9½ Weeks

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9 12 Weeks
Theatrical release poster
Directed byAdrian Lyne
Produced by
Screenplay by
Based on9 12 Weeks
by Ingeborg Day
Music byJack Nitzsche
CinematographyPeter Biziou
Edited by
Distributed byMetro-Goldwyn-Mayer
Release date
  • February 21, 1986 (1986-02-21)
Running time
117 minutes[1]
CountryUnited States
  • English
  • Spanish
Budget$17 million
Box office$100 million[2]

9 12 Weeks (originally titled Nine ​12 Weeks) is a 1986 American erotic romantic drama film directed by Adrian Lyne with a screenplay by Sarah Kernochan, Zalman King, and Patricia Louisanna Knop. The film is based on the 1978 memoir of the same name by Austrian-American author Ingeborg Day. It stars Kim Basinger as Elizabeth McGraw and Mickey Rourke as John Gray. McGraw is a New York City art gallery employee who has a brief yet intense affair with a mysterious Wall Street broker. The film was completed in 1984, but not released until February 1986.

Considered too explicit by its American distributor, and cut for U.S. release, the film was a box office bomb in the U.S., grossing only $6.7 million at the box office[3] on a $17 million budget. It also received mixed reviews at the time of its release. However, it became a huge success internationally in its unedited version, particularly in Australia, Canada, France, Germany, and the United Kingdom, making $100 million worldwide.[2] It has also acquired a large fanbase on video and DVD and has developed a cult following.[4]

The film spawned a direct-to-video sequel, Another ​9 12 Weeks (1997) and a direct-to-video prequel The First ​9 12 Weeks (1998).


The title of the film refers to the duration of a relationship between Wall Street arbitrageur John Gray and divorced SoHo art gallery employee Elizabeth McGraw in her early 30s. John initiates and controls the various experimental sexual practices of this volatile relationship to push Elizabeth's boundaries. In doing so, Elizabeth experiences a gradual downward spiral toward emotional breakdown.

Elizabeth first sees John in New York City where she grocery shops and again at a street market where she decides against buying an expensive scarf. John wins her heart when he eventually produces that scarf. They start dating, and Elizabeth is increasingly subjected to John's behavioral peculiarities; he blindfolds Elizabeth, who is at first reluctant to comply with his sexual demands, but eventually surrenders to them. He gives her an expensive gold watch, and instructs her to use it to think about him at noon. She takes this imperative even further by masturbating at her workplace at the designated time. However, he confuses Elizabeth with his reluctance to meet her friends.

Elizabeth's confusion about John increases when he leaves her alone at his apartment. She examines his closet until she discovers a photograph of him with another woman, April Tover. John asks her if she went through his things, declaring that he will punish her. Their ensuing altercation escalates into sexual assault until she blissfully concedes to his struggle to overpower her. Their sexual intensity grows as they start having sex in public places.

Elizabeth's heightened need for psychosexual stimulation drives her to stalk John to his office and to obey his injunction to crossdress for a rendezvous. On leaving the establishment, two men hurl a homophobic slur when they mistake John and Elizabeth for a gay couple. A fight ensues. Elizabeth picks up a knife from one of the attackers and stabs one of them in the buttocks and both attackers flee. After the fight, Elizabeth reveals a wet tank-top and has sex onsite with John with intensely visceral passion. Following this encounter, John's sexual games acquire sadomasochistic elements.

Rather than satisfying or empowering Elizabeth, such experiences intensify her emotional vulnerability. While meeting at a hotel room, John blindfolds her. A prostitute starts caressing Elizabeth as John observes them. The prostitute removes Elizabeth's blindfold and starts working on John. Elizabeth violently intervenes, and flees the hotel, with John pursuing her. They run until they find themselves in an adult entertainment venue. Moments later, John and Elizabeth gravitate towards each other, finding themselves interlocked in each other's seemingly inescapable embrace.

The following morning, John senses that he will never see her again. He attempts to share with her details about his life. Elizabeth tells him that it is too late as she leaves the apartment. John begins his mental countdown to 50, hoping she will come back by the time he is finished.


Source material[edit]

The film was a significant departure from the much darker tone of the novel it was based upon. In 9½ Weeks: A Memoir of a Love Affair, John engages in criminal behaviour and even coerces Elizabeth into committing a violent mugging in an elevator. The book culminates in a quasi-rape scenario which leaves Elizabeth in mental anguish, and he takes her to a mental hospital–never to return to her again, while the film ends on a sombre tone, there is no mention of the psychiatric breakdown that John inflicted upon his lover.


Critical reception[edit]

9 12 Weeks has a 64% rating on Rotten Tomatoes based on 22 reviews.[5]

The film was championed by some critics. Roger Ebert praised the film, giving it three and a half stars out of four, stating: "A lot of the success of 9 12 Weeks is because Rourke and Basinger make the characters and their relationship convincing." He further elaborated by saying that their relationship was believable, and unlike many other characters in other erotic films at that time, the characters in this movie are much more real and human.[6]

Over time, some critics have warmed to the film and audiences gave it somewhat of a legacy thanks to its success in the rental market. It performed very well in Europe, particularly in Italy, France and also in Latin America. Its success in France was so strong that it played for five years at a Paris cinema, earning approximately $100 million.[7] In São Paulo, Brazil, it played for 30 months in the cult movie house Cine Belas Artes from 1986 to 1989.[8]


The film was nominated for three categories at the 1986 Golden Raspberry Awards, Worst Actress (Kim Basinger, who lost to Madonna for Shanghai Surprise), Worst Original Song ("I Do What I Do" by Jonathan Elias, John Taylor, Michael Des Barres, which lost to "Love or Money" from Under the Cherry Moon), and Worst Screenplay (Patricia Louisiana Knop, Zalman King, Sarah Kernochan, which lost to Howard the Duck). The film gained a huge following on home video, and regardless of its reception, both Basinger and Rourke became huge stars.

The film is recognized by American Film Institute in these lists:


The main single released from the 9 12 Weeks: Original Motion Picture Soundtrack was "I Do What I Do", performed by Duran Duran bass guitarist John Taylor, giving his first solo singing performance during a hiatus in Duran Duran's career. The song reached #23 on the Billboard Hot 100 and #42 on the UK Singles Chart. Music for the score was composed by Taylor and Jonathan Elias. Original music for the movie was also written by Jack Nitzsche, but his compositions are not included on the soundtrack.

The soundtrack also included tracks from Luba, Bryan Ferry, Dalbello, Corey Hart, Joe Cocker, Devo, Eurythmics and Stewart Copeland. Winston Grennan's reggae "Savior" as well as Jean Michel Jarre's "Arpegiator", played during the sex scene on the stairs in the rain, were not included on the record.

Home media[edit]

In 1998, Warner Bros. released an "uncut, uncensored version" on DVD that was 117 minutes.[10] The film was released on the Blu-ray format in the United States on March 6, 2012.

Derivative works[edit]

Sequel and prequel[edit]

In 1997, a sequel was released via direct-to-video called Another ​9 12 Weeks, starring Rourke and Angie Everhart and directed by Anne Goursaud.

In 1998, a second straight-to-video film was released, this one a prequel called The First ​9 12 Weeks that starred Paul Mercurio and Clara Bellar.


A parody of the original film, 9 12 Ninjas!, was released in 1991.[11]

Cultural impact[edit]

The film was the inspiration behind K-pop singer Sunmi’s 2018 release "Heroine".[12]

See also[edit]


  1. ^ "NINE 1/2 WEEKS (18)". British Board of Film Classification. February 17, 1986. Retrieved February 2, 2016.
  2. ^ a b Martin, Douglas (February 8, 2012). "Zalman King, Creator of Soft-Core Films, Dies at 70". The New York Times.
  3. ^ "9 1/2 Weeks (1986)". Box Office Mojo. Internet Movie Database. Retrieved February 2, 2016.
  4. ^ Rabin, Nathan (2002-04-04). "Another 9½ Weeks". The A.V. Club. Retrieved 2009-01-12.
  5. ^ 9 12 Weeks at Rotten Tomatoes. Retrieved 2009-05-10.
  6. ^ Ebert, Roger (1986-02-21). "9½ Weeks". Rogerebert.suntimes.com. Retrieved 2010-07-11.
  7. ^ "9 1/2 Weeks: the original Fifty Shades of Grey". thetelegraph.uk. February 13, 2015. Retrieved November 5, 2015.
  8. ^ "'Medos Privados em Lugares Públicos' completa três anos em cartaz". abril.com.br.
  9. ^ "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.
  10. ^ "9 1/2 Weeks". Movie-Censorship.com. Retrieved 23 April 2015.
  11. ^ "9 ½ Ninjas!". The New York Times.
  12. ^ "Sunmi explains she was inspired to write 'Heroine' after watching a movie". Allkpop.

External links[edit]