Honey, I Blew Up the Kid
|Honey, I Blew Up the Kid|
|Directed by||Randal Kleiser|
|Screenplay by||Garry Goodrow|
|Story by||Garry Goodrow|
|Produced by||Dawn Steel|
Edward S. Feldman
|Edited by||Harry Hitner|
Michael A. Stevenson
|Music by||Bruce Broughton|
|Distributed by||Buena Vista Pictures|
|Box office||$96 million|
Honey, I Blew Up the Kid is a 1992 American science fiction comedy family film, and the second installment of the Honey, I Shrunk the Kids film series. Directed by Randal Kleiser and released by Walt Disney Pictures, it stars Rick Moranis, Marcia Strassman, Amy O'Neill, and Robert Oliveri reprising their roles as the Szalinski family, as well as newcomer Keri Russell in her film debut. In the film, Adam Szalinksi, the youngest addition to the family, is accidentally exposed to Wayne's new industrial-sized growth machine, which causes him to gradually grow to enormous size.
The antagonist to the Szalinskis is Wayne's coworker, Dr. Charles Hendrickson (John Shea), who wants the giant Adam stopped at all costs and would like to take over Wayne's invention that is now owned by the major corporation they work for, which is in turn owned by the kind Clifford Sterling (Lloyd Bridges).
Three years after inventor Wayne Szalinski accidentally shrunk his and his next door neighbor's kids, his family have moved to Nevada and have welcomed a new son, mischievous two-year old Adam. One day, Wayne's wife, Diane, leaves with their daughter, Amy, to help her settle in her dorm at college, leaving Wayne to look after Adam and their now teenage son, Nick. He has developed a crush on Mandy Park, who Wayne later arranges to babysit Adam. The next day, Wayne takes Nick and Adam to Sterling Labs, where he has constructed an advanced derivative of his shrink ray which could enlarge objects. He tests it out on Adam's favorite toy, Big Bunny. However, when his and Nick's backs are turned, Adam attempts to retrieve it and is zapped by the machine, which appears to short circuit and not enlarge the targeted object.
Back home, Adam and Big Bunny are exposed to electrical waves from the microwave oven and grow in size, now 7 feet tall. Wayne and Nick try to take him back to the lab to reverse the process, but are caught and kicked out by Wayne's coworker, Dr. Charles Hendrickson, who wants to take over Wayne's invention for himself. Diane returns home early and discovers what happened, and she, Wayne, and Nick have a hard time trying to take care of the large Adam. Later, Wayne and Diane drive to a warehouse and retrieve Wayne's first prototype to turn Adam back to normal, with Wayne unintentionally test firing his original prototype on a pair of Nevada Highway Patrol motorcycle troopers pursuing his van for speeding to make sure it still worked before Diane orders him to return them to normal, leaving the troopers completely spooked by the experience. When Mandy arrives to babysit Adam, she panics and faints, forcing Nick to subdue her so she cannot run away or scream. As he explains the situation to her, Adam is exposed to the television's electrical waves and grows to 14 feet before escaping through a wall.
Nick and Mandy search for him, but are taken into custody, with Adam placed into a truck. Wayne and Diane return home, finding Dr. Hendrickson and a U.S. Marshal waiting for them. He has summoned Clifford Sterling, the company chairman, with the plan to fire Wayne, have him and Diane arrested, and experiment on Adam. Sterling arrives, praises Wayne when he admits his mistake, and pledges to help Adam while firing Dr. Hendrickson, much to Wayne's and Diane's amazement. At the same time, the truck carrying Adam passes by high voltage lines, exposing him to more electrical waves and causing him to grow to 50 feet, escaping confinement. He mistakes Nick and Mandy for toys and puts them in his overalls pocket before heading for Las Vegas, pursued by his parents and the authorities. Wayne and Clifford figure out the cause of his growth and realize that exposure to Las Vegas' neon lights will make him grow bigger than ever.
The infuriated Dr. Hendrickson refuses to accept his dismissal and turns to his ally, board director Terrence Wheeler and they plan to start a boardroom coup to take Sterling out of power. With his permission, Dr. Hendrickson forcefully boards a military helicopter to attempt to tranquilize Adam, despite the pilot's reluctance. Wayne is determined to use his shrinking machine to shrink Adam back to normal, but needs him to stand still for twelve seconds so he can be shrunk. At first, he tries using Big Bunny to pacify him, but it backfires when Wayne suggests for Adam to take a nap (which Adam hates). After growing to 112 feet and wandering through Las Vegas, causing a panic among the crowd, he pursues an ice cream truck driven by Marshall Preston Brooks to distract him away from the city while Sterling has the various hotels and casinos shut off their lights to avoid making Adam grow more. However, Adam then heads towards the Hard Rock Café, where he plays the lit up guitar. Diane realizes Adam will be still should she be enlarged as well. Dr. Hendrickson arrives in the helicopter and starts shooting tranquilizer cartridges at Adam, hitting the guitar instead, causing Adam to cry out in pain at the electric shock. As the panicked crowd begins to feel sympathetic for Adam and Dr. Hendrickson adamantly attempts to strike again, a giant-sized Diane arrives and stops the helicopter. She then comforts Adam and manages to get him to stand still for the needed time period for the shrinking ray to work. Wayne then fires it, returning them to normal size. Dr. Hendrickson arrives and attempts to justify his actions, but a furious Diane knocks him out cold with a punch to the face.
Wayne and Diane then realize that Nick and Mandy had somehow disappeared from Adam's overalls pocket. It is then revealed that the two teens, along with a car that Adam retrieved during his rampage, have been shrunk while in said pocket. They are quickly found by Wayne, who decides to give them a few minutes of privacy before returning them to normal size. The only problem left now pointed out by a state trooper with the Szalinskis is how to shrink the gigantic Big Bunny.
- Rick Moranis as Wayne Szalinski, a wacky inventor.
- Marcia Strassman as Diane Szalinski, Wayne's wife.
- Robert Oliveri as Nick Szalinski, Wayne and Diane's teenage son and middle child.
- Daniel & Joshua Shalikar as Adam Szalinski, Wayne and Diane's two-year-old son and youngest child.
- Lloyd Bridges as Clifford Sterling, the president of Sterling Labs.
- John Shea as Dr. Charles Hendrickson, Wayne's insolent coworker.
- Keri Russell as Mandy Park, Adam's babysitter and Nick's love interest.
- Ron Canada as U. S. Marshall Preston Brooks
- Amy O'Neill as Amy Szalinski, Wayne and Diane's daughter and oldest child.
- Michael Milhoan as Captain Ed Myerson, a military pilot who reluctantly pilots Dr. Hendrickson to confront Adam.
- Gregory Sierra as Terence Wheeler, a board member at Sterling Labs who is allied with Dr. Hendrickson.
- Leslie Neale as Constance Winters
- Linda Carlson as nosy neighbor
- Julia Sweeney as nosy neighbor
- Fred Rogers as Himself (Uncredited)
- Richard Simmons as Himself (Uncredited)
The film was not originally written as a sequel to Honey, I Shrunk the Kids. Originally titled Big Baby, it was about a toddler who grew to giant size by a freak accident involving a growth ray and eventually terrorized Las Vegas in a non-violent, yet Godzillaesque way. Disney saw the possibilities of making this into a sequel to the first film and rewrote the script. The main characters from Big Baby became the Szalinski family, but there was no character in the original that Amy Szalinski could replace, so she leaves for college at the beginning of the film and is not seen again.
Rick Moranis, Marcia Strassman, Amy O'Neill, and Robert Oliveri all return as their respective characters: Wayne, Diane, Amy, and Nick Szalinski. Amy, now a young woman, leaves for her first year of college at the beginning of the film. Nick, while still considered "nerdy", has matured in his personality and takes more interest in girls and guitars.
Casting director Renee Rousselot searched over 1,000 small children for someone to portray Adam, the newest addition to the Szalinski clan. She searched for mostly three- to four-year-old boys because a younger child was thought to be problematic. She came across twins Daniel and Joshua Shalikar from New Jersey and immediately cast them in December 1990. One would act in the morning while the other was eating lunch or taking a nap. Baby consultant Elaine Hall Katz and director Randal Kleiser would plan the twins' scenes a week in advance. Tom Smith reported that, "On his own, Dan was almost too adventuresome to repeat one move, and Josh seemed very cautious. Put them together and they could do anything." However, the film did have difficulties in working with such small children, and one crew member later remarked it was "like playing hopscotch on hot coals". At the time, the twins were scheduled to appear in two more Honey films. They did appear once, but were recast in Honey, We Shrunk Ourselves.
In the film, Nick has a crush on a girl named Mandy Park, played by Keri Russell in her first feature film. John Shea portrays Dr. Charles Hendrickson, who is scheming to get Wayne's control of the project, while Lloyd Bridges portrays Clifford Sterling, the owner of Sterling Labs.
Randal Kleiser, of Grease and White Fang fame, was chosen to direct the film, replacing Joe Johnston. He would return to film with the cast in the 3D show Honey, I Shrunk the Audience, which was presented at several Disney parks until 2010. Like the first film, and Grease, it had animated opening credits.
Production began on June 17, 1991. Filming took place in Simi Valley, California, for the parts involving the Szalinskis' house. Filming locations in Las Vegas included the Hard Rock Hotel and Casino, the Mirage hotel-casino, and Fremont Street. Scenes involving a water park, where Nick worked and where Mandy is first introduced, were filmed at Wet 'n Wild in Las Vegas.
While post-production special effects were used heavily throughout the film, some effects were practical (shot on-set). When Adam knocks down his bedroom door, production designer Leslie Dilley created a set with miniature furniture about four feet away from the camera, while the adult actors would be about fifteen feet away. Kleiser recalled, "Danny was generally better at improvising and fresh reactions. Josh was better at following directions, so we would alternate."
Lawsuit before release
Disney would later find itself the subject of a lawsuit as a result of the film. The suit was filed in 1991 by Mark Goodson Productions director Paul Alter, who claimed to have come up with the idea of an oversized toddler after babysitting his granddaughter and watching her topple over building blocks. He wrote a screenplay titled "Now, That's a Baby!", which had not been made into a film but had received some sort of treatment beforehand. Alter claimed there were several similarities between the film and his script, which consisted of the baby daughter of two scientists falling victim to a genetic experiment gone wrong instead of an enlarging ray. The case went to trial in 1993, with the jury finding in Alter's favor. Disney was forced to pay $300,000 in damages.
The film was first released on VHS and Laserdisc on January 6, 1993. It was released on a bare-bones DVD in 2002. While the VHS release contained no bonus material besides a music video, the Laserdisc release contains the 1992 animated short film, Off His Rockers directed by Barry Cook, which accompanied the theatrical release. To date, Off His Rockers has only appeared on the Laserdisc release, making its availability rare, although the short can be viewed on YouTube.
The film was released on VHS in 1997, alongside its predecessor to coincide with the release of the third film in the series, Honey, We Shrunk Ourselves.
The film opened on July 17, 1992 in 2,492 theaters in the United States and Canada, almost twice as many as the first film. It opened at number one on opening weekend with $11 million and grossed $58.7 million in the United States and Canada. Internationally it grossed $37 million for a worldwide total of $96 million.
On Rotten Tomatoes, the film has an approval rating of 40% based on reviews from 20 critics, with an average rating of 4.85/10. On Metacritic the film has a score of 50% based on reviews from 14 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Desson Howe of The Washington Post claimed that the film "feels narratively limited. It's a one-joke movie: Adam just gets bigger and bigger. All Moranis needs to do is get the shrinker from the last movie and turn it on Adam." Also from The Washington Post, Hal Hinson agreed that it was "a one-joke film" while also adding the film "squanders most of the comic opportunities its premise offers. As one-joke movies go, it's fairly inoffensive but also never better than mildly diverting. Roger Ebert, reviewing for the Chicago Sun-Times, criticized the weak story writing that there "may be, for all I know, comic possibilities in a giant kid, but this movie doesn't find them." He further concluded that the "special effects, on the other hand, are terrific, as they were in the first movie. The filmmakers are able to combine the giant baby and the "real world" in shots that seem convincing, and the image of the toddler walking down Glitter Gulch is state-of-the-art. Too bad the movie relies on special effects to carry the show, and doesn't bring much else to the party."
|Honey, I Blew Up the Kid|
|Soundtrack album by|
|Released||1992, 2017 (expansion)|
|Length||39:57 (original) 69:34 (expansion)|
Intrada Records released the record in 1992, in time for the film's release. The score was composed and conducted by Bruce Broughton, who would return to provide the score for Honey, I Shrunk the Audience. "Stayin Alive" by the Bee Gees appears in it. So does "Loco-Motion" by Carole King, Gerry Goffin, and "Ours If We Want It" written by Tom Snow and Mark Mueller. The soundtrack album consists of just the score. In 2017, the label released an expanded edition included Broughton's score for Off His Rockers, the animated short that preceded the film in cinemas.
All music is composed by Bruce Broughton.
|2.||"To the Lab"||1:53|
|3.||"Adam Gets Zapped"||0:53|
|4.||"Putting on Weight?"||1:19|
|6.||"How'd She Take It?"||3:11|
|8.||"Don't Touch That Switch!"||0:26|
|9.||"The Bunny Trick"||2:14|
|10.||"Get Big Bunny"||4:11|
|11.||"Clean the Streets"||3:00|
|14.||"Look at That Mother!"||2:26|
|15.||"That's All Folks!"||4:20|
|1.||"Off His Rockers: Music From The Cartoon Short"||4:27|
|3.||"Meet The Szalinskis"||1:04|
|4.||"Just Like Your Dad"||1:36|
|5.||"To The Lab"||1:58|
|7.||"Back To The Lab"||1:14|
|8.||"Adam Gets Zapped"||0:35|
|9.||"Putting On Weight?"||1:24|
|11.||"Hi Guys, I'm Home"||0:57|
|12.||"How'd She Take It?"||3:17|
|16.||"Don't Touch That Switch!"||0:26|
|17.||"He's Out And He's Bigger"||0:34|
|18.||"The Bunny Trick"||2:55|
|20.||"Hendrickson Gets Sacked"||0:46|
|21.||"Get Big Bunny"||4:18|
|23.||"Clear The Streets!"||3:01|
|26.||"Look At That Mother!"||2:30|
|27.||"Diane Decks Hendrickson"||0:51|
|28.||"End Credits – That's All, Folks!"||4:25|
|30.||"How Was Your Flight?"||0:14|
|31.||"Starting To Get Big"||0:17|
|32.||"Wayne Gets Fired"||0:22|
|33.||"It's Not A Morphis"||0:09|
|35.||"He's Headed For Vegas"||0:10|
|36.||"Adam Catches The Car"||0:20|
|37.||"Can't We Go Faster?"||0:20|
|39.||"Mandy's Room (Rock Source #2)"||1:36|
|40.||"T.V. Commercial Source"||0:17|
|41.||"End Credits – That's All, Folks! (Alternate)"||4:44|
- McBride, Joseph (July 17, 1992). "Honey, I Blew Up the Kid". Variety. Retrieved June 3, 2019.
- "How the Writers Store Changed My Life".
- Steve Daley (August 7, 1992). "Honey, the Kids Coulda Blown the Movie". Entertainment Weekly. Retrieved 2020-04-04.
- Levitan, Corey (2009-11-08). "Las Vegas is Cinema City". Las Vegas Review-Journal. Archived from the original on 2009-11-12.
- Steve Daley (May 22, 1992). "Blowing Up Baby". Entertainment Weekly. Retrieved 2009-09-21.
- "Disney, the Mouse Betrayed" by Peter and Rochelle Schweitzer
- Welkos, Robert W. (November 13, 1993). "Jury Tells Disney to Pay $300,000 in 'Honey' Case". Los Angeles Times.
- "Honey, I Blew Up the Kid". Box Office Mojo. Retrieved December 14, 2012.
- Klady, Leonard (January 3, 1994). "Int'l top 100 earn $8 bil". Variety. p. 1.
- "Honey, I Blew Up the Kid Movie Reviews". Rotten Tomatoes. Fandango Media. Retrieved December 21, 2012.
- "Honey, I Blew Up the Kid". Metacritic. Retrieved 2020-05-04.
- "CinemaScore". Archived from the original on February 6, 2018.
- Howe, Desson (July 17, 1992). "Honey, I Blew Up the Kid". The Washington Post. Retrieved February 13, 2020.
- Hinson, Hal (July 17, 1992). "Honey, I Blew Up the Kid". The Washington Post. Retrieved February 13, 2020.
- Roger Ebert (July 17, 1992). "Honey, I Blew Up the Kid". Chicago Sun-Times. Retrieved September 21, 2009.
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