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Eyebeam (organization)

Coordinates: 40°44′49.58″N 74°0′25.64″W / 40.7471056°N 74.0071222°W / 40.7471056; -74.0071222
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40°44′49.58″N 74°0′25.64″W / 40.7471056°N 74.0071222°W / 40.7471056; -74.0071222

Eyebeam
Formation1998
Typenon-profit
PurposePlatform for Artists to Engage Technology and Society
Headquarters199 Cook St., Suite 104, Brooklyn, NY 11222
Executive Director
Roddy Schrock
Websitehttp://eyebeam.org

Eyebeam is a not-for-profit art and technology center in New York City, founded by John Seward Johnson III with co-founders David S. Johnson and Roderic R. Richardson.

Originally conceived as a digital effects and coding atelier and center for youth education, Eyebeam has become a center for the research, development, and curation of new media works of art and open source technology. Eyebeam annually hosts up to 20 residents and co-produces youth educational programs, exhibitions, performances, symposia, workshops, hackathons and other events with these residents as well as with partner organizations.[1] Projects developed at Eyebeam have received awards and recognition including Webby Awards, Guggenheim Fellowships, and the Prix Ars Electronica.[citation needed]

History

Eyebeam, originally called Eyebeam Atelier, was first conceived as a collaboration between David S. Johnson, a digital artist, and John Seward Johnson III, a filmmaker and philanthropist. The two were introduced by Roderic R. Richardson, a mutual friend who recognized their shared interests and helped establish the new venture in its early stages. The inspiration to name the project Eyebeam Atelier came partly from the sculpture atelier of John Johnson's father, John Seward Johnson II and the Experiments in Art and Technology collective, although David Johnson had also used the name Eyebeam Simulations for a start-up location-based VR entertainment concept before meeting Roderic or John Johnson. After observing new media as a growing genre, the co-founders were motivated to create a similar studio. They recognized a need to provide artists and digital film artists access to new technology and a shared workspace.[2]

In addition to offering resources for new media artists, Johnson saw a need to provide middle and high school students with educational and artistic opportunities.[3] Digital Day Camp, the first youth program which catered to new media education, was founded in 1998; in the pilot program, New York-based high school students learned web development and design.[4] Future sessions included project-based learning around themes of bioart, urban interventionism, game design, and wearable technology.

Eyebeam’s first forum, “Interaction,” took place online in the summer of 1998 and was curated by UCSD professor Jordan Crandall. The forum, an email list called <eyebeam><blast>, was hosted by Brian Holmes, Olu Oguibe, and Gregory Ulmer, and included Lev Manovich, N. Katherine Hayles, Saskia Sassen, Matthew Slotover, Ken Goldberg, Geert Lovink, Knowbotic Research, Hans-Ulrich Obrist, Bracha Lichtenberg Ettinger, Mark Tribe, and Critical Art Ensemble among the participating artists, educators, new media and internet theorists, and technologists (cite). The discussions spurred by <eyebeam><blast> were compiled into a book titled “Interaction: Artistic Practice on the Network” and published in 2001.[5]

In addition to funding artistic research, Johnson hoped to develop Eyebeam as a space that would also function as a museum devoted to new media works.[6] In 2000, Eyebeam announced an international architectural competition to construct a space devoted to the dialog between art and technology, with the design firm Diller + Scofidio’s “Olympic class” design named the winner of the competition.[7]

Eyebeam held its first open studios for artists in residence and fellows in 2002. Alexander R. Galloway, G. H. Hovagimyan, Tony Martin, Yael Kanarek, MTAA, John Klima, Jem Cohen, Cory Arcangel, and Michael Bell-Smith were among the inaugural exhibitors.[citation needed] Among the projects on display was Galloway’s Carnivore,[8] a Processing library that allowed for the creative misuse of data surveillance created in tandem with other members of Radical Software Group.[9][10] Carnivore takes its name and function from DCS1000, a surveillance system used by the United States Federal Bureau of Investigations. Carnivore was awarded the Prix Ars Electronica Golden Nica the same year.[citation needed]

Residents Yury Gitman and Carlos Gomez de Llarena's Noderunner,[11] a scavenger hunt based on Wi-Fi sharing, received the 2003 Prix Ars Electronica Golden Nica.[citation needed] Fundrace.org, a site which allows visitors to track campaign contributions through geocoding, was developed by Jonah Peretti, then-director of Research and Development at Eyebeam, and later adapted into a permanent feature on the Huffington Post.[12] Peretti, together with Alexander Galloway, collaborated on ReBlog,[13] one of the first blogging platform which allows users to filter and publish content from many RSS feeds. Beginning in 2005, the Eyebeam ReBlog began to feature the Eyebeam Journal,[14] a series of in-depth writings and interviews with resident artists, research fellows, and guest contributors. During their R&D Fellowships, Theo Watson and Zachary Lieberman continued to develop openFrameworks, a C/C++ library originally created at Parsons. Together with Processing, openFrameworks became one of the most popular platforms for creative coding.[15]

The Eyebeam OpenLab served as the birthplace of the Graffiti Research Lab. Founded by James Powderly and Evan Roth during their OpenLab fellowships in 2005, the GRL was envisioned as a nonprofit design studio for creating experimental technologies with street art applications.[16] While at Eyebeam, Powderly and Roth developed a method for creating graffiti messages in individual LED lights and a system for projecting shapes drawn with a handheld laser in real time.[17] Powderly and Roth later founded the F.A.T. (Free Art and Technology) Lab, a collective dedicated to the merging of open source technology and popular culture, with Theo Watson, Chris Sugrue, and others.[18]

Eyebeam expanded its programmatic lineup of exhibitions and workshops with MIXER, a series dedicated to showcasing leading performance artists in the field of live video and audio, in late 2007.[19] The inaugural event, “Brother Islands (Places to Lose People),” was focused around an immersive experimental documentary of North Brother Island and Wards Island by media artist Benton C Bainbridge. MIXER events were organized around themes as disparate as the World's Fair, the 2010 Winter Olympics, and New York City’s underground and featured interactive installations alongside performances by musicians and performance artists including DāM-FunK, Extreme Animals, CHERYL, and D-Fuse AV. That same year, fellows and resident artists began organizing mobile workshops and talks. In 2011, several Eyebeam residents, fellows, and alumni participated in Talk to Me: Design and the Communication between People and Objects at the Museum of Modern Art in New York City. Eyebeam Fellow Ayah Bdeir’s littleBits, a DIY kit of open source pre-assembled circuits, was among the projects displayed and was acquired by the MoMA as part of their permanent collection.[20]

In February 2014 the first ever Art + Feminism Wikipedia Edit-A-Thon was hosted at Eyebeam and co-organized by fellow Laurel Ptak in conjunction with more than 30 satellite edit-a-thons internationally across the United States, Canada, Australia, Italy, the Netherlands, and the United Kingdom.

Since November 2017 Eyebeam has been located at 199 Cook Street in Brooklyn. This coincides with their 20th anniversary[21] as an organization which was celebrated in Spring 2018.

Directors

See also

References

  1. ^ Eyebeam Art + Technology Center. "About". Retrieved May 24, 2012.
  2. ^ Jana, Reena (2002). "Johnson and Johnson Heir Founds Digital Art Museum". Carrindex Gabrius.
  3. ^ Herbert Muschamp (October 21, 2001). "An Elegant Marriage of Inside and Outside". New York Times. Retrieved May 24, 2012.
  4. ^ Lopez, Allan (1998). "Eyebeam Atelier". TheBlowUp.
  5. ^ Flagan, Are (2001). "Interaction – Artistic Practice in the Network – Review". Afterimage (July/August).
  6. ^ Julie V. Iovine (March 21, 2002). "An Avant-Garde Design For A New Media Center". New York Times. Retrieved May 24, 2012.
  7. ^ Pratt, Kevin (October 1, 2001). "Building the Better Mousetrap". Time Out New York. pp. Issue No. 315.
  8. ^ "Carnivore". r-s-g.org.
  9. ^ http://www.eai.org/artistTitles.htm?id=8785/[permanent dead link‍]
  10. ^ Rojas, Pete (2003). "Digital Details: Internet Surveillance Tools Make For Unlikely Inspiration". Surface (39).
  11. ^ "Noderunner.net". noderunner.net.
  12. ^ Tom McNichol (May 20, 2004). "Street Maps in Political Hues". The New York Times. Retrieved May 24, 2012.
  13. ^ "reBlog by Eyebeam R&D". reblog.org.
  14. ^ "Eyebeam Journal". archive.org. Archived from the original on February 7, 2005.
  15. ^ Julia Kaganskiy (August 3, 2010). "Q&A With Zachary Lieberman, Founder of openFrameworks (pt.1)". The Creators Project. VICE Media. Retrieved May 24, 2012.
  16. ^ Joshua Yaffa (August 12, 2007). "The Writing's on the Wall. The Writing's off the Wall". New York Times. Retrieved May 24, 2012.
  17. ^ Haines, Elizabeth (2007). "Windows and Wallpapering: Questions about Art, Technology and Poetic Interference". ModArt Magazine. 2 (13). Rebel Media Limited: 3.
  18. ^ Greg Finch (September 14, 2011). "Net Art Powerhouse F.A.T. Lab Featured on PBS Arts". The Creators Project. VICE Media. Retrieved May 24, 2012.
  19. ^ Melena Ryzik (November 16, 2007). "Spare Times". New York Times. Retrieved May 24, 2012.
  20. ^ "MoMA – The Collection – Ayah Bdeir. littleBits. 2008". The Museum of Modern Art. Retrieved May 24, 2012.
  21. ^ "As Eyebeam Turns 20, the Arts Nonprofit Moves to Bushwick". Hyperallergic. November 1, 2017. Retrieved November 9, 2017.
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