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Consecration of Aloysius Gonzaga as patron saint of youth
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c. 1763
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Saragossa Museum, Spain
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Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples
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c. 1769
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Collection of Pascual de Quinto, Saragossa, Spain
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The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory |
c. 1769 |
Collection of Marquess de las Palmas
Jerez de la Frontera, Spain
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Hannibal the Conqueror |
1770 |
Foundation Selgas-Fagalde (Cudillero, Asturias).
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Martin Zapater |
1770 |
Museo de Bellas Artes de Bilbao
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The Sacrifice to Vesta
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1771
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Collection of Felix Palacios Remondo, Zaragoza
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The Sacrifice to Priapus
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1771
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private collection, Barcelona
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The rape of Europa
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1772
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private collection, USA
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The Adoration of the Name of God |
1772 |
Basílica de Nuestra Señora del Pilar, Zaragoza |
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Frescoes in the Cartuja de Aula Dei |
1774 |
Charterhouse of Aula Dei |
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Tapestry Cartoons |
1775–92 |
Prado Museum, Madrid
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The Parasol |
1777 |
Prado Museum, Madrid |
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Blind Guitarist |
1778 |
Prado Museum, Madrid
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The Swing |
1779 |
Prado Museum, Madrid
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Crucified Christ |
1780 |
Prado Museum, Madrid
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The Queen of Martyrs |
1780–81 |
Basílica de Nuestra Señora del Pilar
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The Count of Floridablanca and Goya |
1783 |
Banco of Spain, Madrid
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Family of Infante Don Luis |
1784 |
Fondazione Magnani-Rocca, Italy
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The Sermon of Saint Bernadino of Siena |
1784 |
San Francisco el Grande, Madrid
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The Annunciation |
1785 |
private collection, Spain
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The Marquesa de Pontejos |
c. 1786 |
National Gallery of Art, Washington, D.C.
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The Snowstorm (La Nevada)
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1786 |
Prado Museum, Madrid
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Spring (or The Flower Girls) |
1786–87 |
Prado Museum, Madrid
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Manuel Osorio Manrique de Zuñiga |
1787–88 |
Metropolitan Museum of Art, New York City
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St Francis Borgia at the Deathbed of an Impenitent |
1788 |
St. Francisco Catedral, Valencia
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Family of the Duke of Osuna |
1788 |
Prado Museum, Madrid |
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Self-portrait |
c. 1790–95 |
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Playing At Giants |
1791–92 |
Prado Museum, Madrid
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Portrait of Mariana Waldstein |
c. 1792 |
Louvre, Paris
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Strolling Players |
1793 |
Prado Museum, Madrid
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Fire at Night |
1793–1794 |
Banco Inversion-Agepasa, Madrid
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Yard with Lunatics |
1793–94 |
Meadows Museum, Dallas, Texas |
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Prison Interior |
c. 1793–94 |
Bowes Museum
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The Madhouse |
1794 |
Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas
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The Marquesa de la Solana |
c. 1793–95 |
Louvre, Paris
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Duchess of Alba (The White Duchess) |
1795 |
House of Alba, Madrid
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Duchess of Alba & Her Duenna |
1795 |
Prado Museum, Madrid
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Portrait of the Matador Pedro Romero |
c. 1795–98 |
Kimbell Art Museum
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Self-Portrait on Linen |
1795–1797 |
Prado Museum, Madrid
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File:Goya alba2.jpg
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Duchess of Alba (The Black Duchess) |
1797 |
Hispanic Society of America, New York City
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Que se la llevaron! |
1797–98 |
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What a sacrifice! |
1797–98 |
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The Sleep of Reason Produces Monsters |
1797–98 |
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Witches' Flight |
1797–98 |
Prado Museum, Madrid
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The Spell |
1797–98 |
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The Witches' Kitchen |
1797–98 |
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The Devil's Lamp |
1797–98 |
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The Stone Guest |
1797–98 |
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They say yes and give their hand to the first comer |
1797–98 |
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You who cannot |
1797–98 |
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Self-Portrait with Spectacles |
1797–1800 |
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Miracle of St. Antony |
1798 |
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The Taking of Christ |
1798 |
Cathedral, Toledo
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Ferdinand Guillemardet |
1798 |
Louvre
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A Miracle of St. Anthony of Padua” and other scenes |
1798 |
San Antonio de la Florida, Madrid
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Witches Sabbath (1798) |
1798
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Museum Lasaro Galdiano, Madrid
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Queen Maria Luisa, on Horseback |
1799 |
Prado Museum, Madrid
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La Tirana (Goya) |
1799 |
Academy of San Fernando, Madrid
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Countess of Chinchon |
1800 |
Prado Museum, Madrid
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La maja desnuda
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1800
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Prado Museum, Madrid
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Charles IV of Spain and His Family |
1800–1801 |
Prado Museum, Madrid
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La maja vestida |
c. 1800–05 |
Prado Museum, Madrid |
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Josefa Bayeu (Leocadia Weiss)
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c. 1800-1814
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Bartolome Sureda y Miserol |
c. 1803–04 |
National Gallery, Washington D.C |
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Isabel de Porcel |
1804–05 |
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Francisca Sabasa y Garcia |
1804–1808 |
National Gallery, Washington D.C
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Doña Teresa Sureda |
c. 1805 |
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Doña Antonia Zárate |
c.1805 |
National Gallery of Ireland
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Young Woman with a Fan |
1805–1810 |
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Portrait of Doña Isabel de Porcel |
c. 1805 |
National Gallery, London
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The Colossus |
c. 1808–12 |
Prado Museum, Madrid
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Majas on a Balcony |
c. 1808–12 |
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Time and the Old Women |
c. 1810–12 |
Musée des Beaux-Arts, Lille, Fr.
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General Manuel Romero |
c. 1810 |
private collection, Chicago
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Time (Goya) |
1810 |
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Contra el bien general |
c. 1810 |
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Allegory of the City of Madrid |
1810 |
Casa del Ayuntamiento, Madrid
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Time |
c. 1810–12 |
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Majas on a Balcony |
1810–1812 |
Metropolitan Museum version
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Portrait of the Duke of Wellington |
1812–14 |
National Gallery, London
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Doña Antonia Zárate |
c. 1811 |
Hermitage, St. Petersburg
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Dead Turkey |
1812 |
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The Burial of the Sardine |
1812–1819 |
Real Academia de Bellas Artes de San Fernando, Madrid
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The Majas on the Balcony |
c. 1812 |
Metropolitan Museum of Art, New York
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This is worse |
c. 1812–13 |
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Mariano Goya |
c. 1812–14 |
private collection, Madrid
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Portrait of Rita Moon Luna |
1814 |
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Ferdinand VII in an Encampment |
c. 1814 |
Prado Museum, Madrid
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The Second of May 1808 |
1814 |
Prado Museum, Madrid
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The Third of May 1808 |
1814 |
Prado Museum, Madrid
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Young Women with a Letter |
c. 1814–18 |
Musée des Beaux-Arts, Lille
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May the rope break! |
c. 1815 |
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Self-Portrait |
1815 |
Academy of San Fernando
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Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon |
1815–16 |
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La Tauromaquia |
1815–1816 |
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Burial of the Sardine (sketch) |
c. 1816 |
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Inquisition Scene |
c. 1816 |
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The Procession |
c. 1816 |
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SS. Justa and Rufina |
1817 |
Cathedral, Seville
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The Forge
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c. 1817
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Frick Collection, New York
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The Giant |
1818 |
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The Forge |
c. 1819 |
Frick Collection, New York City
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Portrait of Don Juan Antonio Cuervo |
1819 |
Cleveland Museum of Art |
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The Last Communion of St. Joseph of Calasanz |
1819 |
Escuelas Pías de San Antón, Madrid |
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Agony in the Garden (Goya) |
1819 |
Escuelas Pías de San Antón |
.
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Self-portrait with Dr Arrieta |
1820 |
Minneapolis Institute of Arts, Minnesota |
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Women Laughing
|
1819-1923
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Prado Museum, Madrid
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Men Reading |
c. 1821–23 |
Prado Museum, Madrid
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Carnival Scene |
1820–1824 |
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Atropos (The Fates) |
1820–1823 |
Prado Museum, Madrid
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Goat (Goya) |
1820–1823 |
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Fight with Cudgels |
1820–1823 |
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Two Women |
1820–1823 |
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Deaf Man |
1820–1823 |
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Asmodea |
1820–1823 |
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Old Men Eating |
1820–1823 |
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The Dog |
1820–23 |
Prado Museum, Madrid
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Fight with Cudgels |
1820–23 |
Prado Museum, Madrid
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The Great He-Goat or Witches Sabbath |
c. 1821–23 |
Prado Museum, Madrid
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Saturn Devouring His Son |
c. 1821–23 |
Prado Museum, Madrid
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Two Old Men |
c. 1821–23 |
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Two Old Women Eating from a Bowl |
c. 1821–23 |
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Two Young People Laughing at a Man |
c. 1821–23 |
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Portrait of Don Ramon Satué |
1823 |
Rijksmuseum, Amsterdam |
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Portrait of José Duaso y Latre |
1824 |
Museum of Fine Arts of Seville |
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Leandro Fernández de Moratín |
1824 |
Museo de Bellas Artes, Bilbao, Spain |
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Monk Talking to an Old Woman |
1824-25 |
Princeton University Art Museum
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Portrait of Jacques Galos |
1826 |
Barnes Foundation |
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The Milkmaid of Bordeaux |
1825–27 |
Prado Museum, Madrid |
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Don Juan Bautista de Muguiro |
1827 |
Prado Museum, Madrid |
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Don José Pío de Molina |
1827–28 |
Reinhart Collection, Winterthur |
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Striker Family Goya |
unknown dating |
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