Jump to content

Kristina Wong

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 174.63.82.222 (talk) at 20:17, 21 July 2020 (Undid revision 968737172 by 203.63.152.226 (talk)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Kristina Wong
Wong performing in Wong Flew Over the Cuckoo's Nest
BornSan Francisco, California, U.S.
MediumD.I.Y., Internet art, monologue, performance art, stand-up comedy, street theatre, television, film
Alma materUCLA
Years active2000–present
GenresAsian American humor
Liberal/political humor
LGBT humor
Subject(s)Environmental movement, feminism, mental health, race, liberal issues
Notable works and rolesBigBadChineseMama.com, Going Green the Wong Way, Wong Flew Over the Cuckoo's Nest
Websitewww.kristinawong.com

Kristina Wong (黄君儀) is an American comedian known primarily for her work as a solo theater performer, performance artist, and actor. She identifies as a feminist[1] and her work often tackles themes regarding race, sex, and privilege, often in conjunction with the Asian American experience, through a satirical lens.[2][3]

She currently serves as an elected representative of the Wilshire Center Sub-district 5 Koreatown Neighborhood Council in Los Angeles.[4]

Early life and education

Wong was born in San Francisco to an accountant mother and insurance salesman father.[5] She is a third generation Chinese American.[5] Her grandmother immigrated to the United States from Guang Mei Cun, a village near Kaiping county, in the 1930s.[6] Wong attended an all girls Catholic high school, where she took speech class.[7]

Wong attended the University of California, Los Angeles. For her senior project, she created “Big Bad Chinese Mama”, a fake mail-order bride website to tackle fetishization of Asian women by white males.[8] The site was advertised in fetish chat rooms, next to masseuse ads in the local newspaper, and optimized in search engines to return alongside searches for Asian porn.[9] It featured biographies of real Asian women accompanied by photographs of them in fighting poses and abrasive language critiquing the viewer's potential search for mail order brides.[9]

She graduated in 2000 with double degrees in English and World Arts and Cultures[10] and a minor in Asian American Studies.[11] She later returned as a commencement speaker for the UCLA English Department in 2008[12] and UCLA's student-initiated Asian Pacific Islander graduation (APIG) in 2014, the latter included a bit about re-defining sex appeal of Asian American men.[13]

Prior to finding success as an artist, she worked as an eBay vendor, a restaurant hostess, and earned $10/hour at an art non-profit.[5][8]

Performance Art

Fannie Wong

In 2017, Wong exhibited her "Fannie Wong"[6] persona, a crass “former Miss Chinatown 2nd-Runner-Up”, at "In Search of Miss Ruthless", an experimental, multi-media exhibition revolving around the cultural impact of the Miss Chinatown USA pageant within the Chinese American diaspora, at the Para Site gallery in Hong Kong.[14] The installation included Wong interacting with exhibit goers next to a display case full of memorabilia from "Fannie Wong's" previous performances,[6] including the time she crashed Miss LA Chinatown 2003 pageant.[15] Themes include questioning the traditional beauty standards for Chinese-American women and the cultural expectation of them to be obedient and overachievers.[7][6]

Kristina Wong for Public Office

As part of the City of Los Angeles Individual Artists 2018 Fellowship, Wong intends to run for public office before 2030.[16] While doing so, she intends on performing various exaggerated campaign events, such as a debate match with a dog[17] and public stoning by audience members during a stump speech.[18] Wong comments on the reality of the current presidency and the dualistic nature of being a politician and a performance artist, whether that be the trained, such as the trained, codified body language.[19] “We used to listen to politicians and laugh at comedians, now we laugh at politicians and listen to comedians.”[19] The piece premiered as an interactive exhibit in LA Chinatown in November 2018.[20]

She lost the election for Democratic delegate of Assembly District 53 in Jan 2019, a volunteer position to represent the district at the Democratic State Convention.[21]

Wong has subsequently been elected to the Wilshire Center Koreatown Neighborhood Council in April 2019, a largely volunteer position that meets once a month at the local library.[22][18]

She intends to launch her next campaign event alongside the presidential election in February 2020.[18][23]

Theatre

Wong Flew Over the Cuckoo's Nest

In 2006, Wong received support from the Creative Capital and the National Performance Network to create "Wong Flew Over the Cuckoo's Nest." The show explores the high rates of depression and suicide among Asian American women.[24] It ran for eight years.[5] And it has toured nationally. It was directed by Katie Pearl.[3]

Wong Street Journal

The show premiered in 2015 in San Francisco[1] and is directed by Emily Mendelsohn.[25] The show was developed in residency at York University in Toronto, initially focusing on "economics, the stock market, and theory."[5][26] Her previous works touched upon stereotypes of Asian American women by Western society, i.e. fetishism and the model minority myth, in a satirical manner.[5][27] Wong Street, in that vein, challenges the West's patronizing perception of Africa, including her own, such as the need to donate clothes.[5][27]

Birthed out of the mental burnout from her previous two shows, Wong Flew Over the Cuckoo's Nest and Cat Lady, regarding depression and loneliness respectively, and the Sisyphean task of combating online trolls, Wong decided to take a break by volunteering with a microloan organization in Northern Uganda for three weeks in Sept 2013.[27] She draws upon that experience to present a contemporary, ethnographic perspective that contrasts previous colonial "ethnological expositions" at previous World's fairs.[5]

Throughout the show, Wong discusses her trip and criticizes white privilege in America while struggling to come to terms with the adjacent privilege of being a Westerner in a developing country.[27] Despite the racial differences back home, once in Uganda, she was often called “mzungu,” a Bantu term for “white.”[27] “Suddenly, I was the face of oppression...it was really weird to go from constantly calling out white people to people having to literally walk around the power I bring to the room.”[27] Wong accepts the privilege of being able to live out an "Eat, Pray, Love" moment of self discovery in a foreign country and ponders how to "leave a legacy, and not be a colonial asshole?”.[27] Additionally, Wong discusses the pervasive nature of social media and contrasts it to the lack of personal understanding between people of different cultures, admitting to the urges of documenting everything online.[27] Wong posits that this practice is no different than American's perception of Africa coming from different forms of white media.[27] Wong concludes that "the best way to help [marginalized people] is to find ways to support their self-determination...the ability of people who want to speak for themselves?”[27]

While in Gulu, Ugandaa, Wong ended up collaborating on a rap album with local Ugandan producer Nerio.[27] The album, Mzungu Price, dropped in November 2013.[28] Written and performed by Wong, it features Festo Wine, MC Kash, LMG Silver, Sarah Sullivan, and Nerio himself. The song "Boss Lady" is featured in Wong Street Journal. It touches upon themes of racial privilege and female empowerment and is still played on Ugandan radio.[27]

In 2018, Wong brought the show to Africa and appeared as a guest in The Other News (Nigeria's Daily show),[29] My Africa Podcast[30] and also as Guest on Nigerian comedian Ali Baba's Seriously Speaking[31]

Other work

Video

In 2017, Wong launched “How (Not) to Pick Up Asian Chicks”, a web series where she and a panel of Asian women review self-published books by white men about picking up Asian women.[32]

In 2018, Wong launched "RADICAL CRAM SCHOOL", a web series children's show where she leads discussions with kids of lower elementary school age around various social justice topics.[33] The project subsequently received criticism from the far right conspiracy website, InfoWars.[34] Season 2 was crowdfunded in 2019 for about $19k[35] and will premiere January 2020.[36]

Opinion

Wong often write about the perception of Asians in popular culture. For that, she has appeared on Totally Biased with W. Kamau Bell on FX to discuss an article she wrote for XoJane entitled "9 Wack Things White Guys Say to Deny Their Asian Fetish"[37] and her obsession with professional NBA player Jeremy Lin.[38] Her other articles include "10 More Wack Things People Say After You Write an Essay About Wack Things White Guys Say to Deny Their Asian Fetish,"[39] and "8 Reasons People of Color Must Rally for 'White History Month'".[40][41]

In June 2015, Wong was a panelist on The Nightly Show with Larry Wilmore, discussing Emma Stone's casting as a half Asian-Pacific woman in Aloha (2015 film). She appeared alongside comedians Jo Koy and Dan St. Germain, who debated with her and Wilmore the legitimacy of a white woman being cast as a woman of color. Wong condemned the casting choice, declaring that legitimately Asian actors "would've been happy to take a shit part, that's all we get anyway." When Wilmore asked about colorblind casting, she took the stance that all colorblindness means is that "everyone gets to be white. Everyone gets a shot at having a narrative...which is usually just depicted by white people."[42] She wrote a self-assessment editorial for Scenario USA later that month recollecting the experience.[43]

Selected awards and recognition

Wong appeared in the premiere episode of Asian American cable network Myx TV's first original reality series I'm Asian American and....[44][45][46]

In October 2014, Wong was featured in the New York Times' "Off Color Comedy" series. The video focused on the ways in which her comedy, speeches, one-woman shows, and poetry take on racist stereotypes, the fetishization of Asian women, and the perception of women in media. She asserts that her attempt to change the way that people like her are viewed "is a long fight. And if I fight it constantly with anger, that's the man getting me twice, right, once when they've made fun of me and the second time by getting me to be angry."[47]

References

  1. ^ a b "#31Days of Feminism: Kristina Wong". NBC News. Retrieved 2019-12-04.
  2. ^ "Wong Knows Best". Hyphen Magazine. 2016-03-30. Retrieved 2019-12-04.
  3. ^ a b Leo, Katie. "Over the Cuckoo's Nest and Back Again". Utne. Retrieved 2019-12-05.
  4. ^ "About | Kristina Wong". Retrieved 2019-05-22.
  5. ^ a b c d e f g h Enjeti, Anjali (2015-03-26). "Kristina Wong: pushing the envelope on race, rights and America". The Guardian. ISSN 0261-3077. Retrieved 2017-03-15.
  6. ^ a b c d "Comedian Kristina Wong wants to hump your leg".
  7. ^ a b "Kristina Wong: Not Your Ordinary Funny Woman". international.ucla.edu. Retrieved 2019-12-03.
  8. ^ a b "Kristina Wong's stereotype-skewering humor: Stop and think about it". Los Angeles Times. 2014-01-25. Retrieved 2019-12-04.
  9. ^ a b Scott, Bonnie Kime; Cayleff, Susan E.; Donadey, Anne; Lara, Irene (2016-05-24). Women in Culture: An Intersectional Anthology for Gender and Women's Studies. John Wiley & Sons. ISBN 978-1-119-12071-1.
  10. ^ "Women celebrate with art, poetry in Ladyfest". dailybruin.com. Retrieved 2019-12-04.
  11. ^ "Kristina Wong | Center for Art and Thought". www.centerforartandthought.org. Retrieved 2019-12-04.
  12. ^ cl_admin (2014-07-10). "For Asian-American Men, A New Definition of Sexy". Colorlines. Retrieved 2017-03-15.
  13. ^ cl_admin (2014-07-10). "For Asian-American Men, A New Definition of Sexy". Colorlines. Retrieved 2019-03-04.
  14. ^ "In Search of Miss Ruthless — Para Site". Retrieved 2019-12-03.
  15. ^ "Fannie Wong | Kristina Wong". kristinawong.com. Retrieved 2019-12-03.
  16. ^ "Los Angeles Municipal Art Gallery | LAMAGLearnMeet the Candidate: 'COLA 2018' fellow Kristina Wong for Something or OtherFriday, June 22, 7 – 8 PM". Retrieved 2019-12-03.
  17. ^ "Special Debate Rematch Wong vs Commodore the Dog". www.facebook.com. Retrieved 2019-12-03.
  18. ^ a b c "Kristina Wong for Public Office".
  19. ^ a b "Alum's use of comedy in campaign aims to call attention to political performance". dailybruin.com. Retrieved 2019-12-05.
  20. ^ "Kristina Wong". Art Salon Chinatown. 2019-01-09. Retrieved 2019-12-05.
  21. ^ "What I learned from losing a local election". Grok Nation. 2019-01-24. Retrieved 2019-12-03.
  22. ^ Rampell, Ed (2019-05-03). "'Knock Down the House': Four female Democratic insurgents challenge the status quo". People's World. Retrieved 2019-05-22.
  23. ^ "Kristina Wong for Public Office". Skirball Cultural Center. 2019-11-19. Retrieved 2019-12-04.
  24. ^ "Wong Flew Over The Cuckoos Nest – Kristina Wong One-Woman Show". flyingwong.com. Retrieved 2017-03-15.
  25. ^ "Kristina Wong: The Wong Street Journal". www.redcat.org. 2015-08-05. Retrieved 2019-12-04.{{cite web}}: CS1 maint: url-status (link)
  26. ^ "Upcoming |". kristinawong.com. Retrieved 2019-12-05.
  27. ^ a b c d e f g h i j k l Tongco, Tricia (2015-11-13). "How Comedian Kristina Wong Went Viral, Then Took Her Art And Activism Offline". Huffington Post. Retrieved 2017-03-15.
  28. ^ "Mzungu Price, by Kristina Wong ft Nerio, Mc Kash, LMG Silver and Festo Wine". Kristina Wong. Retrieved 2019-12-05.
  29. ^ "Kristina Wong on "The Other News" (Nigeria's Daily Show") 3/1/18".
  30. ^ "My Africa Podcast - The Kristina Wong Episode".
  31. ^ "Kristina Wong on Ali Baba's "Seriously Speaking": Nigerian Late Night TV Show".
  32. ^ "Asian Women Review 'How To Get An Asian Girlfriend,' A Book That Actually Exists".
  33. ^ Rao, Sameer (2018-08-28). "Comedian Kristina Wong's 'Radical Cram School' Teaches AAPI Girls How to Resist Racism". Colorlines. Retrieved 2019-12-03.
  34. ^ "Multicultural Center". mcc.osu.edu. Retrieved 2019-12-03.
  35. ^ "Raise your fist for another season of 'Radical Cram School'". Retrieved 2019-12-03.
  36. ^ "Radical Cram School-- SEASON 2!". Seed&Spark. Retrieved 2019-12-03.
  37. ^ Kristina Wong, XOJane, WACK THINGS WHITE GUYS SAY TO DENY THEIR ASIAN FETISH, http://www.xojane.com/issues/asian-fetish
  38. ^ KRISTINA WONG TALKS ABOUT ASIAN FETISH GUYS ON TOTALLY BIASED, http://blog.angryasianman.com/2013/09/kristina-wong-talks-about-asian-fetish.html
  39. ^ Kristina Wong, 10 MORE WACK THINGS PEOPLE SAY AFTER YOU WRITE AN ESSAY ABOUT WACK THINGS WHITE GUYS SAY TO DENY THEIR ASIAN FETISH, XOJane, http://www.xojane.com/issues/10-more-wack-things-people-say-after-you-write-an-essay-about-wack-things-white-guys-say-to-deny-their-asian-fetish
  40. ^ Kristina Wong, 8 REASONS PEOPLE OF COLOR MUST RALLY FOR A LONG OVERDUE “WHITE HISTORY MONTH”, http://www.xojane.com/issues/8-reasons-people-of-color-must-rally-for-white-history-month
  41. ^ Kristina Wong's article, XOJane, http://www.xojane.com/author/kristina
  42. ^ Panel - Emma Stone's Asian Role-The Nightly Show with Larry Wilmore - Video Clip | Comedy Central, retrieved 2017-03-15
  43. ^ "How I Failed to Save All People of Color from Oppression in My Six Minutes on The Nightly Show - Scenarios USAScenarios USA". scenariosusa.org. Archived from the original on 2017-08-12. Retrieved 2017-03-15.
  44. ^ "I jumped into reality TV to raise the profile of Asian Americans". CNN. 2014-05-21. Retrieved 23 June 2014.
  45. ^ "Kristina Wong Takes on Asian Fetishes in I'm Asian American and..." ColorLines. 2014-04-24. Retrieved 23 June 2014.
  46. ^ "This Weeks Hottest Pics April 20–27". Hollywood Life. 2014-04-21. Retrieved 23 June 2014.
  47. ^ Vega, Channon Hodge, Tanzina; Jensen, Taige (2014-10-28). "Off Color Comedy: Kristina Wong". The New York Times. ISSN 0362-4331. Retrieved 2017-03-15.{{cite news}}: CS1 maint: multiple names: authors list (link)
  48. ^ "Kristina Wong '00 |". Retrieved 2019-12-04.
  49. ^ "Wong Flew Over the Cuckoo's Nest". Creative Capital. Retrieved 2019-12-27.

Further reading