Trailer music
Trailer music (a subset of production music) is the background music used for film previews, which is not always from the film's soundtrack. The purpose of this music is to complement, support and integrate the sales messaging of the mini-movie that is a film trailer. Because the score for a movie is usually composed after the film is finished (which is long after trailers are released), a trailer will incorporate music from other sources. Sometimes music from other successful films or hit songs is used as a subconscious tie-in method. Trailer music is known for its sound-design driven and hybrid orchestral style. Trailer music tracks can vary greatly in duration, depending on the theme and target of the album. Some albums contains only sound-effects instead of actual music.
The music used in the trailer may be (or may have suggestive derivatives from):
- Music from the score of other movies. Many films have tracked their trailers with music from other campaigns, such as Scream, Die Hard, Beetlejuice, The Nightmare Before Christmas, MouseHunt, Stargate, Dragonheart, Gladiator, Requiem for a Dream, The Lord of the Rings: The Two Towers, Dragon: The Bruce Lee Story, Edward Scissorhands, Come See the Paradise (27 times), Aliens (24 times), Bram Stoker's Dracula (18 times).[1]
- Popular or well-known music, often chosen for its tone, appropriateness of a lyric, or familiarity.
- Classical music, such as Strauss's The Blue Danube (The Waterboy), Mozart's Requiem (Cliffhanger), Beethoven's 9th symphony (Die Hard), or Carmina Burana.
- Specially composed music. One of the most famous Hollywood trailer music composers, credited with creating the musical voice of contemporary trailers, is John Beal, who began scoring trailers in the 1970s and, in the course of a thirty-year career, created original music for over 2,000 movie trailer projects,[2] including 40 of the top-grossing films of all time, such as Star Wars, Forrest Gump, Titanic, Aladdin, The Last Samurai and The Matrix.
- Songs, which may imitate recognizable (but often expensive to license) songs.
- "Library" music, which is previously composed production music. Trailer music library companies typically didn't offer their music to the public and developed and licensed music exclusively to the motion picture studios.
Notable trailer music companies
- 615 Music
- Amadea Music Productions
- APM Music
- Audiomachine
- Corner Stone Cues
- E.S. Posthumus
- Gerrit Kinkel Productions
- Immediate Music
- Pfeifer Broz. Music
- Two Steps from Hell
- West One Music Group
- X-Ray Dog
- Killer Tracks
- Mortifer V.
- PostHasteMusic
- Position Music
- Megatrax
- Groove Worx (formally Groove Addicts)
- Epic Music World
- Warrior from Heaven
- Ninja Tracks
- Twelve Titans Music
- Revolt Production Music
- Hi-Finesse Music
- IconAudio
- DeVso Music
- Trailer Music World II
- Epic Score
- J Trax Music
Notable trailer music composers
- 2WEI (Composer team)
- Chris Field
- Clint Mansell
- Globus
- Groove Worx
- Hans Zimmer
- Jo Blankenburg
- John Beal
- Mark Petrie
- Thomas J. Bergersen
- Dmitrii Miachin
- Veigar Margeirsson
- Zack Hemsey
- James Dolley
- Brian Tyler
- City of the Fallen
- Ivan Torrent
- Trevor DeMaere
- Dylan C. Jones
- Antti Martikainen
- James Paget
- David Chappell
- Robert Slump
- Kári Sigurðsson
- Louis Viallet
- Soundcritters by composer Kai Hartwig
- Thunderstep Music
- Krale
- Sybrid
- Danny Rayel
- Colossal Trailer Music by composer Alexandre Guiraud
- Aaron Wilde
- Salim Daïma
- Magnus Tellmann
- Mattia Turzo
- Marcus Warner Music
- Vangelis Dedes
- Alexandros Nikolaidis
References
- ^ "Trailer Music". Archived from the original on 2008-04-17. Retrieved 2008-04-17.
- ^ Newman, Melinda (3 June 2010). "Razor-thin copyright line". Archived from the original on 2010-06-06. Retrieved 2010-06-04.