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List of drawings by Rembrandt

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The following is a list of drawings by Rembrandt that are generally accepted as autograph.

Image Title Year Technique Dimensions Gallery Commentary
Old Man Reading a Book c. 1628 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W27
Study of the legs of a seated woman c. 1628 Chalk 22.6 x 17.6 cm Rijksmuseum Amsterdam The drawing is related to the painting W37
The Raising of the Cross 1628-1629 Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink 19.3 x 14.8 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the painting W106
Two Sitting Figures c. 1628-1629 Black chalk 19.3 x 14.8 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the painting W23
Three Scribes c. 1628-1629 Pen, brush 22.6 x 17.6 cm Rijksmuseum Amsterdam The drawing is related to the painting W23
Old Man with Outspread Arms c. 1628-1629 ? ? Kupferstichkabinett, Dresden The drawing is related to the etching B095
Study for Judas Returning the Thirty Pieces of Silver c. 1628-1629 ? ? Private collection The drawing is related to the painting W23
Standing Beggar in Lost Profile c. 1628-1629 Pen 29.4 x 17 cm Rijksmuseum Amsterdam The drawing is related to the etching B162
Self-portrait with Open Mouth c. 1628-1629 Pen and brown ink with grey wash; ruled framing lines in the same brown ink 12.7 x 9.5 cm British Museum, London The drawing is related to the etching B013
Self-portrait c. 1629 Pen 12.7 x 9.4 cm Rijksmuseum Amsterdam The drawing is related to the etching B338
St. Paul in Meditation c. 1629 ? ? Musée du Louvre, Paris Indented for transfer to the etching B149
Diana at the Bath c. 1629 Black chalk with some light brown wash 18.1 x 16.4 cm British Museum, London Indented for transfer to the etching B201
Seated Old Man 1630 Red chalk on laid paper 15.7 x 14.7 cm National Gallery of Art, Washington Inscribed R 1630
The Entombment of Christ 1630 Red chalk, corrected with white 28.2 x 20.4 cm British Museum, London Inscribed 1630
Kneeling Man c. 1630 Red and black chalk 20.6 x 16.1 cm Musée du Louvre, Paris Related to lost painting reproduced in a print dated 1631 by Jan van Vliet
Seated Old Man c. 1630 Red and black chalk 14.5 x 14.3 cm Nationalmuseum, Stockholm The drawing is related to the etching B325
Bearded Old Man Seated in an Armchair 1631 Red chalk on paper 25 x 17 cm Private collection, New York Signed with the monogram RHL and dated 1631
Old Man Seated in an Armchair 1631 Red chalk, frame line: pencil 22.7 x 14.7 cm Teylers Museum, Haarlem Inscribed RHL 1631
Old Man with Clasped Hands, Seated in an Armchair c. 1631 ? ? Kupferstichkabinett Berlin Indented for transfer to the etching B291
Bust of a Bearded Old Man c. 1631 Red chalk, slightly touched with white chalk 11.4 x 9.1 cm Musée du Louvre, Paris The drawing is related to the etching B315
Violin Player and Woman c. 1631 ? ? Kupferstichkabinett Berlin The drawing is related to the etching B138
Lying Naked Woman c. 1632 Black and white chalk on paper 19.5 x 23.4 cm Nationalmuseum, Stockholm The drawing is related to the painting W130
Old Man Leaning on a Stick 1632–1635 Pen and brown ink 13.5 x 7.8 cm Metropolitan Museum of Art, New York The drawing is related to the etching B133
Study for Drunk Lot 1633 Black chalk on paper 25.1 x 18.9 cm Städel, Frankfurt am Main Inscribed Rembrandt f. / 1633
Portrait of Saskia as a Bride 1633 Silver pen on white-grounded parchment 18.5 x 10.6 cm Kupferstichkabinett Berlin Inscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633 (This was portrayed after my wife when she was 21 years old, the third day after we were married. June 8, 1633)
Woman Seated in an Armchair c. 1633 ? ? Kunsthalle Hamburg Considered to be a preparatory drawing for the painting W88b
Man Kneeling c. 1633 ? ? Städel, Frankfurt am Main The drawing is related to the etching B111
Entrance of a Cottage c. 1633 ? ? Kunsthalle Hamburg The drawing is related to the etching B090
Self-portrait c. 1633 ? ? Musée des beaux-arts de Marseille The drawing is related to the etching B017
Landscape with Two Cottages c. 1633 Silverpoint on prepared parchment 8.2 x 13.3 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the painting W206
Study for the Painting of St. John the Baptist Preaching c. 1633-1634 pen, brown ink and brown wash with white heightenings 14.5 × 20.4 cm Musée du Louvre, Paris The drawing is related to the painting W110
The Preaching of St. John the Baptist c. 1633-1634 ? ? Private collection The drawing is related to the painting W110
Three Studies of a Bowman c. 1633-1634 ? ? Nationalmuseum, Stockholm Inscribed on the reverse ...lderij 2 - 0 - 0 / 3 - 8 - 0 ... / 5 - 0 - 0. The drawing is related to the painting W110
Groups of Listeners c. 1633-1634 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W110
Studies for Groups and Figures c. 1633-1634 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W110
Two Studies of a Woman Seated on the Ground c. 1633-1634 ? ? Musée du Louvre, Paris The drawing is related to the painting W110
Bearded Old Man with a Fur Cap c. 1633-1634 ? ? Musée du Louvre, Paris The drawing is related to the painting W110
Two Men in Discussion, a Third Listening to Them c. 1633-1634 ? ? Chatsworth House The drawing is related to the painting W110
Sketch of a Bearded Old Man and Three Studies of Headgear c. 1633-1634 ? ? Chatsworth House The drawing is related to the painting W110
Portrait of a Man in an Armchair, Seen Through a Frame 1634 Black and red chalk, pen and wash in bistre, on vellum 37.3 x 27.2 cm Private collection, New York Inscribed Rembrandt f. 1634
Bearded Old Man 1634 ? ? Royal library, the Hague Inscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634
Jesus and his Disciples 1634 Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen 35.7 x 47.8 cm Teylers Museum, Haarlem Inscribed Rembrandt f. 1634
Bearded Old Man in a High Fur Cap c. 1634-1635 Pen and brown ink on 10.5 x 9.6 cm Morgan Library, New York The drawing is related to the painting W110
Two Studies of John the Baptist c. 1634-1635 red chalk on paper 18.2 x 17.4 cm Courtauld Gallery, London The drawing is related to the painting W110
The Last Supper, after Leonardo da Vinci 1634–1635 Red chalk 36.2 x 47.5 cm Metropolitan Museum of Art, New York Inscribed Rembrandt f.
Two Butchers at Work 1635 Pen and bistre 14.9 x 20 cm Städel, Frankfurt am Main Inscribed t vel daer aen ende voorts de rest bysleepende
The Angel Preventing Abraham from Sacrificing his Son, Isaac 1635 Red chalk over black chalk, with grey wash, on paper prepared with light brown wash 19.5 x 14.7 cm British Museum, London Regarded as a preparatory drawing for the painting W136
The Last Supper, after Leonardo da Vinci c. 1635 Red chalk, heightened with white, on paper 12.5 x 21 cm British Museum, London Inscribed R..b...dt
The Last Supper, after Leonardo da Vinci 1635 Pen and brown ink, wash, traces of white 12.8 x 38.5 cm Kupferstichkabinett Berlin Inscribed Rembrandt f. 1635
The Baptism of the Eunuch c. 1635 ? ? Staatliche Graphische Sammlung München Related to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631
The Lamentation over the Dead Christ c. 1635 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W113
Soldiers and Girls Carousing c. 1635 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W135
The Prodigal Son in the Tavern c. 1635 ? ? Städel, Frankfurt am Main The drawing is related to the painting W135
The Naughty Child c. 1635 Pen and brown ink on paper, brown wash 20,7 x 14,2 cm Kupferstichkabinett Berlin The drawing is related to the painting W137
The Abduction of Ganymede c. 1635 Pen and brush in brown 18,5 x 16,1 cm Kupferstichkabinett, Dresden Regarded as a preparatory drawing for the painting W137
Seated Old Woman, Full Length c. 1635 ? ? Ossolineum, Wrocław The drawing is related to the painting W173
Man in a Tall Fur Hat c. 1635 ? ? Städel, Frankfurt am Main The drawing is related to the etching B097
The Pancake Woman c. 1635 Pen 10.8 x 14.4 cm Rijksmuseum Amsterdam The drawing is related to the etching B124
Seated Woman with a Rolled-up Letter c. 1635 Pen and brown ink, washes in brown 24 x 19 cm Nationalmuseum, Stockholm The drawing is related to the etching B340
Four Studies of Saskia c. 1635-1636 Pen and brown ink, locally gray wash, corrected with white bodycolour 20 x 15 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the etchings B365, B367, B368
Self-portrait c. 1636 ? ? Kupferstichkabinett Berlin The drawing is related to the etching B019
Susannah and the Elders c. 1636 Sanguine on paper 23.5 x 26.4 cm Kupferstichkabinett Berlin Inscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ (f)ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 g
Old Man in a Turban, Drawn Twice c. 1636 ? ? Private collection The drawing is related to the painting W213
Head of an Oriental in a Turban c. 1636 ? ? Private collection The drawing is related to the painting W213
Old Man in a Turban c. 1636 Pen and iron-gall ink on paper tinted with a pale yellow wash 17.3 x 13.5 cm National Gallery of Victoria, Melbourne The drawing is related to the painting W213
Head of an Oriental in a Turban c. 1636 ? ? Musée du Louvre, Paris The drawing is related to the painting W213
Studies of a Woman with Two Children c. 1636 ? ? Peck Collection Inscribed een kindekin met een oudt jack op syn hoofdken
Jacob Being Shown Joseph's Bloody Cloak c. 1635-1637 ? ? Kupferstichkabinett Berlin The drawing is related to the etching B038
Joseph Distributing Corn in Egypt, after Pieter Lastman 1637 Black chalk 31,3 x 46,2 cm Albertina, Vienna Inscribed Rembrandt ft.
An Elephant 1637 Black chalk on paper 23,3 x 35,4 cm Albertina, Vienna Inscribed Rembrandt ft. 1637
Self-Portrait c. 1637 Red chalk 12.9 x 11.9 cm National Gallery of Art, Washington The drawing is related to the etching B002
Study of Russian Costume c. 1637 ? ? Morgan Library, New York Inscribed in ongenaeden synden en werden niet geschooren
Studies of Grieving Marys c. 1637 Pen in brown and red chalk 20.1 x 14.3 cm Rijksmuseum Amsterdam Inscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende siel
Paul and Barnabas at Lystra c. 1637 Sanguine 29.8 x 44.2 cm Musée Bonnat, Bayonne Inscribed een vrouw wijst op een jonck kind
The Lamentation at the Foot of the Cross c. 1637 Pen and brown ink and brown wash, with red and perhaps some black chalk 21.6 x 25.4 cm British Museum, London The drawing is related to painting W113
Joseph Telling his Dreams c. 1637 Red chalk 18 x 12.5 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the etching B037
Studies of a Woman Reading and an Oriental c. 1637 ? ? Private collection The drawing is related to the etching B037
Man Kneeling in Prayer; a Woman's Head с. 1637 Red chalk 18.3 x 15.8 cm Albertina, Vienna The drawing is related to the etchings B098 and B367
Solomon's Idolatry c. 1636-1638 Red chalk 48.5 x 37.6 cm Musée du Louvre, Paris The drawing is related to the painting W47
Eve Giving the Apple to Adam c. 1638 ? ? Private collection The drawing is related to the etching B028
Eve Giving the Apple to Adam c. 1638 ? ? Private collection The drawing is related to the etching B028
Saskia Sitting up in Bed c. 1638 Pen and brush in brown, corrected with opaque white, tinted paper 15 x 13.8 cm Kupferstichkabinett, Dresden The drawing is related to the etching B369
Saskia Asleep in Bed c. 1638 Pen and brown ink ? Ashmolean Museum, Oxford The drawing is related to the etching B369
Sick Woman Lying in Bed, Probably Saskia c. 1638 ? ? Petit Palais, Paris The drawing is related to the etching B369
Saskia in Bed c. 1635-1640 Pen and brown ink 8.4 x 10.4 cm British Museum, London The drawing is related to the etching B369
Portrait of Titia van Uylenburch 1639 Pen and brown ink, washes on brown paper 17.4 x 14.6 cm Nationalmuseum, Stockholm Inscribed Tijtsija van Ulenburch / 1639
Portrait of Baldassare Castiglione, after Raphael 1639 Pen and brown ink, white body colour 16.3 x 20.7 cm Albertina, Vienna Inscribed de Conten batasar de kastijlijone van raefael / verkoft voor 3500 gulden / het geheel cargesoen tot Luke van Nuffelen heeft gegolden f59456:- Ao 1639
Portrait of a Young Woman Holding Gloves c. 1639 Pen and brown iron-gall ink, with brown wash, heightened with white 16 x 12.9 cm British Museum, London Regarded as a preparatory drawing for the painting W184b
Woman in a Rich Dress and a Fur Hat, Seen from Behind c. 1639 ? ? Museum der bildenden Künste, Leipzig The drawing is related to the etching B109
The Artist Drawing from the Model c. 1639 Pen and brown iron-gall ink with brown wash and touched with white, on paper washed brown 18.8 x 16.4 cm British Museum, London The drawing is related to the etching B192
Study for a Presentation in the Temple c. 1639 Pen and dark bistre 18 x 19 cm Amsterdam Museum The drawing is related to the etching B049
Portrait of Cornelis Claesz Anslo 1640 Red chalk, heightened with white, on paper 15.7 x 14 cm British Museum, London Inscribed Rembrandt f. 1640. Indented for transfer to the etching B271
Portrait of Cornelis Claesz Anslo 1640 Red chalk, pen and wash in bistre, Indian ink, whity body colour 24.6 x 20.1 cm Musée du Louvre, Paris Inscribed Rembrandt f. 1640
Nude Man Kneeling c. 1640 ? ? Musée Bonnat, Bayonne The drawing is related to the etching B092
Sleeping Watchdog c. 1640 Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper 14.3 x 16.8 cm Museum of Fine Arts, Boston The drawing is related to the etching B158
Three Men Being Beheaded c. 1640 Pen and brown ink, corrected with white; framing lines in pen and brown ink 15.3 x 22.6 cm British Museum, London The drawing is related to the etching B092
Sketch of an Executioner c. 1640 Pen 15.6 x 20.1 cm Rijksmuseum Amsterdam The drawing is related to the etching B092
Bust of the Emperor Galba 1640-1641 Pen and bistre 14.2 x 9 cm Kupferstichkabinett Berlin Inscribed .alba
The Entombment of Christ c. 1640-1641 Pen 15.6 x 21 cm Rijksmuseum Amsterdam The drawing is related to the painting W162
The Passeerder Windmill in Amsterdam c. 1640-1641 ? ? Formerly Bremen, Kunsthalle The drawing is related to the etching B233
Two Men in Discussion, One in Oriental Dress 1641 Quill and reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper 22.9 x 18.5 cm Courtauld Gallery, London Inscribed Rembrandt f. 1641
Christ and the Woman Taken in Adultery c. 1639-1641 ? ? Musée du Louvre, Paris The drawing is related to the painting W47
Seated Old Woman, Half-length c. 1641 ? ? Courtauld Gallery, London The drawing is related to the painting W173
A Man Helping a Rider to Mount a Horse c. 1641 Pen 14.2 x 14.9 cm Rijksmuseum Amsterdam The drawing is related to the painting W153
Windmill on the Bastion Blauwhoofd in Amsterdam c. 1641 Oiled charcoal on brown tinted paper, framing lines with the pen in brown ink, gone over in pencil on the right side 16.6 x 27.5 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the etching B233
Studies of an Officer, an Oriental and a Man in High Cap c. 1641-1642 Pen 21.2 x 13.4 cm Musée du Louvre, Paris The drawing is related to the painting W190
Two Jews in Discussion, Walking 1641-1642 Black chalk, pen and brown 9.7 x 8.4 cm Teylers Museum, Haarlem Inscribed …/ …samson/ sijnd troni/ een(?) die een pijl wtreckt over/ … schouder
Figure Studies c. 1642 ? ? Rembrandthuis, Amsterdam The drawing is related to the etching W120
Two Women Walking (Ruth and Naomi?) c. 1642 ? ? Royal Museums of Fine Arts of Belgium, Brussels The drawing is related to the etching W120
Cottage Near the Edge of a Wood 1644 Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage) 29.9 x 45.5 cm Metropolitan Museum of Art, New York Inscribed Rembrandt f. 1644
Satire on Art Criticism 1644 Pen and brown ink corrected with white 15.5 x 20.1 cm Metropolitan Museum of Art, New York Inscribed den tijd 16[4?]4 / dees ... van d kunst / is .ooting gunst ... Houdlos... / i ind. dat...
Jacob's Dream c. 1644 ? ? École des Beaux-Arts, Paris Inscribed in ongenaeden synden en werden niet geschooren
Posthumous Portrait of the Preacher Jan Cornelisz. Sylvius 1644-1645 ? ? National Gallery of Art, Washington Inscribed den een on … sijden … ofte … /near Chrisstum gaenden
Young Woman Looking out of a Window c. 1645 ? ? Courtauld Gallery, London The drawing is related to the painting W200
Sheet of Studies, with a Woman Teaching a Child to Walk c. 1646 Pen and brown ink 16 x 16.5 cm Nationalmuseum, Stockholm The drawing is related to the etching B194
Jan Cornelisz Sylvius c. 1646 Pen and brown ink 14 x 11.6 cm Nationalmuseum, Stockholm The drawing is related to the etching B280
Jan Cornelisz Sylvius c. 1646 Pen and brown ink, with white heightening 28.5 x 19.5 cm British Museum, London The drawing is related to the etching B280
The Star of the Kings 1645-1647 Pen and brown ink with (on the recto only) brown wash mixed with some white bodycolour; framing line in pen and brown ink (right side only). 20.4 x 32.3 cm. British Museum, London Inscribed Rembrandt f.
Jan Six 1647 ? ? Six Collection, Amsterdam Indented for transfer to the etching B285
Jan Six in Hat 1647 ? ? Amsterdam Museum The drawing is related to the etching B285
Jan Six with a Dog 1647 Pen and wash? white body colour 22 x 17.5 cm Six Collection, Amsterdam The drawing is related to the etching B285
Study for a Susanna c. 1647 Black chalk and brush on paper 20.3 x 16.4 cm Kupferstichkabinett Berlin The drawing is related to the painting W213
Two Sick Women c. 1645-1649 Pen 10.1 x 12.2 cm Rijksmuseum Amsterdam The drawing is related to the etching B074
Head of a Sick Woman c. 1645-1649 ? ? Rijksmuseum Amsterdam The drawing is related to the etching B074
Man Standing, a Cap in his Outstretched Right Hand c. 1645-1649 ? ? Courtauld Gallery, London The drawing is related to the etching B074
Blind Old Man Guided by a Woman c. 1645-1649 ? ? Musée du Louvre, Paris The drawing is related to the etching B074
Study for the Group of the Sick c. 1645-1649 ? ? Kupferstichkabinett Berlin The drawing is related to the etching B074
Study of a Seated Beggar Woman, Supplicating c. 1645-1649 ? ? Private collection The drawing is related to the etching B074
Old Man with a Fur Cap c. 1645-1649 ? ? Private collection The drawing is related to the etching B074
Study for the Hundred-guilder Print c. 1645-1649 ? ? Musée du Louvre, Paris The drawing is related to the etching B074
The Amsteldijk at Meerhuizen, Looking Towards The Little Windmill c. 1649-1650 ? ? Musée du Louvre, Paris Inscribed on the reverse: Dees tekeningh vertoont de buiten amstelkant / Soo braaf getekent door heer rembrandts eygen hant / PKo (This drawing depicts the Buiten-Amstel, most able drawn by Master Rembrandt's own hand. P[hilips] Ko[ninck]).
St. Jerome Reading in an Italian Landscape c. 1650 Reed pen and wash 25 x 20.7 cm Kunsthalle Hamburg The drawing is related to the etching B104
Farm Buildings Near a Canal c. 1650 Pen and dark greyish brown ink with greyish brown wash on grey paper 11.6 x 12.2 cm British Museum, London The drawing is related to the etching B213
Cottage on the Diemerdijk, Looking East c. 1650 ? ? Ashmolean Museum, Oxford The drawing is related to the etching B213
Landscape with the House with the Little Tower c. 1650 Pen and brown ink, brush and brown wash 9.7 x 21.4 cm J. Paul Getty Museum, Los Angeles The drawing is related to the etching B235
View of Haarlem with the Saxenburg Estate in the Foreground c. 1650-1651 Pen and brown ink, brown wash, heightened with white 8.9 x 15.2 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the etching B234
Landscape with a Farmhouse and a Hay Barn c. 1650-1652 Pen, brown ink and brownish wash on light brown paper 8.8 x 17.3 cm National Gallery of Denmark, Copenhagen The drawing is related to the etching B224
Farmstead with Adjoining House c. 1650-1652 ? ? Private collection The drawing is related to the etching B224
Farmhouse beneath Trees, with a Footbridge c. 1650-1652 Reed pen and brown ink, grey wash, some white highlighting on brownish paper 15.7 x 18.1 cm Fitzwilliam Museum, Cambridge The drawing is related to the etching B222
Susanna and the Elders c. 1650-1652 Brush 20.1 x 18.8 cm Rijksmuseum Amsterdam The drawing is related to the painting W213
Homer Reciting Verses 1652 ? ? Six Collection, Amsterdam Inscribed Rembrandt aen Joannes Sicx. 1652
Minerva in her Study 1652 ? ? Six Collection, Amsterdam Inscribed Rembrandt f. 1652
The Ruins of the Old City Hall in Amsterdam (After the Fire) 1652 ? ? Rembrandt House Museum, Amsterdam Inscribed vand waech afte sien stats huis van Amsteldam doent afgebrandt was den 9 Julij 1652. Rembrandt
View at the Inn Huis te Vraag с. 1652 ? ? Present location unknown The drawing is related to the etching B221
Bust of Andrea Doria 1653 ? ? Kupferstichkabinett Berlin Inscribed ANDREAS D. AVREA Hartog van S[tad] genuwa
The Calumny of Apelles, after Mantegna c. 1652-1654 Pen and brown ink, with brown wash, on grey-brown prepared paper 26.3 x 43.2 cm British Museum, London Inscribed CaLomnia d'apella / Inocenv[v=s]ia / Susp[ic]ione / I[g]nora[n]cia / acnoni / Ins[s=v]idia / Penitencia / Veritas
River with Trees 1654-1655 ? ? Musée du Louvre, Paris Inscribed on reverse [om te] etsen witten tarpentyn oly / [daer] toe de helft tarpentyn / tesaemen in een glaesen flesken gedaen en / flesken in suver[?] waeter een ha[lf] [uu]r laeten kooken
Jupiter with Philemon and Baucis 1655 ? ? Kupferstichkabinett Berlin Inscribed d'ouden filemon onvan[g]t mes ind[e] mon en dHaend op de vloer omgeswicht
The Anatomy Lecture of Dr. Jan Deyman 1656 ? ? Amsterdam Museum Study for a frame for the painting W246
Four Orientals Seated under a Tree c. 1656 Pen and brown ink with brown and grey wash, touched with white and with some scraping-out, on oriental paper prepared with pale brown wash 19.4 x 12.4 cm British Museum, London The drawing is related to the etching B029
The Emperor Akbar and his Son Selim in Apotheosis c. 1656 Pen and brown ink, brown wash, corrected with white bodycolour 21.2 x 17.4 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the etching B029
Christ Comforted by the Angel c. 1657 ? ? Kunsthalle Hamburg The drawing is related to the etching B075
The Agony in the Garden c. 1657 Brown ink; brown wash; paper 19.6 x 19 cm Fitzwilliam Museum, Cambridge The drawing is related to the etching B075
Lieven Willemsz. van Coppenol c. 1658 ? ? Museum of Fine Arts (Budapest) The drawing is related to the etching B282
Christ and the Woman Taken in Adultery 1659-1660 ? ? Staatliche Graphische Sammlung München Inscribed on an attached strip of paper soo jachtich om Christus in zijn antwoordt te verschalken konden schrifterlick antw[oord] niet afwachten
The Blind Belisarius Receiving Alms c. 1660 ? ? Kupferstichkabinett Berlin Inscribed erbarmt u over den armen bellisaro die nochtans wel was in groot aensien door syn manhaftijge daden en door de jalousij is verblindt
Walking Man in a High Cap c. 1660 Pen 14.7 x 6.2 cm Rijksmuseum Amsterdam The drawing is related to the painting W320
Self-portrait с. 1660 Pen and black-brown ink, brush in gray, white blush on sepia paper 8.2 x 7.1 cm Albertina, Vienna The drawing is related to the painting W281
Simeon's Song of Praise 1661 ? ? Royal library, the Hague Inscribed Rembrandt f. 1661
The Conspiracy of Claudius Civilis 1661 ? ? Staatliche Graphische Sammlung München The drawing is related to the painting W298
A Child Being Taught to Walk c. 1660-1662 Pen and brown ink on brownish-cream paper 9.3 x 15.4 cm British Museum, London Inscribed on reverse 'dit voor af te vragen / [vr]agen aen ons beijde oft wijt an de Heeren / [g?]oede mannen willen laten ver blijben / dan tijssen te vragen of Hij niet een / beijden d schilderien gelieft opgemaeckt te hebben / geen van beijden begerende.'
Three Syndics of the Clothmakers' Guild c. 1661-1662 ? ? Kupferstichkabinett Berlin The drawing is related to the painting W299
Study of a Syndic, Jacob van Loon c. 1661-1662 Pen and brush in brown, corrections with white 19.5 x 16 cm Rijksmuseum Amsterdam The drawing is related to the painting W299
Study for One of the Syndics, Volckert Jansz. c. 1661-1662 Reed pen and brush in brown ink, brown wash, corrected and heightened with white, on cashbook paper 22.5 x 17.5 cm Museum Boijmans Van Beuningen, Rotterdam The drawing is related to the painting W299
Isaac and Rebecca c. 1662 ? ? Private collection The drawing is related to the painting W312
A coach c. 1660-1663 Pen and brown ink with greyish brown wash 19.3 x 25.4 cm British Museum, London The drawing is related to the painting W303
Homer Dictating to a Scribe c. 1663 Pen, brush and brown ink, heightened with white 14.8 x 17 cm Nationalmuseum, Stockholm The drawing is related to the painting W301

See also

Sources

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