List of works about Rembrandt

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The sculptures of The Night Watch in 3D at the Rembrandtplein in Amsterdam in 2006–2009

Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous[1][2][3][4][5][6][7][8] and best expertly researched artists in history.[9] His life and art have long attracted the attention of multidisciplinary scholarship such as art history, social history, cultural history, history of ideas, education, humanities, aesthetics, philosophy, psychology, anatomy, medicine, religious studies, theology, Jewish studies, and art market research. In Rembrandt scholar Stephanie Dickey's words, he "earned international renown as a painter, printmaker, teacher, and art collector while never leaving the Dutch Republic. In his home city of Leiden and in Amsterdam, where he worked for nearly forty years, he mentored generations of other painters and produced a body of work that has never ceased to attract admiration, critique, and interpretation. (...) Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from toothpaste to self-help advice."[9]

As a visual artist in general and an Old Master in particular, Rembrandt (i.e. his life, art, and circle) has been the subject of a vast amount of literature, including works of fiction and non-fiction. The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers) — as an academic field in its own right with many notable Rembrandt connoisseurs and scholars — has been one of the most dynamic research areas of Netherlandish art (a.k.a. art of the Low Countries) history.[10][11]

The following is a list of works about Rembrandt.

Non-fiction[edit]

Books, dissertations and theses[edit]

General[edit]

  • Chu, Petra Ten-Doesschate: French Realism and the Dutch Masters: The Influence of Dutch Seventeenth-Century Painting on the Development of French Painting between 1830 and 1870. (Utrecht: Haentjens Dekker & Gumbert, 1974)
  • Fleischer, Roland E.; Munshower, Susan Scott (eds.): The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting. (University Park, PA: University of Pennsylvania Press, 1988)
  • Franits, Wayne (ed.): Ashgate Research Companion to Dutch Art of the Seventeenth-Century. (Burlington, VT: Ashgate, 2016)
  • Freedberg, David; de Vries, Jan (eds.): Art in History, History in Art: Studies in Seventeenth-century Dutch Culture. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991)
  • Hammer-Tugendhat, Daniela: Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts. (Köln / Weimar / Wien: Böhlau, 2009, ISBN 978-3-412-20446-4) [in German]
  • Hammer-Tugendhat, Daniela: The Visible and the Invisible: on Seventeenth-century Dutch Painting. Translated from German by Margarethe Clausen. (Berlin: De Gruyter, 2015)
  • Hirschfelder, Dagmar: Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts. (Berlin: Gebr. Mann Verlag, 2008, ISBN 978-3-7861-2567-9) [in German]
  • Hirschfelder, Dagmar; Krempel, León (eds.): Tronies. Das Gesicht in der Frühen Neuzeit. (Berlin: Gebr. Mann Verlag, 2014, ISBN 978-3-7861-2694-2) [in German]
  • Houbraken, Arnold: De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen, 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976) [in Dutch]
  • Montias, John Michael: Art at Auction in 17th Century Amsterdam. (Amsterdam: Amsterdam University Press, 2002)
  • Morgenstein, Susan W.; Levine, Ruth L.: The Jews in the Age of Rembrandt. (Rockville, MD: The Judaic Museum of the Jewish Community Center of Greater Washington, 1981)
  • Muller, Sheila D. (ed.): Dutch Art: An Encyclopedia. (New York: Garland Pub., 1997, ISBN 0-8153-0065-4)
  • Nevitt, Jr., H. Rodney: Art and the Culture of Love in Seventeenth-Century Holland [Studies in Netherlandish Visual Culture, 2]. (Cambridge/New York: Cambridge UP, 2002, ISBN 0-521-64329-5)
  • Pescio, Claudio: Rembrandt and Seventeenth-Century Holland. Translated by Simon Knight. (New York: Peter Bedrick Books, 1995)
  • Quodbach, Esmée (ed.): Holland's Golden Age in America: Celebrating the Art of Rembrandt, Vermeer, and Hals. (University Park, PA: Pennsylvania State University Press, 2014)
  • Riegl, Alois: The Group Portraiture of Holland. Introduction by Wolfgang Kemp, translated from the German by Evelyn M. Kain and David Britt. (Los Angeles, California : Getty Research Institute for the History of Art and the Humanities, 1999)
  • Silver, Larry: Rembrandt's Holland [Renaissance Lives]. (Reaktion Books, 2018, ISBN 978-1780238470)
  • Sitt, Martina; et al.: Pieter Lastman. In Rembrandts Schatten? [exh. cat.]. (Hamburg: Hamburger Kunsthalle; Munich: Hirmer Verlag, 2006, ISBN 978-3-7774-2985-4) [in German]
  • Sluijter, Eric Jan; et al.: Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630–1760. (Leiden: Stedelijk Museum De Lakenhal, 1988) [in Dutch]
  • Turner, Jane: Rembrandt to Vermeer: 17th-Century Dutch Artists [Grove Dictionary of Art]. (New York: St. Martin's Press, 2000)
  • Von Bode, Wilhelm: Studien zur Geschichte der holländischen Malerei [Studies in the history of Dutch painting]. (Brunswick: Friedrich Viewege, 1883) [in German]
  • Weststeijn, Thijs; van den Doel, Marieke; van Eck, Natasja; Korevaar, Gerbrand; Tummers, Anna (eds.): The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Essays for Ernst van de Wetering. (Amsterdam: Amsterdam University Press, 2005, ISBN 90-5356-713-5)
  • Wheelock, Arthur K. Jr.; Baer, Ronni (eds.): Gerard Dou, 1613–1675: Master Painter in the Age of Rembrandt. (New Haven, CT: Yale University Press, 2002)
  • Yeazell, Ruth Bernard: Art of the Everyday: Dutch Painting and the Realist Novel. (Princeton, NJ: Princeton University Press, 2008, ISBN 978-0-691-12726-2)
  • Zumthor, Paul: Daily Life in Rembrandt's Holland. Translated from the French by Simon Watson Taylor. (London: Weidenfeld and Nicolson, 1962)

Biography[edit]

  • Bell, Malcolm: Rembrandt van Rijn and His Work. (London: G. Bell, 1899)
  • Blankert, Albert (ed.): Rembrandt: A Genius and His Impact. (Melbourne: National Gallery of Victoria, 1997)
  • Bockemühl, Michael: Rembrandt. (Köln: Taschen, 2001)
  • Boeck, Wilhelm: Rembrandt. (Stuttgart: W.Kohlhammer Verlag, 1962) [in German]
  • Bolten, J.; Bolten-Rempt, H.: The Hidden Rembrandt. Translated from the Dutch by Danielle Adkinson. (Chicago, IL: Rand McNally & Co., 1977)
  • Brion, Marcel: Rembrandt. (Albin Michel, 1946) [in French]
  • Brons, Ingrid S.; Postma, Annemarie (eds.): Rembrandt in Leiden. Portret van een schildersjongen en zijn stad [Rembrandt in Leiden. A young painter and his city]. ('s-Hertogenbosch: Uitgeverij Heinen, 2006, ISBN 90-77721-73-8) [in Dutch]
  • Bréal, Auguste: Rembrandt: A Critical Essay. (London: Duckworth, 1902)
  • Brown, Gerard Baldwin: Rembrandt: A Study of His Life and Work. (London, 1907)
  • Cabanne, Pierre: Rembrandt [Profils de l'art]. (Paris: Chêne, 1991) [in French]
  • Fowkes, Charles: The Life of Rembrandt. (London: The Hamlyn Publishing Group, 1978)
  • Haak, Bob: Rembrandt, zijn leven, zijn werk, zijn tijd. (Amsterdam, 1968) [in Dutch]
  • Haak, Bob: Rembrandt: His Life, His Work, His Times. Translated from the Dutch by Elizabeth Willems-Treeman. (New York: Harry N. Abrams, 1969)
  • Kitson, Michael: Rembrandt, 3rd ed. (Oxford: Phaidon, 1982)
  • Knuttel, Gerhardus: Rembrandt, de meester en zijn werk. (Amsterdam: Ploegsma, 1956) [in Dutch]
  • Mee, Charles L.: Rembrandt's Portrait: A Biography. (New York: Simon & Schuster, 1990)
  • Michel, Émile: Rembrandt. Sa vie, son œuvre et son temps. (Paris: Hachette, 1893) [in French]
  • Michel, Émile: Rembrandt, His Life, His Work, and His Time, 2 vols. Translated from the French by Florence Simmonds. (London: Heinemann, 1894)
  • Muller, Joseph-Emile: Rembrandt. (Paris: Aimery Somogy; London: Thames & Hudson, 1968)
  • Neumann, Carl: Rembrandt. (Berlin: Spemann, 1902) [in German]
  • Partsch, Susanna: Rembrandt. (London: Weidenfeld and Nicolson, 1991)
  • Pächt, Otto: Rembrandt. (Munich: Prestel Verlag, 1991) [in German]
  • Roger-Marx, Claude: Rembrandt. (Paris: Pierre Tisné Éditeur, 1960) [in French]
  • Roger-Marx, Claude: Rembrandt. Translated W.J. Strachan and Peter Simmons. (New York: Universe Books, 1960)
  • Schmidt-Degener, F.: Rembrandt. Een beschrijving van zijn leven en zijn werk. (Amsterdam, 1906) [in Dutch]
  • Schwartz, Gary: De Grote Rembrandt. (Zwolle: Waanders, 2006) [in Dutch]
  • Schwartz, Gary: Rembrandt's Universe: His Art, His Life, His World. (London: Thames & Hudson, 2006)
  • Schwartz, Gary: Meet Rembrandt: Life and Work of the Master Painter. (New Haven, CT: Yale University Press, 2010)
  • Van Loon, Hendrik Willem: The Life and Times of Rembrandt van Rijn. (Garden City, 1930; Liveright, 1943)
  • Verhaeren, Émile: Rembrandt, biographie critique. (Paris: H. Laurens, 1905) [in French]
  • Veth, Jan: Rembrandts leven en kunst. (Amsterdam: H. J. W. Becht, 1941) [in Dutch]
  • Von Sandrart, Joachim; Baldinucci, Filippo; Houbraken, Arnold: Lives of Rembrandt [Lives of the Artists]. Introduced by Charles Ford. (J. Paul Getty Museum, 2018, ISBN 978-1606065624)
  • Vosmaer, Carel: Rembrandt Hannensz van Ryn, sa vie et ses oeuvres. (The Hague, 1868) [in French]
  • Weisbach, Werner: Rembrandt. (Berlin: Walter de Gruyter, 1926) [in German]
  • Westermann, Mariët: Rembrandt. (London: Phaidon, 2000)
  • White, Christopher: Rembrandt and His World. (London: Thames and Hudson, 1964)
  • White, Christopher: Rembrandt. (New York: Thames & Hudson, 1984)
  • Wright, Christopher: Rembrandt and His Art. (London/New York, 1975)
  • Wright, Christopher: Rembrandt. [Trad. de l'anglais par Paul Alexandre]. (Paris: Citadelles & Mazenod, 2000) [in French]

Exhibition catalogue[edit]

  • Abbing, Michiel Roscam: The Treasures of Rembrandt. (London: Carlton Publishing Group, 2006)
  • Baer, Ronni: Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. With essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Translated by Diane Webb. (Boston: Museum of Fine Arts, 2015, ISBN 978-0-87846-830-0)
  • Bevers, Holm: Rembrandt: Die Zeichnungen im Berliner Kupferstichkabinett [Kritischer Katalog]. (Ostfildern: Staatliche Museen zu Berlin, 2006) [in German]
  • Bevers, Holm; Kettner, Jasper; Metze, Gudula (eds.): Rembrandt. Ein Virtuose der Druckgraphik. (Kupferstichkabinett, Staatliche Museen zu Berlin, 2006) [in German]
  • Bialostocki, Jan; et al.: Jan Lievens. Ein Maler im Schatten Rembrandts. (Braunschweig: Herzog Anton Ulrich Museum, 1979) [in German]
  • Bikker, Jonathan; Weber, Gregor J. M.; et al.: Rembrandt: The Late Works [National Gallery London]. (London: The National Gallery, 2014, ISBN 978-1857095579)
  • Bisanz-Prakken, Marian: Drawings from the Albertina: Landscape in the Age of Rembrandt. (Alexandria, VA: Art Services International, 1995)
  • Bisanz-Prakken, Marian: Rembrandt and His Time: Masterworks from the Albertina. (New York: Hudson Hills Press, 2005)
  • Black, Peter; Hermens, Erma: Rembrandt and the Passion. (Munich: Prestel, 2012)
  • Blankert, Albert (ed.): Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt [exh.cat.]. (Washington: National Gallery of Art, 1980)
  • Bomford, D.; Brown, C.; Roy, A.: Art in the Making: Rembrandt. (London: National Gallery, 1988)
  • Bull, Duncan; Dibbits, Taco; et al.: Rembrandt – Caravaggio [exh. cat.]. (Amsterdam: Rijksmuseum, 2006)
  • Clark, Kenneth; Ilchman, Frederick; Rosand, David: Rembrandt and the Venetian Influence. (New York: Salander-O'Reilly Galleries, 2000)
  • Cooper, Tarnya; Bolland, Charlotte: The Encounter: Drawings from Leonardo to Rembrandt. (London: National Portrait Gallery, 2017)
  • De Witt, David; Noorman, Judith (eds.): Rembrandt's Naked Truth: Drawing Nude Models in the Golden Age [exh. cat., Rembrandt House Museum, Amsterdam]. (Zwolle, 2016)
  • Dickey, Stephanie: Dutch Painting in the Age of Rembrandt from the Metropolitan Museum of Art. Introduction by Susan D. Kuretsky [Exhibition catalogue]. (Hamilton, N.Y.: Picker Art Gallery, Colgate University, 1983)
  • Döring, Thomas; Bungarten, Gisela; Page, Christiane: Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts [From Rembrandt's Circle: Drawings from the Brunswick-Printroom]. (Petersberg: Michael Imhof Verlag, 2006) [in German]
  • Duparc, Frederik J.: Landscape in Perspective: Drawings by Rembrandt and His Contemporaries. (Cambridge, Mass.: Arthur M. Sackler Museum, 1988)
  • Eissenhauer, Michael (ed.): Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie. (München: Hirmer, 2006, ISBN 978-3-7774-2995-3)
  • Ganz, James A.: Rembrandt's Century. (Prestel, 2013, ISBN 978-3791352244)
  • Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: Rembrandt und die englischen Malerradierer des 19. Jahrhunderts [Rembrandt and the English Painter-Etchers of the 19th Century]. (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005) [in German]
  • Gilles, Matthieu; et al.: Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo. (Épinal: Musée Départemental d'Art Ancient et Contemporain, 2003) [in French]
  • Giltaij, Jeroen: The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen. (Rotterdam: Museum Boymans-van Beuningen, 1988)
  • Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers. (Chicago: Art Institute of Chicago, 1969)
  • Kofuku, Akira; et al. (eds.): Rembrandt: The Quest for Chiaroscuro. (Tokyo: Nippon Television Network Corporation, 2011, ISBN 9784906536580)
  • Leca, Benedict; et al.: Rembrandt: Three Faces of the Master. (Cincinnati: Cincinnati Art Museum, 2008)
  • Liedtke, Walter; von Sonnenburg, Hubert; Logan, Carolyn; Orenstein, Nadine M.; Dickey, Stephanie S.: Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship, 2 vols. (New York: Metropolitan Museum of Art, 1995)
  • Middelkoop, Norbert; et al.: Rembrandt under the Scalpel: The Anatomy Lesson of Dr. Nicolaes Tulp Dissected [exh. cat.]. (Den Haag: Mauritshuis, 1998)
  • Seifert, Christian Tico; Dickey, Stephanie S.; et al.: Rembrandt: Britain's Discovery of the Master. (Scotland: National Galleries of Scotland, 2018, ISBN 9781911054191)
  • Starcky, Emmanuel: Rembrandt et son école, dessins du Musée du Louvre. (Paris: Musée du Louvre, 1988–89) [in French]
  • The Bridgestone Painting Research Group: In Darkness and Light, A Rembrandt in Tokyo Reconsidered. (Tokyo: Bridgestone Museum of Art, Ishibashi Foundation, 1989)
  • Tümpel, Christian; Tümpel, Astrid: The Pre-Rembrandtists [exh. cat.]. (Sacramento, CA: E. B. Crocker Art Gallery, 1974)
  • Tümpel, Astrid; Schatborn, Peter; et al.: Pieter Lastman, Leermeester van Rembrandt / Pieter Lastman, The Man Who Taught Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 1991)
  • Vignau-Wilberg, Thea: Rembrandt auf Papier. Werk und Wirkung [Rembrandt and his Followers. Drawings from Munich]. Mit einem Beitrag von Peter Schatborn. Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München; München Alte Pinakothek 5 December 2001 – 10 February 2002; Amsterdam Museum het Rembrandt. (München: Hirmer, 2001, ISBN 978-3-7774-9150-9) [in German]
  • Weller, Dennis P.; Keyes, George S.; Rassieur, Tom; Seydl, Jon L.: Rembrandt in America: Collecting and Connoisseurship. (New York, NY : Skira Rizzoli Publications, 2011, ISBN 978-0847836857)
  • Wheelock, Arthur K. Jr.; et al.: Rembrandt's Late Religious Portraits. (Washington, DC: National Gallery of Art; Chicago: University of Chicago Press, 2005)
  • Wheelock, Arthur K. Jr.: Jan Lievens: A Dutch Master Rediscovered [exhib. cat.]. (NewHaven, CT: Yale University Press, 2008, ISBN 978-0-300-14213-6)
  • Williams, Julia Lloyd: Rembrandt. Artemisa y Mujer en el lecho. (Madrid: Museo Nacional del Prado, 2002, ISBN 84-8480-025-3) [in Spanish]
  • Woollett, Anne T.: Rembrandt in Southern California. (Los Angeles: J. Paul Getty Museum, 2009)

Others[edit]

  • Abbing, Michiel Roscam (ed.): Rembrandt 2006: Essays. (Leiden: Foleor Publishers, 2006)
  • Abbing, Michiel Roscam: Rembrandt's Elephant: The Story of Hansken. (Amsterdam: Leporello Uitgevers, 2006, ISBN 978-90-808745-6-5)
  • Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: Rembrandt's Journey: Painter, Draftsman, Etcher. (Boston: Museum of Fine Arts, 2003)
  • Adams, Ann Jensen (ed.): Rembrandt's Bathsheba Reading King David's Letter. (New York: Cambridge University Press, 1998)
  • Ainsworth, M.W.; et al.: Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer. (New York: The Metropolitan Museum of Art, 1987)
  • Alexander-Knotter, Mirjam; Hillegars, Jasper; van Voolen, Edward: De 'joodse' Rembrandt. De mythe ontrafeld. (Zwolle: Waanders, 2007) [in Dutch]
  • Albers, Eckbert: Erkenntnismomente und Erkenntnisprozesse bei Rembrandt [Studien zur Kunstgeschichte, 174]. (Hildesheim: Georg Olms Verlag, 2008, ISBN 978-3-487-13831-2) [in German]
  • Alpers, Svetlana: Rembrandt's Enterprise: The Studio and the Market. (Chicago: University of Chicago Press, 1988, ISBN 978-0-226-01518-7)
  • Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious art heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
  • Aronson, Alex: Shakespeare and Rembrandt: Metaphorical Representations in Poetry and the Visual Arts. (Essen: Verlag Die Blaue Eule, 1987)
  • Arpino, Giovanni; Lecaldano, Paolo: L'opera pittorica completa di Rembrandt [Classici dell'Arte, 33]. (Milan: Rizzoli, 1969) [in Italian]
  • Bailey, Anthony: Rembrandt's House: Exploring the World of the Great Master. (Boston: Houghton Mifflin, 1978)
  • Bailey, Anthony: Responses to Rembrandt: Who Painted the Polish Rider?, a Controversy Considered. (New York: Timken Publishers, 1994)
  • Bakker, Boudewijn; et al.: Landscapes of Rembrandt: His Favourite Walks. (Amsterdam: Gemeentearchie, 1988)
  • Bakker, Boudewijn: Landschap en Wereldbeeld: Van Van Eyck tot Rembrandt. (Bussum: Uitgeverij Thoth, 2004) [in Dutch]
  • Bakker, Boudewijn: Landscape and Religion: From Van Eyck to Rembrandt. Translated from the Dutch by Diane Webb. (Burlington, VT: Ashgate, 2012)
  • Balet, Leo: Rembrandt and Spinoza. (New York: Philosophical Library, 1962)
  • Bartsch, Adam von: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt et ceux de ses principaux imitateurs [2 vols.]. (Vienna, 1797) [in French]
  • Bauch, Kurt: Die Kunst des Jungen Rembrandt. (Heidelberg: Winter, 1933) [in German]
  • Bauch, Kurt: Die frühe Rembrandt und seine Zeit. (Berlin: Verlag Gebr. Mann, 1960) [in German]
  • Bauch, Kurt: Rembrandt Gemälde. (Berlin: W. de Gruyter, 1966) [in German]
  • Bal, Mieke: Het Rembrandt effect: Visies op kijken. (Utrecht: HES Uitgevers, 1987) [in Dutch]
  • Bal, Mieke: Reading Rembrandt: Beyond the Word-Image Opposition. (Amsterdam: Amsterdam University Press, 1991)
  • Beliën, Herman; Knevel, Paul: Langs Rembrandts roem. De reputatie van een meester. (Amsterdam: Salomé, 2006, ISBN 9053568360) [in Dutch]
  • Benesch, Otto: Rembrandt: Werk und Forschung. (Vienna, 1935) [in German]
  • Benesch, Otto: Rembrandt as a Draughtsman: An Essay with 115 Illustrations. (London: Phaidon Press, 1960)
  • Benesch, Otto: The Drawings of Rembrandt. [6 vols, 2nd ed.]. (Phaidon, 1973)
  • Berger, Jr., Harry: Fictions of the Pose: Rembrandt Against the Italian Renaissance. (Stanford, California: Stanford University Press, 2000, ISBN 978-0804733243)
  • Berger, Jr., Harry: Manhood, Marriage, and Mischief: Rembrandt's "Night Watch" and Other Dutch Group Portraits. (New York: Fordham University Press, 2007, ISBN 978-0-8232-2557-6)
  • Berger, Jr., Harry: The Perils of Uglytown: Studies in Structural Misanthropology from Plato to Rembrandt. (New York: Fordham University Press, 2015)
  • Berrong, Richard M.: Putting Monet and Rembrandt into Words: Pierre Loti's Recreation and Theorization of Claude Monet's Impressionism and Rembrandt's Landscapes in Literature. (Chapel Hill, NC: University of North Carolina Press, 2014, ISBN 978-1-4696-1365-9)
  • Bevers, Holm; et al.: Drawings by Rembrandt and His Pupils: Telling the Difference. (Los Angeles: The J. Paul Getty Museum, 2009)
  • Bevers, Holm; Kelch, Jan; Lindemann, Bernd Wolfgang; Seifert, Christian Tico (eds.): Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin, 4.-5. November 2006 [Jahrbuch der Berliner Museen. Neue Folge. Vol. 51, Beiheft]. (Berlin: Gebr. Mann Verlag, 2009, ISBN 978-3-7861-2563-1) [in German]
  • Bikker, Jonathan: Willem Drost (1633–1659): A Rembrandt Pupil in Amsterdam and Venice. (New Haven: Yale University Press, 2005)
  • Biörklund, George; Barnard, Osbert H.: Rembrandt's Etchings: True and False, revised edition. (Stockholm, 1968)
  • Blanc, Charles: L'Œuvre de Rembrandt, reproduit en planches photographiques. (Paris: Gide et J. Bandry, 1853) [in French]
  • Blanc, Charles: L'œuvre complet de Rembrandt: Catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures... orné de bois gravés et de quarante eaux-fortes tirées à part et rapportées dans le texte. (Paris: Gide, 1859–1861) [in French]
  • Blanc, Jan: Dans l'atelier de Rembrandt: Le maître et ses élèves. (Éditions de La Martinière, 2006, ISBN 9782732434315) [in French]
  • Bockemühl, Michael: Rembrandt: Zum Wandel des Bildes und seiner Anschauung im Spätwerk. (Mittenwald: Mäander Verlag, 1981) [in German]
  • Bockemühl, Michael: Rembrandt, 1606–1669. Das Rätsel der Erscheinung. (Köln: Benedikt Taschen Verlag, 1991) [in German]
  • Bockemühl, Michael: Rembrandt, 1606–1669: The Mystery of the Revealed Form. Translated from the German by Michael Claridge. (Köln: Taschen, 2004)
  • Bohlmann, Carolin; Fink, Thomas; Weiss, Philipp (eds.): Lichtgefüge des 17. Jahrhunderts. Rembrandt und VermeerSpinoza und Leibniz. (München: Wilhelm Fink 2008, ISBN 978-3-7705-4454-7) [in German]
  • Boka, Georges; Courteau, Bernard: Rembrandt's Nightwatch: The Mystery Revealed. (Quebec, Canada: C.C.E.P., 1994, ISBN 2-920217-41-0)
  • Bonafoux, Pascal: Rembrandt: Self-Portrait. (New York: Rizzoli, 1985)
  • Bonafoux, Pascal: Rembrandt, le clair, l'obscur. (Paris: Gallimard, 1990) [in French]
  • Bonafoux, Pascal: Rembrandt: Master of the Portrait. (New York: Harry N. Abrams, 1990)
  • Bonafoux, Pascal: Rembrandt: Substance and Shadow. (London: Thames and Hudson, 1992)
  • Boomgaard, Jeroen: De verloren zoon. Rembrandt en de Nederlandse kunstgeschiedschrijving. (Amsterdam: Babylon-De Geus, 1995) [in Dutch]
  • Boon, K.G.: Rembrandt: The Complete Etchings. (New York: Harry N. Abrams, 1963)
  • Borenius, Tancred: Rembrandt: Selected Paintings. (London: Phaidon Press, 1942)
  • Bredius, Abraham: The Paintings of Rembrandt. (London: Phaidon, 1937)
  • Bredius, Abraham: Rembrandt: The Complete Edition of the Paintings, 3rd ed. [Revised by Horst Gerson]. (London: Phaidon Press, 1969)
  • Brom, Gerard: Rembrandt in de literatuur. (Groningen: J. B. Wolters, 1936) [in Dutch]
  • Broos, Ben: Saskia, de vrouw van Rembrandt. (Zwolle: Wbooks, 2012) [in Dutch]
  • Brown, Christopher; Kelch, Jan; van Thiel, Pieter (eds.): Rembrandt: The Master and His Workshop. (New Haven: Yale University Press, 1991)
  • Bruin, Kees: De echte Rembrandt. Verering van een genie in de twintigste eeuw. ((Amsterdam: Balans, 1995) [in Dutch]
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume I, Stichting Foundation Rembrandt Research Project]. (The Hague / Boston / London, 1982)
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume II, Stichting Foundation Rembrandt Research Project]. (Dordrecht / Boston / Lancaster, 1982)
  • Brückner, Christel: Rembrandts Braunschweiger Familienbild. (Hildesheim: Olms, 1998, ISBN 3-487-10244-7) [in German]
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  • Valentiner, Wilhelm R.: Rembrandt: Wiedergefundene Gemälde, 1910–1922 [revised ed.] (Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) [in German]
  • Valentiner, Wilhelm R.: Rembrandt Paintings in America [2 vols.]. (New York, 1931)
  • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Handzeichnungen [2 vols.]. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) [in German]
  • Valentiner, Wilhelm R.: Rembrandt and Spinoza: A Study of the Spiritual Conflicts in Seventeenth-Century Holland. (London: Phaidon Press, 1957)
  • Van Dyke, John Charles: Rembrandt and His School: A Critical Study of the Master and His Pupils with a New Assignment of Their Pictures. (New York: Charles Scribner's Sons, 1923)
  • Van Heel, S.A.C. Dudok: De jonge Rembrandt onder tijdgenoten. Godsdienst en schilderkunst in Leiden en Amsterdam. (Nijmegen: Nijmegen University Press, 2006) [in Dutch]
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642. (Dordrecht: Martinus Nijhoff, 1982, 1986, 1989)
  • Van de Wetering, Ernst; Schackenburg, Bernhard (eds.): The Mystery of the Young Rembrandt. (Wolfratshausen: Edition Minerva, 2001, ISBN 3-932353-59-5)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. IV: The Self-Portraits [Stichting Foundation Rembrandt Research Project]. (Dordrecht: Springer, 2005)
  • Van de Wetering, Ernst: Rembrandt: Quest of a Genius. (Waanders Publishers, 2007)
  • Van de Wetering, Ernst; Retèl, Paulien: Rembrandt: The Painter at Work. (Oakland: University of California Press, 2009)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. VI: Rembrandt's Paintings Revisited – A Complete Survey. (Dordrecht: Springer, 2014)
  • Van de Wetering, Ernst: Rembrandt: The Painter Thinking. (Oakland: University of California Press, 2016)
  • Van Straten, Roelof: Rembrandts Leidse tijd, 1606–1632. (Leiden: Foleor Publishers, 2005, ISBN 9075035217) [in Dutch]
  • Van Straten, Roelof: Young Rembrandt: The Leiden Years, 1606–1632. Translated from the Dutch by R. Quartero, with contributions by Ingrid Moerman. (Leiden: Foleor Publishers, 2005, ISBN 90-75035-22-5)
  • Verdi, Richard: Rembrandt's Themes: Life into Art. (New Haven, CT: Yale University Press, 2014, ISBN 978-0300201536)
  • Vergara, Alejandro (ed.); et al.: Rembrandt, Pintor de Historias. (Madrid: Museo del Prado, 2008) [in Spanish]
  • Vogelaar, Christiaan; et al.: Rembrandt & Lievens in Leiden: Een jong en edel schildersduo. (Leiden: Stedelijk Museum De Lakenhal, 1991) [in Dutch]
  • Vogelaar, Christiaan; et al.: Rembrandt's Mother. Myth and Reality. (Leiden: Stedelijk Museum De Lakenhal, 2005)
  • Volkenandt, Claus: Rembrandt: Anatomie eines Bildes. (Munich: Wilhelm Fink, 2004, ISBN 978-3-7705-4002-0) [in German]
  • Von Bode, Wilhelm; de Groot, Cornelis Hofstede: The Complete Work of Rembrandt: History, Description and Heliographic Reproduction of All the Master's Pictures, with a Study of His Life and Art. [8 vols.]. (Paris: Charles Sedelmeyer, 1897–1906)
  • Von Bode, Wilhelm: Rembrandt und seine Zeitgenossen: Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert. (Leipzig: E. A. Seemann Verlag, 1907) [in German]
  • Wallace, Robert: The World of Rembrandt. (New York: Time-Life Books, 1968)
  • Wauschkuhn, Annette: Georg Simmels Rembrandt-Bild. Ein lebensphilosophischer Beitrag zur Rembrandtrezeption im 20. Jahrhundert. (Worms: Werner Verlag, 2002) [in German]
  • Wegner, Wolfgang: Rembrandt und sein Kreis. Zeichnungen und Druckgraphic. (Munich: Staatliche Graphische Sammlung, 1966) [in German]
  • Wencelius, Léon: Calvin et Rembrandt, étude comparative de la philosophie de l'art de Rembrandt et de l'esthétique de Calvin. (Paris: Société d'Edition [Les Belles Lettres], 1937) [in French]
  • White, Christopher; Alexander, David; D'Oench, Ellen: Rembrandt in Eighteenth-Century England. (New Haven: Yale Center for British Art, 1983)
  • White, Christopher: Rembrandt as an Etcher: A Study of the Artist at Work. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)
  • Williams, Julia Lloyd: Rembrandt's Women. (Munich: Prestel Verlag, 2001)
  • Wischnitzer, Rachel: From Dura to Rembrandt: Studies in the History of Art. (Jerusalem: Center for Jewish Art, 1990)
  • Wright, Christopher: Rembrandt: Self-Portraits. (London: Gordon Fraser, 1982)
  • Zell, Michael: Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam. (Berkeley: University of California Press, 2002)
  • Zell, Michael; Chong, Alan (eds.): Rethinking Rembrandt. (Zwolle: Waanders Publishers, 2002)

Journal articles, scholarly papers, essays, and book chapters[edit]

  • Abastado P,; Chemla, D. (2007), 'Rembrandt's doctors,'. Medical Humanities 33(1): 35–37
  • Adams, Henry (1984), 'If Not Rembrandt, Then His Cousin?,'. The Art Bulletin 66(3): 427–441
  • Afek, A.; Friedman, T.; Kugel, C.; Barshack, I.; Lurie, DJ. (2009), 'Dr. Tulp's Anatomy Lesson by Rembrandt: the Third Day Hypothesis,'. Israel Medical Association Journal 11(7): 389–92
  • Ahmad, Iftikhar (2008), 'Art in Social Studies: Exploring the World and Ourselves with Rembrandt,'. The Journal of Aesthetic Education 42(2): 19–37
  • Alting, M.P.; Waterbolk, T.W. (1982), 'New light on the anatomical errors in Rembrandt's Anatomy Lesson of Dr. Nicolaas Tulp,'. J Hand Surg Am. 7(6): 632–4
  • Baldinucci, Filippo: Life of Rembrandt,' from Cominciamento e Progresso dell’arte d’intagliare in rame colle vita de’ piu eccellenti maestri della stessa professione. 1686, in ed. Charles Ford. Lives of Rembrandt. London: Pallas Athene, 2007, pp. 35–48. [in Italian]
  • Bankl, H.C.; Bankl, H. (2000), 'Dr. Nicolaas Tulp: A Critical View of Rembrandt's Anatomy Lesson,'. Wien Klin Wochenschr. 112(8): 368–71. [in German]
  • Barker, Mary Christine (2010), 'Transcending Tradition: Rembrandt's Death of the Virgin 1639: A Re-Vision,'. Dutch Crossing: Journal of Low Countries Studies 34(2): 138–61. doi:10.1179/030965610X12726397286205
  • Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From Goya to Cézanne,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82)
  • Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) [in German]
  • Bergström, Ingvar (1966), 'Rembrandt's Double Portrait of Himself and Saskia at the Dresden Gallery: A Tradition Transformed,'. Nederlands Kunsthistorisch Jaarboek 17: 143–69
  • Białostocki, Jan (1957), 'Bellori's Caravaggio and Sandrart's Rembrandt,'. Burlington Magazine 99(653): 274–275
  • Białostocki, Jan (1972), 'Rembrandt and Posterity,'. Nederlands Kunsthistorisch Jaarboek 23 (1972): 131–157
  • Białostocki, Jan (1973), 'Der Sünder als tragischer Held bei Rembrandt. Bemerkungen zu neueren ikonographischen Studien über Rembrandt,'; in: von Simson, Otto Georg; Kelch, Jan (hrsg.): Neue Beiträge zur Rembrandt-Forschung. (Berlin: Mann, 1973), pp. 137–154. [in German]
  • Białostocki, Jan (1984), 'A New Look at Rembrandt Iconography,'. Artibus et Historiae 5(10): 9–19
  • Binstock, Benjamin (1999), 'Rembrandt's Paint,'. RES: Anthropology and Aesthetics 36: 138–165
  • Binstock, Benjamin (2001), 'I've Got You under My Skin: Rembrandt, Riegl and the Will of Art History,'. In: Richard Woodfield (ed.), Framing Formalism: Riegl's Work. (Amsterdam: G&B International, 2001), pp. 219–63
  • Binstock, Benjamin (2001), 'The Ruins of Rembrandt,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 323–341. doi:10.1080/03096564.2001.11730803
  • Binstock, Benjamin (2003), 'Seeing Representations; or, The Hidden Master in Rembrandt's Syndics,'. Representations 83(1): 1–37. doi:10.1525/rep.2003.83.1.1
  • Blanc, Jan (2009), 'Rembrandt and the Historical Construction of His Conspiracy of Claudius Civilis,'. In: L. Cruz & W. Frijhoff (eds.), Myth in History, History in Myth. (Leiden, 2009), pp. 237–53
  • Bok, Marten Jan (2004), 'Rembrandt's Fame and Rembrandt's Failure: The Market for History Paintings in the Dutch Republic,'. In: A. Kofuku (ed.), Rembrandt and Dutch History Painting in the 17th Century. (Tokyo, 2004), pp. 159–180
  • Bok, Marten Jan; van der Molen, Tom (2009), 'Productivity Levels of Rembrandt and His Main Competitors in the Amsterdam Art Market,'. Jahrbuch der Berliner Museen 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006: 61–68
  • Borowitz, Helen O. (1983), 'The Rembrandt and Monet of Marcel Proust,'. The Bulletin of the Cleveland Museum of Art 70(2): 73–95
  • Bourne, R.G. (2000), 'Did Rembrandt's Bathsheba really have breast cancer?,'. Aust N Z J Surg. 70(3): 231–2
  • Braider, Christopher (1998), 'The Fountain of Narcissus: The Invention of Subjectivity and the Pauline Ontology of Art in Caravaggio and Rembrandt,'. Comparative Literature 50(4): 286–315
  • Braithwaite, P.A.; Shugg, D. (1983), 'Rembrandt's Bathsheba: the dark shadow of the left breast,'. Ann R Coll Surg Engl. 65(5): 337–8
  • Broos, B.P.J. (1971), 'The 'O' of Rembrandt,'. Simiolus: Netherlands Quarterly for the History of Art 4(3): 150–84
  • Bruyn, J. (1970), 'Rembrandt and the Italian Baroque,'. Simiolus 4: 28–48
  • Bruyn, J. (1990), 'An Unknown Assistant in Rembrandt's Workshop in the Early 1660s,'. The Burlington Magazine 132(1051): 714–718
  • Budick, Sanford (1991), 'Rembrandt's and Freud's "Gerusalemme Liberata",'. Social Research 58(1): 189–207
  • Budick, Sanford (1997) 'Descartes's Cogito, Kant's Sublime, and Rembrandt's Philosophers: Cultural Transmission as Occasion for Freedom,'. Modern Language Quarterly 58 (1): 27–61. doi:10.1215/00267929-58-1-27
  • Budick, Sanford (1988), 'Rembrandt's Jeremiah,'. Journal of the Warburg and Courtauld Institutes 51: 260–264
  • Buvelot, Quentin (2017), 'Rembrandt in the Mauritshuis: Work in Progress,'. JHNA: Journal of Historians of Netherlandish Art 9(1). doi:10.5092/jhna.2017.9.1.11
  • Carriveau, Gary W.; Shelley, Marjorie (1982), 'A Study of Rembrandt Drawings Using X-Ray Fluorescence,'. Nuclear Instruments and Methods in Physics Research 193(1–2): 297–301. doi:10.1016/0029-554X(82)90713-3
  • Carroll, Margaret D. (1981), 'Rembrandt as Meditational Printmaker,'. The Art Bulletin 63(4): 585–610
  • Carroll, Margaret D. (1984), 'Rembrandt's "Aristotle": Exemplary Beholder,'. Artibus et Historiae 5(10): 35–56
  • Carroll, Margaret D. (2017), 'The Blade and the Brush: Rembrandt's Slaughtered Ox and Anatomy of Doctor Deyman'. Oxford Art Journal 40(3): 347–369. doi:10.1093/oxartj/kcx035
  • Carter-Kneff, Bethany Ann (2004), 'A Discussion: Rembrandt's Influence on the Evolution of the Printmaking Process through his Experimental Attitude towards the medium'. (Master's thesis, Faculty of the Department of Art and Design, East Tennessee State University)
  • Chapman, H. Perry (2010), 'Reclaiming the Inner Rembrandt: Passion and Rembrandt's Earliest Self-Portraits,'. In: The Passions in the Art of the Early Modern Netherlands, edited by Herman Roodenburg and Stephanie Dickey. Nederlands Kunsthistorisch Jaarboek 60 (2010): 188–215
  • Chapman, H. Perry (2014), 'Rembrandt's Laughter and the Love of Art,'. In: Midwestern Arcadia: Essays in honor of Alison Kettering. Northfield, 2014
  • Chapman, H. Perry (2017), 'Rubens, Rembrandt, and the Spousal Model/Muse,'. In: Melion, Walter; Woodall, Joanna; Zell, Michael: Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700. (Leiden: Brill, 2017, ISBN 9004346465), pp. 439–482
  • Church, Brooke Peters (1930), 'Rembrandt: The First of the Moderns,'. The American Journal of Nursing 30(4): 429–435
  • Clarke, Jean-Marie (1990), 'Le Philosophe en méditation du Louvre: Un tableau signé 'RHL van Rijn' et daté '1632,'. Revue du Louvre 40(3) [in French]
  • Cohen, Janie L. (1983), 'Picasso's Exploration of Rembrandt's Art, 1967–72,'. Arts Magazine 58(2): 119–126
  • Conn, Mark S. (2008), 'Rembrandt's Art: A Paradigm for Critical Thinking and Aesthetics,'. The Journal of Aesthetic Education 42(2): 68–82
  • Coppier, André-Charles (1916), 'Rembrandt et Spinoza,'. Revue des deux mondes 31(1916): 160–91. [in French]
  • Craig, Kenneth M. (1983), 'Rembrandt and The Slaughtered Ox,'. Journal of the Warburg and Courtauld Institutes 46: 235–239
  • Crenshaw, Paul (2001), 'Rembrandt's Disputes with His Patrons,'. Dutch Crossing: A Journal of Low Countries Studies 25(2): 162–99. doi:10.1080/03096564.2001.11730797
  • Crenshaw, Paul (2013), 'The Catalyst for Rembrandt's Satire on Art criticism,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.9
  • De Witt, David (2009), 'Rembrandt and the Climate of Religious Conflict in the 1620s,'. Jahrbuch der Berliner Museen 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006: 17–24
  • Di Matteo, Berardo; Tarabella, Vittorio; Filardo, Giuseppe; Tomba, Patrizia; Viganò, Anna; Marcacci, Maurilio (2016), 'Nicolaes Tulp: The Overshadowed Subject in The Anatomy Lesson of Dr. Nicolaes Tulp,'. Clin Orthop Relat Res. 474(3): 625–629. doi:10.1007/s11999-015-4686-y
  • DiPaola, S.; Riebe, C.; Enns, J. (2010), 'Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science,'. Leonardo 43(2): 145–151
  • Dickey, Stephanie S. (1986), 'Judicious Negligence: Rembrandt Transforms an Emblematic Convention,'. Art Bulletin 68: 253–262
  • Dickey, Stephanie S. (1996), 'Mennonite Martyrdom in Amsterdam and the Art of Rembrandt and His Contemporaries,'. Proceedings of the American Association of Netherlandic Studies 9: 81–103
  • Dickey, Stephanie S. (2007), 'Rethinking Rembrandt's Renaissance,'. Canadian Journal of Netherlandic Studies 21: 1–­22
  • Dickey, Stephanie S. (2011), 'Saskia as Glycera: Rembrandt's Emulation of an Antique Prototype,'. In: Anton Boschloo, et al. (eds.), Aemulatio: Emulation, Imitation, and Invention in Netherlandish Art. (Amsterdam: Waanders, 2011), pp. 233–247
  • Dickey, Stephanie S. (2012), 'Strategies of Self-­Portraiture from Hans von Aachen to Rembrandt,'. In: Lubmomír Konecny & Stepán Vácha (eds.), Hans von Aachen in Context: Proceedings of the International Conference, Prague, 22-­25 September 2010. (Prague: Artefactum, 2012), pp. 72–­81
  • Dickey, Stephanie S. (2013), 'Begging for Attention: The Artful Context of Rembrandt's Etching Beggar Seated on a Bank,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.8
  • Dickey, Stephanie S. (2015), 'Contentione perfectus: Rembrandt and Annibale Carracci,'. In: Una Roman D'Elia (ed.), Rethinking Renaissance Drawings: Essays in Honour of David McTavish. (Montreal: McGill/Queens Press, 2015), pp. 262–277
  • Dickey, Stephanie S. (2016), 'Rembrandt and his Circle,'. In: Wayne Franits (ed.), Ashgate Research Companion to Dutch Art. (Aldershot: Ashgate, 2016), pp. 169–201
  • Dickey, Stephanie (2017), 'Disgust and Desire: Responses to Rembrandt's Nudes,'. In: Debra Cashion, Henry Luttikhuizen and Ashley West, The Primacy of the Image in Northern European Art, 1400–1700. Essays in Honor of Larry Silver. (Brill, ISBN 978-90-04-35412-8), pp. 447–460
  • Dickey, Stephanie (2017), 'Agape, Caritas, and Conjugal Love in Paintings by Rembrandt and Van Dyck,'. In: Walter S. Melion, Joanna Woodall, and Michael Zell (eds.), Ut Pictura Amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-­1700. (Leiden/Boston: Brill, 2017), pp. 299-­323
  • Dickey, Stephanie S. (2017), 'Introduction: Rising Stars in Rembrandt's Amsterdam,'. In: Stephanie S. Dickey (ed.), Ferdinand Bol and Govert Flinck: New Reearch. (Zwolle: W. Books, 2017), pp. 6–­­19
  • Downes, William Howe 1923), 'The Great Rembrandt Question,'. The American Magazine of Art 14(12): 661-666
  • Ekserdjian, David; Royalton-Kisch, Martin (2000), 'The Entombment of Christ: A Lost Mantegna Owned by Rembrandt?,'. Apollo 151(457): 52–56
  • Eeles, Adrian (1998), 'Rembrandt's "Ecce Homo": A Census of Impressions,'. Print Quarterly 15(3): 290–296
  • Espinel, C.H. (1997), 'A medical evaluation of Rembrandt. His self-portrait: ageing, disease, and the language of the skin,'. The Lancet 350(9094): 1835–7. doi:10.1016/S0140-6736(97)08504-8
  • Espinel, C.H. (1999), 'Depression, physical illness, and the faces of Rembrandt,'. The Lancet 354(9174):262–3. doi:10.1016/S0140-6736(05)66340-4
  • Filipczak, Zirka Z. (2007), 'Rembrandt and the Body Language of Mughal Miniatures,'. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 58(1): 162–187. doi:10.1163/22145966-90000746
  • Finke, Ulrich (1964), 'Venezianische Rembrandtstecher um 1800,'. Oud Holland 79(1964): 111–121
  • Friedman, Tal; Lurie, Doron; Westreich, Melvyn (2007), 'Rembrandt's Sentinel Vein,'. Aesthetic Surgery Journal 27(1): 105–107. doi:10.1016/j.asj.2006.12.007
  • Friedman, Tal; Lurie, Doron; Westreich, Melvyn; Golik, A. (2007), 'Rembrandt – Aging and Sickness: A Combined Look by Plastic Surgeons, an Art Researcher and an Internal Medicine Specialist,'. Israel Medical Association Journal 9(2): 67–71
  • Friedman, Tal; Lurie, Doron; Shalom, A. (2012), 'Authentication of Rembrandt's self-portraits through the use of facial aging analysis,'. Isr Med Assoc J. 14(10): 591–4
  • Gervais, David (1993), 'Rembrandt's Simplicity,'. The Cambridge Quarterly 22(1): 25–42. doi:10.1093/camqtly/XXII.1.25
  • Gershman, Zhenya (2011), 'Rembrandt: The "I" Witness,'. Arion: A Journal of Humanities and the Classics, Boston University 19(2): 65–91
  • Gershman, Zhenya (2014), 'Rembrandt: Turn of the Key,'. Arion: A Journal of Humanities and the Classics, Boston University 21(3): 79–108
  • Gibian, George (1983), 'Doctor Zhivago, Russia, and Leonid Pasternak's Rembrandt,'; in John Garrard (ed.), The Russian Novel from Pushkin to Pasternak. (New Haven: Yale University Press, 1983), pp. 203–224
  • Goethe, Johann Wolfgang von (1831), 'Rembrandt der Denker,' [Rembrandt the Thinker], in the posthumous collection of Goethe's works (1831) [in German]
  • Golahny, Amy (1983), 'Rembrandt's Early 'Bathsheba': The Raphael Connection,'. The Art Bulletin 65(4): 671–675. doi:10.1080/00043079.1983.10788120
  • Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
  • Golahny, Amy (2009), 'Rembrandt and Italy: Beyond the disegno-colore Paradigm,'. Jahrbuch der Berliner Museen Neue Folge 51: 113–120
  • Golahny, Amy (2016), 'Rembrandt and “Everyday Life”: The Fusion of Genre and History,'. In: Genre Imagery in Early Modern Northern Europe: New Perspectives, edited by Arthur J. DiFuria. (New York: Routledge, 2016), pp. 161–183
  • Grasman, Edward (1999), 'The Rembrandt Research Project: reculer pour mieux sauter,'. Oud Holland 113(3): 153–160
  • Gross, Charles G. (1998), 'Rembrandt's The Anatomy Lesson of Dr. Joan Deijman,'. Trends in Neurosciences 21(6): 237–40. doi:10.1016/S0166-2236(97)01158-2
  • Harris, J. C. (2013), 'Rembrandt van Rijn: Self-portrait 1660,'. JAMA Psychiatry 70(2): 136–137. doi:10.1001/jamapsychiatry.2013.823
  • Harris, P. (1995), 'Rembrandt and medicine,'. J R Coll Surg Edinb. 40(2): 81–3
  • Haverkamp-Begemann, Egbert (1971), 'The Present State of Rembrandt Studies,'. The Art Bulletin 53(1): 88–104
  • Haverkamp-Begemann, Egbert (1972), 'Rembrandt as Teacher,'. In: Actes du XXIIe Congres International d'histoire de l'art. Budapest 1969: Evolution generale et développements régionaux en histoire de l'art, edited by György Rósza, pp. 105–13
  • Haverkamp-Begemann, Egbert (1973), 'Rembrandt's Night Watch and the Triumph of Mordecai,'. In: Album Amicorum J. G. van Gelder, edited by Joos Bruyn, et al., (The Hague: Martinus Nijhoff, 1973), pp. 5–8
  • Haverkamp-Begemann, Egbert (1989), 'Rembrandt as a Draughtsman: The Changing Image 1956–1988,'. Master Drawings 27(2): 105–10
  • Hecht, Peter (1998), 'Rembrandt and Raphael Back to Back: The Contribution of Thoré,'. Simiolus: Netherlands Quarterly for the History of Art 26(3): 162–78
  • Hedquist, Valerie (1994), 'Rembrandt and the Franciscans of Amsterdam,'. Dutch Crossing 4 (Summer 1994): 20–49
  • Hinterding, Erik (1993), 'The History of Rembrandt's Copperplates: with a Catalogue of Those that Survive,'. Simiolus: Netherlands Quarterly for the History of Art 22(4): 253–315
  • Hirst, Michael (1968), 'Rembrandt and Italy,'. The Burlington Magazine 110(781): 221–223
  • Hollander, Martha (2003), 'Losses of Face: Rembrandt, Masaccio, and the Drama of Shame,'. Social Research 79(4): 1327–50
  • Hughes, Robert (2006), 'The God of Realism,'. The New York Review of Books 53(6)
  • Huygens, Constantijn (1628/1629), 'Autobiography of Constantijn Huygens' (The Hague: Koninklijke Bibliotheek). Published in Oud Holland (1891), translated by Benjamin Binstock.
  • Ignjatović, M. (2007), 'Rembrandt: One idea, two pictures,'. Med Hypotheses. 68(6): 1423–1424
  • Ijpma, F. F. A.; van Gulik, T. M. (2018), 'Anatomy lesson of the brain and cerebral membranes captured on canvas by Rembrandt in 1656,'. British Journal of Surgery 105(5): 1-7. doi:10.1002/bjs.10610
  • Israëls, Jozef (1906), 'Rembrandt,'. The Collector and Art Critic 4(12): 336–340
  • Jackowe, D.J.; Moore, M.K.; Bruner, A.E.; Friedieu, J.R. (2007), 'New Insight into the Enigmatic White Cord in Rembrandt's The Anatomy Lesson of Dr. Nicolaes Tulp (1632),'. Journal of Hand Surgery 32(9): 1471-76. doi:10.1016/j.jhsa.2007.07.006
  • Jaffé, Michael (1994), '"Abraham's Sacrifice": A Rembrandt of the 1660's,'. Artibus et Historiae 15(30): 193–210
  • Jáuregui, Raúl (1997), 'Rembrandt Portraits: Economic Negligence in Art Attribution,'. UCLA Law Review 44 (1997): 1947–2030
  • Joby, Christopher (2004), 'How Does the Work of Rembrandt van Rijn Represent a Calvinist Aesthetic?,'. Theology 107(835): 22–29
  • Jonker, Menno (2017), 'Rembrandt's Philosopher: Aristotle in the Eye of the Beholder,'. JHNA: Journal of Historians of Netherlandish Art 9(1). doi:10.5092/jhna.2017.9.1.12
  • Kahr, Madlyn (1965), 'A Rembrandt Problem: Haman or Uriah?,'. Journal of the Warburg and Courtauld Institutes 28: 258–273
  • Kearsley, John H. (2011), 'Rembrandt, Michelangelo, and Stories of Healing,'. Journal of Pain and Symptom Management 42(5): 783-787. doi:10.1016/j.jpainsymman.2011.05.004
  • Kettering, Alison McNeil (1977), 'Rembrandt's 'Flute Player': A Unique Treatment of Pastoral,'. Simiolus: Netherlands Quarterly for the History of Art 9(1): 19–44
  • Kettering, Alison McNeil (2011), 'Rembrandt and the Male Nude,'. In A. Boschloo, et al. (eds.): Aemulatio, Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800. Essays in honor of Eric Jan Sluijter. (Zwolle: Waanders, 2011), pp. 248–262
  • Koerner, Joseph Leo (1986), 'Rembrandt and the Epiphany of the Face,'. RES: Anthropology and Aesthetics 12: 5-32
  • Kopelman, Loretta M.; De Ville, Kenneth A. (2003), 'Rembrandt's Anatomy Lesson as a Metaphor for Education,'. Current Surgery 60(2):150–1. doi:10.1016/S0149-7944(02)00736-5
  • Kruger, Lawrence (2005), 'The Scientific Impact of Dr. N. Tulp, Portrayed in Rembrandt's “Anatomy Lesson”,'. Journal of the History of the Neurosciences 14(2): 85-92. doi:10.1080/096470490513499
  • Kuretsky, Susan Donahue (1994), 'Worldly Creation in Rembrandt's "Landscape with Three Trees",'. Artibus et Historiae 15(30): 157–91. JSTOR 1483479
  • Lakke J.P. (1998), 'Autopsy Practices for Brain Dissections and Rembrandt's Anatomy Lesson of Dr. Deyman,'. Journal of the History of the Neurosciences 7(2): 101-7. doi:10.1076/jhin.7.2.101.1869
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  • Macmillan, Duncan (2001), 'Rembrandt's intimate and tender eye,'. The Lancet 358(9283): 769-70 . doi:10.1016/S0140-6736(01)05896-2
  • Mandell, J.B. (2005), 'Bathsheba's breast: Women, cancer & history,'. J Clin Invest 115(6): 1397. doi:10.1172/JCI25456
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  • Marcus, Esther-Lee; Clarfield, A. Mark (2002), 'Rembrandt's Late Self-Portraits: Psychological and Medical Aspects,'. The International Journal of Aging and Human Development 55(1): 25–49. doi:10.2190/8LQ5-CC7W-UJDF-TNM0
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  • Marsh, Clive (1997), 'Rembrandt Reads the Gospels: Form, Context and Theological Responsibility in New Testament Interpretation,'. Scottish Journal of Theology 50(4): 399–413. doi:10.1017/S0036930600049735
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  • Münz, Ludwig (1948), 'A Newly Discovered Late Rembrandt,'. The Burlington Magazine 90(540): 64–67
  • Muth, Christopher C. (2017), 'Rembrandt's Senses: Lessons in 'Perceiving' the Patient,'. JAMA 317(8): 790-792. doi:10.1001/jama.2017.0553
  • Nevitt, Jr., H. Rodney (1997), 'Rembrandt's Hidden Lovers,'. Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 48: 162–191
  • Nordenfalk, Carl (1956), 'The new x‐rays of Rembrandt's Claudius Civilis,'. Konsthistorisk Tidskrift/Journal of Art History 25(1–4): 30–38
  • Nutting, Catherine M. (2012), 'Embracing the Divine: Devotional Zeal and Mystical “Humanation” in Rembrandt's Annunciation Sketch,'. Illumine 11(1): 51–81
  • Orenstein, Nadine (2013), 'Rembrandt Looks to Schongauer,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.10
  • Parker, Andrew J. (2014), 'Revealing Rembrandt,'. Frontiers in Neuroscience 8(76). doi:10.3389/fnins.2014.00076
  • Pereira, F. (2006), 'How Rembrandt reveals your beautiful, imperfect self. Life lessons from the master,'. Journal of the American Academy of Dermatology 55(4): 738–9. doi:10.1016/j.jaad.2006.06.021
  • Pericolo, Lorenzo (2010), 'Nude in Motion: Rembrandt's Danae, and the Indeterminacy of the Subject,'; in Alexander Nagel & Lorenzo Pericolo (eds.), Subject in Aporia in Early Modern Art. (Aldershote: Ashgate, 2010), pp. 195–216
  • Pericolo, Lorenzo (2014), 'The Golden Chain: Rembrandt's Cologne Self-Portrait or the Tragicomic Excellence of Painting,'; in Antonio Bechelloni & Enzo Neppi (eds.), De Turin à Paris: Laura Malvano historienne de l'art et critique militante. Hommage à sa vie et son oeuvre. Cahiers d'Études Italiennes 18 (2014): 131–47
  • Perlove, Shelley; Silver, Larry (2007), 'Rembrandt and the Dutch Catholics,'. Canadian Journal of Netherlandic Studies / Revue canadienne d'études néerlandaises 28: 53–75
  • Piro, Joseph M. (2001), 'The Rembrandt Teaching Project: Promoting Multiple Literacies in Teaching and Learning,'. Art Education 54(3): 12-17. doi:10.2307/3193919
  • Piro, Joseph M. (2007), 'Teaching Rembrandt,'. Humanities 28(6): 14–20
  • Piro, Joseph M. (2008), 'Rembrandt and Collections of His Art in America: An NEH Curriculum Project,'. Journal of Aesthetic Education 42(2): 1-18. doi:10.1353/jae.0.0002
  • Planche, Gustave (1853), 'Rembrandt, sa vie et ses oeuvres,'. Revue des deux mondes (1853) [in French]
  • Pollock, Griselda(1974), 'Vincent van Gogh, Rembrandt and the British Museum,'. The Burlington Magazine 116(860): 670-672
  • Posèq, Avigdor W. G. (2009), 'A Proposal for Rembrandt's Two Versions of Slaughtered Ox,'. Artibus et Historiae 30(60): 271-6
  • Preston, Frances L. (2001), 'Gersaint on Rembrandt: 'a son seul genie','. Dutch Crossing: A Journal of Low Countries Studies 25(2): 200-220. doi:10.1080/03096564.2001.11730798
  • Proust, Marcel (1895), 'Chardin and Rembrandt' [unfinished essay], In: Against Sainte-Beuve and Other Essays [in French]
  • Prymak, Thomas M. (2011), 'Rembrandt's 'Polish Rider' in its East European Context,'. The Polish Review 56(3): 159–86
  • Quodbach, Esmée (2005), '"Rembrandt's 'Gilder' Is Here": How America Got Its First Rembrandt and France Lost Many of Its Old Masters,'. Simiolus:Netherlands Quarterly for the History of Art 31(1/2) : 90–107
  • Riphagen, Marianne (2011), 'Darren Siwes: Dialogue with Rembrandt,'. Artlink 31(2): 78-81
  • Robinson, Franklin W. (1967), 'Rembrandt's Influence in Eighteenth Century Venice,'. Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art 18(1): 167–196. doi:10.1163/22145966-90000396
  • Robinson, Franklin W. (1980), 'Puns and Plays in Rembrandt's Etchings,'. The Print Collector's Newsletter 11(5): 165-168
  • Robinson, William W. (1998), ' Five Black Chalk Figure Studies by Rembrandt,'. Master Drawings 38(1): 36-46
  • Rosler R.; Young, P. (2011), 'La lección de anatomía del doctor Nicolaes Tulp: el comienzo de una utopía médica,' [The anatomy Lesson of Dr. Nicolaes Tulp: The beginning of a medical utopia]. Rev Med Chil. 139(4): 535–41. doi:10.4067/S0034-98872011000400018 [in Spanish]
  • Rösler A.; Hofmann, M.; Mackenzie, M.; Harris, A.; Mapstone, M. (2001), 'Über „Successful Aging” hinaus: Rembrandt in seinen Selbstbildnissen,' [Beyond successful aging: Rembrandt in his self-portraits]. Psychiatr Prax. 28(2): 88–90. doi:10.1055/s-2001-11584 [in German]
  • Rothenberg, Albert (1999), 'Rembrandt's self portraits: the creative process'. Paper presented at the annual meeting of the American Psychological Association, Boston, MA, August 20–24, 1999
  • Rothenberg, Albert (1999), 'Depression, physical illness, and the faces of Rembrandt,'. The Lancet 354(9187): 1392. doi:10.1016/S0140-6736(05)76251-6
  • Rothenberg, Albert (2008), 'Rembrandt's Creation of the Pictorial Metaphor of Self,'. Metaphor & Symbol 23(2): 108–29. doi:10.1080/10926480801944269
  • Rosso, Corrado (1986), 'Diderot et Rembrandt: Une occasion perdue,'; in Diderot: Les Beaux-Arts et la musique. (Aix-en-Provence: Université de Provence, 1986), pp. 25–42
  • Rubinstein, Gregory (2011), 'Brief Encounter: The Early Drawings of Jan Lievens and Their Relationship with Those of Rembrandt,'. Master Drawings 43(3): 352–370
  • Russell, Margarita (1977), ' The Iconography of Rembrandt's "Rape of Ganymede",'. Simiolus: Netherlands Quarterly for the History of Art 9(1): 5–18
  • Rutgers, Jaco (2004), 'A Source for Rembrandt's "Beheading of St John the Baptist",'. Print Quarterly 21(2): 154–156
  • Salcman, Michael (1995), 'The Anatomy Lesson of Dr. Deyman, Rembrandt van Rijn,'. Neurosurgery 36(4): 865–866. doi:10.1227/00006123-199504000-00034
  • Scallen, Catherine B. (1997), 'Rembrandt's Nocturne Prints,'. Art On Paper 1(3): 13-17
  • Scallen, Catherine B. (1998), 'Rembrandt and the Northern Renaissance,'. In: Laurinda S. Dixon, ed., In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson, Turnhout, 1998, pp. 135-150
  • Scallen, Catherine B. (1999), 'Rembrandt's Reformation of a Catholic Subject: the Repentant and the Penitent Saint Jerome,'. Sixteenth Century Journal 30(1): 71-88
  • Scallen, Catherine B. (2001), 'Guarding the Borders of Rembrandt Connoisseurship,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 291–304. doi:10.1080/03096564.2001.11730801
  • Scallen, Catherine B. (2002), 'Rembrandt in the Nineties,'. In: Alan Chong and Michael Zell, eds., Rethinking Rembrandt, Boston and Zwolle, 2002
  • Scallen, Catherine B. (2006), 'Connoisseurships of Rembrandt,'. In: Michiel Roscam Abbing, ed., Around Rembrandt. Collected Essays on the Occasion of Rembrandt’s 400th Anniversary, Foleor Press, 2006, pp. 63-73
  • Scallen, Catherine B. (2009), 'The Global Rembrandt,'. In: Crossing Cultures: Conflict, Migration and Convergence, edited by Jaynie Anderson. (Carlton: Miegunyah Press, 2009)
  • Scallen, Catherine B. (2017), 'Do mistakes always matter? Jakob Rosenberg's Rembrandt Life and Work','. Journal of Art Historiography 16 (June 2017)
  • Scheller, R.W. (1961), 'Rembrandt's Reputatie van Houbraken tot Scheltema,'. Nederlands Kunsthistorisch Jaarboek 12: 81–119. [in Dutch]
  • Scheller, R.W. (1968), 'Rembrandt en de Encyclopedische Verzameling,'. Oud-Holland 84: 81–147. [in Dutch]
  • Schildkraut, J.J. (2004), 'Saint Jerome in a Dark Chamber: Rembrandt's Metaphoric Portrayal of the Depressed Mind,'. American Journal of Psychiatry 161(1): 26–27. doi:10.1176/appi.ajp.161.1.26
  • Schirillo, James A. (2000), 'Hemispheric asymmetries and gender influence Rembrandt's portrait orientations,'. Neuropsychologia 38(12): 1593–606
  • Schirillo, James A.; Fox, Melissa A. (2006), 'Rembrandt's Portraits: Approach or Avoid?,'. Leonardo 29(3): 253–256
  • Schwartz, Frederic (1989), '"The Motions of the Countenance": Rembrandt's Early Portraits and the Tronie,'. RES: Anthropology and Aesthetics 17/18: 89–116
  • Sciolla, Gianni Carlo (2006), 'La Visitazione di Rembrandt già a Torino. Una rilettura critica,'. Artibus et Historiae 27(54): 191–199. [in Italian]
  • Seidenstein, Joanna Sheers (2016), 'Grace, Genius, and the Longinian Sublime in Rembrandt's Aristotle with a Bust of Homer,'. JHNA: Journal of Historians of Netherlandish Art 8(2). doi:10.5092/jhna.2016.8.2.5
  • Slatkes, Leonard J. (1980), 'Rembrandt's Elephant,'. Simiolus: Netherlands Quarterly for the History of Art 11(1): 7–13
  • Slive, Seymour (1964), 'Rembrandt's 'Self-Portrait in a Studio','. The Burlington Magazine 106(740): 482–487
  • Sluijter, E.J. (1999), 'Emulating Sensual Beauty: Representations of Danaë from Gossaert to Rembrandt,'. Simiolus: Netherlands Quarterly for the History of Art 27(1/2): 4–45
  • Sluijter, E.J. (2009), 'Rembrandt and the Rules of Art Revisited,'. Jahrbuch der Berliner Museum 51: 121–129
  • Sluijter, E.J. (2014), 'How Rembrandt surpassed the Ancients, Italians and Rubens as the Master of ‘the Passions of the Soul','. BMGN – Low Countries Historical Review 129(2): 63–89. doi:10.18352/bmgn-lchr.9541
  • Smith, David R. (1982), 'Rembrandt's Early Double Portraits and the Dutch Conversation Piece,'. The Art Billetin 64(2): 259–288
  • Smith, David R. (1995), 'Inversion, Revolution, and the Carnivalesque in Rembrandt's "Civilis",'. RES: Anthropology and Aesthetics 27: 89–110
  • Smith, Ralph A. (2008), 'Rembrandt, Educational Standards, and Policy,'. Arts Education Policy Review 109(5): 3–8. doi:10.3200/AEPR.109.5.3-8
  • Smith, Ralph A. (2008), 'Rembrandt and Learning,'. The Journal of Aesthetic Education 4(2): 101–114
  • Stechow, Wolfgang (1969), 'Some Observations on Rembrandt and Lastman,'. Oud Holland 54(2/3): 148–162
  • Steiner, Gary (2010), 'The Cultural Significance of Rembrandt's “Anatomy Lesson of Dr. Nicolaas Tulp”,'. History of European Ideas 36(3): 273–279. doi:10.1016/j.histeuroideas.2010.02.004
  • Stumpel, Jeroen (2000), 'A Twelfth Attempt: The Subject of Rembrandt's "History Piece" in Leiden,'. Simiolus: Netherlands Quarterly for the History of Art 28(1/2): 44–50
  • Sullivan, Scott A. (1980), 'Rembrandt's Self-Portrait with a Dead Bittern,'. The Art Bulletin 62(2): 236–243
  • Talley, Mansfield Kirby Jr. (1989), 'Connoisseurship and the Methodology of the Rembrandt Research Project.'. International Journal of Museum Management and Curatorship 8(2): 175–214. doi:10.1016/0260-4779(89)90022-8
  • Tribout-Joseph, Sarah (2012), 'The Art Market in Proust: A Comparative Study of the Treatment of Rembrandt and the Salon Painter Gleyre in Proust,'. In: Proust and the Visual, edited by Nathalie Aubert, 1st ed., University of Wales Press, 2012, pp. 149–166
  • Tuman, Donna M. (2008), 'The Changing Face of Rembrandt: Pedagogy, Politics, and Cultural Values in American Art Education,'. The Journal of Aesthetic Education 42(2): 57–67
  • Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. Art Quarterly 11(1948): 117–135
  • Van de Wetering, Ernst; Broekhoff, Paul (1996), 'New Directions in the Rembrandt Research Project, Part I: The 1642 Self-Portrait in the Royal Collection,'. The Burlington Magazine 138(1116): 174–180
  • Van de Wetering, Ernst (2008), 'Connoisseurship and Rembrandt's Paintings: New Directions in the Rembrandt Research Project, Part II,'. The Burlington Magazine 150(1259): 83–90
  • Van Hoogstraten, Samuel (1672), 'Inleyding tot de Hooge Schoole der Schilderkonst' (Amsterdam, 1672). Translated for the Art Humanities Primary Source Reader by Benjamin Binstock.
  • Vermeulen, Ingrid R. (2009), 'Michel de Marolles's album of Rembrandt prints and the reception of Dutch art in France,'. Simiolus: Netherlands Quarterly for the History of Art 34 (3/4): 155–182
  • Wasserman, Burton (1970), 'Rembrandt: A Legacy of Eloquence,'. Art Education 23(3): 19–23. doi:10.1080/00043125.1970.11653842
  • Weisz, George M.; Albury, William R. (2013), 'Rembrandt's Jewish Physician—Dr Ephraim Bueno (1599–1665): A Brief Medical History,'. Rambam Maimonides Medical Journal 4(2): e0010. doi:10.5041/RMMJ.10110
  • Weisz, George M.; Albury, William R. (2015), 'Diseases of Old Age in Two Paintings by Rembrandt,'. Rambam Maimonides Medical Journal 6(4): e0042. doi:10.5041/RMMJ.10227
  • Westermann, Mariët (2011), 'Back to Basics: Rembrandt and the Emergence of Modern Painting,'. Perspective: la revue de l'INHA 4 (2011–12): 723–47
  • Weststeijn, Thijs (2005), 'Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master,'. In: The Learned Eye: Regarding art, theory and the artist's reputation, edited by Natasja van Eck Marieke van den Doel, Gerbrand Korevaar, Anna Tummers and Thijs Weststenijn, pp. 111-30. Amsterdam: Amsterdam University Press, 2005
  • Weststeijn, Thijs (2013), '"Passie, Hartstocht": Painting and Evoking Emotions in Rembrandt's Studio,'. In: Ad Fontes: Niederlandische Kunst des 17. Jahrhunderts in Quellen, edited by Claudia Fritzsche, Karin Leonhard and Gregor Weber, pp. 305-30. Petersberg: Michael Imhof Verlag, 2013
  • Weststeijn, Thijs (2016), 'The Sublime and the “Beholder's Share”: Junius, Rubens, Rembrandt,'. JHNA: Journal of Historians of Netherlandish Art 8(2). doi:10.5092/jhna.2016.8.2.2
  • Wiser, Itay; Parnass, Adam J.; Rachmiel, Ronny; Westreich, Melvyn; Friedman, Tali (2016), 'Rembrandt's Ocular Pathologies,'. Ophthalmic Plastic and Reconstructive Surgery 32(4): 305–309
  • Wright, J. Lenore (2007), 'Reading Rembrandt: The Influence of Cartesian Dualism on Dutch Art,'. History of European Ideas 33(3): 275–291. doi:10.1016/j.histeuroideas.2006.11.012
  • Zell, Michael (2011), 'Rembrandt's Gifts: A Case Study of Actor-Network-Theory,'. JHNA: Journal of Historians of Netherlandish Art 3(2). doi:10.5092/jhna.2011.3.2.2
  • Zimmerman, E. (1991), 'Rembrandt to Rembrandt: A case study of a memorable painting teacher of artistically talented 13 to 16 year‐old students,'. Roeper Review 13(2): 76–81. doi:10.1080/02783199109553315
  • Zlotnick, A. (1998), 'Rembrandt's self-portrait,'. The Lancet 351(9106): 915. doi:10.1016/S0140-6736(05)70337-8
  • Żygulski, Zdzisław (2000), 'Further Battles for the "Lisowczyk" (Polish Rider) by Rembrandt,'. Artibus et Historiae 21(41): 197–205. doi:10.2307/1483642

Novels, short stories, and poems[edit]

  • Berg, Janet Lee: Rembrandt's Shadow. (Post Hill Press, 2016, ISBN 978-1682611432)
  • Connor, Alexandra: The Rembrandt Secret. (Quercus Books, 2011, ISBN 978-1849163460)
  • Cullen, Lynn: I Am Rembrandt's Daughter. (New York: Bloomsbury, 2007)
  • De Vries, Theun: Rembrandt. (Amsterdam, 1931)
  • Devereux, Kim: Rembrandt's Mirror. (London: Atlantic Books, 2015)
  • Koot, Raymond (a.k.a. Typex): Rembrandt. (London: SelfMadeHero, 2013)
  • Lermontov, Mikhail: To the Picture of Rembrandt (poem, 1830) [in Russian]
  • Matton, Sylvie: Rembrandt's Whore. Translated from the French by Tamsin Black. (New York: Canongate, 2003)
  • McEntyre, Marilyn Chandler: Drawn to the Light: Poems on Rembrandt's Religious Paintings. (Grand Rapids, Michigan: Wm.B. Eerdmans Publishing, 2004)
  • Miano, Sarah Emily: Van Rijn. (London: Picador, 2006)
  • Schmitt, Gladys: Rembrandt. (New York: Random House, 1961)
  • Siegal, Nina: The Anatomy Lesson. (New York: Doubleday, 2014)
  • Silva, Daniel: The Rembrandt Affair. (Berkley Books, 2011, ISBN 978-0451233998)
  • Ternar, Yeshim: Rembrandt's Model. (Montreal: Véhicule Press, 1998)
  • Weiss, David: I, Rembrandt. (New York: St. Martin's Press, 1979)
  • Wharton, Edith: The Rembrandt, in Crucial Instances (short story collection, 1901)
  • Zuckmayer, Carl: Rembrandt. Ein Film. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1980) [in German]

Films[edit]

Documentaries[edit]

Sculpture[edit]

See also[edit]

References[edit]

  1. ^ Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
  2. ^ Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 10 October 2018.
  3. ^ Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 10 October 2018.
  4. ^ Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 10 October 2018.
  5. ^ Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)
  6. ^ Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999, ISBN 0-472-11044-6)
  7. ^ Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)
  8. ^ Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
  9. ^ a b Franits, Wayne (ed.): Ashgate Research Companion to Dutch Art of the Seventeenth-Century. (Burlington, VT: Ashgate, 2016)
  10. ^ Slive, Seymour: Rembrandt and his Critics 1630–1730. (The Hague: Martinus Nijhoff, 1953)
  11. ^ Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)