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|Directed by||Kurt Wimmer|
|Written by||Kurt Wimmer|
|Music by||Klaus Badelt|
|Distributed by||Miramax Films|
|Box office||$5.3 million|
The film follows John Preston (Bale), an enforcement officer in a future in which feelings and artistic expression are outlawed and citizens take daily injections of powerful psychoactive drugs to suppress their emotions. After accidentally missing a dose, Preston begins to experience emotions, which makes him question his morality and moderate his actions while attempting to remain undetected by the suspicious society in which he lives. Ultimately, he aids a resistance movement using advanced martial arts, which he was taught by the regime he is helping to overthrow.
Libria, a totalitarian city-state established by survivors of World War III, blames human emotion as the cause for the war. Any activity or object that stimulates emotion is strictly forbidden. Those in violation are labelled "Sense Offenders" and sentenced to death. The population is forced to take a daily injection of "Prozium II" to suppress emotion. Libria is governed by the Tetragrammaton Council, led by "Father", who communicates propaganda through giant video screens throughout the city. At the pinnacle of law enforcement are the Grammaton Clerics, trained in the martial art of gun kata. Clerics frequently raid homes to search for and destroy illegal materials – art, literature and music – executing violators on the spot. A resistance movement, known as the "Underground", emerges to topple Father and the Tetragrammaton Council.
In 2072, John Preston is a high-ranking Cleric whose wife, Viviana, was executed as a Sense Offender, leaving him as a single parent of two. Following a raid, Preston notices his partner, Errol Partridge, saves a book of poems by W. B. Yeats instead of turning it in for incineration. He follows Partridge to the Nether – a term for regions outside the city – and finds him reading the book. After seeing Preston, Partridge claims he gladly pays the heavy price of feeling emotion; Preston executes him as Partridge slowly reaches for his gun.
Preston accidentally breaks a daily vial of Prozium and is unable to replace it before going on the next raid. Brief episodes of emotion set in evoking memories, stirring feelings, and making him more aware of his surroundings. He intentionally skips additional doses of Prozium, hiding them behind the mirror in his bathroom. Partridge is replaced with an ambitious, career-conscious Brandt, who expresses admiration for Preston's "uncompromising" work as a Cleric. On a raid, they arrest Sense Offender Mary O'Brien. To Brandt's surprise, Preston prevents him from executing O'Brien, saying she should be kept alive for interrogation. Brandt grows suspicious of Preston's hesitation.
Preston begins to feel remorse for killing Partridge, develops an emotional relationship with O'Brien, and seeks atonement. He uncovers clues that lead to meeting Jurgen, leader of the Underground. Jurgen is planning to disrupt Prozium production to spark a populace uprising and convinces Preston that Father must be assassinated. Vice-Counsel DuPont meets with Preston to reveal that there is a traitor in the upper ranks of the Clerics. Although DuPont initially suspects it is Preston, he assigns him the task of unmasking the traitor. Relieved, Preston accepts and promises to locate the Underground's leadership.
Meanwhile, O'Brien is set to be executed, and Jurgen advises against interfering believing it could sabotage plans for the revolution. Unable to bear her death, Preston attempts to stop the execution and fails. He has an emotional breakdown and is arrested by Brandt, who brings him before DuPont. Preston tricks DuPont into believing that Brandt is the traitor. Following Brandt's arrest, Preston is told that his home will be searched as a formality. He rushes home to destroy the hidden vials only to discover his son, who stopped taking Prozium after his mother died, already has.
Jurgen tells Preston to capture the leaders of the resistance to regain government trust, hoping it will get Preston close enough to assassinate Father. Preston is granted an exclusive audience with Father only to discover that Brandt was not arrested; it was part of a ruse to expose Preston and the Underground. DuPont reveals he is Father, having secretly replaced the original Father who died, and that he doesn't take Prozium to suppress emotion. He taunts Preston, asking how it felt to betray the Underground. Enraged, Preston fights his way through an army of bodyguards to DuPont's office, confronting and killing Brandt in a katana battle. DuPont and Preston engage in a gun kata showdown. Preston wins as DuPont pleads for his life asking, "Is it really worth the price?" Paying homage to Partridge's last words, he responds, "I pay it gladly" and kills DuPont. He destroys the command center that broadcasts Father propaganda. Preston watches with satisfaction from above as the Underground destroys Prozium manufacturing plants, signaling the beginning of the revolution.
- Christian Bale as John Preston
- Emily Watson as Mary O'Brien
- Taye Diggs as Andrew Brandt
- Angus Macfadyen as Vice Counsel DuPont
- Sean Bean as Errol Partridge
- Matthew Harbour as Robbie Preston
- William Fichtner as Jurgen
- Sean Pertwee as Father
- David Hemmings as Proctor
- Emily Siewert as Lisa Preston
- Alexa Summer as Viviana Preston[VP 1]
- Maria Pia Calzone as Preston's Wife[VP 1]
- Dominic Purcell as Seamus
- Brian Conley as Reading Room Overseer
- Kurt Wimmer (cameo) as Rebel Victim
- Viviana Preston: Alexa Summer and Maria Pia Calzone portrayed the same character in the film, but appear in the credits separately as "Viviana Preston" and "Preston's wife" respectively.
Angus Macfadyen's character, Vice-Counsel DuPont, describes the fictional fighting style gun kata in the film:
Through analysis of thousands of recorded gunfights, the Cleric has determined that the geometric distribution of antagonists in any gun battle is a statistically-predictable element. The gun kata treats the gun as a total weapon, each fluid position representing a maximum kill zone, inflicting maximum damage on the maximum number of opponents, while keeping the defender clear of the statistically-traditional trajectories of return fire. By the rote mastery of this art, your firing efficiency will rise by no less than 120 percent. The difference of a 63 percent increased lethal proficiency makes the master of the gun katas an adversary not to be taken lightly.
Kata (型, かた) is a Japanese word for standard forms of movements and postures in karate, jujutsu, aikido, and many other traditional martial arts. The gun kata shown in Equilibrium is a hybrid of Wimmer's own style of gun kata (invented in his backyard) and the martial arts style of the fight choreographer Jim Vickers, with elements of the Chinese Wing Chun martial art style.
Initially announced in 1999 under the title of Librium, the film was produced by Jan de Bont's production company, Blue Tulip Productions, with most of the budget secured in a Dutch tax incentve deal thanks to de Bont's Dutch citizenship. Emily Watson was cast in May 2000, with Christian Bale cast the following month in June of that year.
Filming began on October 19, 2000 and ended on December 10, 2000. Most of the filming used locations in Berlin, due to its unique mixture of fascist and modern architecture. According to the visual effects supervisor Tim McGovern, who worked alongside Wimmer, the fascist architecture was chosen "to make the individual feel small and insignificant so the government seems more powerful". The modern architecture of Berlin emphasizes the futuristic and stolid appearance of the city-state of Libria. Thick walls are represented by an abandoned East German military base, while the exterior of the city, where many of the surviving rebels reside, was filmed in decrepit neighborhoods of East Germany. In addition to the geographic location, a few European art directors also made substantial contributions to the production.
Equilibrium's locations include:
- Olympic Stadium (Berlin), built for the 1936 Summer Olympics.
- Deutschlandhalle, also built for the 1936 Summer Olympics.
- Brandenburg Gate in Berlin.
- Berlin Tempelhof Airport, construction of which was begun before the Nazi era, but which was completed during World War II and displays characteristics of the Nazis' architectural style.
- Bundestag (Berlin U-Bahn) station, a modern subway station near the new Reichstag building along with long tunnels of the Berlin U-Bahn underground railway. At the time the film was made, the Bundestag station was unopened, but in 2009, it went into service.
- Decrepit East German neighborhoods, as well as an abandoned massive former GDR military base.[which?]
- The EUR district in Rome, Italy, built during the fascist rule of Benito Mussolini.
Although making a science fiction movie, Wimmer intentionally avoided using futuristic technology that could become obsolete, and he also decided to set his story in an indeterminate future. "I wanted to create more of an alternate reality than get caught up in the gadgetry of science fiction," he explained. "In fact, there’s no technology in Equilibrium that doesn’t already exist. It’s more like a parallel universe, the perfect setting for a parable."
The review aggregation website Rotten Tomatoes reported that 40% of critics gave the film positive reviews and an average rating of 4.8/10, based on 90 reviews, with the site's consensus stating "Equilibrium is a reheated mishmash of other sci-fi movies." Metacritic gave the film a score of 33 out of 100, based on reviews from 22 critics, indicating "generally unfavorable reviews".
Roger Ebert awarded the film 3 stars out of 4, noting that "Equilibrium would be a mindless action picture, except that it has a mind. It doesn't do a lot of deep thinking, but unlike many futuristic combos of sf and f/x, it does make a statement."
Wimmer said in a Dreamwatch magazine interview that "the paying customers seemed to get it," and said the critics "didn't seem to see that the film had a different message than" Fahrenheit 451 or 1984. Responding to the critics' views, Wimmer later said, "Why would I make a movie for someone I wouldn't want to hang out with? Have you ever met a critic who you wanted to party with? I haven't."
The film had an estimated production budget of $20 million. International pre-release sales had already made a profit, so the studio reduced the film's promotion and advertising budget to avoid the risk of the film losing money; as a consequence, theatrical release was limited.
The film was shown in only 301 theaters at its widest release in the United States, earning $541,512 in its opening week, and only $1.2 million when it closed on December 26, 2002; the film earned $4.1 million internationally, for a total of $5.3 million worldwide.
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- Equilibrium (budget), The Numbers. Retrieved March 22, 2015.
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- Cynarski, Wojciech J., and Joanna Skowron. "An analysis of the conceptual language used for the general theory of martial arts–Japanese, Polish and English terminology". Ido Movement for Culture. Journal of Martial Arts Anthropology.CS1 maint: multiple names: authors list (link)
- "Equilibrium DVD Commentary: Kurt Wimmer: Chapter 7". Equilibriumfans.com. Retrieved March 29, 2009.
- "Almodovar, Tulip write UA's 'Paper'". Variety. Retrieved September 27, 2021.
- "Watson joins Diggs in sci-fi 'Librium'". Variety. Retrieved September 27, 2021.
- "Bale finds his 'Librium'". Variety. Retrieved September 27, 2021.
- "Equilibrium Production Notes". compleatseanbean.com. Retrieved March 28, 2014.
- Equilibrium DVD Commentary: Wimmer & Foster: Chapter 2
- "Equilibrium - Rotten Tomatoes". Rotten Tomatoes. Retrieved January 8, 2008.
- "Equilibrium (2002): Reviews". Metacritic. Retrieved January 8, 2008.
- Mitchell, Elvis (December 6, 2002). "Equilibrium (2002) Film Review". The New York Times. Retrieved September 19, 2010.
- Ebert, Roger (December 6, 2002). "Equilibrium". Chicago Sun-Times. Archived from the original on October 7, 2012.
- "Dreamwatch Interview: Kurt Wimmer Achieving Equilibrium". Dreamwatch. Winter 2003.
- Snider, John C. "Interview: Kurt Wimmer (Writer/Director, Equilibrium)". SciFiDimensions.com. Sci-Fi Dimensions. Archived from the original on June 21, 2003. Retrieved February 1, 2017.
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