Comparison of karate styles
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The table contains a comparison of karate styles. Some of the distinguishing features are listed, such as lineage, general form of stances, and number of kata.
The four earliest karate styles developed in Japan are Shorin-ryu, Wado-ryu, Shito-ryu, and Goju-ryu.[1] The first three styles find their origins in the Shuri region of Okinawa whilst Goju-ryu finds its origins in the Naha province.
Shuri karate is rather different from Naha karate, drawing on different predecessor influences. Shito-ryu can be regarded as a blend of Shuri and Naha traditions as its kata incorporate both Shuri and Naha kata.[2]
When it comes to individual styles, Shotokan involves long, deep stances and powerful techniques. Shito-ryu, on the other hand, uses more upright stances and stresses speed rather than power in its techniques. Wado-ryu too employs shorter, more natural stances and the style is characterised by the emphasis on body shifting to avoid attacks. Kyokushin, a hard style, involves breaking and full contact, knockdown sparring as part of its training.[3] Goju-ryu places emphasis on Sanchin kata and its rooted Sanchin stance, and it features grappling and close-range techniques.[4]
Comparison
Origin | Derived From | Balance of hard and soft techniques | Stances | Representative Kata | No. of kata | |
---|---|---|---|---|---|---|
Chitō-ryū | Okinawa | Shōrei-ryūor Naha-te, Shōrin-ryū | both elements exist but more soft than hard | natural stride (Seisan dachi) | Shi Ho Hai, Seisan, Ro Hai Sho, Niseishi, Bassai, Chinto, Sochin, Tenshin, Ro Hai Dai, Sanshiryu, Ryushan, Kusanku, Sanchin | 15 kata not including kihon and Bo kihon/kata |
Gōjū-ryū | Okinawa | Fujian White Crane | both | deep/natural | Sanchin, Tensho, Gekisai Dai, Seipai, Saifa | 12 |
Gosoku-ryū | Japan | Gōjū-ryū, Shotokan | 50 percent hard, 50 percent soft techniques | deep (beginner), natural (advanced) | Gosoku, Rikyu, Denko Getsu, Tamashi | 46 including weapons kata |
Isshin-ryū | Okinawa | Gōjū-ryū, Shōrin-ryū, Kobudō | both, primarily hard | natural | Sunsu | 15 including weapons kata |
Kyokushin | Japan | Shotokan, Gōjū-ryū | Hardest techniques | natural | Taikyoku, Pinan, Kanku, Tensho, Garyu | 23 (+ ura) |
Shūkōkai | Japan | Gōjū-ryū & Shitō-ryū | 70% hard and 30% soft | natural | Pinan, Bassai Dai, Seienchin, Saifa, Rōhai | 44 + |
Shindō jinen-ryū | Japan and Okinawa | primarily Shuri-te like Shitō-ryū, but also Naha-te and Tomari-te | both | deep/natural | Shimpa, Taisabaki 1-3, Sunakake no Kon | More than 60 counting all kobudo kata |
Shitō-ryū | Japan and Okinawa | Shōrin-ryū, Naha-te, Shuri-te. | both | deep/natural | Pinan, Bassai Dai, Seienchin, Saifa, Rōhai, Nipaipo | more than 80 |
Shōrin-ryū | Okinawa | Shuri-te, Tomari-te, Chinese martial arts | both, primarily soft | natural | Pinan, Naihanchi, Fukyu | 21 |
Shotokan | Japan and Okinawa | Shōrei-ryū, Shōrin-ryū | Primarily hard techniques as well as soft techniques | deep (beginner), natural (advanced) | 5 Heian, Jion, Kanku Dai, Bassai Dai, Sochin etc. | 26 + additional |
Shuri-ryū | Okinawa | Shuri-te, Hsing-yi | both | deep/natural | Wunsu, O-Naihanchi, Sanchin | 15 |
Uechi-ryū | Okinawa | Pangai-noon Kung Fu | half hard, half soft | mainly natural | Sanchin, Seisan, Sanseirui | 8 |
Wado-ryū | Japan and Okinawa | Yoshin-ryu Jujitsu and Shotokan | both, primarily soft | mainly natural | Pinan, Kushanku, Seishan, Chintō, Wanshu, Jitte and Niseishi | 15 (one hidden) |
Yōshūkai | Japan and Okinawa | Chitō-ryū | 60 percent hard, 40 percent soft techniques | deep (beginner), natural (advanced) | Seisan, Bassai, Yoshu, San Shi Ryu | 18 |
Shorinji-Ryu | Japan | Jiro Ogasawara | 60 percent hard, 40 percent soft techniques | deep (beginner), natural (advanced) | Heian Shodan, Nidan, Sandan, Yodan, Godan, Tekki Shodan, Nidan, Sandan; Bassai Dai, Bassai Sho, Kanku Dai, Kanku Sho, Enpi, Gankaku,Nijushiho, Gojushiho, Chintei, Jiin, Jion, Jitte, Hangetsu, Sanchin, Shushi no Kon, Sakugawa no Kon, Tsukenshita Haku no Sai, Chatan Yara no Sai, Hamahiga no Tonfa, Yara Guwa no Tonfa, Shime waza, nage waza, interview | 30 |
See also
- Comparison of kobudō styles
- Karate kata—includes comparison of kata performed by style
References
- ^ Corcoran, John and Farkas, Emil. Martial Arts. Traditions, History, People. Gallery Books, 1983, p. 49.
- ^ Clayton, Bruce D. Shotokan's Secret, The Hidden Truth Behind Karate's Fighting Origins. Black Belt Communications LLC, 2004, p. 97 & 153.
- ^ Kara-te Magazine. Special Collector's Edition - Kara-te, History, Masters, Traditions, Philosophy. Blitz Publications, p. 27, 45, 39 & 67.
- ^ Clayton, Bruce D. Shotokan's Secret, The Hidden Truth Behind Karate's Fighting Origins. Black Belt Communications LLC, 2004, p. 96 & 97.
Sources
- Karate-do Kyohan, written by Gichin Funakoshi translated by Tsutomu Oshima