Aimée du Buc de Rivéry
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|Aimée du Buc de Rivéry|
|Born||Aimée du Buc de Rivéry
4 December 1768
Le Robert, Martinique
Aimée du Buc de Rivéry (4 December 1768 – ?) was a French heiress, a cousin of Empress Josephine,[dubious ] who went missing at sea at a young age. There is a legend that she was captured by Barbary pirates, sold as a harem concubine, and was the same person as Nakşidil Sultan, a Valide Sultan (Queen Mother) of the Ottoman Empire, though there is no evidence of this.
She was born the daughter of wealthy French plantation owners in Pointe Royale, south-west of Robert on the Caribbean island of Martinique. After being sent to a convent school in France, she was returning home in July or August 1788 when the ship she was on vanished at sea. It is thought that the ship was attacked and taken by Barbary pirates. It has been suggested that she was enslaved and eventually sent to Constantinople as a gift to the Ottoman Sultan by the Bey of Algiers.
Legend about her being Valide Sultan Nakşidil
(This story is the legend of Aimee in the Ottoman palace harem and is not rooted in historical fact)
Aimée became the wife of the sultan, taking the name of Nakşidil. She introduced French ideas to the Ottoman people, especially the sultan, and her French-style reforms may have led to his death at the hands of the Janissaries and the Ulema, which were against the liberalization of the empire. During the rule of Abdul Hamid I, Aimée taught him French; and for the first time, a permanent ambassador was sent from Constantinople to Paris. Selim started a French newspaper and let Nakşidil decorate the palace in rococo style, which was popular in France at that time. Aimee bore a son named Mahmud II, who became sultan after his father's death.
The assassins, aided by the Ulema, also sought to kill Mahmud, but Nakşidil saved her son by concealing him inside a furnace. Thus Mahmud became the next Sultan, accomplishing significant reforms in the society and military of the empire that were, for the most part, attributed to the influence of his mother.
It was furthermore reported that it was Aimée as Nakşidil who forced her son to sign peace between Russia and the Ottoman Empire in 1812, just to have a revenge on Napoléon who had divorced her cousin Joséphine and married Marie-Luise. With the peace on the Ottoman border, the Tsar was free to war against the man Aimée had a personal interest in seeing humbled.
Although Aimée accepted Islam as part of the harem etiquette, as well as the religion of her husband, she always remained a Roman Catholic in her heart. Her last wish was for a priest to perform the last rites. Her son did not deny her this: as Aimée lay dying, a priest passed for the first time through the Seraglio, to perform the Holy Sacrament before her death. Her tomb lies not far from the Hagia Sophia.
Controversy over the legend
The history of Aimée du Buc de Rivéry is difficult to trace, particularly after she reportedly became part of the royal harem. Numerous romantic novels state she was the mother of Mahmud II in the royal harem. According to the Ottoman Chronicles, the mother of Mahmud II was known by the Turkish name Nakşidil (Nakshidil) and died in 1817; all the women of the sultan were given Turkish names when they entered the harem.
While a several stories state that Aimée was abducted in 1781 - early enough that the seventeen year old could have been the mother of Mahmud II, born in 1785 - other stories account for the fact that Aimée was well in France with her family until the year 1788 at least. In the latter recounts of the tale, Aimée is only the foster mother to Mahmud II, while his birth mother allegedly died in his childhood.
None of the fictional accounts however are considering the single contemporary (yet also unreliable) source from the year 1817, that Nakşidil was purportedly abducted when she was still two years old. That version of the story makes it impossible for her to be identical to the missing Aimée.
Robert Vine wrote: "The myth of two cousins from a Carribean [sic?] island becoming respectively the wife of the French Emperor and the mother of the Ottoman Sultan has an obvious romantic attraction - but by the same token, is highly improbable, unless provided with solid factual proof".
There are however indications that the seeds of the legend have been carefully planted. Several older myths, dating back even to the early 16th century, already purported connections between the French and the Ottoman monarchy, but have been traced to be politically motivated fabrications, so that alliances between the respective monarchs were seen as justifiable. The Aimée-Nakşidil tale shows distinct parallels to these older tales. In times of monarchy, the stories about abducted French princesses weren't repudiated to maintain good relations (in fact, both Napoleon III and Abdülaziz were pleased to announce their kinship to each other). In later times this and similar harem tales have been used to perpetuate the prejudice of Turkey, the Middle East and the Islam in general as mysterious and despotic in nature, despite more accurate accounts available. The legend furthermore reinforced prejudices of the Ottoman Empire as a backwater country, when even a western slave consort was able to initiate an overdue modernization while the primitve natives couldn't conceive necessary reforms.
Popular fiction and uncritical recounts
- "The Veiled Empress: An Unacademic Biography" by Benjamin A. Morton. (G.P. Putnam's Sons, 1923)
- "The Veiled Sultan" by March Cost (pen name of Margaret Mackie Morrison) (NY: Vanguard Press, 1969)
- "A Distant Shore" by Susannah James (Signet, 1981), ISBN 0-451-11264-4
- "Sultana" by Prince Michael of Greece (NY: Harper & Row, 1983), ISBN 0-06-015166-8
- "Valide" by Barbara Chase-Riboud, 1986
- Aimée's story, further fictionalized, was told in the 1989 movie Intimate Power (a.k.a. The Favorite), in which she was portrayed by Amber O'Shea, and which also starred F. Murray Abraham. It was based on the novel "Sultana" by Prince Michael of Greece.
- "The Palace of Tears" by Alev Lytle Croutier (Delecorte Press, 2000)
- "Seraglio" by Janet Wallach (NY: Nan A. Talese, 2003), ISBN 978-0-385-49046-7 (0-385-49046-1)
- "The Janissary Tree" by Jason Goodwin (NY: Farrar, Straus and Giroux div. of Macmillan, 2006), ISBN 0-374-17860-7/978-0374178604; not just about her, but she is a major character in this and four subsequent novels in the Yashim investigator series.
- "Si la Martinique m'était contée à travers l'histoire des chevaliers du Buc de la Normandie à la Martinique... en passant par la Turquie" by Y.B. du Buc de Mannetot, member of the family Du Buc (NY: du Buc, histoire coloniale et patrimoine antillais, 2008)
- "The French Odalisque" by Sean Graham (London: Orbach and Chambers, 2009) ISBN 0-85514-502-1 ISBN 978-0-85514-502-6
- Maurizio Costanza, La Mezzaluna sul filo - La riforma ottomana di Mahmûd II, Marcianum Press, Venezia, 2010 (appendix.1)
- Yvan Brunet du Buc de Mannetot avec la collaboration de Fabrice Renard-Marlet, "La Saga des Du Buc", Volume II, Éditions du Buc, Paris, 2013, p.454
- Christine Isom-Verhaaren: Royal French Women in the Ottoman Sultans' Harem
- Robert D. Vine, "Myth and Fact in History", P. 57