Cahiers du cinéma
|First issue||April 1951|
Cahiers du Cinéma (French pronunciation: [kaje dy sinema], Notebooks on Cinema) is a French language film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma (Review of the Cinema established in 1928) involving members of two Paris film clubs—Objectif 49 (Objective 49) (Robert Bresson, Jean Cocteau and Alexandre Astruc, among others) and Ciné-Club du Quartier Latin (Cinema Club of the Latin Quarter). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol and François Truffaut. Cahiers re-invented the basic tenets of film criticism and theory.
History and profile
The first issue of Cahiers appeared in April 1951. A 1954 article by Truffaut attacked La qualité française ("the French Quality") (usually translated as "The Tradition of Quality") and was the manifesto for 'la politique des Auteurs' which Andrew Sarris later termed the auteur theory — resulting in the re-evaluation of Hollywood films and directors such as Alfred Hitchcock, Howard Hawks, Robert Aldrich, Nicholas Ray, and Fritz Lang. Cahiers du Cinema authors also championed the work of directors Jean Renoir, Roberto Rossellini, Kenji Mizoguchi, Max Ophüls, and Jean Cocteau, by centering their critical evaluations on a film's mise en scène. In turn, auteurs were compared and contrasted, and a true film dialogue was established. The magazine also was essential to the creation of the Nouvelle Vague, or New Wave, of French cinema, which centered on films directed by Cahiers authors such as Godard and Truffaut. Movement by movement, style by style, the cahiers sought to advance and analyze the growth of world cinema.
Jacques Rivette replaced Rohmer as editor in 1963, shifted political and social concerns and paid more attention to the non-Hollywood cinema. The style moved through literary modernism in the early 1960s to radicalism and dialectical materialism by 1970. Moreover, during the mid-1970s the magazine was run by a Maoist editorial collective. In the mid-1970s, a review of the American movie Jaws marked the magazine's return to more commercial perspectives, and an editorial turnover: (Serge Daney, Serge Toubiana, Thierry Jousse, Antoine de Baecque and Charles Tesson). It led to the rehabilitation of some of the old Cahiers favourites, as well as some new film makers like Manoel de Oliveira, Raoul Ruiz, Hou Hsiao-Hsien, Youssef Chahine, and Maurice Pialat. Recent writers have included Serge Daney, Serge Toubiana, Thierry Jousse, Antoine de Baecque, Vincent Ostria, Charles Tesson and André Téchiné, Léos Carax, Olivier Assayas, Danièle Dubroux, and Serge Le Péron.
In 1998, the Editions de l'Etoile (the company publishing Cahiers) was acquired by the press group Le Monde. Traditionally losing money, the magazine attempted a make-over in 1999 to gain new readers, leading to a first split among writers and resulting in a magazine addressing all visual arts in a post-modernist approach. This version of the magazine printed ill-received opinion pieces on reality TV or video games that confused the traditional readership of the magazine.
Le Monde took full editorial control of the magazine in 2003, appointing Jean-Michel Frodon as editor-in-chief.
In February 2009, Cahiers was acquired from Le Monde by Richard Schlagman, also owner of Phaidon Press, a worldwide publishing group which specialises in books on the visual arts. In July 2009, Stéphane Delorme and Jean-Philippe Tessé have been promoted respectively as editor-in-chief and deputy chief editor.
Film top 10s
The following is a list of the Top 10 films chosen annually by the critics of Cahiers du Cinéma.
|1.||A Man Escaped||Robert Bresson||France|
|2.||Elena and Her Men||Jean Renoir||France|
|3.||Rebel Without a Cause||Nicholas Ray||United States|
|4.||Confidential Report||Orson Welles||United States|
|6.||Smiles of a Summer Night||Ingmar Bergman||Sweden|
|7.||Il bidone||Federico Fellini||Italy|
|9.||Picnic||Joshua Logan||United States|
|1.||My Life to Live||Jean-Luc Godard||France|
|2.||Jules and Jim||François Truffaut||France|
|3.||Hatari!||Howard Hawks||United States|
|5.||Le Signe du Lion||Éric Rohmer||France|
|6.||Wild River||Elia Kazan||United States|
|7.||The Trial||Orson Welles||United States|
|8.||Through a Glass Darkly||Ingmar Bergman||Sweden|
|9.||The Elusive Corporal||Jean Renoir||France|
|10.||Vanina Vanini||Roberto Rossellini||Italy|
|2.||The Birds||Alfred Hitchcock||United States|
|3.||The Exterminating Angel||Luis Buñuel||Mexico|
|4.||Adieu Philippine||Jacques Rozier||France|
|5.||The Trial of Joan of Arc||Robert Bresson||France|
|7.||The Nutty Professor||Jerry Lewis||United States|
|8.||The Carabineers||Jean-Luc Godard||France|
|9.||Salvatore Giuliano||Francesco Rosi||Italy|
|2.||Belle de Jour||Luis Buñuel||France|
|4.||The Lion Hunters||Jean Rouch||France|
|6.||The Big Mouth||Jerry Lewis||United States|
|The Nun||Jacques Rivette||France|
|9.||2 or 3 Things I Know About Her||Jean-Luc Godard||France|
|10.||La Chinoise||Jean-Luc Godard||France|
|1.||Holy Motors||Leos Carax||France|
|3.||Twixt||Francis Ford Coppola||United States|
|4.||4:44 Last Day on Earth||Abel Ferrara||United States|
|5.||In Another Country||Hong Sang-soo||South Korea|
|6.||Take Shelter||Jeff Nichols||United States|
|7.||Go Go Tales||Abel Ferrara||United States|
|10.||Keep the Lights On||Ira Sachs||United States|
|1.||Li'l Quinquin||Bruno Dumont||France|
|2.||Goodbye to Language||Jean-Luc Godard|| France
|3.||Under the Skin||Jonathan Glazer||United Kingdom|
|4.||Maps to the Stars||David Cronenberg||Canada|
|5.||The Wind Rises||Hayao Miyazaki||Japan|
|6.||Nymphomaniac||Lars von Trier||Denmark|
|8.||Love Is Strange||Ira Sachs||United States|
|9.||Le Paradis||Alain Cavalier||France|
|10.||Our Sunhi||Hong Sang-soo||South Korea|
Top 10s of the decade
- Itzkoff, Dave (9 February 2009) Cahiers Du Cinéma Will Continue to Publish The New York Times
- Macnab, Geoffrey (7 April 2001) Pretentious, nous? The Guardian
- Julian Wolfreys (2006). Modern European Criticism and Theory: A Critical Guide. Edinburgh University Press. p. 398. ISBN 978-0-7486-2449-2. Retrieved 5 May 2016.
- Dowell, Ben (10 February 2009) "Le Monde sells influential cinema magazine Cahiers du Cinéma" The Guardian
- Bickerton, E. (2009). A Short History of Cahiers du Cinéma. London: Verso.
- Hillier, Jim (1985). Cahiers du Cinema the 1950s. London : RKP/BFI.
- Hillier, Jim (1986) Cahiers du Cinema the 1960s. London: BFI.
- Official website
- Top 10 list (for years 1951, 1955–1968, 1981–2009)
- Dave Kehr's Article on the magazine on its fiftieth anniversary
- Cahiers du Cinema Top 10 1951-2013 at the IMDb