Once the CPU branches anywhere within the NOP slide its IP (Instruction Pointer) will "slide" to its final destination, where there is valid code to be executed.
NOP slides are generally used in Buffer Overflow and similar exploits designed to take over a program's execution path.
Sources
http://www.phreedom.org/solar/honeynet/scan20/scan20.html
80.123.12.58 12:43, 15 May 2007 (UTC)
Pechersk School International
Official site: www.psi.kiev.ua
Sources
Official site: www.psi.kiev.ua
89.209.12.2 13:09, 15 May 2007 (UTC)
Siamak Saberi
He loves the willy; oh yes he do.
Sources
ilove u≥122.167.13.132 14:24, 15 May 2007 (UTC)
HaderFaster - For people who play hard and work hard.
Type of site | Social network service |
|---|---|
| Available in | English |
| Headquarters | London, England |
| Owner | HarderFaster Ltd |
| Created by | Tom Allen |
| URL | http://www.harderfaster.net |
| Commercial | Yes |
| Registration | Not Required |
From elsewhere :
- Alexa Rank - Three month average currently 49,416 up 5,071
- 26,000 Google hits for 'harderfaster.net' (uses internal search engine not Google)
External links
Sources
http://www.charlottebirch.com/ http://www.riotinlondon.com/ http://www.djjohnaskew.com/interviews.php?int_id=9 http://www.oliverleighs.com/Press.html http://www.harddanceawards.com/ceremony.php http://www.antiworld.net/news.cfm?id=452 http://www.alexa.com/data/details/traffic_details?url=http%3A%2F%2Fharderfaster.net
213.120.115.72 14:45, 15 May 2007 (UTC)
Derma-Tek
Derma-Tek, an electro-industrial music project, was born in the psyche of Joe Cains. While his compositions were a palate of auditory sensations, he needed to address the lack of verbal communication in his music. Enter Miranda St. Croix. Miranda's ability to express thoughts and feelings that are not solely one's own, but shared by the human collective, make her an integral part of the project, adding powerful yet moving lyrics to a mix of heavy electronic sounds and an insatiable desire for rhythm. The combination of Joe and Miranda's talents enforce perfect connection between man and machine, humanity and technology.
A Diary of the Flesh, Read Through the Eyes of Technology...
Derma-Tek is:
Joe Cains - music and vocals
Miranda St. Croix - lyrics and additional vocals
RELEASES:
Corpus Technological NTK-027 on NoiTekk 2007
01.Living Through Death
02.Corpus Technological
03.T.W.E.P
04.Payback
05.Rise From the Ashes
06.Mauled
07.Out of This Hell
08.Less Important
09.Existential
10.Lost Cause
11.Mauled [remix by E.S.R]
12.Less Important [remix by Dawn of Ashes]
Corpus Technological DSBP-1080 on DSBP 2006
01.Living Through Death
02.Corpus Technological
03.T.W.E.P
04.Payback
05.Rise From the Ashes
06.Mauled
07.Out of This Hell
08.Less Important
09.Existential
10.Lost Cause
COMPILATIONS:
United Vol.2 on NoiTekk 2007
Futronik Structures Vol. 5 on DSBP 2007
The Vital Terms of Rupal Records on Rupal 2007
Interbreeding Vol.9 : Kuru on BLC 2007
Interbreeding Vol.7 : Natural Enemies on BLC 2005
Endzeit Bunkertracks Act.1 on Alfa Matrix 2005
REMIXES BY DERMA-TEK:
Regenerator - Apnea [As.phyx.ia mix by Derma-Tek]
GASR – Heavy [All Dreams Lost mix by Derma-Tek]
Dawn of Ashes - Portrait of Homicide [Sealed Fate Mix by Derma-Tek]
Suicidal Romance - Prince of the Darkness [Eternal mix by Derma-tek]
Sources
Derma-Tek Website
NoiTekk Website
DSBP Website
70.169.64.130 15:21, 15 May 2007 (UTC)
Clinton Richmond
Clinton Richmon is famous for being directly related to the great wizard Merlin and some powers were passed to him directly from Merlin himself. He will become a very formitable wizard in the near future. He is never to be under estimated and he become very powerful whe Merlin returns. Then together they will reform the Druid religion. And bring peace back to Earth.
Ragen Ball
Regan Ball is from Texas
Sources
67.39.138.130 15:45, 15 May 2007 (UTC)
Nerrb Comics
Nerbb Comics were created by Nick Palmer and Ben Sharp. The other people that joined were Ryan Schlaepfer and Brett O'Leray.
Ben and Nick started it in 2006 and hope to make a comic over the summer named The Tri Force Trio.
Sources
71.175.15.214 15:46, 15 May 2007 (UTC)
Nerbb Comics
Nerbb comics is a comics compay created by Nick P. and Ben S. Then Ryan S. and Brett O. joned.
Sources
The Quarry Hill School News paper page 15
71.175.15.214 15:50, 15 May 2007 (UTC)
Nevski
Nevski is a Canadian HipHop Producer
Sources
http://www.letitloose.com/index.php?src=news&prid=33&category=PJ_News&PHPSESSID=ef57a75d3f7504b1c5e511dbf4ab3587 24.137.96.155 15:51, 15 May 2007 (UTC)
Nerbb Comics
In the school year of 2006 and 2007 Nick P. and Ben S. created a small company called NERBB Comics. Nerb is going to sell comics over the summer and the next school year.
Sources
A random book page123
71.175.15.214 15:53, 15 May 2007 (UTC)
Buckstone
Buckstone is a residential suburb in Edinburgh. It is south of Morningside, and Braid Hills.
There a number of small retail outlets, including a deli, and local service shops.
The area can be defined by quiet streets, ideal for families. Housing includes a number of detached, semi-detached villa's and bungalows.
There is a local school, Buckstone Primary School.
The area includes a church, St Filians Scottish Episcopalian.
Notable Residents
- Shaun Desire, Musician.
- Gavin Brown, Politician.
External Links
Sources
[6] Template:Otherarticles 194.72.106.44 16:23, 15 May 2007 (UTC)
SwiftSwitch
Sources
84.92.103.241 16:28, 15 May 2007 (UTC)
probably the best dinosaur in ages
Sources
www.tryannosaurusalan.com
86.136.89.217 16:41, 15 May 2007 (UTC)
MODEST MOUSE
modest mouse is a sexy band of sexy sounds issaaaaaaaaaaac brocks unique voice and lyrical content is hot omg there amaing
TAKE LISTEN TO MODEST MOUSE poooop heads
Wenasoga, Mississippi
Wenasoga is a village in Alcorn County, Mississippi, United States. The population was 350 at the 2000 census. Its zip code is 38834.
Geography
Wenasoga is located at 34°98′69″N 88°59′05″W / 35.65250°N 88.98472°W Coordinates: latitude minutes >= 60
Coordinates: latitude seconds >= 60
Invalid arguments have been passed to the {{#coordinates:}} function (34.98694, -88.59056)Template:GR.
According to the United States Census Bureau, the village has a total area of 45 km² (28 mi²), all land.
Communities near Wenasoga
- Corinth, Mississippi - 1.0 statute miles
- Rienzi, Mississippi - 12.5 statute miles
- Kossuth, Mississippi - 1.0 statute miles
Demographics
As of the censusTemplate:GR of 2000, there were 350 people, 150 households, and over 100 families residing in the village. The population density was 68.4/km² (177.2/mi²). There were 77 housing units at an average density of 31.0/km² (80.3/mi²). The racial makeup of the village was 98.82% White, 0.59% Native American, and 0.59% from two or more races. Hispanic or Latino of any race were 3.53% of the population.
There were 90 households out of which 26.0% had children under the age of 18 living with them, 74.0% were married couples living together, 1.4% had a female householder with no husband present, and 21.9% were non-families. 20.5% of all households were made up of individuals and 11.0% had someone living alone who was 65 years of age or older. The average household size was 2.33 and the average family size was 2.67.
In the village the population was spread out with 18.2% under the age of 18, 4.7% from 18 to 24, 25.9% from 25 to 44, 34.7% from 45 to 64, and 16.5% who were 65 years of age or older. The median age was 46 years. For every 100 females there were 109.9 males. For every 100 females age 18 and over, there were 98.6 males.
The median income for a household in the village was $38,750, and the median income for a family was $40,714. Males had a median income of $29,875 versus $23,750 for females. The per capita income for the village was $21,131. About 2.9% of families and 3.2% of the population were below the poverty line, including none of those under the age of eighteen and 9.1% of those sixty five or over.
Health Care, Emergency Services
Magnolia Regional Health Center
Education
The Village of Wenasoga is served by the Alcorn School District.
Libraries
- Corinth Public Library - a branch of the Northeast Regional Library System
Transportation
Wenasoga Highways
Sources
Reference
Online United States Census Bureau
Akaarizona 17:15, 15 May 2007 (UTC)
Sarah
Free rides
Sources
www.google.com
205.222.248.200 17:42, 15 May 2007 (UTC)
in a little town in michigan there is a dirty kid and his girlfriend they are so dirty they never take showers and he picks his nose and eats his bugers which we all kno is very nasty
207.190.170.254 17:44, 15 May 2007 (UTC)
TJ is a Pimpmasta!
HE is a pratier and loves to play beer pong!
Sources
206.40.126.19 17:47, 15 May 2007 (UTC)
Gstaad Palace
Hotel
Historie
Rooms & Suites
Dining & Entertainment
Meeting & Events
Spa & Healthclub
Recreation-Leisure
195.144.55.106 18:11, 15 May 2007 (UTC)
Thomas R Skelton
Thomas R. Skelton was born in [1928] and became prominant among Broadway lighting designers. By the [1950]'s he was being published regularly in [Dance Magazine] with his lighting methods. He taught at both [Yale] university and [New York Studio and Forum of Stage Design]. Most of his work was within the world of [dance], particularly [ballet]. He designed lighting for [The American Ballet Theatre], [The Joffrey Ballet], [The New York City Ballet] and [The Ohio Ballet]. His method was published as 'The Handbook for Dance Stagecraft' between October [1955] and December [1956] in Dance Magazine. He died in [1994].
Credits
A few of the shows he designed lighting for were:
- The King and I (May 2nd 1977 - Dec 30th 1978)
- Guys and Dolls (July 1st 1976 - Feb 13th 1977)
- Coco (Dec 18th 1968 - Oct 3rd 1970)
- Gigi (Nov 13th 1973 - Feb 19th 1974)
- Purlie (Mar 15th 1970 - Nov 6th 1971)
- A Matter of Gravity (Feb 3rd 1976 - Apr 10th 1976)
- Death of a Salesman (George C Scott) (Jun 26th 1975 - Aug 24th 1975)
- Death of a Salesman (Michael Rudman) (Mar 29th 1984 - Nov 18th 1984)
- Oklahoma! (Dec 13th 1979 - Aug 24th 1980)
- Peter Pan (Sep 6th 1979 - Jan 24th 1981)
- Brigadoon (Oct 16th 1980 - Feb 8th 1981)
He also designed lighting for numerous productions at the Circle in the Square, Yale Repertory Theatre, and the American Shakespeare Festival. Mr. Skelton received Tony nominations for Indians and All God's Chillun Got Wings.
For the ballet stage he illuminated:
- Jerome Robbins' Dances at a Gathering
- Robert Joffrey's Astarte
- Heinz Poll's Scenes From Childhood
- Jose Limon's The Moor's Pavane
- Paul Taylor's Aureole
- Martha Graham's Rite of Spring
- Kurt Jooss' The Green Table
- Gerald Arpino's Kettantanz
- Leonide Massine's Parade
Sources
- Thomas R. Skelton. "Handbook of Dance Stagecraft." Dance Magazine. October 1955 to December 1956
- Lighting the Dance
- ABT
81.151.84.63 18:13, 15 May 2007 (UTC)
External Links
Thomas Skelton
Thomas Skelton was the 'Fool' or Jester of Muncaster Castle, he spent many hours of his time sitting under a tree. When a traveller passed by he would speak with them and decide whether or not he liked them. If he didn't he would send them towards the marshlands and quicksands. His ghost supposedly haunts the castle to this day.
Tom was the executioner when the local carpenter fell in love with Helwise Pennington on the orders of Sir Ferdinand Pennington, The punishment was beheading.
Tom Fool died around 1600.
A full length portrait of Tom Fool now hangs in Muncaster castle, where he supposedly haunts many visitors evenings. The portrait depicts him standing holding a staff and a document. When the will was written he was resident in Haigh Hall, Wigan. There is some question as to whether Tom Skelton ever lived in Muncaster castle or whether the stories arose after the portrait was moved from Haigh to Muncaster.
A slightly modernised version of the text of the will in the portrait is: From http://freespace.virgin.net/past.presented/tomfool3.htm
Be it known to ye, oh grave and wise men all, That I Thom Fool am Sheriff of ye Hall, I mean the Hall of Haigh, where I command What neither I nor you do understand. My Under Sheriff is Ralph Wayte you know, As wise as I am and as witty too. Of Egremond I have Burrow Serjeant beene, Of Wiggan Bailiff too, as may be seen By my white staff of office in my hand, being carried straight as the badge of my command: A low high constable too was once my calling, Which I enjoyed under kind Henry Rawling; And when the Fates a new Sheriff send, I'm Under Sheriff prick'd World without end. He who doth question my authority May see the seal and patten here ly by. The dish with luggs which I do carry here Shews all my living is in good strong beer. If scurvy lads to me abuses do, I'll call 'em scurvy rogues and rascals too. Fair Dolly Copeland in my cap is placed; Monstrous fair is she, and as good as all the rest. Honest Nich. Pennington, honest Ths. Turner, both Will bury me when I this world go forth. But let me not be carry'd o'er the brigg, Lest falling I in Duggas River ligg; Nor let my body by old Charnock lye, But by Will. Caddy, for he'ee lye quietly And when I'm bury'd then my friends may drink, But each man pay for himself, that's best I think. This is my Will, and this I know will be Perform'd by them as they have promised me.
Sign'd, Seal'd, Publish'd, and Declared in the presence of HENRY RAWLING HENRY TROUGHTON THS. TURNER
THS. SKELTON, X his Mark
Sources
81.151.84.63 18:39, 15 May 2007 (UTC)
Weimar, Robert
Robert Weimar (born 13th May 1932 in Cologne) is a German professor of law and psychologist. Weimar is particularly concerned with German and European commercial law, and furthermore, he deals with the psychological and neuro-scientific fundamentals of juristic thinking and decision-making (see neuro-jurisprudence, neuro-administratics, legal psychology). His basic scientific position is set out in his work “Psychological Structures of Judicial Decision” (German: “Psychologische Strukturen richterlicher Entscheidung”, 1969, reprinted 1996), which is considered to be a legal psychology classic. Weimar’s central thesis is that we only have access to reality as communicated by interpretations (“ways of worldmaking”). The later publication “Neuro-jurisprudence – Introduction to the New Jurisprudence and Practice of Law” (German: “Neurojurisprudenz – Einführung in die Neue Rechtswissenschaft und Praxis des Rechts”, 2007) provides subsequent analyses. Weimar is also the founder of the academic field of legal advice (see publications by Weimar, 1986, 1988, 1997, 1998), which has in the meantime become generally established in the law faculties in Germany since the attorney-oriented opening of legal training.
Life
Robert Weimar studied jurisprudence at the Universities of Cologne, Bonn, Heidelberg, Inns-bruck and Basel, as well as psychology at the University of Basel. He took the First State Law Examination at the Higher Regional Court in Cologne in 1956 and the Second State Law Examination at the State Examination Office for Legal Professions in Duesseldorf in 1960. He took the licentiate examination (lic.iur.utr.) at the University of Basel and received his doc-torate as a doctor iuris utriusque in 1965 under Karl Spiro in Basel. In 1967 he earned a doc-torate as philosophiae doctor et artium liberalium magister at the University of Basel under Hans Kunz. Under Martin Hautzinger (Tuebingen), Weimar was awarded the state licence to practice psychotherapy (Mainz 1995). Weimar completed subsequent postgraduate studies with the LL.M. (University of Heidelberg) under Erik Jayme and the LL.M. (University of Basel) under Ernst August Kramer. Weimar was delegated to the Federal High Court of Justice in Karlsruhe (Germany) from 1964 to 1968 as a judge of the state of North-Rhine Westphalia after being appointed as a judge at the Regional Court of Cologne in 1961. The appointment as a judge at the Higher Regional Court in Duesseldorf followed in 1968, and from 1970 to 1972 he was delegated to the Federal Constitutional Court of Germany. From 1974 until his retirement in 1994 Robert Weimar worked as a professor and holder of a chair for civil law, mercantile law and com-mercial law at the University of Siegen’s Department of Law (Germany). He declined offers to professorships in Muenster and Dortmund. For many years he was an examiner for the First State Law examination at the Higher Regional Court in Duesseldorf. From 1994 to 2006 pro-fessor Robert Weimar was a German attorney at law and partner of an internationally re-nowned law firm in the Consulegis group (Zurich). Weimar, who held various posts as a visit-ing professor, also lectured at the Universities of Cologne, Duesseldorf, Lueneburg, Heidel-berg, Krems and Vienna. Today he researches and teaches at the Ruprecht Karl University in Heidelberg. The university professor Robert Weimar is an honorary doctor of the Moscow State Peda-gogical University (MPGU). To date he has written more than 400 publications on civil law, mercantile law, company law and commercial law, as well as legal theory, neuro-jurisprudence and psychology. Weimar is the editor of the scientific journal series Commer-cial Law and Economic Constitution of the Institute for Commercial Law and Commercial Legislation in Siegen (Germany), writings on neuro-jurisprudence (Germany), co-editor of the Travaux scientifiques de la Faculté Européenne des Sciences du Foncier Strasbourg (France), (former) co-editor of Theory and Practice – Contributions to the Complete Land Law (Germany) – co-editor of Contributions to General Legal and Political Doctrine (Ger-many), (former) co-editor of the Salzburg Journals on Legal, State and Social Philosophy (Austria), co-editor of the Journals of Legal Psychology (Switzerland) and co-editor of the Journals of Humanity and Happiness Research (Germany). Professor Weimar is a co-founder and board member of the European Institute for Legal Psychology in Zurich and the research co-ordinator of the Robert Weimar Institute (RWI) in Bonn – Research Institute for Neuro-jurisprudence - Center of Excellence. His lectures cover a wide range of topics.
Works (Selection)
- Weimar, R. (2007). Unity and Diversity of Legal Theory. Einheit und Vielfalt der Rechtstheo-rie (German). Berlin: Duncker & Humblot.
- Weimar, R. (2007). Conflict and Decision. Psychological Theories and Concepts Put to the Test. Konflikt und Entscheidung. Psychologische Theorien und Konzepte auf dem Prüfstand (German). Frankfurt/Main-Berlin-Bern-Bruxelles-New York-Oxford-Vienna: Lang.
- Jakob, R., Usteri, M. & Weimar, R. (Eds.). (2006). Law & Psychology. Applied Law as the Object of Qualitative and Quantitative View. Festschrift for Manfred Rehbinder. Recht & Psy-chologie. Gelebtes Recht als Objekt qualitativer und quantitativer Betrachtung (German). Bern: Lang.
- Weimar, R. (2007). Neuro-jurisprudence. Introduction to the New Jurisprudence and Practice of Law. Neurojurisprudenz. Einführung in die Neue Rechtswissenschaft und Praxis des Rechts (German). Frankfurt/Main-Berlin-Bern-Bruxelles-New York-Oxford-Vienna: Lang.
- Weimar, R. (2003). The Subcontract – The Outsourcing Contract. Subunternehmervertrag – Outsourcingvertrag (German). 2nd edition. Heidelberg: Verlag Recht & Wirtschaft.
- Weimar, R. & Leidig, G. (2002). Evolution, Culture and Legal System. Evolution, Kultur und Rechtssystem (German). Frankfurt/Main-Berlin-Bern-Bruxelles-New York-Oxford-Vienna: Lang.
- Weimar, R. & Grote, K.-P. (Eds.). (1998). Crisis Management in the Limited Company. Krisenmanagement in der GmbH (German). Wiesbaden: Gabler.
- Weimar, R. (1996). Psychological Structures of Judicial Decision. Psychologische Strukturen richterlicher Entscheidung (German). Reprint. Bern: Staempfli.
- Jakob, R., Usteri, M. & Weimar, R. (Eds.). (1995). Psyche – Law – Society. Psyche – Recht – Gesellschaft (German). Bern-Munich: Staempfli/Beck.
- Weimar, R. (1993). Trust Law. Commentary. Treuhandgesetz. Kommentar (German). Stutt-gart: Kohlhammer.
- Weimar, R. & Schimikowski, P. (1993). Fundamentals of Commercial Law. Grundzüge des Wirtschaftsrechts (German). 2nd edition. Munich: Vahlen.
- Weimar, R. (1992). Post Privatisation Problems. Nachprivatisierungsprobleme (German). Cologne: Kommunikationsforum.
- Weimar, R. & Schimikowski, P. (1991). Civil Law. Bürgerliches Recht (German). 4th edition. Stuttgart: Lucius & Lucius.
- Oehlinger, T. & Weimar, R. (Eds.). (1991). The European Regional Planning Charter. Die Europäische Raumordnungscharta (German). Frankfurt/Main-Bern-New York-Paris: Lang.
- Straube, M. & Weimar, R. (Eds.). (1984). The Legal Practitioner and Technology between Science and Practice. Jurist und Technik zwischen Wissenschaft und Praxis (German). Festschrift for Josef Kuehne’s 60th birthday. Vienna: Orac.
- Frohberg, G., Kimminich, O. & Weimar, R. (Eds.). (1979). Law – Environment – Society. Recht – Umwelt – Gesellschaft (German). Festschrift for Alfred Pikalo. Berlin: Schweitzer. Weimar, R. (Ed.). (1978). Festschrift for Franz Schad’s 70th birthday (German). Duesseldorf: Verlag Deutsche Wohnungswirtschaft.
- Weimar, R. (1977). Care and Material Equality. To the Commitment of the Legislator to Con-stitutional Obligations in the Field of Pension Policy. Versorgung und materiale Gleichheit. Zur Bindung des Gesetzgebers an verfassungsrechtliche Handlungspflichten im Bereich der Rentenpolitik (German). Ueberlingen: Schack von Wittenau.
- Weimar, R. (1967). Explorations on the Problem of Product Liability. A Contribution to Socio-logical Legal Research. Basel Studies on Jurisprudence, Vol. 79. Untersuchungen zum Problem der Produkthaftung. Ein Beitrag zur soziologischen Rechtsforschung. Basler Studien zur Rechtswissenschaft, Bd. 79 (German). Basel: Helbing & Lichtenhahn.
Anniversary publications
- Legal Theory and Legislation. Festschrift for Robert Weimar. Rechtstheorie und Gesetzgebung. *Festschrift für Robert Weimar (German). Edited by Ilmar Tammelo & Erhard Mock. Frankfurt/Main-Bern-New York 1986: Lang.
- Juristic Fields of Operation and Interdisciplinarity in the Works of Robert Weimar. Biblio-graphical Discourses on the Occasion of his 65th birthday. Juristische Operationsfelder und Interdisziplinarität bei Robert Weimar. Bibliographische Streifzüge zu seinem 65. Geburtstag (German). Edited by Michael W. Fischer, Hans Lenk & Paul Trappe. Frankfurt/Main-Berlin-Bern-Bruxelles-New York-Vienna 2000: Lang.
Awards (Selection)
- German-Chinese Research Foundation for Traditional Chinese Medicine - Member of the Scientific Advisory Board (Germany/China 2007)
- Selected as one of the IBC's Top 100 Educators (Great Britain 2006)
- Academy member – Thure von Uexkuell-Akademie (Germany 2005)
- Katolicki Uniwersytet Lubelski Medal (Poland 1983)
- Excmo Ayuntamiento de Granada (Spain 1983)
- Franz Boehm Medal (Germany 1977)
- Milenario del Tribunal las Aguas Valencia (Spain 1977)
Biobibliographical places
- Who's Who in the World. (2007). 24th edition. New Providence, NJ: Marquis
- Wer ist Wer? The German Who's Who. (2006/07). XLVth edition. Established by W. Habel. Luebeck: Schmidt-Roemhild
- Kuerschner’s Calendar of German Academics. Kuerschners Deutscher Gelehrten-Kalender (German). (2007). Biobibliographic directory of German-speaking contemporary scientists. 21st edition. Munich: Saur
- Who's Who in American Law. (2005). 14th edition. New Providence, NJ: Marquis
- EU Who is Who. (2003). European Head Office. Zug/Switzerland: EU-Who is Who GmbH
- Who’s Who in the Federal Republic of Germany. Who is Who in der Bundesrepublik Deutschland (German). (2001). Established by R. Huebner. Supplemental work. 8th edition. Zug/Switzerland: Verlag für Personenenzyklopädien AG
- Who’s Who in German Law. Who's Who im Deutschen Recht (German). (2003). Koebler, G. & Peters, B. (Eds.). Munich: Beck
- The Golden Book of Outstanding Personalities of the Federal Republic of Germany. Das Goldene Buch hervorragender Persönlichkeiten der Bundesrepublik Deutschland (German). (1989). An anthology in honour of personalities from research, technology, economics, the public sector, art and culture. Economic journal Concepts, Research Institute Fine Arts & MAAZ (Eds.). Nuremberg: arte factum
- Who's Who in Europe. (1985). 6. édition. Waterloo/Belgique: Editions Servi-Tech
- The International Who's Who of Contemporary Achievement. (1984/85). S. M. Ponder. (Ed.). Cambridge (England): Biographical Publications
External links
- Literature by and about Robert Weimar in the catalogue of the German National Library
(http://dispatch.opac.d-nb.de/DB=4.1/REL?PPN=120974142)
- Website of Prof. Weimar (http://www.prof-weimar.de/)
- Website of Prof. Weimar at the University of Siegen (http://www.uni-siegen.de/~fb05mer/)
- Website of the European Institute for Legal Psychology (http://www.eirp.ch/)
- Website of the University Clinic Heidelberg (http://www.klinikum.uni-heidelberg.de/)
Sources
http://de.wikipedia.org/wiki/Robert_Weimar
91.2.114.29 19:06, 15 May 2007 (UTC)
Light Aid Detachment
A Light Aid Detachment was a subunit of the Royal Electrical and Mechanical Engineers or Royal Canadian Electrical and Mechanical Engineers. These subunits provided logistical support to field units of the British Army or Canadian Army. REME and RCEME were created in February 1944 out of the Royal Army Ordnance Corps and Royal Canadian Ordnance Corps who previously handled functions such as the repair of weapons, optics and vehicles.[1] LADs were divisions of larger units known as Workshops.[2]
References
- ^ RCEME article
- ^ Ibid
Murray's Psychogenic Needs
American psychologist Henry Murray called Psycogenic Needs those that are the basis of the personality. For him, most of these needs where at an unconscious level, but manifested along with our personality. The following is a list of his 27 basic needs, some of them labeled differently along his career.
Psychogenic Need |
Description of Need |
Abasement |
To surrender and accept punishment |
Achievement |
To overcome obstacles and succeed |
Acquisition (Conservance) |
To obtain possessions |
Affiliation |
To make associations and friendships |
Aggression |
To injure others |
Autonomy |
To resist others and stand strong |
Blameavoidance |
To avoid blame and obey the rules |
Construction |
To build or create |
Contrariance |
To be unique |
Counteraction |
To defend honor |
Defendance |
To justify actions |
Deference |
To follow a superior, to serve |
Dominance (Power) |
To control and lead others |
Exhibition |
To attract attention |
Exposition |
To provide information, educate |
Harmavoidance |
To avoid pain |
Infavoidance |
To avoid failure, shame, or to conceal a weakness |
Nurturance |
To protect the helpless |
Order |
To arrange, organize, and be precise |
Play |
To relieve tension, have fun, or relax |
Recognition |
To gain approval and social status |
Rejection |
To exclude another |
Sentience |
To enjoy sensuous impressions |
Sex (Erotic) |
To form and enjoy an erotic relationship |
Similance |
To empathize |
Succorance |
To seek protection or sympathy |
Understanding (Cognizance) |
To analyze and experience, to seek knowledge |
Sources
http://allpsych.com/personalitysynopsis/murray.html
http://psychology.about.com/od/theoriesofpersonality/a/psychogenic.htm
189.180.87.130 19:10, 15 May 2007 (UTC)
A canary-yellow rabbit who wears pink bunny slippers. Cuddles is one of the primary characters in the series (many fans consider him the main character in the series). Like Giggles, Toothy and Lumpy, he appears in many of the advertisements.
Cuddles was one of the first characters to be created in Happy Tree Friends. His voice is even performed by the co-creator of the show Kenn Navarro.
Cuddles personality is somewhat mixed. On one hand he can be dangerously mischievous. Also he can be self-centered. Both of these characteristics can lead to both his death and other characters deaths. On the other hand he is also friendly, making his personality more complex than the others. He was seen to have multiple houses, but his official one is known to be a Hollow Tree, as it is the only one to appear more than once ("In a Jam" and "Ear Today, Gone Tomorrow")
He is particularly good friends with Toothy and Flaky. Cuddles and Giggles are also very close friends. Their relationship is most prominent in the Fall Out Boy music video: "The Carpal Tunnel of Love".
With a number of 37 deaths (along with Giggles), Cuddles is the character who gets killed more times in the Happy Tree Friends franchise. In the internet shorts, Cuddles died in every episode he appeared in. He is also the character who has, so far, been killed by Flippy and Lumpy the most, though, to be fair, Flippy generally kills everyone in episodes in which he is featured and Lumpy's stupidity usually causes all the other characters deaths. While he still dies a lot in the TV series, Cuddles has survived several times ("Doggone It", "Sea What I Found", "Letter Late Than Never" "Change of Heart" and "A Sight For Sore Eyes") and some of his deaths are not confirmed ("Mime To Five" and "Concret Solution"). He tends to die some of the messier deaths such as being sliced to bits by helicopter blades, ceiling fans, exploding, and slithering through a treehole as a bloody mush.
Cuddles, is one of the characters to have an account on MySpace. It mentions that he is actually allergic to carrots, which is possibly evidenced by the 'Feed' section of his Smoochie. In addition, it mentions he collects powerful antique electric toothbrushes and his fur is highly protected from the sun.
Cuddles
www.happytreefriends.com
74.117.48.164 20:01, 15 May 2007 (UTC)
Community Hospital of the Monterey Peninsula
Community Hospital of the Monterey Peninsula, as know as CHOMP, was founded in 1934 and is located 23625 Holman Highway in Monterey, California. The hospital has 176 acute care beds and 28 skilled-nursing beds. CHOMP has 15 locations including the main hospital, outpatient facilities, satellite laboratories, a mental health clinic, a short-term skilled nursing facility, Hospice of the Central Coast, and business offices, these location help in serving the Monterey Peninsula.
History of CHOMP
CHOMP was founded my Grace Deere Velie Harris in 1934. The hospital was a 30- bed general hospital named Peninsula Community Hospital. In the 1950's Samuel F.B Morse donated 22 acres to the hospital for expansion. In 1961 the hospital receives its official name “Community Hospital of the Monterey Peninsula.” On June 28th, 1962 the hospital opens and significant additions are added. The hospital now has 100 beds and is 210,000 square feet large. The large construction project costs the hospital $3.5 million. Edward Durell Stone, a world renowned architect, designs the hospital. 1971, another 72 rooms are added to the hospital and a large dome over the Fountain Court has finished construction. The project costs $4 million. In 1982 the former Eskaton Monterey Hospital becomes part of the Community Hospital.1983 another expansion project takes place and is complete, adding another 42, 000 square feet which houses outpatient, educational, and business office functions. In 1988 the hospital's Outpatient Surgery Center opens for the first time and allows the hospital to conduct more surgeries. The Community Hospital expands the Rehabilitation Services department in 1991. The Community Hospital opens the Family Birth Center in 1996, bringing single-room maternity care. The Community Hospital's Breast Care Center starts service on Cass Street in Monterey.
A three-story underground parking area with 316 parking spaces is complete in June 2003 under the main entrance of the hospital. 2004, CHOMP begins planning and prepares for two new areas of the hospital call the Forest Pavilion and the South Pavilion. The Forest Pavilion will be adding 120 new rooms for patients. The South Pavilion will bring in an additional 135,000 square feet for critical-care departments and services that are related. The Ryan Ranch Outpatient Campus opened in July 2004. This subunit of the main hospital specializes in sleep disorders, diabetes and nutrition therapy. The South Pavilion opens in October 2006, which includes and Emergency Department, eight new operating suites for patients, and a new ICU center.
The hospital was furnished using a method and style called Feng Shui (is the ancient Chinese practice of placement and arrangement of space to achieve harmony with the environment. The literal translation is "wind-water").
The hospital offers a variety of specialized treatments and doctors who specialize in these areas, which include (not a complete list):
• Anesthesiology • Cardiology • Cardiovascular Disease • Dentistry • Dermatology • Genetics • Hematology • Neurology • Pediatrics
In addition to inpatient medical and surgical specialties, Community Hospital offers a wide range of health care services. The list below is not a complete list of conditions they treat.
• Breast disease
• Bone and joint conditions
• Cancer
• Diabetes
• Heart disease
• Mental health conditions
• Obesity
• Pregnancy
• Sleep disorders
• Substance abuse
Sources
www.chomp.org 216.228.5.50 20:13, 15 May 2007 (UTC)
Aleksandra Ivanovskaya
Miss Russia 2006.
Dimaension X (band)
Dimaension X (located in central Massachusetts), formed in 1991 by multi-instrumentalist Dave Lanciani, is an instrumental band that fuses elements of heavy metal, space rock, and jazz-rock fusion. In Dimaension X, Lanciani (currently) records and plays all instruments entirely on his own. Additionally, Lanciani has collaborated with several bands via the internet, and is currently collaborating on a multi-media CD project with a comic illustrator. He has been playing guitar longer than any other instrument, and is completely self-taught in all other instruments (bass, keyboards, and drums). He cannot read or write formal music notation, but does use some simple music theory, such as modal improvisation, chord structures and progressions from major/minor keys.
Music Style
Dimaension X's music combines electronic elements, such as arpeggiated synthesizers and ambient pads, with extreme heavy metal elements, such as blast-beats, double-bass drums, and heavily distorted tremolo picked guitar riffs, and jazz-rock fusion elements such as extended guitar or keyboard solos, drum solos, ostinato bass lines, and improvisation. Most recently, Lanciani has begun to incorporate string and brass sections from classical music, along with timpani drums and other orchestral percussion.
Word/Phrase Composition Technique
Lanciani is also known to have created his own method of music composition, using techniques similar to serialism or the twelve-tone technique. Known as "Word/Phrase Composition", notes or chord progressions are "randomly" created from words and phrases. Each letter of the alphabet corresponds to a musical note, octave root, or rest/space/sustain. The notes are used as a "starting point", and are not necessarily the final choices for chord progressions or basslines/riffs.
The following chart outlines the basic alphabetic letter/note relationship:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A B C D E F G A - A B C D E F G A - A B C D E F G A
(the 2nd A would be the higher octave root note, the dash " - " would be no note, therefore a rest or sustain of the former note)
The name "Lanciani" would create the following note choices:
L A N C I A N I
C A E C - A E -
Therefore, a chord progression of C, Am7, Em, C may be used in a song, or perhaps the notes C,A,E,C, (rest), A, E (rest) would be used as a bassline for a solo section. The actual use is entirely up to the composer, along with the music style. The notes/chords are merely meant to be used as a "jump-start" to get the creative "juices" flowing. The rest is up to the individuality of the composer.
Discography
All currently CD-R's
Cyberthief Returns (2003)
Jam Session 11-20-05(2005)
Leprosia Doom (2006)
Bryson's Universe (2006)
Leprosia Falls (working title, unreleased)
Lineup
Current members
Dave Lanciani – All Instruments and Vocals
External links
Official Soundclick.com Site[7]
Official Myspace Site [8]
Music available at the Archive.org [9]
Reviews by Matt Howarth (soniccuriosity.com)[10]
Sources
A review by Matt Howarth at http://www.soniccuriosity.com/sc287.htm
A review by Norelpref, www.archive.org, October 12, 2006 at http://www.archive.org/details/bryson_uni
A review by Schism, www.archive.org, April 24, 2007 http://www.archive.org/details/leprosia_doom
72.74.107.211 20:34, 15 May 2007 (UTC)
Josh Delbegio
This kid is the hugest noob ever to be on the face of the earth
Sources
207.81.155.109 21:03, 15 May 2007 (UTC)
Egoist (Falco song)
Egoist is the name of a posthum Falco song. It should have been on the album Egoisten, which is renamed to Out of the Dark (Into the Light). It was very succesful in the German-speaking countries.It reached the Top 10 in Germany, Austria and Switzerland.
The song was released, because of Falco's death. The song is about a person (Falco), who seems to be very successfull, but he only thinks of himself.
Some parts of the text are: Was is er denn, was hat der denn, was kann er denn, was glaubt er, dass er is. Those lyrics were Falco's own words. In many interviews he used them to describe his success.
Sources
80.109.98.103 21:13, 15 May 2007 (UTC)
Drosta
Drosta is a legendary person who is possibly the greatest person alive. He is part of the Dirty Heroes organisation and is their lead member in excellence. Anyone who has the internet knows and admires Drosta.
Children: Drosta has many children, 5 of which he knows of. He dislikes them and has not established contact with their mother after the act.
Biography: Drosta was born in Sweden in 1991 and is better than everybody else.
Sources
www.dirtyheroes.co.uk
217.210.255.22 21:20, 15 May 2007 (UTC)
Greenstroke
Greenstroke (hyperchromia), is an acute condition which occurs when the body is exposed to excessive amount of green light. It is usually caused by prolonged periods spent in front of chromakey backdrops, as used in the digital effects industry. The colour-regulating mechanisms of the body eventually become overwhelmed and unable to effectively compensate for the excessive amounts of green.
Progression
Saturation levels beyond 80%, usually only found in green screens located in direct sunlight, can cause temporary blindness, and in severe cases extreme nausia.
History
The condition was first discovered in 2007 whilst a BBC crew were filming Attila the Hun in Bulgaria. Visual Effects producer (Tony Gilbert) soon fell ill after spending 5 continuous days in front of an outdoor 20ft green screen cove that reflected direct sunlight. Other crew members including Luke Wilmot also experienced mild symptoms, which were soon alleviated by wearing dark sunglasses.
Sources
www.shadowindustries.com
81.130.195.55 21:21, 15 May 2007 (UTC)
Beit Taneen(House 104):
One of the dorm houses at the American Hebrew Academy. The Taneen is from biblical hebrew and is a Kabbalistic Dragon.
Houseparents:
The houseparents are Dr. Bretan and Mr. Lew.
Madrichim:
It's Madrich is Matt 'Runtajer' Tokajer. 'Beit Taneen' means House of Taneen.
Members 2006-2007:
Sophmores:
Jamie Langer
Gady Hemmo
Daniel Fachler
Jonathan Sasson
Jerry Kurti
Steve Robertson
Juniors:
Alan Cielak,
Ben Jacobs(Big Jacket),
Zach Lax, Alex Shporer,
Daniel Zeilicovich,
Avi Weinstock-Herman,
Josh Goller,
Zak Malitz,
Mauricio Da Silva,
Vito Sherry
Seniors:
Aaron Sassoon,
Matt Tokeger(Runtajer)
Day Students:
Adam Shore
Jake Davidowitz
Sam Fraifeld
Gilad Stern
"Brianne Silver"
Old Houseparents and Madrichim
In the school year of 2005-06 the Houseparents were Dr. Bretan and Mr. Pomerantz. The Madrich was Alex Gettlin.
Alumni
Alex Gettlin, Joe Paulson, Michael Applebaum, Josh Greer.
216.54.213.68 21:37, 15 May 2007 (UTC)
- Computer and telecommunication standards
- Video game music
- Video game music file formats
- Digital media
- Digital Revolution
- Electronic music instruments
- Music notation file formats
- Music software
- Serial buses
- Sound production technology
- Dance Music
- Social networks
- Online social networking
- Community websites
- Virtual communities
- Independent
- Editorial
- Areas of Edinburgh
- 1932 births
- Living people
- Germans
- German jurists
- Jurists
- Legal academics
- German academics
- Psychologists