As Slow as Possible
Organ²/ASLSP (As SLow aS Possible) is a musical piece by John Cage and the subject of one of the longest-lasting musical performances yet undertaken. It was originally written in 1987 for organ and is adapted from the earlier work ASLSP 1985; a typical performance of the piano version lasts 20 to 70 minutes. In 1985, Cage opted to omit the detail of exactly how slowly the piece should be played.
The piece was commissioned for a piano competition by The Friends of the Maryland Summer Institute for the Creative and Performing Arts as a contemporary requirement. Cage employed an open format mainly to ensure that no two performances would be the same, providing the judges a break from the monotony of most compositions. The score consists of eight pages.
On February 5, 2009, Diane Luchese performed "Organ²/ASLSP" from 8:45 AM to 11:41 PM in the Harold J. Kaplan Concert Hall at Towson University. This 14 hour-and-56-minute performance, in strict adherence to the score's temporal proportions, is the longest documented performance of the piece by a single person so far, although a full 24-hour performance of the original piece, ASLSP, was given by Joe Drew during the ARTSaha! festival in 2008. Drew has also given 9- and 12-hour performances of the piece, and is planning a 48-hour performance.
On September 5, 2012, as part of John Cage Day at the University of Adelaide, Australia, Stephen Whittington performed an 8-hour version of ASLSP on the Elder Hall organ. The eight sections of the work were each allocated an hour, with each section divided into segments of one minute, within which the precise timing of events was left open. In performance, seven sections were played, with one omitted and one repeated. Organ registrations were determined by chance procedures.
A 12-hour performance is scheduled to take place September 4–5, 2015, in an all-night concert at Christ Church Cathedral in Montréal, Québec. The work will be performed by the Cathedral organists, Patrick Wedd, Adrian Foster, and Alex Ross, while other Cage compositions, are performed simultaneously in the church. The performers will use a stopwatch, and the timing of each note has been precisely calculated and written in the score. In a twelve-hour performance, the first note sounds exactly four minutes and thirty-three seconds after the start of the piece.
A 1997 conference of musicians and philosophers discussed the implications of Cage's instruction to play the piece "as slow as possible", given that an organ imposes virtually no time limits. A project emerged to perform the piece for 639 years. A pipe organ that has been properly maintained has no finite lifespan; the duration was chosen to commemorate the first documented permanent organ installation, in 1361 in the Halberstadt Cathedral, 639 years before the proposed start date of 2000.
An organ built specifically for the performance was completed in 2009. It stands in the right transept of the Burchardi Church, with the bellows in the left. Between January and May 2005, it contained only six pipes. Because the instrument sounds constantly, there is a cube of acrylic glass around it to reduce the volume.
The performance commenced in the St. Burchardi church on September 5, 2001, with a pause lasting until February 5, 2003. The first chord was then played until July 5, 2005. The chord consisting of A above middle C, C above middle C and the F♯ above that (A4-C5-F♯5) began sounding on January 5, 2006, and concluded on July 5, 2008. That sonority can be heard on a website devoted to the Halberstadt event.
On July 5, 2008, the weights holding down the organ pedals were shifted resulting in the 6th chord change. Two more organ pipes were added alongside the four already installed and the tone became more complex at 15:33 local time. The bellows provides a constant supply of air to keep the pipes playing.
The last note change occurred on October 5, 2013. The next change will not occur until 2020.
The note change of January 5, 2006 takes place at 8:36 in this audio clip.
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The performance is scheduled to end on September 5, 2640.
The piece started with a 17-month rest on September 5, 2001, Cage's 89th birthday. The first sound appeared on February 5, 2003. Subsequent dates for note changes include:
- 'World's longest concert' resumes, Steve Rosenberg, BBC News (2008-07-05). Accessed 2008-07-05.
- "The Towerlight, Fifteen hours at the organ". Media.www.thetowerlight.com. Retrieved 2011-08-30.
- "Joe Drew's Bio". Analogarts.org. Retrieved 2011-08-30.
- "Stephen Whittington: Musical Renewal". RealTime. Retrieved 2012-09-27.
- "News and Events". J.M. Coetzee Centre for Creative Practice. Retrieved 2012-09-27.
- "John Cage Day, Wednesday 5th September 2012". Retrieved 2012-09-27.
- "John Cage Day Celebrated in Adelaide with Free Concert in Elder Hall". Herald Sun Newspaper. Retrieved 2012-09-27.
- First notes for 639-year composition, BBC News (2003-02-05). Accessed 2008-07-05.
- "the Halberstadt event website". John-cage.halberstadt.de. 2004-11-19. Retrieved 2011-08-30.
- "One Thousand Hear Change of Note in World's Longest Concert". Deutsche Welle. Deutsche Presse-Agentur. 5 July 2008. Retrieved 2011-08-30.
- Wakin, Daniel J. (6 May 2006). "John Cage's Long Music Composition in Germany Changes a Note". The New York Times. Retrieved 2011-06-25.
- "So Begins the Hiatus (Organ2/ASLSP in Halberstadt)". John Cage Trust. 18 October 2013. Retrieved 2013-11-11.
I'm just back from Halberstadt (a 20+ hour journey), having attended the ceremonious 13th note change in the hyperdurational sounding of John Cage's Organ2/ASLSP. This is the last note change to occur for seven long years, so it was particularly well attended.
- Website of the Halberstadt event (German)
- As Slow As Possible, Performance Today feature (National Public Radio), September 2003
- Recordings of a nine-hour performance of ASLSP at ARTSaha! 2006 by Joseph Drew: Hour One, Hour Six, Hour Nine
- (German) Die eingefrorene Zeit, Die Zeit, January 8, 2006
- Website of the documentary film 'ASAP' by Scott Smith
- World's longest concert will last 639 years The Washington Post. November 21, 2011.