Theatrical release poster
|Directed by||Adrian Lyne|
|Based on||9½ Weeks
by Ingeborg Day
|Music by||Jack Nitzsche|
|Distributed by||MGM/UA Entertainment Co.|
|Box office||$100 million|
9½ Weeks (originally titled Nine ½ Weeks) is a 1986 American erotic romantic drama film directed by Adrian Lyne with a screenplay by Sarah Kernochan, Zalman King, and Patricia Louisanna Knop. The film is based on the 1978 memoir of the same name by Austrian-American author Ingeborg Day. It stars Kim Basinger as Elizabeth McGraw and Mickey Rourke as John Gray. McGraw is a New York City art gallery employee who has a brief yet intense affair with a mysterious Wall Street broker. The film was completed in 1984, but not released until February 1986.
The film was a box office bomb in the United States, grossing only $6.7 million at the box office on a $17 million budget. It also received mixed reviews at the time of its release. However the film was a huge success internationally, particularly in Australia, Canada and the United Kingdom making $100 million worldwide. It has also acquired a large fanbase on video and DVD and has developed a cult following.
The title of the film refers to the duration of a relationship between Wall Street arbitrageur John Gray and divorced SoHo art gallery employee Elizabeth McGraw. John initiates and controls the various experimental sexual practices of this volatile relationship to push Elizabeth's boundaries. In doing so, Elizabeth experiences a gradual downward spiral toward emotional breakdown.
Elizabeth first sees John in New York City where she grocery shops and again at a street market where she decides against buying an expensive scarf. John wins her heart when he eventually produces that scarf. They start dating, and Elizabeth is increasingly subjected to John's behavioral peculiarities; he blindfolds Elizabeth, who is at first reluctant to comply with his sexual fantasy demands. Yet she sees him as loving and playful. He gives her an expensive gold watch, and instructs her to use it to think about him at noon. She takes this imperative even further by masturbating at her workplace at the designated time. However, he ultimately confuses Elizabeth by his reluctance to meet her friends despite the intimacy of their sexual relations.
Elizabeth's confusion about John increases when he leaves her alone at his apartment. She examines his closet until she discovers a photograph of him with another woman. John asks her if she went through his stuff, declaring that he will punish her. Their ensuing altercation escalates into sexual assault until she blissfully concedes to his struggle to overpower her. Their sexual intensity grows as they start having sex in public places.
Elizabeth's heightened need for psychosexual stimulation drives her to stalk John to his office and to obey his injunction to cross-dress herself for a rendezvous. On leaving the establishment, two men hurl a homophobic slur when they mistake John and Elizabeth for a gay couple. A fight ensues. Elizabeth picks up a knife from one of the attackers and stabs one of them in the buttocks and both attackers flee. After the fight, Elizabeth reveals a wet tank-top and has sex onsite with John with intensely visceral passion. Following this encounter, John's sexual games acquire sadomasochistic elements.
Rather than satisfying or empowering Elizabeth, such experiences intensify her emotional vulnerability. While meeting at a hotel room, John blindfolds her. A prostitute starts caressing Elizabeth as John observes them. The prostitute removes Elizabeth's blindfold and starts working on John. Elizabeth violently intervenes, and flees the hotel, with John pursuing her. They run until they find themselves in an adult entertainment venue. Moments later, John and Elizabeth gravitate towards each other, finding themselves interlocked in each other's seemingly inescapable embrace.
The following morning, John senses that he will never see her again. He attempts to share with her details about his life. Elizabeth tells him that it is too late as she leaves the apartment. John begins his mental countdown to 50, hoping she will come back by the time he is finished.
- Kim Basinger as Elizabeth McGraw
- Mickey Rourke as John Gray
- Margaret Whitton as Molly
- David Margulies as Harvey
- Christine Baranski as Thea
- Karen Young as Sue
- William DeAcutis as Ted
- Dwight Weist as Farnsworth
- Roderick Cook as Sinclair
- Victor Truro as Gallery Client
In a preview screening of the film for 1,000 people, all but 40 walked out. Of the 40 who filled out cards, 35 said they hated it.
The film was championed by some critics. Roger Ebert praised the film, giving it three and a half stars out of four, stating: "A lot of the success of 9½ Weeks is because Rourke and Basinger make the characters and their relationship convincing." He further elaborated by saying that their relationship was believable, and unlike many other characters in other erotic films at that time, the characters in this movie are much more real and human.
Over time, some critics have warmed to the film and audiences gave it somewhat of a legacy thanks to its success in the rental market. It performed very well in Europe, particularly in Italy, France and also in Latin America. Its success in France was so strong that it played for five years at a Paris cinema, earning approximately $100 million. In São Paulo, Brazil, it played for 76 weeks in the cult movie house Cine Belas Artes.
The film was nominated for three categories at the 1986 Golden Raspberry Awards, Worst Actress (Kim Basinger, who lost to Madonna for Shanghai Surprise), Worst Original Song ("I Do What I Do" by Jonathan Elias, John Taylor, Michael Des Barres, which lost to "Love or Money" from Under the Cherry Moon), and Worst Screenplay (Patricia Louisianna Knop, Zalman King, Sarah Kernochan, which lost to Howard the Duck). The film gained a huge following on home video, and regardless of its reception, both Basinger and Rourke became huge stars.
The film is recognized by American Film Institute in these lists:
The main single released from the 9½ Weeks: Original Motion Picture Soundtrack was "I Do What I Do", performed by Duran Duran bass guitarist John Taylor, giving his first solo singing performance during a hiatus in Duran Duran's career. The song reached #23 on the Billboard Hot 100 and #42 on the UK Singles Chart. Music for the score was composed by Taylor and Jonathan Elias. Original music for the movie was also written by Jack Nitzsche, but his compositions are not included on the soundtrack.
The soundtrack also included tracks from Luba, Bryan Ferry, Dalbello, Corey Hart, Joe Cocker, Devo, Eurythmics and Stewart Copeland. Winston Grennan's reggae "Savior" as well as Jean Michel Jarre's "Arpegiator", played during the sex scene on the stairs in the rain, were not included on the record.
Sequel and prequel
- "NINE 1/2 WEEKS (18)". British Board of Film Classification. February 17, 1986. Retrieved February 2, 2016.
- Martin, Douglas (February 8, 2012). "Zalman King, Creator of Soft-Core Films, Dies at 70". The New York Times.
- "9 1/2 Weeks (1986)". Box Office Mojo. Internet Movie Database. Retrieved February 2, 2016.
- Rabin, Nathan (2002-04-04). "Another 9½ Weeks". The A.V. Club. Retrieved 2009-01-12.
- 9½ Weeks at Rotten Tomatoes‹See TfD›. Retrieved 2009-05-10.
- Ebert, Roger (1986-02-21). "9½ Weeks". Rogerebert.suntimes.com. Retrieved 2010-07-11.
- "9 1/2 Weeks: the original Fifty Shades of Grey". thetelegraph.uk. February 13, 2015. Retrieved November 5, 2015.
- "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.
- "9 1/2 Weeks". Movie-Censorship.com. Retrieved 23 April 2015.
- "9 ½ Ninjas!". The New York Times.
- Briggs, Joe Bob (2005). Profoundly Erotic: Sexy Movies that Changed History. New York: Rizzoli. ISBN 0-7893-1314-6.