Les Diaboliques (film)
theatrical release poster
|Directed by||Henri-Georges Clouzot|
|Produced by||Henri-Georges Clouzot|
She Who Was No More|
|Music by||Georges Van Parys|
|Edited by||Madeleine Gug|
Gala Film Dists. (UK)
107 minutes (US, 1955)
Les diaboliques (French pronunciation: [lɛ djaboˈlik], released as Diabolique in the United States and variously translated as The Devils or The Fiends) is a 1955 French psychological thriller film directed by Henri-Georges Clouzot, starring Simone Signoret, Véra Clouzot, Paul Meurisse and Charles Vanel. It is based on the novel She Who Was No More (Celle qui n'était plus) by Pierre Boileau and Thomas Narcejac.
The story blends elements of thriller and horror, with the plot focusing on a woman and her husband's mistress who conspire to murder the man; after the crime is committed, however, his body disappears, and a number of strange occurrences ensue. The film was the 10th highest grossing film of the year with a total of 3,674,380 admissions in France.
Clouzot, right after finishing Wages of Fear, optioned the screenplay rights, preventing Alfred Hitchcock from making the film. This movie helped inspire Hitchcock's Psycho. Robert Bloch himself, the author of the novel Psycho, has stated in an interview that his all-time favorite horror film is Diabolique.
A second-rate boarding school in Saint-Cloud, Hauts-de-Seine, in the Paris metropolitan area, is run by the tyrannical and mean Michel Delassalle. The school is owned, though, by Delassalle's teacher wife, the frail Christina, who immigrated from Venezuela. Delassalle also has a relationship with Nicole Horner, another teacher at the school. Rather than antagonism, the two women are shown to have a somewhat close relationship, primarily based on their apparent mutual hatred of Michel, who is physically and emotionally abusive to both, as well as unkind to the children.
Unable to stand his mistreatment any longer, Nicole devises a plan to get rid of Michel forever. Though hesitant at first, Christina ultimately consents to help Nicole. Using a threatened divorce to lure Michel to Nicole's apartment building in Niort, a town several hundred kilometers away, Christina sedates him. The two women then drown him in a bathtub and, driving back to the school, dump his body in the neglected swimming pool. When his corpse floats to the surface, they think it will appear to have been an accident. Almost everything goes according to their plans until the body fails to surface. Michel's corpse is nowhere to be found when the pool is drained.
Nicole sees in the paper that the police have found the corpse. However, when Christina goes to the morgue, she finds it is not actually Michel's body. There she meets Alfred Fichet, a retired senior policeman now working as a private detective. He becomes involved in the case, much to Nicole's chagrin.
When Christina and Alfred come back, a boy is punished for breaking a window; the boy says it was Michel who punished him. After hearing this, Christina becomes very upset and is unable to join in the school photograph. When it is printed, somebody looking like Michel is seen at a window behind the group. Nicole becomes worried and leaves the school.
Christina, overcome by fear, tells Alfred everything. He does not believe her, but he investigates the pool. That night, Christina hears noises and wanders round the school. When she realizes that someone is following her, she runs back to her room. There she finds Michel's corpse submerged in the bathtub, which is full of water. Michel rises from the tub, and Christina, who was said to have a weak heart, has a heart attack and dies. It is then revealed that Michel and Nicole have set up Christina from the beginning, with Michel acting as dead to scare Christina to death. However, Alfred hears their celebration and figures out everything, telling them they will get 15 to 20 years, depending on their lawyer.
Some time later, the same boy who had earlier broken a window breaks another. When asked how he got his slingshot back, the boy says that Christina gave it to him. A final title screen tells the audience not to reveal the ending to others.
- Simone Signoret as Nicole Horner
- Susan Hayward, who wrote a book about the film, stated that the way Horner's students exit a classroom suggest that she is a tough disciplinarian, and contrasted this to the "unruly" manners M. Drain's and M. Raymond's students leave. She wears a "perfectly near white cardigan [shirt] with classical lines" and a black "pencil-line" dress that "restricts her leg movements."
- Nicole and Christina initially use the tu form of French, suggesting friendship.
- Véra Clouzot as Christina Delassalle
- Christina is in her mid-30s. Hayward stated that Christine wore a "lively" gingham summer dress with many petticoats underneath; the said dress moves according to the way her body does. Hayward stated that Christina's clothing, including the dress, a shawl, and braided hair indicated a "youthful, schoolgirly disposition", a sense of exoticness, hidden sexuality, and a desire to leave France. Hayward added that "Nicole and Michel noticeably treat [Christina] more like a child than a grown adult." Josélito, a Latin American student, gives Christina a fan, and Hayward argued that her acceptance of the fan was also a sign of a desire to leave France.
- Paul Meurisse as Michel Delassalle
- Charles Vanel as Alfred Fichet
- Jean Brochard as Plantiveau
- Pierre Larquey as M. Drain
- Michel Serrault as M. Raymond
- Thérèse Dorny as Mme. Herboux
- Noël Roquevert as M. Herboux
- Georges Poujouly as Soudieu
- Aminda Montserrat as Mme. Plantiveau
- Madeleine Suffel as la dégraisseuse
- Jean Témerson as le garçon d'hôtel
- Jacques Hilling as l'employé de l'institut médico-légal
- Robert Dalban as le pompiste
This section needs expansion. You can help by adding to it. (August 2015)
The film holds a 97% approval rate based on 36 reviews on the Rotten Tomatoes web site. In 1954 Les Diaboliques won the Louis Delluc Prize and the award for best foreign film at the New York Film Critics Circle Awards in 1955.
Legacy and remakes
The film created a sensation upon its original release. It has often been likened to the films of Alfred Hitchcock; some sources say that Alfred Hitchcock missed out on purchasing the rights to the Boileau and Narcejac novel by just a few hours, Clouzot getting to the authors first. The end credit contains an early example of an "anti-spoiler message." The film was a success at the box office, with 3,674,380 admissions in France alone.
The film gained additional press when, only five years after its release, Véra Clouzot died of a heart attack at age 46, somewhat mirroring her character in the film, who also had heart problems.
The 1967 film Games, written by Gene R. Kearney and directed by Curtis Harrington, and starring James Caan and Katharine Ross, has a different basic situation, but similar twists at the end, and again features Simone Signoret as the corrupt woman of mystery. British filmmaker Jimmy Sangster cited it as a major influence on his writing and directing, stating: "most of my 'psycho' type movies ... were derivative of each other and they all went back to my original inspiration: Les Diaboliques. I'm not the only one to follow that path. I guess I just did it more than most."
An American version of Les Diaboliques, titled Reflections of Murder, was made by ABC-TV in 1974 with Tuesday Weld, Joan Hackett, and Sam Waterston. In 1993, another made-for-television movie remake was made; this one was titled House of Secrets, and it starred Melissa Gilbert. In 1996, the film was remade again as Diabolique, adapted by Don Roos, directed by Jeremiah S. Chechik, and starring Sharon Stone and Isabelle Adjani in the leading female roles, with Chazz Palminteri as the husband and Kathy Bates as the detective.
The film was released on DVD by The Criterion Collection in July 1999 and was then re-released on DVD and Blu-ray in May 2011. The latter release features selected-scene commentary by French-film scholar Kelley Conway, a new video introduction by Serge Bromberg, and a new video interview with novelist and film critic Kim Newman.
- "The Fiends (Les Diaboliques)". British Film Institute. Retrieved 20 February 2018.
- Schneider 2007, p. 71.
- Crowther, Bosley (22 November 1955). "Diabolique". The New York Times. Retrieved 20 February 2018.
- "Les Diaboliques (1955)". JPBox Office. Depuis Juillet. 1998. Retrieved 22 December 2017.
- Hayward, Susan (2005). Les Diaboliques (Henri-Georges Clouzot, 1955). University of Illinois Press. p. 13. ISBN 978-0-252-03089-5.
- Hawkins, Joan. ""See it From the Beginning": Hitchock's Reconstruction of Film History". Framing Hitchcock: Selected Essays from the Hitchcock Annual: 382.
- "INTERVIEW WITH ROBERT BLOCH, Randy and Jean-Marc Lofficier". The Unofficial Robert Bloch Website. Retrieved October 23, 2010.
- Wood, Michael (2011-03-03). "At the Movies". 33 (5). London Review of Books: 23. Retrieved 2018-06-06.
- Hayward, p. 64.
- Hayward, p. 66-67.
- Hayward, p. 67.
- Hayward, p. 67.
- Hayward, p. 65-66.
- Diabolique (Les Diaboliques) (1954) at rottentomatoes.com
- Diabolique > Awards at allmovie.com
- François Truffaut, in his book-length interview Hitchcock/Truffaut (1967), suggested that Boileau and Narcejac then wrote D'Entre les Morts specifically for Hitchcock, who adapted the latter book for Vertigo (1958). However, Narcejac later refuted Truffaut's statement.
- "Diabolique (1955) - Articles - TCM.com". Turner Classic Movies. Retrieved 2017-01-24.
- Huckvale 2014, p. 11.
- "Diabolique". The Criterion Collection.
- Huckvale, David (2014). Hammer Films' Psychological Thrillers, 1950-1972. McFarland. ISBN 978-0-786-47471-4.
- Schneider, Steven Jay (2007). 100 European Horror Films. British Film Institute. ISBN 978-1-844-57164-2.
- Les Diaboliques on IMDb
- Les Diaboliques at AllMovie
- Les Diaboliques at Rotten Tomatoes
- Les Diaboliques at the TCM Movie Database
- Diabolique: Murder Considered as One of the Fine Arts an essay by Terrence Rafferty at the Criterion Collection
- Diabolique an essay by Danny Peary at the Criterion Collection