Bell metal is a hard alloy used for making bells and related instruments, such as cymbals. It is a form of bronze with a higher tin content, usually in approximately a 4:1 ratio of copper to tin (typically, 78% copper, 22% tin by mass). The higher tin content increases the rigidity of the metal, and increases the resonance. It also has industrial uses, being specified for valve bodies, piston rings, bearings, and bushings. 
Both tin and copper are relatively soft metals that will deform on striking (though tin to a lesser extent than copper), but alloying the two elements creates a metal which is harder and less ductile and also one with more elasticity than the use of just one of the metals alone. This metal combination produces a tough, long-wearing material that is resistant to oxidation and subject only to an initial surface weathering. Verdigris forms a protective patina on the surface of bells which coats it against further oxidation. Specifically, it is the combination of low internal damping and low internal sound velocity that makes bell metal specially suitable for resonant percussion instruments.
Most commonly, and as per its colloquial name, bell metal has been, and still is, used for the casting of high-quality bells. The bell-metal used is a high-tin alloy of copper and tin only, with approximately a 4:1 ratio of copper to tin (78% copper, 22% tin). This is a much higher tin component than that used in statuary bronze.
A range of percentages of tin content can vary from 20% - 26%, depending on the founder who has arrived empirically at their own alloy ratio. It has been found that increasing the tin content increases the decay time of the bell strike, thus making the bell more sonorous. Taking into consideration overall properties, such as tensile strength, hardness, wear resistance, cast quality, sound and cost, the optimum alloy can probably be obtained by having a type bronze composition as: ~20wt.%Sn, < 2wt.%Ni, < 1.5wt.%Pb, ~0.01wt.%P, < 1wt.%Sb, with balance of Cu. 
Bell metal in this range of ratios has been used for more than 3,000 years, and is known for its resonance and "attractive sound." The crystal lattice formation of this alloy is able to absorb high impact energies, such as from a bell clapper or hammer, without distortion, which is the case when the bell is struck. This results in a resonant sound and causes the bell to vibrate strongly in a complex nodal system.
In Russia, church bells are commonly cast with a unique mixture of copper and tin, often with silver added, to produce their unique sonority and resonance, mastered early in Russian Christian history.
There is no standard proportion to the metals used in this alloy (although it is often around 75% copper and 20% tin with low proportions of the other metals). A 7-Metal alloy containing trace amounts of silver and gold (representing Absolute and Relative Truth) is also sometimes used.
A similar alloy is employed for the gongs, saron, demung and numerous other struck metallophones of the Indonesian gamelan ensembles. In this case the tin:copper ratio is traditionally given as 3:10 by weight. Whereas bells are cast and then left to cool, the metal of Indonesian gongs and metallophones is cast as rough blanks, which are then hot-forged to their final shape with hammers.
Bell metal was used to cast many early Spanish, Portuguese and Malay[nb 1] cannon, most notably the Javanese cannon known erroneously as lantaka.[nb 2] In Java, bell metal mixtures including tin were also used for the manufacture of figurines, objet d'art, sculptures and household goods for the wealthy. This material was also adopted by the Javanese-influenced cultures of Thailand, Khmer and Myanmar. Bell metal is particularly prized for its excellent sonorous qualities, also found in bell metal cannons which produce a distinct, loud ring when fired.
The Javanese lantaka was first cast in bell metal under an Empu of the early Majapahit Empire and spread into the surrounding islands of the Nusantara, Javanese skill in gunsmithing and cannon-founding affording military dominance over the surrounding area. Later, disaffected smiths and noble entourages emigrating from Java brought these cannon-founding skill to Philippines, Brunei, Malaysia and Myanmar. When Ternate was captured by the Spanish, they were astounded to find over 3000 very finely cast bell metal cannon in the walled compound, although humorously to the Spaniards these were tied upright to veranda poles, used as phallic-lingam household decorations rather than weapons. The Spanish and Portuguese were equally astounded to find their European bronze cannon offerings to the Javanese rejected as inferior in quality, as they rightly were.
After the Dutch victories, Javanese smithed cannons of Makassar, Ternate, and the surrounding islands were taken as reparations, considered by the Dutch as made of bronze superior to their own, and subsequently melted down and recast in Dutch standard calibres and bores.
Culturally, Javanese bronze cannons and their regional derivatives were traditionally part of a dowry, and offering a poor quality cast bronze cannon was a supreme insult. Brunei and Malaysia retain the tradition of a token cannon as dowry for weddings, and many celebrations are opened with a celebratory shot.
In India, in the state of Assam, it is called kanh while in West Bengal and Odisha, kansa, and is used for cooking and eating utensils. Sarthebari in Barpeta district of Assam holds a unique place in the production of kanh utensils. In Assam, utensils of kanh have many religious uses and the most unusual utensils, bata and banbati, are used to give offerings and puja or to show respect to honored guests and dignitaries. Belaguntha in Ganjam district, Kantilo in Nayagarh, and Balakati near Bhubaneswar are well known for this craft in Odisha.
- a dated misleading term which refers geographically to the region spanning from the Thailand Peninsular through to the Philippines
- a colloquial term, the correct term is meriam or durbus
- Concast data sheet retrieved March 2017 
- Johnston, Ron (1986). Bell-ringing: The English Art of Change-Ringing. Great Britain: Viking. pp. 40–50–82. ISBN 0-670-80176-3.
- John Burnett. "Blagovest Bells- How Bells Are Made". Blagovest Bells. Retrieved April 24, 2010.
- Concast data sheet retrieved March 2017 
- Elphick, George (1988). The Craft of the Bell - Founder. Great Britain: Phillimore. pp. 78–81. ISBN 0-85033 648 1.
- Analysis of bell materials: Tin bronzes - Jaromir Audy and Katarina Audy, Edith Cowan University, Australia, 2008.
- Slobodskoy, Archpriest Seraphim (1996). "Bells and Russian Orthodox Peals". The Law of God. Jordanville, N.Y.: Holy Trinity Monastery. p. 625. ISBN 0-88465-044-8
- Michael W. Charney, Southeast Asian warfare, 1300–1900 Brill, 2004 ISBN 90-04-14240-1, 319 pages
- Jean Gelman Taylor, Indonesia: Peoples and Histories: Yale University Press, 2004, ISBN 0-300-10518-5, 420 pages
- Willem G. J. Remmelink, The Chinese war and the collapse of the Javanese state, 1725–1743, KITLV Press, 1994, ISBN 90-6718-067-X, 297 pages
- John Pemberton, On the subject of "Java", Cornell University Press: 1994, ISBN 0-8014-9963-1, 333 pages
- Shen, Sinyan (1987), "Acoustics of Ancient Chinese Bells", Scientific American, Vol. 256, p. 94.
- 2008 paper - Analysis of high tin bronze for bells]