Monkey Business (1931 film)
theatrical release poster
|Directed by||Norman Z. McLeod|
|Produced by||Herman J. Mankiewicz|
S. J. Perelman|
Will B. Johnstone
J. Carver Pusey (disputed)
|Music by||John Leipold|
|Cinematography||Arthur L. Todd|
|Distributed by||Paramount Publix Corp|
Monkey Business is a 1931 American Pre-Code comedy film. It is the third of the Marx Brothers' released movies, and the first with an original screenplay rather than an adaptation of one of their Broadway shows. The film also stars Thelma Todd. It is directed by Norman Z. McLeod with screenplay by S. J. Perelman and Will B. Johnstone. Much of the story takes place in on an ocean liner crossing the Atlantic Ocean.
On board an ocean liner to America, four stowaways are involuntarily pressed into service as toughs for a pair of feuding gangsters while constantly trying to evade the ship's crew. Prior to this development, the film has no real plot, with the Brothers merely causing unending uproar. Except in the credits and in the screenplay, the Brothers' characters have no names in this film. They are referred to simply as "the stowaways". After arriving stateside, one of the gangsters kidnaps the other's daughter, leaving it up to the brothers to save the day.
Writers S. J. Perelman and Will B. Johnstone were excited to be working with the Marx Brothers, but producer Herman J. Mankiewicz advised them to lower their expectations, calling the brothers "mercurial, devious, and ungrateful ... I hate to depress you, but you'll rue the day you ever took the assignment. This is an ordeal by fire, make sure you wear asbestos pants." Groucho disliked the original script delivered by Perelman and Johnstone, saying "It stinks." He thought that Perelman was too much of an intellectual to write for the Marsx Brothers comic style. The final script was the result of five months of work by the brothers, gag writer, director Norman Z. MacLeod and Mankiewicz. MacLeod said in a later interview that up to 12 writers worked on the film, and that Eddie Cantor contributed when he visited the set during shooting
Typical for many Marx Brothers films, production censors demanded changes in some lines with sexual innuendo. Monkey Business was banned in some countries because censors feared it would encourage anarchic tendencies.
This is the first Marx Brothers film not to feature Margaret Dumont: this time their female foil is comedian Thelma Todd, who would also star in the Marx Brothers' next film, Horse Feathers. A few years after the release of Horse Feathers, Todd died in unexplained circumstances. A line of dialogue in Monkey Business seems to foreshadow Todd's death. Alone with Todd in her cabin, Groucho quips: "You're a woman who's been getting nothing but dirty breaks. Well, we can clean and tighten your brakes, but you'll have to stay in the garage all night." In 1935, Todd died in her car inside a garage, apparently from accidental carbon monoxide poisoning.
Early on in Monkey Business, the Brothers—playing stowaways concealed in barrels—harmonize unseen while performing the popular song "Sweet Adeline". It is a matter of debate whether Harpo joins in with the singing. (One of the ship's crew asserts to the captain that he knows there are four stowaways because he can hear them singing "Sweet Adeline".) If so, it would be one of only a few times Harpo used speech on screen, as opposed to other vocalizations such as whistling or sneezing. At least one other possible on-screen utterance occurs in the film A Day at the Races (1937), in which Groucho, Chico, and Harpo are heard singing "Down by the Old Mill Stream" in three-part harmony.
Upon alighting from the ship, the Marx Brothers' real life father (Sam "Frenchie" Marx) is briefly seen in a cameo appearance, sitting on top of luggage behind the Brothers on the pier as they wave to the First Mate. Sam Marx was 72 at the time, and the appearance was his film debut. He was paid $12.50 each day for two days work.
Monkey Business was Norman MacLeod's solo directorial debut.
One of the most famous sequences from this film involves the four brothers attempting to get off the ship using a passport stolen from famous singer (and fellow Paramount star) Maurice Chevalier. Each brother impersonates Chevalier (complete with straw hat) and sings "You Brought a New Kind of Love to Me" ("If the nightingales could sing like you ...") in turn. This poses a problem for the mute Harpo, who mimes to a hidden phonograph tied to his back which plays the Chevalier recording. When the turntable slows down and he has to rewind it, the ruse is uncovered. Earlier, when Zeppo first meets gangster Joe Helton's daughter Mary on the promenade of the ocean liner, "Just One More Chance" by Arthur Johnston and Sam Coslow can be heard playing in the background. Chico performs two pieces on the piano, the "Pizzicato" from Sylvia by Léo Delibes, which then morphs into the song "When I Take My Sugar to Tea" written by Sammy Fain, Irving Kahal, and Pierre Norman. Harpo performs "I'm Daffy over You" by Sol Violinsky and Chico. The dance band at Mary's debut party is playing the song "Ho Hum!" when the Marx Brothers arrive.
- "Sweet Adeline", music by Harry Armstrong, lyrics by Richard Gerard
- "Just One More Chance", by Arthur Johnston and Sam Coslow
- "You Brought a New Kind of Love to Me", music and lyrics by Irving Kahal, Pierre Norman and Sammy Fain
- "Pizzicato" from Sylvia by Léo Delibes, played on the piano by Chico,
- "When I Take My Sugar to Tea" by Sammy Fain, Irving Kahal, and Pierre Norman
- "O Sole Mio" sung by opera singer Maxine Castle with harp accompaniment by Harpo; music by Edoardo di Capua, lyrics by Giovanni Capurro
- "I'm Daffy Over You" by Chico Marx and Sol Violinsky (Solly Ginsberg}
Reception and impact
Contemporary reviews were positive. Mordaunt Hall of The New York Times wrote, "Whether it is really as funny as 'Animal Crackers' is a matter of opinion. Suffice it to say that few persons will be able to go to the Rivoli and keep a straight face." Variety's review began, "The usual Marx madhouse and plenty of laughs sprouting from a plot structure resembling one of those California bungalows which sprout up overnight." Film Daily agreed that the plot was "flimsy", but also found the film "crammed all the way with laughs and there's never a dead spot." John Mosher of The New Yorker thought the film was "the best this family has given us."
The film was evidently based on two routines the Marx Brothers did during their early days in vaudeville (Home Again and Mr. Green's Reception), along with a story idea from one of Groucho's friends, Bert Granet, called The Seas Are Wet. The passport scene is a reworking of a stage sketch in which the brothers burst into a theatrical agent's office auditioning an impersonation of a current big star. It appeared in their stage shows On the Mezzanine Floor and I'll Say She Is (1924). This skit was also done by the Marxes in the Paramount promotional film The House That Shadows Built (1931).
The concept of the Marx Brothers being stowaways on a ship would be repeated in an episode of their radio series Flywheel, Shyster, and Flywheel (1933) in the episode "The False Roderick" and would also be recycled in their MGM film A Night at the Opera (1935). The essence of Groucho's joke, "Sure, I'm a doctor—where's the horse?" would serve as an integral plot element for their film A Day at the Races (1937). Also repeated in that later film would be the uproarious medical examination that Harpo and Chico give opera singer Madame Swempski (Cecil Cunningham).
Awards and honors
According to Turner Classic Movies' Robert Osborne, a sequel was planned for this film that would continue the gangster theme. During the development of that film, aviator Charles Lindbergh's son was kidnapped and killed by what was believed to be gangsters. The writers quickly shifted gears and based the brothers' next film very loosely on the Marx Brothers' earlier stage show Fun in Hi Skule, which would evolve into Horse Feathers.
- Monkey Business at the American Film Institute Catalog
- Hanson, Patricia King, ed. (1993). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1931-1940. Berkeley and Los Angeles: University of California Press. p. 1418. ISBN 0-520-07908-6.
- "Film Reviews". Variety. New York: Variety, Inc. October 13, 1931. p. 14.
- Harrison's Reports film review; October 17, 1931, page 167.
- Monkey Business trivia at the Internet Movie Database.
- Plot summary of Monkey Business at the Internet Movie Database
- Mankiewicz, Ben (July 11, 2018) Intro to the Turner Classic Movies presentation of the film
- Censored Films and Television at University of Virginia online
- Louvish, Simon (2000). Monkey Business: The Lives and Legends of the Marx Brothers. New York City: Thomas Dunne Books. ASIN 0312252927.
- Staff (1958) Catalog of Copyright Entries: Third series January-June 1958, v.12, pt.5, n.1, p.685 Library of Congress
- Griffin, Danel. Movie Review: Monkey Business. Film as Art. University of Alaska Southeast. Retrieved on 2008-04-06.
- Hall, Mordaunt (October 8, 1931). "Movie Review - Monkey Business". The New York Times. The New York Times Company. Retrieved September 21, 2015.
- "Monkey Business". Film Daily. New York: Wid's Films and Film Folk, Inc.: 8 September 27, 1931.
- Mosher, John (October 17, 1931). "The Current Cinema". The New Yorker. New York: F-R Publishing Corp. p. 65.
- "Horse Feathers". Marxology. Retrieved 2008-04-06.
- A Night at the Opera trivia at the Internet Movie Database.
- "AFI's 100 Years...100 Laughs" (PDF). American Film Institute. Retrieved August 20, 2016.
- Dirks, Tim. "Movie Review: "Horse Feathers"". Filmsite.org. Retrieved 2008-04-06.
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