Original theatrical poster
|Directed by||Nicholas Ray|
|Produced by||Herbert J. Yates|
|Written by||Ben Maddow, credited to Philip Yordan
Roy Chanslor (novel)
|Music by||Peggy Lee
|Cinematography||Harry Stradling Sr.|
|Edited by||Richard L. Van Enger|
|Distributed by||Republic Pictures|
|May 27, 1954|
|Box office||$2.5 million (US)|
The screenplay was based upon a novel by Roy Chanslor. Though credited to Philip Yordan, he was merely a front for the actual screenwriter, blacklistee Ben Maddow. Filmed in Republic's Trucolor process, the film was directed by Nicholas Ray and produced by Herbert J. Yates.
On the outskirts of a wind-swept Arizona cattle town, an aggressive and strong-willed saloonkeeper named Vienna maintains a volatile relationship with the local cattlemen and townsfolk. Not only does she support the railroad being laid nearby (the cattlemen oppose it), but she permits "The Dancin' Kid" (her former amour) and his confederates to frequent her saloon. The locals, led by McIvers but egged on by Emma Small, a onetime rival of Vienna, are determined to force Vienna out of town, and the hold-up of the stage (they suspect, erroneously, by "The Dancin' Kid") offers a perfect pretext. Vienna faces them down, helped by the mysterious and just arrived Johnny Guitar. He turns out to be her ex-lover and a reformed gunslinger whose real name is Johnny Logan. Their smouldering love/hate relationship develops until McIvers gives Vienna, Johnny Guitar and "The Dancin Kid" and his sidekicks 24 hours to leave.
The Dancin' Kid and his gang rob the town bank to fund their escape to California, but the pass is blocked by a railroad crew dynamiting a way in, and they flee back to their secret hideout behind a waterfall. Emma Small convinces the townsfolk that Vienna is as guilty as the rest and the posse ride to her saloon. Vienna appears to be getting the best of another verbal confrontation when one of the wounded bank robbers, Turkey, is discovered under a table. Emma persuades the men to hang Vienna and Turkey, and burns the saloon down. At the last second Vienna is saved by Johnny Guitar.
Vienna and Johnny escape the posse and find refuge in The Dancin' Kid's secret hideaway. The posse tracks them down and The Kid and his men are killed. Emma challenges Vienna to a showdown. Vienna is wounded in the duel, but she manages to kill Emma by shooting her in the head. A halt is called to the bloodbath by the posse's leader, McIvers. Vienna and Johnny depart, hopeful that better days lie ahead.
- Joan Crawford as Vienna
- Sterling Hayden as Johnny Guitar (Johnny Logan)
- Mercedes McCambridge as Emma Small
- Scott Brady as The Dancin' Kid
- Ward Bond as John McIvers
- Ben Cooper as Turkey Ralston
- Ernest Borgnine as Bart Lonergan
- John Carradine as Old Tom
- Royal Dano as Corey
- Frank Ferguson as Marshal Williams
- Paul Fix as Eddie
- Rhys Williams as Mr. Andrews
- Ian MacDonald as Pete
Crawford and Nick Ray were scheduled to make a film called Lisbon at Paramount. But when the script proved unacceptable, Crawford brought the book (to which she held the film rights and for which Author Roy Chanslor had dedicated the book to her) to Republic and had them hire Ray to direct it.
Crawford wanted either Bette Davis or Barbara Stanwyck for the role of Emma Small, but they were too expensive. Claire Trevor was next in mind for the role but was unable to accept because she was tied up with another film. Finally, Nicholas Ray brought in McCambridge.
Most people claimed Crawford was easy to work with, always professional, generous, patient and kind. Issues between the two women cropped up early on, but Ray was not alarmed – at first. He found it "heaven sent" that they disliked each other and felt it added greatly to the dramatic conflict. The reasons for the feud appear to date back to a time when Crawford had once dated McCambridge's husband, Fletcher Markle. According to some of the other co-stars, McCambridge needled Crawford about it. McCambridge also appears to have disliked that Crawford and Ray were in the midst of an affair. Crawford, on the other hand, disliked what she perceived to be "special attention" that Ray was giving to McCambridge.
After filming, McCambridge and Hayden publicly declared their dislike of Crawford, with McCambridge labeling Crawford, "a mean, tipsy, powerful, rotten-egg lady". Hayden said in an interview, "There is not enough money in Hollywood to lure me into making another picture with Joan Crawford. And I like money."[this quote needs a citation]
Crawford for her part said of McCambridge, "I have four children - I do not need a fifth."  However, Crawford was surprised at the comments by Hayden, claiming she had a letter from him saying he would love to work with her again.[this quote needs a citation]
Later, Ray claimed that Crawford, during a rage, drunkenly threw McCambridge's costumes into the street. However, McCambridge only had one costume throughout the entire film. Crawford later laughingly admitted she had thrown McCambridge's own clothing into the street. Ray also said of that time, "Joan was drinking a lot and she liked to fight," but that she was also "very attractive, with a basic decency." 
Originally opening to negative reviews, the film later became liked and would become regarded[by whom?] as one of Ray's best films, topped by the famous title song.
Variety commented, "It proves [Crawford] should leave saddles and Levis to someone else and stick to city lights for a background. [The film] is only a fair piece of entertainment. [The scriptwriter] becomes so involved with character nuances and neuroses, all wrapped up in dialogue, that [the picture] never has a chance to rear up in the saddle...The people in the story never achieve much depth, this character shallowness being at odds with the pretentious attempt at analysis to which the script and direction devotes so much time."
Bosley Crowther singled out Crawford's physical bearing for criticism in his New York Times review, stating "...no more femininity comes from her than from the rugged Mr. Heflin in "Shane." For the lady, as usual, is as sexless as the lions on the public library steps and as sharp and romantically forbidding as a package of unwrapped razor blades."
The film is beloved by French filmmaker François Truffaut, who described it as the "Beauty and the Beast of Westerns, a Western dream". Truffaut was especially impressed by the film's extravagance: the bold colors, the poetry of the dialogue in certain scenes, and the theatricality which results in cowboys vanishing and dying "with the grace of ballerinas".
Spanish director Pedro Almodóvar pays homage to the film in his 1988 release Women on the Verge of a Nervous Breakdown. His lead character Pepa Marcos (Carmen Maura), a voice artist, passes out while dubbing Vienna's voice in a scene where Johnny (voiced earlier by Pepa's ex-lover Iván) and she banter about their conflicted past. Almodovar's film also ends with a chase and an obsessed woman shooting at his lead character.
Japanese film director Shinji Aoyama listed Johnny Guitar as one of the Greatest Films of All Time in 2012. He said, "Johnny Guitar is the only movie that I‘d like to remake someday, although I know that it’s impossible. It’s probably closest to the worst nightmare I can have. I know for sure that my desire to remake this movie comes from my warped thought that I want to remake my own nightmare."
Despite a number of initial negative reviews, in the USA and Canada Johnny Guitar grossed more than $2,500,000 as of January 1955 ($21,396,003.72 in 2012 dollars, adjusted for inflation  and was No. 27 on Variety's list of top money makers of 1954.
Many critics[who?] have pointed out that the film is a hidden commentary on the McCarthy witch-hunts. The film is more than just a Western – Truffaut, who admired the film, called it "a phony Western".[this quote needs a citation]
In an interview in the Criterion Collection release of The Killing, Sterling Hayden stated that he did not care for Johnny Guitar. "They put string, like you get at the grocery store, over my guitar in case I accidentally hit them," he said, acknowledging that "I can't play guitar, and can't sing a good-goddamn, either." "I was at war on that film, during the daytime, with Joan Crawford," he recalled, "and at night with my second wife." Despite his reservations about the film, Hayden acknowledged its popularity.
According to Martin Scorsese, contemporary American audiences "didn't know what to make of it, so they either ignored it or laughed at it." European audiences, on the other hand, free of conventional biases, saw Johnny Guitar for what it was: "an intense, unconventional, stylized picture, full of ambiguities and subtexts that rendered it extremely modern."
The film has been released in VHS and DVD formats.
Johnny Guitar was adapted into a stage musical, which debuted Off-Broadway in 2004, with a book by American television producer Nicholas van Hoogstraten, lyrics by Joel Higgins, and music by Martin Silvestri and Joel Higgins. It starred Judy McLane, Ann Crumb, Steve Blanchard, and Robert Evan, and was the recipient of the Outer Critics Circle Award for Best Musical, as well as a nominee for the Lucille Lortel Awards and the Drama Desk Awards.
In popular culture
- The film is seen briefly in Women on the Verge of a Nervous Breakdown as the characters portrayed by Carmen Maura and Fernando Guillén are dubbers for the film into Spanish.
- While on the run, the murderous couple in La Sirène du Mississipi, played by Jean-Paul Belmondo and Catherine Deneuve, go to a showing of Johnny Guitar in Lyon and discuss the film in the street afterwards.
- 'The Top Box-Office Hits of 1954', Variety Weekly, January 5, 1955
- National Film Registry Titles 1989 - 2013|http://www.loc.gov/film/registry_titles.php
- Bette and Joan: The Divine Feud
- Joan Crawford: The Ultimate Star
- Joan Crawford, The Essential Biography
- Production Files
- Bette and Joan: The Divine Feud, page 266.
- Johnny Guitar production files
- Johnny Dearest, www.sedonamonthly.com, October 2003
- Interview with Ernest Borgnine, http://twitchfilm.com/2009/01/tcm-private-screeningsinterview-with-ernest-borgnine.html
- "'The Exorcist' actress Mercedes McCambridge dies at 85". USA Today. March 17, 2004.
- Mercedes Mccambridge: A Biography And Career Record
- "The Exorcist actress Mercedes McCambridge dies at 85". USA Today. March 17, 2004. Retrieved 2013-10-24.
- Interview with Ray http://fiftieswesterns.wordpress.com/2011/04/07/nicholas-ray-on-johnny-guitar/
- Bette and Joan: The Divine Feud
- Quirk, Lawrence J.. The Films of Joan Crawford. The Citadel Press, 1968.
- http://movies.nytimes.com/movie/review?res=9F07E1D8133EE53BBC4051DFB366838F649EDE&partner=Rotten Tomatoes
- Truffaut, The Films in My Life
- List-o-Mania Or, How I Stopped Worrying and Learned to Love American Movies By Jonathan Rosenbaum, June 26, 1998
- Aoyama, Shinji (2012). "The Greatest Films Poll". Sight & Sound.
- "CPI Inflation Calculator". bls.gov. Retrieved May 19, 2015.
- The Top Box-Office Hits of 1954", Variety Weekly, January 5, 1955.
- For example, Geoff Andrew, The Films of Nicholas Ray (1991, 2004)
- Martin Scorsese introduces Johnny Guitar (USA, 1954) dir. Nicholas Ray. YouTube. 24 April 2011. Retrieved May 19, 2015.
||This article's use of external links may not follow Wikipedia's policies or guidelines. (May 2015)|
- Johnny Guitar Musical official website
- McCarthyism and the Movies
- Grant Tracey in images journal
- Burton in pif magazine
- Brian W. Fairbanks in angelfire
- Johnny Guitar at the Internet Movie Database
- Johnny Guitar at the TCM Movie Database
- Johnny Guitar at AllMovie
- Literature on Johnny Guitar