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Allein Gott in der Höh sei Ehr

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"Allein Gott in der Höh sei Ehr"
Lutheran hymn
Print in Johann Spangenberg's Kirchengesenge Deudtsch, Magdeburg 1545
EnglishAll glory be to God on high
CatalogueZahn 4457
Textby Nikolaus Decius
LanguageGerman
Based onGloria
Melodyby Decius
Published1531 (1531)
EG 179, GL 170

"Allein Gott in der Höh sei Ehr" (Alone to God in the highest be glory) is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. With the reformers intending church service in German, it was intended as a German version of the Gloria part of the Latin mass, used in almost every service. Decius wrote three stanzas, probably in 1523, while a fourth was added, probably by Joachim Slüter.

"Allein Gott in der Höh sei Ehr" is included in many German hymnals, including the current Protestant hymnal Evangelisches Gesangbuch and (in three stanzas) in the Catholic hymnal Gotteslob. Catherine Winkworth translated it to "All glory be to God on high".

History

From the Easter mass

With the Reformation, the traditional Latin of Christian church services was changed to German. "Allein Gott in der Höh sei Ehr" is a paraphrase of the Latin Gloria from the mass liturgy.[1] The oldest prints of the hymn do not mention an author,[2] but it is believed that it was written in Low German by Nikolaus Decius in 1523, which makes it one of the earliest songs of the Reformation.[1] The melody, Zahn No. 4457,[3] is adapted from the Gloria of the mass for Easter in Gregorian chant, Lux et origo (GL 114).[4][5]

Early publications

"Aleyne God yn der Höge sy eere" is the first Low German version of the later "Allein Gott in der Höh sei Ehr" published in Joachim Slüter [de]'s Geystlyke leder (Rostock, 1531).[4][5] The first print in High German appeared in a hymnal by Valentin Schumann in Leipzig in 1539.[6] Text and melody of the hymn were published together for the first time in Johann Spangenberg [de]'s Kirchengesenge Deudtsch (Magdeburg 1545).[7]

Authorship

In 17th-century Leipzig hymnals the German text of "Allein Gott in der Höh sei Ehr" was attributed to Nikolaus Selnecker.[8][9] In his church history of Braunschweig, published in five volumes between 1707 and 1720,[10] Philipp Julius Rehtmeyer [de] refers to a Latin document from 1600, which named Decius as the author of text and melody of both "Allein Gott in der Höh sei Ehr" and "O Lamm Gottes, unschuldig".[7] The creation of hymns by Decius is dated 1522/23,[11] before the first publications of hymns by Martin Luther (1524): thus these hymns belong to the earliest of the Reformation.[1][11]

Text and translation

"Allein Gott in der Höh sei Ehr" is in four stanzas of seven lines each. The following text is taken from the Protestant hymnal Evangelisches Gesangbuch which has the hymn as EG 179. The Catholic hymnal Gotteslob has only the first three stanzas, as GL 170, and a slight change in the rhythm. Both hymnals note 1523 as the year of writing. Catherine Winkworth translated the hymn to "All glory be to God on high, who hath our race befriended", which appears in 95 hymnals.[12][13]

Decius

Allein Gott in der Höh sei Ehr
und Dank für seine Gnade,
darum dass nun und nimmermehr
uns rühren kann kein Schade.
Ein Wohlgefalln Gott an uns hat;
nun ist groß Fried ohn Unterlass,
all Fehd hat nun ein Ende.

Wir loben, preisn, anbeten dich;
für deine Ehr wir danken,
dass du, Gott Vater, ewiglich
regierst ohn alles Wanken.
Ganz ungemessn ist deine Macht,
allzeit geschieht, was du bedacht.
Wohl uns solch eines Herren!

O Jesu Christ, Sohn eingeborn
des allerhöchsten Vaters,
Versöhner derer, die verlorn,
du Stiller unsres Haders,
Lamm Gottes, heilger Herr und Gott:
nimm an die Bitt aus unsrer Not,
erbarm dich unser. Amen.

O Heilger Geist, du höchstes Gut,
du allerheilsamst' Tröster:
vor Teufels G'walt fortan behüt,
die Jesus Christ erlöset
durch große Mart'r und bittern Tod;
abwend all unsern Jamm'r und Not!
Darauf wir uns verlassen.

Winkworth

All glory be to God on high,
Who hath our race befriended!
To us no harm shall now come nigh,
The strife at last is ended.
God showeth His good will to men,
And peace shall reign on earth again;
O thank Him for His goodness!

We praise, we worship Thee, we trust,
And give Thee thanks forever,
O Father, that Thy rule is just
And wise, and changes never.
Thy boundless pow'r o'er all things reigns,
Done is whate'er Thy will ordains:
Well for us that Thou rulest.

O Jesus Christ, Thou only Son
Of God, Thy heav'nly Father,
Who didst for all our sins atone
And Thy lost sheep dost gather.
Thou Lamb of God, to Thee on high
From out our depths we sinners cry,
Have mercy on us, Jesus!

O Holy Ghost, Thou precious Gift,
Thou Comforter unfailing,
O'er Satan's snares our souls uplift
And let thy pow'r availing
Avert our woes and calm our dread.
For us the Saviour's blood was shed;
We trust in Thee to save us.

Hymn tune and musical settings

<< << \new Staff { \clef treble \time 4/4 \partial 4 \key g \major \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber #'transparent = ##t \relative c'' \repeat unfold 2 { << { g8 a | b4 c d c | b a b\fermata b | b a8 b c b a4 | g8 e fis4 g\fermata \bar "||" \break } \\ { d4 | g g fis e8 fis | g fis8 e4 dis e | d!8 e fis4 g4. fis8 | g4 d d } >> } \relative c'' << { g4 | a b c b | a8. b16 b4\trill a\fermata a | b c d c | b a b\fermata g | a b c8 b a4 | g8 e fis4 g\fermata \bar"|." } \\ { d8 e | fis4 gis a8[ a,] d e | a, a'4 gis8 e4 d | d g! fis8 gis a4 | g!8 fis e4 dis b8 cis | d! e fis4 e4. d16 c! | g'4 d d } >> } \new Lyrics \lyricmode { Al4 -- lein Gott in der Höh sei Ehr und Dank für sei -- ne Gna2 -- de4 da4 -- rum, dass nun und nim -- mer -- mehr uns rüh -- ren kann kein Scha2 -- de.4 Ein4 Wohl -- ge -- falln Gott an uns hat, nun ist gross Fried ohn Un -- ter -- lass, all Fehd hat nun ein En2 -- de } \new Staff { \clef bass \key g \major \set Staff.midiInstrument = "church organ" \relative c' \repeat unfold 2 { << { b8 c | d4 e8[ g,] a[ b] c[ d] | e b c4 fis, g8 a | b c d4 e4. d16 c | d8 c16 b a4 b } \\ { g,4 | g'8 fis e4 d a | e'8 d c4 b e8 fis | g4 fis e8[ d] c[ a] | b c d4 g, } >> } \relative c' << { b4 | a d e8[ f] f e | e16[ d e8] f e16 d c4 a | g g8 a b4 e, | e'8 b c4 fis, g | fis b8 a g4. fis8 | d'8 c16 b a4 b } \\ { g4 | d8[ d'] c b a4 g | f8[ c] d e a,4 fis'4 | g8 fis e4 b c8 d | e d c4 b e | d dis e8[ d] c a | b c d4 g, } >> } >> >> \layout { indent = #0 } \midi { \tempo 4 = 90 }

Organ settings

As a hymn usually sung every Sunday, "Allein Gott in der Höh sei Ehr" was often the basis for chorale preludes. Among those by Johann Sebastian Bach there are three in Clavier-Übung III (BWV 675, BWV 676 and BWV 677), and three others in the Great Eighteen Chorale Preludes (BWV 662, BWV 663 and BWV 664), and BWV 711 in Kirnberger Chorale Preludes.[14] Other composers from the 18th century or earlier set the hymn tune for organ including Wilhelm Friedemann Bach, Georg Böhm, Christian Geist, Johann Peter Kellner and Melchior Schildt.[5]

Max Reger composed two chorale preludes, the first of his 52 chorale preludes, Op. 67 in 1902, and No. 2 of his 30 small chorale preludes, Op. 135a, in 1914. Charles Tomlinson Griffes wrote an organ piece in 1910.[5] Sigfrid Karg-Elert included a setting as No. 23 of his 66 Chorale improvisations for organ, published in 1909.[15] Ernst Pepping used it for the Gloria of his Deutsche Choralmesse, a six-part setting of 1928.[5] Contemporary organ settings were written by Aivars Kalējs, among others.[5]

Vocal settings

Bach set the hymn as a four-part chorale, (BWV 260).[16] In his extant cantatas, the melody appears in association with Auf Christi Himmelfahrt allein, BWV 128, for Ascension, and for Der Herr ist mein getreuer Hirt, BWV 112, a paraphrase of Psalm 23 by Wolfgang Meuslin, printed in 1530.[5]

Felix Mendelssohn included a setting of the hymn in his oratorio Paulus, as No. 3, the first chorale, following the overture and a chorus.[17]

References

  1. ^ a b c Leahy 2011, p. 179.
  2. ^ Marti 2000, p. 32.
  3. ^ Zahn 1890.
  4. ^ a b Leahy 2011, p. 179–180.
  5. ^ a b c d e f g Braatz & Oron 2006.
  6. ^ Leahy 2011, p. 180.
  7. ^ a b Leahy 2011, p. 91.
  8. ^ Johann Hermann Schein. Cantional, Oder Gesang-Buch Augspurgischer Confession. Leipzig: Schuster, 1645, p 134
  9. ^ Gottfried Vopelius. Neu Leipziger Gesangbuch. Leipzig: Christoph Klinger, 1682, p. 425
  10. ^ Zimmermann, Paul (1888). "Rehtmeyer, Philipp Julius", pp. 604–606 in Vol. 27 of Allgemeine Deutsche Biographie. Historical commission of the Bavarian Academy of Sciences and Humanities.
  11. ^ a b Becker 2009, p. 106.
  12. ^ Hymnary 2017.
  13. ^ Winkworth 2017.
  14. ^ Williams 2003.
  15. ^ Choral Improvisations for Organ, Op. 65: Scores at the International Music Score Library Project
  16. ^ Dahn 2017.
  17. ^ Paulus 1839.

Cited sources

  • Becker, Hansjakob, ed. (2009). Geistliches Wunderhorn: Große deutsche Kirchenlieder (in German). C. H. Beck. pp. 106–108. ISBN 9783406592478. Archived from the original on 2017-04-10.
  • Braatz, Thomas; Oron, Aryeh (2006). "Chorale Melodies used in Bach's Vocal Works / Allein Gott in der Höh sei Ehr / The German Gloria (in excelsis Deo)". Bach Cantatas Website. Retrieved 16 November 2021.
  • Dahn, Luke (2017). "BWV 260". bach-chorales.com. Retrieved 16 November 2021.
  • Leahy, Anne (2011). Allein Gott in der Höh sei Ehr. Scarecrow Press. pp. 179–218. ISBN 9780810881815. {{cite book}}: |work= ignored (help)
  • Marti, Andreas (2000). Hahn, Gerhard; Henkys, Jürgen (eds.). 179 Allein Gott in der Höh sei Ehr (in German). Vandenhoeck & Ruprecht. pp. 32–26. ISBN 978-3-52-550330-0. {{cite book}}: |work= ignored (help)
  • Williams, Peter (2003). The Organ Music of J. S. Bach (2nd ed.). Cambridge University Press. ISBN 0-521-89115-9.
  • Zahn, Johannes (1890). Die Melodien der deutschen evangelischen Kirchenlieder. Vol. III. Gütersloh: Bertelsmann. pp. 80–81.
  • "Allein Gott in der Höh". hymnary.org. Retrieved 14 May 2017.
  • "All glory be to God on high, Who hath our race befriended". hymnary.org. Retrieved 14 May 2017.
  • Paulus: Oratorium. 1839. p. 3.

Further reading

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