|Studio album by Traci Lords|
|Released||February 28, 1995|
|Recorded||1994 in London, UK|
|Singles from 1000 Fires|
1000 Fires is the debut studio album by American singer and actress Traci Lords, released on February 28, 1995 through Radioactive Records. The album remains her only full-length music release to date. Lords started working on the album in the spring of 1994, and collaborated with Juno Reactor, Mike Edwards and Babble. Executive produced by Gary Kurfirst, 1000 Fires is predominantly influenced by electronic music with elements of techno, trance and trip hop. Lyrically it focuses on dark themes, referring to Lords' past in the porn industry as well as confessing her rape experience on the song "Father's Field".
Upon its release, the album received generally positive reviews from music critics. However, it noted moderate commercial success with its sound aimed more at the underground rave scene audience. During the promotion of the album, Lords performed as a DJ and opened shows for other artists such as My Life with the Thrill Kill Kult and Moby.
Two singles from the album were released. The lead single, "Control", peaked at No. 2 on the Billboard Hot Dance Club Songs and its instrumental version was featured on the soundtrack to the film Mortal Kombat (1995). The song was certified double platinum by the RIAA. Its following single, "Fallen Angel", was also successful in charts, peaking at No. 11 on Hot Dance Club Songs. The Paul Oakenfold remix of the song was included on the soundtrack to the film Virtuosity (1995), in which Lords had a cameo.
Background and recording
After her departure from the adult film industry and transition to mainstream films, Lords got signed to a development deal with Capitol Records, but was later dropped due to disagreements between her and the label. "They wanted to market me in the way that would make the most money. They wanted to make me the new Samantha Fox. And I never wanted that. That wasn't what it was about for me. I pretty much had a sense of myself, and I knew that I would be an imposter," Lords said.
Following the split up from her husband Brook Yeaton, Lords decided to focus on her career outside acting. She began taking vocal lessons and was encouraged by her coach to search for a new record deal. After meeting with Rodney Bingenheimer at a birthday party, she was recommended to Jeff Jacklin, who hired her to record the song "Love Never Dies" for the 1992 film Pet Sematary Two. The producer of the soundtrack, Gary Kurfirst, signed her to a development deal with his label Radioactive Records. He later spoke on her record deal: "I just wanted to have fun. She works hard, and wants it very badly. She's very special. For a young girl, she's had a long life." Lords was later featured on the 1992 song "Little Baby Nothing" by Manic Street Preachers.
In the spring of 1994, the label arranged her to fly to London and meet with producer Tom Bailey. They recorded the songs "I Want You", "Fly" and "Just Like Honey", which was later re-recorded by Keith Fernley of Bailey's group Babble. Another song they recorded was "Father's Field". Lords used lyrics she had previously written in New Zealand. After finishing her recording with Bailey, Lords wanted something with a harder edge to add another dimension to her album. She was introduced to producer Ben Watkins of Juno Reactor and decided to incorporate more rave sound. Mainly inspired by the music she would hear at warehouse parties during her stay in London, Lords teamed up with American singer Wonder, with whom she created the lyrics to the song "Control". Lords later commented on the inspiration behind the album's sound: "I got into techno in 1992 when I was working as a model in London. I didn't have much money and I was living with three other girls in this shitty flat above a coffee shop—which was totally depressing—so we used to go to the clubs to escape from it all and that's where I fell in love with the music. I really wanted that influence to come across on my album so when I eventually signed with Radioactive that's what we did." Later, she met Mike Edwards, the lead singer of the band Jesus Jones. They recorded the songs "Distant Land", "Say Something" and "Okey Dokey"; the latter of which they recorded as a joke at the end of a recording session.
Title and artwork
When asked about the album's title, Lords said: "I think that fire is something that's really representative of the record. It's really, really peaceful and you're drawn to it. But if you get too close, it can torch you and kill you. But if you just get close enough, it's warm and it's soothing, it's mesmerising and it's peaceful. It can give you everything or destroy you, depending on how smart you are." The cover sleeve was shot by Joshua Jordan.
An up-tempo dance track featuring heavy guitar riffs and techno influenced beat.
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The album's opening track and lead single, "Control", is an up-tempo electronic song. Heavily influenced by techno and trance, it contains a prominent electric guitar riff. "I told Ben [Watkins] I wanted to do a song that had elements of rock and roll but with a techno vibe and he ran with it, creating a slamming heavy metal guitar intro on an insanely hyper track." The song is about a dominant female who nurses a broken heart as she sings, "Let me kiss it and make it better/After tonight you will forget her". "Fallen Angel" is also an up-tempo techno-trance song with elements of ambient music. It features Spanish guitar and castanets. The lyrics were influenced by and written surrounding the death of Kurt Cobain. The third track, "Good-N-Evil", incorporates elements of industrial music. "Fly" is a mid-tempo song built around a trip hop beat. The album's fifth track and the only ballad on the album, "Distant Land", contains elements of ambient music and features mellow guitar melody. Lyrically, the song is a tale of a woman waking up lost and not knowing where she is, searching for light in a distant land.
"Outlaw Lover", the sixth track from the album, is an up-tempo electronic song. It contains strong techno elements and features male opera vocals. Lords cast herself as a woman in small town who had been wronged, and tells her unfaithful lover "You best be warned I'm a woman scorned," before shooting him dead. The lyrics were inspired by cowboy stories and old westerns. The following track, "I Want You", is another song with strong trip hop influences and oriental vibe. "Say Something" also incorporates trip hop music within its composition. In the album's ninth track, "Father's Field", Lords confesses her experience with rape when she was 10 years old. She was attacked by her 16-year-old classmate in the back of her father's house.
Release and promotion
1000 Fires was released on February 28, 1995. It was also released in Japan, with an additional Japan-only bonus track, the Overlords House Mix of "Control".
Following the release of the album, Lords embarked on a small tour performing as a DJ, mostly in the Miami club scene. On August 12, 1995, she was the opening act of the Lollapalooza after party, Enit Festival, alongside Moby, Sven Väth, DJ Keoki and Single Cell Orchestra.
"Control" was released as the lead single from the album on December 20, 1994. The song received critical acclaim, especially for its rave sound which was unexpected from Lords. It peaked at number two on on the Billboard Hot Dance Club Songs and number 84 on the UK Singles Chart. Its instrumental version was featured on the soundtrack to the film Mortal Kombat (1995) and it was later certified double platinum by the Recording Industry Association of America (RIAA). The music video was shot in Los Angeles, California and was inspired by James Bond with Lords portraying the female version of the character.
The album's second single, "Fallen Angel", released on August 3, 1995, was also successful in charts, peaking at number eleven on Hot Dance Club Songs. Lords managed to get Paul Oakenfold add the song to his DJ set. His remix of the song was included on the soundtrack to the film Virtuosity (1995), in which Lords had a cameo. Two music videos for the song were released: one features the original version of the song and was shot during the making of the film Virtuosity; the second version, directed by Stéphane Sednaoui, features the "Honeymoon Stitch Mix", produced by Chad Smith and Dave Navarro.
Upon its release, 1000 Fires received generally positive reviews from music critics. Stephen Thomas Erlewine at AllMusic gave it three stars out of five, calling it "a competent exercise in techno". He criticized Lords' vocals as being "thin" and not having much range, but also remarked that "she does have a forceful and distinctive personality, which gives the record a cohesive sound." Benjamin Svetkey at Entertainment Weekly gave the album a B+, referring to Lords as "Moby with estrogen injections".
Despite the favorable reviews and good chart position of the lead single, 1000 Fires did not achieve mainstream success. Lords later commented: "The problem with that album was that it was ahead of its time. Electronica was just starting to happen. Moby was just starting to be huge. I opened for Thrill Kill Kult and Moby as a DJ back then. The masses didn't know who Moby was. I think if it had been slightly delayed it would have done better. Madonna had it right to wait for Ray of Light. She has been a lot better with her timing than me. I am proud of that album because I hear it now and it still feels current. It doesn't feel dated."
|7.||"I Want You"||
|Japanese edition bonus track|
|11.||"Control" (Overlords House Mix)||
- ^[a] signifies an additional producer
Credits and personnel
Credits adapted from the album's liner notes.
|1994||"Control"||Billboard Hot Dance Club Songs||2|
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- Nunn, Jerry (2012-02-26). "Interview: Ruling Traci Lords". Fusion. Retrieved 2015-01-26. Archived 2015-03-25.
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