Belmondo in 2013
|Born||Jean-Paul Charles Belmondo
9 April 1933
|Spouse(s)||Elodie Constantin (1952–1967)
Natty Belmondo (2002–2008)
|Partner(s)||Ursula Andress (1965–1972)
Laura Antonelli (1972–1980)
1989 Itinéraire d'un enfant gâté
Jean-Paul Belmondo (French: [ʒɑ̃pɔl bɛlmɔ̃do]; born 9 April 1933) is a French actor initially associated with the New Wave of the 1960s and one of the biggest French film stars of the 1960s, 1970s and 1980s. His best known credits include Breathless (1959) and That Man from Rio (1964).
Belmondo was born in Neuilly-sur-Seine, Hauts-de-Seine, west of Paris. Belmondo's father, Paul Belmondo, was a Pied-Noir sculptor who was born in Algeria of Italian descent, whose parents were of Sicilian and Piedmontese origin. As a boy he was more interested in sport than school, developing a particular interest in boxing and soccer.
Belmondo made his amateur boxing debut on 10 May 1949 in Paris, France, when he knocked out Rene DesMarais in one round. Belmondo's boxing career was undefeated, but brief. He won three straight first round knockout victories from 1949 to 1950. As part of his compulsory military service, he served in Algeria as a private for six months.
Belmondo was interested in acting. His last teenage years were spent at a private drama school and he began performing comedy sketches in the provinces. He studied under Raymond Giraud then when to the Conservatoire of Dramatic Arts when he was twenty. He studied there for three years. He would likely have won the prize for best actor but participated in a sketch mocking the school, which offended the jury; this resulted in him only getting an honourable mention, "which nearly set off a riot among his incensed fellow students" in August 1956 according to one report. The incident did make front page news.
Belmondo first appeared in the short Moliere (1956). His first film role was a scene with Jean-Pierre Cassel in On Foot, on Horse, and on Wheels (1957), which was cut from the final film. He had a small role in the comedy Be Beautiful But Shut Up (1958) (alongside a young Alain Delon), followed by a role as a gangster in Young Sinners (1958), directed by Marcel Carne.
Belmondo's first lead role was in Les copains du dimanche (1958).
He had a supporting part in An Angel on Wheels (1959) with Romy Schneider then appeared in Web of Passion (1959) for Claude Chabrol. He played D'artgnan in The Three Musketeers (1959) for French television.
Around this time he had a notable success on stage in Oscar (1958) in Paris which led to being offered the leads in star parts. The first of these was Consider All Risks (1960), a gangster story with Lino Ventura. The second was in Jean-Luc Godard's Breathless (1960), which made him a major figure in the French New Wave.
Breathless was a major success in France and overseas and launched Belmondo as an international name.
He followed it with Trapped by Fear (1960), then the Italian film Letters By a Novice (1960). With Jeanne Moreau and Peter Brook he made Seven Days... Seven Nights (1961) which he later called "very boring".
He had his first notable on screen comedy role in the anthology movie Love and the Frenchwoman (1960). Then he made two Italian films: supprting Sophia Loren in Two Women (1961), as a bespectacled country boy ("It may disappoint those who've got me typed," said Belmondo. "But so much the better."), then opposite Claudia Cardinale in The Lovemakers (1961).
Later he acted in Jean-Pierre Melville's philosophical movie Leon Morin, Priest (1961), playing a priest. He was a retired gangster in A Man Named Rocca (1962), then had a massive hit with the swashbuckler Cartouche (1962), directed by Philippe de Broca. Also popular was A Monkey in Winter (1962), a comedy where he and Jean Gabin played alcoholics. He had a cameo in the Italian comedy The Shortest Day (1962).
Belmondo made two with Jean Paul Melville: the film noir crime film The Fingerman (Le Doulos, 1963) and Magnet of Doom (1963). He co-starred with Gina Lollobrigida in Mad Sea (1963) and appeared in another comedy anthology, Sweet and Sour (1963).
Banana Peel (1963) was a popular comedy with Jeanne Moreau. Even more successful was the action-adventure tale That Man from Rio (1964), directed by Le Broca - a massive hit in France, and popular overseas as well. A 1965 profile compared him to Humphrey Bogart and James Dean. It stated Belmondo was:
A later manifestation of youthful rejection... His disengagement from a society his parents made is total. He accepts corruption with a cynical smile, not even bothering to struggle. He is out entirely for himself, to get whatever he can, while he can. The Belmondo type is capable of anything. He knows he is defeated anyway... He represents something tough yet vulnerable, laconic but intense, notably lacking in neuroses or or the stumbling insecurities of homus Americanus. He is the man of the moment, completely capable of taking care of himself - and ready to take on the girl of the moment too.
Belmondo's own tastes were Tintin comics, sports magazines and detective novels. He said he preferred "making adventure films like Rio to the intellectual movies of Alain Renais or Alain Robbe-Grillet. But with Francois Truffaut I'd be willing to try." His fee was said to be between US $150,000-$200,000 per film. Belmondo said he was open to making Hollywood films but he wanted to play an American rather than a Frenchman and was interested in Cary Grant type roles instead of James Dean/Bogart ones.
Belmondo made Greed in the Sun (1964) with Lino Ventura for director Henri Verneuil, who said Belmondo was "one of the few young actors in France who is young and manly". Backfire (1964) reunited him with Jean Seberg, his Breathless co-star. After a cameo in Male Hunt (1964) he played the lead in Weekend at Dunkirk (1965), another big hit in France.
Belmondon dominated the French box office for 1964 - That Man from Rio was the fourth most popular movie in the country, Greed in the Sun was seventh, Weekend at Dunkirk ninth and Backfire 19th.
Crime on a Summer Morning (1965) was less successful, though it still performed well on the strength of Belmondo's name. Up to His Ears (1965) was an attempt to repeat the popularity of That Man Rio, from the same director, but did less well.
Belmondo was reunited with Godard for Pierrot le Fou (1965) then made a comedy, Tender Scoundrel (1966). He had small roles in two predominantly English speaking films, Is Paris Burning? (1966) and Casino Royale (1967).
After making The Thief of Paris (1967) for Louis Malle, Belmondo took a year and a half off. "One day it seemed that life was passing me by," he said. "I didn't want to work. So I stopped. Then one day I felt like starting again. So I started."
Return from Sabbatical
Belmondo returned to filmmaking with the crime movie, Ho! (1968), then had a massive hit with a comedy co-starring David Niven, The Brain (1969), the most popular film at the French box office that year. More prestigious was Mississippi Mermaid (1969) for Francois Truffaut with Catherine Deneuve. Love Is a Funny Thing (1969) was a romantic drama.
Inspired by the success Alain Delon had producing his own films, Belmondo formed his own production company, Cerito Films (named after his grandmother, Rosina Cerrito), to develop movies for Belmondo. The first Cerito film was the black comedy Dr. Popaul (1972), with Mia Farrow, the biggest hit to date for director Claude Chabrol.
He produced as well as starred in Stavisky (1974). Then he made a series of purely commercial films: Incorrigible (1974); Fear Over the City (1975) - one of Belmondo's biggest hits of the decade and the first time he placed a policeman on screen; Hunter Will Get You (1976); Body of My Enemy (1977). Animal (1977) cast him as a stuntman opposite Raquel Welch. He was a policeman in Cop or Hood (1979), then made a comedy, Le Guignolo (1980). He was secret service agent in The Professional (1981) and a pilot in Ace of Aces (1982). These films were all very popular at the French box office but damaged Belmondo's critical reputation.
"What intellectuals don't like is success," said Belmondo. "Success in France is always looked down on, not by the public, but by intellectuals. If I'm nude in a film, that's fine for the intellectuals. But if I jump from a helicopter, they think it's terrible."
Belmondo kept to commercial films: Le Marginal (1983), a cop thriller; Les Morfalous (1984), a World War Two French Foreign legion story; Happy Easter, a comedy; Hold-Up (1985), a comic heist story (remade in Hollywood as Quick Change); Le Solitaire (1988), playing another policeman. The last of these was a notable box office disappointment.
Return to Theatre
In 1987 he returned to the theatre after a 26 year absence in a production of Kean, adapted by Jean Paul Satre from the novel by Alexander Dumas. "I did theater for ten years before going into movies and every year I planned to go back," he recalled. "I returned before I became an old man." Kean was a hit, running for a year. In 1990 he played the title role in Cyrano de Bergerac on the stage in Paris, another highly successful production.
Belmondo claimed there were "several reasons" why he made less films in the 1980s. "I'm now a producer so it takes time to organise things," he said. "But it's also difficult to find good screenplays in France. We have serious writing problems here. And I'd prefer to do theater for a long time than take on a mediocre film."
For Claude Lelouch he starred in and co produced Itinerary of a Spoiled Child (1988). He had a small role in One Hundred and One Nights (1995) then the lead in Lelouch's version of Les Misérables (1995). Désiré (1996) was a comedy; Une chance sur deux (1998) reunited him with Alain Delon; Peut-être (1999) was a science fiction comedy.
He suffered a stroke in 2001 and had since been absent from the stage and the screen until 2009 when he appeared in Un homme et son chien (A man and his dog).
In 1989, Belmondo met Nathalie Tardivel, who was 24 at the time; they officially married in 2002. On 13 August 2003, his fourth child, Stella Eva Angelina, was born. He was 70 at the time. In 2008, Belmondo and Tardivel divorced.
Jean-Paul Belmondo at the
1988 Cannes Film Festival.
Belmondo at the
2011 Cannes Film Festival.
Jean-Paul Belmondo at the
2011 Cannes Film Festival.
- Belmondo is saluted in a 1967 episode of the U.S. television sitcom Get Smart. In the episode "The Spirit is Willing" a top agent of the sinister spy agency KAOS is named Paul John Mondebello, an obvious alteration of Belmondo's name. He is also mentioned in a song about "Masculinity" in the play La Cage Aux Folles, and is mentioned in the Donovan song "Sunny South Kensington" on the Mellow Yellow album. A poster of him as "A bad guy, a good-looking bad guy" is in Rachel's apartment in "The Light of Day" by Graham Swift. In 1968 a Yugoslavian quartet "Kvartet 4M" recorded a song "Bebel" about him.
The book "Youth in Revolt" by author C.D. Payne and its sequels refer to Belmondo several times and at one point feature the main character going to Mexico and getting plastic surgery in order to resemble Belmondo.
|1956||Moliere||Le Merluche||Norbert Tildian||short film|
|1957||On Foot, on Horse, and on Wheels (À pied, à cheval et en voiture)||Venin||Maurice Delbez||A vehicle for Noel Noel; Belmondo's role cut from film|
|1958||Be Beautiful But Shut Up (Sois belle et tais-toi)||Pierrot||Marc Allegret||With Alain Delon|
|Young Sinners (Les tricheurs)||Lou||Marcel Carne|
|Sunday Encounter (Un drôle de dimanche)||Patrick||Marc Allegret||With Danielle Darrieux, Arletty|
|Les copains du dimanche (1958)||Trebois||Film shot to promote trade union movement|
|1959||Charlotte and Her Boyfriend (Charlotte et son Jules)||Jean||Jean-Luc Godard||Short film|
|An Angel on Wheels||Michel Barrot||Géza von Radványi||With Romy Schneider|
|The Three Musketeers||D'Artagnan||Claude Barma||For French TV|
|Web of Passion (À double tour, Leda)||Laszlo Kovacs||Claude Chabrol|
|1960||Breathless (À bout de souffle)||Michel Poiccard||Jean-Luc Godard||With Jean Seberg from a story by Francois Truffaut|
|The Big Risk ("Classe Tous Risques")||Eric Stark||Claude Sautet||With Lino Ventura|
|Seven Days... Seven Nights (Moderato cantabile)||Chauvin||Peter Brook||With Jeanne Moreau|
|Trapped by Fear (Les distractions)||Paul Frapier||Jacques Dupont|
|Love and the Frenchwoman (La française et l'amour )||Anthology film|
|Letters By a Novice (Lettere di una novizia)||Giuliano Verdi||Alberto Lattuada||Italian film|
|Two Women (La Ciociara)||Michele de Libero||Vittorio De Sica||With Sophia Loren|
|1961||The Lovemakers (La viaccia)||Amerigo||Mauro Bolognini||Italian film with Claudia Cardinale|
|Léon Morin, Priest (Léon Morin, prêtre)||Léon Morin||Jean-Pierre Melville||With Emmanuelle Riva|
|A Woman Is a Woman (Une femme est une femme)||Alfred Lubitsch||Jean-Luc Godard||With Anna Karina|
|Famous Love Affairs (Amours célèbres )||Lauzon||Michel Boisrond||Anthology film|
|A Man Named Rocca (Un nommé La Rocca)||Roberto La Rocca||Jean Becker||Later remade by Belmondo as Bad Luck|
|1962||The Finger Man (Le Doulos)||Silien||Jean-Pierre Melville|
|Swords of Blood (Cartouche)||Louis Dominique Bourguignon||Philippe de Broca||With Claudia Cardinale|
|A Monkey in Winter (Un singe en hiver)||Gabriel Fouquet||Henri Verneuil||With Jean Gabin|
|Un cœur gros comme ça (documentary "The Winner")||as himself||François Reichenbach|
|1963||Crazy Sea (Mare matto)||Il Livornese||Renato Castellani||Italian film with Gina Lollobrigida|
|Banana Peel (Peau de banane)||Michel Thibault||Marcel Ophüls||With Jeanne Moreau|
|Sweet and Sour (Dragées au poivre)||Raymond||Jacques Baratier|
|Magnet of Doom (L'Aîné des Ferchaux)||Michel Maudet||Jean-Pierre Melville||Partly shot in the USA|
|The Shortest Day (Il giorno più corto)||Erede Siciliano||Sergio Corbucci||Unbilled cameo|
|1964||That Man from Rio (L'Homme de Rio)||Adrien Dufourquet||Philippe de Broca|
|Greed in the Sun (Cent mille dollars au soleil)||Rocco||Henri Verneuil||With Lino Ventura|
|Backfire (Échappement libre)||David Ladislas||Jean Becker||Second film with Jean Seberg|
|Weekend at Dunkirk (Week-end à Zuydcoote)||Julien Maillat||Henri Verneuil||With Catherine Spaak|
|Male Hunt (La Chasse à l'homme)||Fernand||Édouard Molinaro|
|1965||Crime on a Summer Morning (Par un beau matin d'été)||Francis||Jacques Deray|
|Pierrot le fou||Pierrot (Ferdinand Griffon)||Jean-Luc Godard||With Anna Karina|
|Up to His Ears (Les Tribulations d'un Chinois en Chine)||Arthur Lempereur||Philippe de Broca||Follow up to That Man from Rio, with Ursula Andress|
|1966||Tender Scoundrel (Tendre Voyou)||Antoine Maréchal||Jean Becker|
|Is Paris Burning? (Paris brûle-t-il?)||Yvon Morandat||René Clément||Hollywood financed film|
|1967||Casino Royale||French Leggionnaire||Ken Hughes, John Huston and others||cameo role|
|The Thief of Paris (Le Voleur)||Georges Randal||Louis Malle||With Geneviève Bujold|
|1968||Ho!||François Holin||Robert Enrico||Based on novel by Jose Giovanni|
|1969||The Brain (Le Cerveau)||Arthur Lespinasse||Gérard Oury||With David Niven; most popular movie of the year in France|
|Mississippi Mermaid (La Sirène du Mississippi)||Louis Mahé||François Truffaut||With Catherine Deneuve|
|Love Is a Funny Thing (Un homme qui me plaît)||Henri||Claude Lelouch||Filmed in the USA|
|1970||Borsalino||François Capella||Jacques Deray||With Alain Delon|
|1971||The Married Couple of the Year Two (Les Mariés de l'an II)||Nicolas Philibert||Jean-Paul Rappeneau|
|The Burglars (The Burglars)||Azad||Henri Verneuil||With Omar Sharif, Dyan Cannon|
|1972||Scoundrel in White (Dr Popaul]]||Le docteur Paul Simay||Claude Chabrol||With Mia Farrow; also producer|
|Scoumoune (La Scoumoune)||Roberto Borgo||José Giovanni||With Clauda Cardinale|
|1973||The Inheritor (L'Héritier)||Bart Cordell||Philippe Labro|
|The Man from Acapulco (Le Magnifique)||François Merlin / Bob Saint-Clar||Philippe de Broca||With Jacqueline Bisset; also producer|
|1974||Stavisky||Alexandre Stavisky||Alain Resnais||Also producer|
|1975||Incorrigible (L'Incorrigible)||Victor Vauthier||Philippe de Broca||Also producer|
|The Night Caller (Peur sur la ville)||Jean Letellier||Henri Verneuil||First time Belmondo played a policeman; also producer|
|1976||Hunter Will Get You (L'Alpagueur)||Roger Pilard ("L'Alpagueur")||Philippe Labro||Also producer|
|Body of My Enemy (Le Corps de mon ennemi)||François Leclercq||Henri Verneuil||Also producer|
|1977||Animal (L'Animal)||Mike Gaucher / Bruno Ferrari||Claude Zidi||With Raquel Welch; also producer|
|1979||Cop or Hood (Flic ou voyou)||Antonio Cerutti / Stanislas Borowitz||Georges Lautner||Also producer|
|1980||Le Guignolo||Alexandre Dupré||Georges Lautner||Also producer|
|1981||The Professional (Le Professionnel)||Josselin Beaumont, a.k.a. "Joss"||Georges Lautner||Also producer|
|1982||Ace of Aces (L'As des as)||Jo Cavalier||Gérard Oury||Also producer|
|1983||Le Marginal||Philippe Jordan||Jacques Deray||Also producer|
|1984||The Vultures (Les Morfalous)||Pierre Augagneur||Henri Verneuil||Also producer|
|Happy Easter (Joyeuses Pâques)||Stéphane Margelle||Georges Lautner||Also producer|
|Hold-up||Grimm||Alexandre Arcady||Also producer; remade as Quick Change|
|1987||The Loner (Le Solitaire)||Stan Jalard||Jacques Deray||Also producer|
|1988||Itinéraire d'un enfant gâté||Sam Lion||Claude Lelouch||Also producer|
|Kean||Pierre Badel||Film of Jean Paul Satre play which Belmondo performed on stage|
|1990||Cyrano de Bergerac||Cyrano de Bergerac||Robert Hossein||Film of play which Belmondo performed on stage|
|Tom and Lola||Producer only|
|1992||Stranger in the House (L'inconnu dans la maison)||Georges Lautner||Also producer|
|1993||Tailleur pour dames||Bernard Murat||TV movie|
|Le nombril du monde||Producer only|
|1995||A Hundred and One Nights (Les Cent et Une Nuits de Simon Cinéma)||Professeur Bébel||Agnès Varda|
|Les Misérables||Henri Fortin / Jean Valjean||Claude Lelouch|
|1996||Désiré||Désiré||Bernard Murat||also producer|
|1997||La puce à l'oreille||Yves Di Tullio||Based on play by Georges Feydeau|
|1998||Half a Chance (Une chance sur deux)||Léo Brassac||Patrice Leconte||With Alain Delon|
|1999||Peut-être||Ako||Cédric Klapisch||with Gerard Depardieu|
|Frédérick ou le Boulevard du Crime||Bernard Murat||Recording of play by Eric-Emmanuel Schmitt starring Belmondo|
|2000||The Actors (Les Acteurs)||Himself||Bertrand Blier||documentary|
|Amazon||Edouard||Philippe de Broca|
|Toreros||Eric Barbier||Producer only|
|2001||Ferchaux||Paul Ferchaux||TV movie from novel by Georges Simeon|
|2009||A Man and His Dog ("Un homme et son chien")||Charles||Francis Huster|
- Bébel – Jean-Paul Belmondo Fanlisting
- Famous French people of immigrant origin, Eupedia : France Guide
- "Belmondo : "J'aimerais bien rejouer"". leparisien.fr. Le Parisien. 9 April 2015. Retrieved 24 July 2015.
- Beaucarnot, Jean-Louis; Dumoulin, Frédéric. Dictionnaire étonnant des célébrités. EDI8. ISBN 978-2754070522. Retrieved 24 July 2015.
- Schneider, PE (7 May 1961). "'A Punk With Charm': That role has made Belmondo a new rage". New York Times. p. SM84.
- Barry, Joseph (21 June 1964). "That Man Belmondo on a Movie Merry-Go-Round". New York Times. p. X7.
- Thompson, Howard (25 February 1961). "Jean-Paul Belmondo Displays Talent for a Variety of Roles: French Actor in 'Breathless' Is Slated to Depict Priest, Gigolo, Mountaineer and Factory Worker in New Films". New York Times. p. 12.
- Archer, Eugene (6 June 1965). "The Bogart of the 'Sixties". New York Times. p. X11.
- "1964 French box office". Box Office Story. Retrieved 28 August 2016.
- Blume, Mary (17 April 1968). "Belmondo Back on Film-Making Scene". Los Angeles Times. p. d12.
- "Dr Popaul box office information". Box Office story. Retrieved 28 August 2016.
- Riding, Alan (14 March 1990). "Belmondo Revels in Playing Cyrano in Paris: The archetypal hood plays a poet to sold-out houses.". New York Times. p. C13.
- "Décret du 14 mai 1994 portant promotion et nomination". JORF. 1994 (112): 7102. 15 May 1994. PREX9410898D. Retrieved 14 March 2009.
- "Décret du 6 avril 2007 portant promotion". JORF. 2007 (84): 6582. 8 April 2007. PREX0710141D. Retrieved 14 March 2009.
- Thomas Riggs (2000). Contemporary Theatre, Film and Television, Volume 31. Gale / Cengage Learning. p. 25. ISBN 0787646369.
- Earl Wilson (16 July 1972). It Happened Last Night. Sarasota Herald-Tribune.
- Mort de Laura Antonelli, star italienne des années 1970 et ex-femme de Jean-Paul Belmondo AlloCiné; 22 June 2015.
- The Complete Get Smart Guide – Episode Guides – Third Season
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