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Liquid Swords

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Untitled

Liquid Swords is the second solo studio album by American rapper and Wu-Tang Clan member GZA, released November 7, 1995, on Geffen Records. Recording sessions for the album began mid-way through 1995 at producer RZA's basement studio in Staten Island New York. The album heavily samples dialogue from the martial arts film Shogun Assassin and maintains a dark atmosphere throughout its course, while it incorporates lyrical references to chess, crime and philosophy. Though credited as a GZA album, Liquid Swords features numerous guest appearances from the entire nine piece Wu-Tang Clan.

Upon its release, Liquid Swords peaked at number nine on the Billboard 200 chart, and number two on the Top R&B/Hip-Hop Albums chart. On January 11, 1996, it was certified gold in sales by the Recording Industry Association of America (RIAA).[1] The album initially received favorable critical reviews for its lyrically complex and musically hypnotic style. Over the years, its recognition has enhanced, with a number of famous publishers proclaiming it as one of the greatest hip hop albums of all time. In 2007, the Chicago Tribune cited it as "one of the most substantial lyrical journeys in hip-hop history".[2] Along with Raekwon's Only Built 4 Cuban Linx..., Liquid Swords is often cited as the best solo Wu-Tang work. In 2010, GZA and RZA announced that they're working on a sequel to commemorate its 15th-year anniversary.

Conception

Background

Following the success of Wu-Tang Clan solo albums Tical and Return to the 36 Chambers: The Dirty Version, Wu-Tang member Raekwon began recording his acclaimed debut Only Built 4 Cuban Linx... in early 1995. While he and producer RZA were putting the final touches on that album, RZA and GZA began writing and recording what would eventually become Liquid Swords.[3] In regards to their decision to begin the album at the time they did, GZA later commented "We (Wu-Tang) were on a roll, and it was the perfect time to get in the studio and just do it."[4]

Recording

Similar to other early solo Wu-Tang albums, Liquid Swords was recorded in RZA's basement studio in Staten Island New York, with some beats playing for over two days straight while recording.[5] When asked in a later interview about his opinion of the album's beats, GZA remarked "I loved them. A lot of them had a grimy, rock-like feel to them. I just remember absolutely loving them."[4] In the same interview, GZA described the writing process as "real slow." He further commented "I don’t say slow in the sense that it necessarily took me a long time to finish what I’m writing. I mean, Raekwon and Ghostface can step in and record a song in about forty-five minutes. I on the other hand, would often go back and finish rhymes that I started. I would say I pieced things together more slowly then. Songs generally take me two to three days to write. Sometimes I take different sentences and put them together."[4]

Regarding the overall sensation of writing Liquid Swords, GZA stated "It's hard to say something is gonna be classic or not. But I can say that I felt the magic with this one. I actually saw it grow and come together, and felt that it was special as we were doing it."[4] GZA later noted in an interview with The Seattle Times:

"It has great songs, it's not an ignorant album, it doesn't sound dated. If you listen to it and compare it to what's out now, it's timeless. Lyrically, it's not my best work. Not at all. But the chemistry? Production? Overall, I mean, c'mon! RZA's atmospheric production? Yes. It's my best album."[5]

— GZA

Promotion

"Cold World"
The track features gritty, surreal lyrics, simple musical variation, and an eerie-sounding, RZA-produced beat.[6]
"4th Chamber"
The lyrically-raw track contains a electric guitar-laden beat and metaphysical imagery by Ghostface Killah.[6][7]
"I Gotcha Back"
The album's lead single has a looping, feverish horn line and lyrics about urban, criminal lifestyle.[7][8]
Problems playing these files? See media help.

The album's cover was designed by DC-Milestone Comics chief artist Denys Cowan, according to the album's liner notes,[9] and GZA's personal manager Geoffrey L. Garfield, who commissioned Cowan. Garfield, an avid comic book fan, said the cover art was supervised under the auspices of GZA GrafX, a subsidiary company of GZA Entertainment owned by Genius and Garfield. The concept of the chessboard with its sword-wielding warriors was conceived by Genius, an avid chess player. The Genius version of the Wu-Tang Clan logo, the "G" using the logo iconography, was rendered by Wu-Tang Clan DJ Mathematics who was also an accomplished graphic artist.[10]

Genius also enjoyed a successful side career as a music video director, and with Garfield as writer and producer, created all four videos for the Liquid Swords album ("Liquid Swords", "Cold World", "Shadowboxin'/4th Chamber", and "I Gotcha Back"),[11] and also did videos for Sunz of Man, Ghostface Killah's song ("Motherless Child") on the Sunset Park film soundtrack, Shabazz the Disciple (Penalty Records) and Case (Def Jam). The Source recognized their video "Shadowboxin'/4th Chamber" as one of the Top Five Videos of 1995.

Liquid Swords was performed in its entirety on July 13, 2007, at the Pitchfork Music Festival and again in England, on December 9 at All Tomorrow's Parties and on December 10 at KOKO (venue) in London, as part of the ATP-curated Don't Look Back series. After the cancellation of an appearance in Brooklyn, New York, the performance was rescheduled for December 13 and 14 at the Knitting Factory in New York.

Singles

Four total singles were released for Liquid Swords. The first of which was "I Gotcha Back," released August 22, 1994. Similar to Raekwon's single "Heaven & Hell," the song first appeared on the soundtrack for the movie Fresh, and was the first song written for the album. Describing the song's background and theme, GZA later stated "This was a short rhyme I wrote for one of my nephews. When I said, “My lifestyle so far from well, could’ve wrote a book called Age Twelve and Going Through Hell.” It’s for my nephew who was twelve at the time, and whose father, my brother, had been locked up since ‘88. So he wasn’t around for my nephew when times were rough, so I wanted to up my nephew a bit with this track. I had two nephews in the video, they were both real young at the time. And in video, they both had met up and shots rang out from some young gangsters. It’s a shame because both those kids in the video, both nephews of mine, ended up getting in trouble for ringing out shots and are both doing time right now. It’s kind of ironic. One of my nephews ended up getting eights years for that shit. So the whole song is a sad irony to me now."[11]

The second single released for the album, was the title track "Liquid Swords," released over one year later on October 10, 1995. GZA later commented "Usually I take a beat home and write to it for a few days, but it wasn’t like that with this track. I think RZA played the beat for me and I just spit to it right there. The hook was actually a routine from around ‘84 that me RZA and Ol' Dirty would do: 'When the emcees came, to live out the name.' Just like that."[4]

November 28, 1995 saw the release of the album's third single "Cold World." In regards to his writing approach to the song, GZA stated "Normally, when I hear a beat, I already know where to go with it. I can picture the track and just vibe off it. As soon as I heard the beat to “Cold World,” I knew it would be another inner-city story."[11]

The fourth and final single released for the album was "4th Chamber," released early 1996, with "Shadowboxin'" as its B-Side. GZA later remarked "Making “4th Chamber” was crazy because I didn’t have a rhyme ready for that one. That’s why I went last on it. Plus, Ghost killed it with his verse so I knew I had to come correct. It’s not even a GZA song to me—it’s a Wu-Tang song. And Ghost’s verse is just incredible to me. He delivered so well. I don’t know if you saw the video, I directed that too. This song, the guest verses, the video, the crowd response, all turned out perfect for this one."[11]

Reception

Professional ratings
Review scores
SourceRating
Allmusic[12]
The Chronicle(favorable)[13]
Entertainment Weekly(B+)[14]
Los Angeles Times[15]
NME(9/10)[16]
RapReviews(10/10)[6]
Rolling Stone[17]
San Diego Union-Tribune[18]
The Source[19]
Stylus Magazine(favorable)[7]

Upon its release, the critical response of Liquid Swords was almost universally positive. In his review for Entertainment Weekly, Dimitri Ehrlich rated the album a B+ and stated that "With its tight beat, Liquid Swords emphasizes the finesse with which GZA weaves his vocals over straightforward rhythms.[14] Selwyn Seyfu Hinds from The Source rated the album 4 out 5 mics, and wrote "GZA comes across like a highly focused master-graftsman. Throughout Liquid Swords he maintains a clear, precise flow, one that reflects deadly-sharp purpose and skilled execution." Hinds also praised the album's production stating "RZA's production continues to excite the spine. That's an astonishing fact when one considers the volume of work he's put out this year. Liquid Swords contains all the elements of RZA's increasingly sophisticated style: shuffling kicks, neck snapping snares, haunting melodies via strings or vibe-like textures and penetrating bass tones." He finally went on to say "If the Wu message hasn't been beamed into your brain, rest assured; the GZA will offer swift remedy and swifter understanding. Folks may as well hand the key over. Liquid Swords has officially put shit on lock."[19] L J'amal Walton from The Chronicle wrote a favorable review of the album stating "All the tracks are good. This is a CD that you can pop into the player without worrying about programming the CD player to skip bad tracks ... The GZA proves that he can hold his own with tracks like "Liquid Swords," "Labels," and "Gold."[13] Steve Huey from allmusic gave the album a maximum score of five stars, and stated:

"Often acclaimed as the best Wu-Tang solo project of all, Liquid Swords cemented the Genius/GZA's reputation as the best pure lyricist in the group — and one of the best of the '90s ... The Genius' eerie calm is a great match for RZA's atmospheric production, which is tremendously effective in this context; the kung fu dialogue here is among the creepiest he's put on record, and he experiments quite a bit with stranger sounds and more layered tracks. Not only is RZA in top form, but every Clan member makes at least one appearance on the album, making it all the more impressive that Liquid Swords clearly remains the Genius' showcase throughout. All of his collaborators shape themselves to his quietly intimidating style, giving Liquid Swords a strongly consistent tone and making it an album that gradually slithers its way under your skin ... it ranks with Enter the Wu-Tang (36 Chambers) and Raekwon's Only Built 4 Cuban Linx as one of the group's undisputed classics."[12]

— Steve Huey

Cheo H. Coker from Los Angeles Times rated Liquid Swords 3½ out of 4 stars, and wrote in his review "Like a hip-hop M.C. Escher, this Wu-Tang Clan member serves up urban tales that reveal layer after layer of thought with repeated listening. The head-banging "Gold," the hypnotic "4th Chamber" and the ice-smooth "Shadowboxing" add to the evidence that the Wu-Tang Clan are the kings of New York rap."[15] Chris Smith from Stylus Magazine wrote a favorable review of the album stating "like one who tries to catch lightning in a bottle again, they (Wu-Tang) never yet managed to make anything this memorable, otherworldly, and strangely beautiful again.[7] Christian Hoard from Rolling Stone rated the album 4 out of 5 stars, and stated that on the album GZA "... went goth, painting the Wu's street grime black."[17] In its "Back to the Lab" series, rapreviews.com's Steve Juon gave the album a perfect 10/10 rating, and stated that "On Liquid Swords you have an album of 100% Wu-Tang sonic mastery. A lot of good Wu-Tang Clan albums have been released over the years, both collectively and individually, but out of all the solo albums this may be the best – if not one of the top two or three."[6] As of January 2011, Liquid Swords was ranked the 69th best album of all-time on Rate Your Music, as well as the 4th best album of the 1990s.[20][21]

Sequel

A sequel to Liquid Swords was announced on April 27, 2010 on the official Wu-Tang Clan Facebook page, entitled Liquid Swords 2: The Return of the Shadowboxer. The album will be entirely produced by RZA and is set to be released sometime in 2011. On November 9, 2010 GZA announced on his facebook page that he is still currently writing and recording Liquid Swords 2.[22][23][24][25]

Track listing

Tracks #1–12 produced by RZA, track #13 – produced by 4th Disciple.
# Title Time Performer(s) Sample(s)[26][27]
1 "Liquid Swords" 4:31
  • Intro/chorus/backing vocals: RZA
  • Verses/chorus: GZA
2 "Duel of the Iron Mic" 4:06
  • "I'm Afraid the Masquerade Is Over" by David Porter
  • Dialogue from Shogun Assassin
3 "Living in the World Today" 4:23
  • Intro: RZA
  • Chorus/verses: GZA
  • Backing vocals: Method Man
4 "Gold" 3:57
  • Intro: Method Man
  • Verses/chorus: GZA
5 "Cold World" 5:31
  • Chorus: Life
  • First verse: GZA
  • Second verse: Inspectah Deck
6 "Labels" 2:54
  • Intro: RZA
  • Verses: GZA
  • Outro: GZA, Masta Killa
7 "4th Chamber" 4:37
  • "Groovin'" by Willie Mitchell
  • "Dharmatma Theme Music (Sad)" by Kalyanji Anandji
  • Dialogue from Shogun Assassin
  • "Assassin With Son" by Shogun Assassin soundtrack
8 "Shadowboxin'" 3:30
  • Intro/first verse/third verse: Method Man
  • Second verse: GZA
9 "Hell's Wind Staff / Killah Hills 10304" 5:09
10 "Investigative Reports" 3:50
  • Chorus: U-God
  • First verse: Raekwon
  • Second verse: GZA
  • Third verse: Ghostface Killah
11 "Swordsman" 3:21
  • GZA
12 "I Gotcha Back" 5:01
  • Chorus/backing vocals: RZA
  • Verses/chorus: GZA
  • "As Long As I've Got You" by The Charmels
  • Dialogue from Shogun Assassin
13 "B.I.B.L.E. (Basic Instructions Before Leaving Earth)" 4:33
  • Killah Priest

Track 13 was originally omitted from the vinyl and cassette versions, but present on the reissue and the CD.[28][29]

Personnel

Chart history

Album
Year Album Chart positions
Billboard 200 Top R&B/Hip-Hop Albums
1995 Liquid Swords #9 #2
Singles
Year Song Chart positions
Billboard Hot 100 Hot R&B/Hip-Hop Singles & Tracks Hot Rap Singles Hot Dance Music/Maxi-Singles Sales
1994 "I Gotcha Back" — — #29 #39
1995 "Cold World" #97 #57 #8 #8
"Liquid Swords" #48 #33 #3 #2
1996 "Shadowboxin'" #67 #41 #10 #9

Accolades

  • The information regarding accolades is adapted from acclaimedmusic.net,[30]except for lists with additional sources.
  • (*) signifies unordered lists
Publication Country Accolade Year Rank
About.com United States 100 Greatest Hip-Hop Albums[31] 2008 62
Best Rap Albums of 1995[32] 2008 3
Ego Trip Hip Hop's 25 Greatest Albums by Year 1980–98 1999 3
Face United Kingdom Albums of the year 1995 16
The Guardian 1000 Albums to Hear Before You Die 2007 *
Hervé Bourhis France 555 Records 2007 *
Hip-Hop Connection United Kingdom The 100 Greatest Rap Albums 1995–2005 2005 7
HUMO Belgium Albums of the Year 1995 13
Melody Maker United Kingdom Albums of the Year 1995 42
NME Albums of the Year 1995 30
OOR Netherlands Albums of the Year 1995 24
Pitchfork Media United States Top 100 Favorite Records of the 1990s 2003 87
Q United Kingdom Albums of the Year 1995 *
Robert Dimery United States 1001 Albums You Must Hear Before You Die 2005 *
Rolling Stone Top 25 Hip Hop Albums (by Chris Rock)[33] 2006 13
Select United Kingdom The 100 Best Albums of the 90s 2006 42
Albums of the Year 1995 36
The Source United States The 100 Best Rap Albums of All Time 1998 *
Stylus Magazine Top 101–200 Albums of All time 2004 137

Notes

  1. ^ RIAA Search. riaa.org. Retrieved 2010-07-31.
  2. ^ Baker, Soren. "All for One, One for All: Supergroup Wu-Tang Clan Let's Its Members Fly Solo": Chicago Tribune: 4. June 20, 1999.
  3. ^ Arnold, Paul W., et al. (May 2005). The Making Of Only Built 4 Cuban Linx. XXL. Retrieved 2010-07-31.
  4. ^ a b c d e Ma, David. The Making Of Liquid Swords (page 1)[dead link]. Wax Poetics. Retrieved 2010-07-31.
  5. ^ a b Matson, Andrew. Rapper GZA Riffs on the Thinking Man's Rap Masterpiece. The Seattle Times. Retrieved on 2009-08-03.
  6. ^ a b c d Juon, Steve 'Flash'. Review: Liquid Swords. RapReviews. Retrieved on 2009-08-03.
  7. ^ a b c d Smith, Chris. Review: Liquid Swords. Stylus Magazine. Retrieved on 2009-08-03.
  8. ^ Ling, Tony (August 4, 2008). Treble : Album Review : Genius/GZA – Liquid Swords. Treble. Retrieved on 2011-05-31.
  9. ^ Liquid Swords (Media notes). Geffen. 1995. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |bandname= ignored (help); Unknown parameter |publisherid= ignored (help)
  10. ^ RZA, The, 2005. P:63
  11. ^ a b c d Ma, David. The Making Of Liquid Swords (page 2)[dead link]. Wax Poetics. Retrieved 2010-07-31.
  12. ^ a b Huey, Steve. Review: Liquid Swords. Allmusic. Retrieved on 2009-08-03.
  13. ^ a b Walton, L. J'amal. "Review: Liquid Swords". The Chronicle: November 30, 1995. Archived from the original on 2009-12-26.
  14. ^ a b Ehrlich, Dimitri. Review: Liquid Swords. Entertainment Weekly. Retrieved on 2009-08-03.
  15. ^ a b Coker, Cheo H. Review: Liquid Swords. Los Angeles Times. Retrieved on 2009-08-03.
  16. ^ Columnist. "Review: Liquid Swords". NME: 46. November 11, 1995.
  17. ^ a b Hoard, Christian. "Review: Liquid Swords. Rolling Stone: 353–354. November 2, 2004.
  18. ^ Dalton, Jacob. Review: Liquid Swords. The San Diego Union-Tribune. January 11, 1996.
  19. ^ a b Hinds, Selwyn Seyfu. "Review: Liquid Swords". The Source: December 1995. Archived from the original on 2009-08-03.
  20. ^ "Rate Your Music's Top 100 Albums of All-Time". rateyourmusic.com. 2009-11-17. Retrieved 2009-11-26Template:Inconsistent citations{{cite web}}: CS1 maint: postscript (link)
  21. ^ "Rate Your Music's Top 100 Albums of the 1990s". rateyourmusic.com. 2009-11-17. Retrieved 2009-11-26Template:Inconsistent citations{{cite web}}: CS1 maint: postscript (link)
  22. ^ "Wu-Tang". Facebook. Retrieved 2011-08-16.
  23. ^ GZA Plots 'Liquid Swords 2': Inside Hip-Hop's Love Affair With Sequels. Rolling Stone. Retrieved 2010-07-15
  24. ^ "Wu-Tang Post on new album (GZA)". Facebook.com. Retrieved 2011-08-16.
  25. ^ "Second post by Wu-Tang about Liquid Swords 2". Facebook.com. Retrieved 2011-08-16.
  26. ^ "Hip Hop Is Read Presents: Liquid Swords The Samples December 2007". Hiphopisread.blogspot.com. Retrieved 2011-08-16.
  27. ^ http://www.whosampled.com/artist/GZA/ ↑ GZA's Sample-Based Music | WhoSampled
  28. ^ David Bertrand Wilson. "Wu-Tang Clan (and solo work)". Wilson & Alroy's Record Reviews. Retrieved 2008-08-30. The CD version has a bonus track, "B.I.B.L.E.," that later turned up on [Killah] Priest's solo album. {{cite web}}: External link in |work= (help)
  29. ^ Compare Genius/GZA* – Liquid Swords and GZA – Liquid Swords
  30. ^ Liquid Swords Album Accolades. acclaimedmusic.net. Retrieved 2010-05-04.
  31. ^ Adaso, Henry. About.com's 100 Greatest Hip-Hop Albums. About.com. Retrieved 2010-05-04.
  32. ^ Adaso, Henry. About.com's Best Rap Albums of 1995. About.com. Retrieved 2010-05-04.
  33. ^ "Top 25 Hip Hop Albums". Rateyourmusic.com. Retrieved 2011-08-16.

References

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