This is an old revision of this page, as edited by Lvisfan(talk | contribs) at 23:40, 3 February 2021(Added caption to image). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 23:40, 3 February 2021 by Lvisfan(talk | contribs)(Added caption to image)
In early 1966, executives at RCA and Presley's manager, Colonel Tom Parker, had arrived at the same conclusion. They could no longer expect records of only soundtrack recordings and session leftovers to perform as strongly as in the past.[3] Popular music was rife with changes in the mid-1960s, Soundtrack sales were plunging, shifting fewer units and peaking at lower positions on the chart.[3]
Content
The Spinout sessions still adhered to the same formula of the past four years. Nine songs were recorded for the soundtrack, all of which appeared in the film. Most of the songs derived from the standard pool of songwriters, their publishing rights signed over to Elvis Presley Music and Gladys Music, the companies owned by Elvis and the Colonel.[4] One song "Stop, Look, and Listen" was previously recorded by Ricky Nelson and Bill Haley & His Comets.[5]
Two songs were released as a single the month before the film's premiere, the title track backed with "All That I Am", and although both sides charted independently the A-side just barely made the Top 40. Elvis performed the song "Adam and Evil" on stage in the film which features a long drum roll at the beginning. He makes reference to Adam and Eve in the Bible, that "Adam and Evil they go hand in hand / Eve taught him sin, that's the way it all began". Elvis clicks his fingers throughout the track.
Acknowledging shifts in taste, three additional tracks of a contemporary nature were added as a "special bonus" to bring the album up to a more acceptable running time. Recorded at RCA Studio B in Nashville, Tennessee during the sessions for his gospel album How Great Thou Art, two were rhythm and blues songs. The other was "Tomorrow Is a Long Time", an original by Bob Dylan (publishing rights were, of course, not signed over to Presley and Parker), with a ballad from a later Nashville session in June.[6] "Down in the Alley" had been released in 1957 by The Clovers, and Presley knew of and appreciated the Dylan song from the version on Odetta Sings Dylan by the folk singerOdetta.[7] "I'll Remember You" had been a record by Don Ho, and reflected Presley's infatuation with Hawaii and its culture.[8] Even with these inclusions, the album fared little better than its predecessors in 1966.
In 2004 Spinout was reissued on the Follow That Dream label in a special edition that contained the original album tracks along with numerous alternate takes.[11]
"Spinout" was released as a single in October 1966 with "All That I Am" as its B-side. The songs reached number 40 and 41, respectively, in the United States on the Billboard Hot 100 chart and, respectively, numbers 21 and 18 in the United Kingdom.[12]
^"Pop Albums". Elvis Presley: Official Site of the King of Rock 'n' Roll. Elvis Presley Enterprises, Inc. 2013. Archived from the original on October 26, 2014. Retrieved May 21, 2013.
^ abJorgensen, Ernst. Elvis Presley A Life in Music: The Complete Recording Sessions. New York: St. Martin's Press, 1998; p. 203.