Bonzo Goes to Bitburg
|"Bonzo Goes to Bitburg"|
|Single by the Ramones|
|from the album Animal Boy|
|B-side||"Go Home Ann" (12" only)
"Daytime Dilemma (Dangers of Love)"
|Recorded||Intergalactic Studios, New York City|
|Genre||Post-punk, power pop|
|Writer(s)||Joey Ramone, Dee Dee Ramone, Jean Beauvoir|
"Bonzo Goes to Bitburg" is a song by American punk rock band the Ramones. Initially issued as a single in the UK by Beggars Banquet Records in 1985, it did not receive an American single release. An emotionally charged protest of the visit by U.S. president Ronald Reagan to a German cemetery where World War II casualties, including Waffen-SS soldiers, were buried, it was a major critical success. Though it was available in the United States only as an import, it became a hit on college radio. The following year, retitled "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)", it appeared on the band's album Animal Boy. The second version of the title is the one used on subsequent live and compilation albums.
Background and inspiration
The song was written in reaction to the visit paid by U.S. president Ronald Reagan to a military cemetery in Bitburg, West Germany, on May 5, 1985. Reagan laid a wreath at the cemetery and then gave a public address at a nearby air base. The visit was part of a trip paying tribute to the victims of Nazism and celebrating West Germany's revival as a powerful, democratic ally of the U.S.
Reagan's plan to visit the Bitburg cemetery had been criticized in the United States, Europe, and Israel because among the approximately 2,000 German soldiers buried there were 49 members of the Waffen-SS, the combat arm of the SS, which committed many other atrocities. Among those vehemently opposed to the trip were Jewish and veterans' groups and both houses of the U.S. Congress. The phrase "Bonzo Goes to Bitburg" was coined by protesters in the weeks leading up to Reagan's trip. Employed as an epithet for Reagan, Bonzo is actually the name of the chimpanzee title character in Bedtime for Bonzo, a 1951 comedy starring Reagan. The phrase also echoes the title of the film's sequel, Bonzo Goes to College (1952), though Reagan did not appear in that picture.
Before departing for Germany, Reagan ignited more controversy when he expressed his belief that the soldiers buried at Bitburg "were victims, just as surely as the victims in the concentration camps." In his remarks immediately after the cemetery visit, Reagan said that "the crimes of the SS must rank among the most heinous in human history", but noted that many of those interred at Bitburg were "simply soldiers in the German army... There were thousands of such soldiers for whom Nazism meant no more than a brutal end to a short life." Also, as Bitburg Mayor Theo Hallet pointed out, all German military cemeteries were likely to contain at least a few SS graves, as the rate of attrition for the service was so high, with up to 200,000 killed and a further 72,000 missing in action amounting to 6% of the entire German Armed Forces.
We had watched Reagan going to visit the SS cemetery on TV and were disgusted. We're all good Americans, but Reagan's thing was like forgive and forget. How can you forget six million people being gassed and roasted?
Joey shares writing credit with Ramones bassist Dee Dee Ramone and Ramones producer and former Plasmatics bassist/keyboardist Jean Beauvoir. Commentators on the song tend to suggest that Joey was its primary author. Mickey Leigh, Joey's brother, who was particularly close with Dee Dee, claims that while "everyone believed Joey had been the impetus to write the song ... it was actually Dee Dee."
Tone and style
The song's lyrics, with their explicitly serious content, are a departure from the Ramones' usual style. Spin 's Jon Young calls it "part exorcism and part slapstick comedy". David Corn describes the beginning of the refrain—"Bonzo goes to Bitburg/then goes out for a cup of tea/As I watched it on TV/somehow it really bothered me"—as "snarled" by Joey over a "power-pop beat and melodic hooks galore". Salon.com arts editor Bill Wyman writes of Johnny Ramone "lob[bing] guitar bombs" amid the song's "Spectorian, rushing production" and of "Joey's pained, pleading voice". Douglas Wolk fits the song into his general view of Joey Ramone as different from his many musical imitators in that "he never, ever sneered": "the tone of 'Bonzo Goes to Bitburg'", writes Wolk, "isn't contemptuous, just confused and angry."
"Bonzo Goes to Bitburg" was issued in Great Britain as a 45 rpm 12" by Beggars Banquet Records. The single's first B-side, "Go Home Ann", by Dee Dee and Mickey Leigh, was produced by Ed Stasium and mixed by Motörhead lead singer Lemmy. The second B-side, "Daytime Dilemma (Dangers of Love)", had previously appeared on the Ramones' 1984 album, Too Tough to Die. Sources at the Ramones' U.S. label, Sire Records, and its parent company, Warner Bros. Records, gave differing reasons for not releasing the single in America: The Sire products manager said the decision was "both financial and political"; an anonymous Warner Bros. source claimed, "It just wasn't considered a good enough record." The original jacket of the single included a photograph of Reagan speaking at the site of the Bergen-Belsen concentration camp just hours before his trip to Bitburg; this image was removed in subsequent pressings. Melody Maker blamed its elimination on pressure from the "Moral Majority, the Patriotic League of the Alamo, and the SS."
The Ramones' Animal Boy LP, released by both Sire and Beggars Banquet in 1986, included "Bonzo Goes to Bitburg". According to Robert Christgau, the album version was remixed. The title was altered to "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)" to placate Johnny, a staunch conservative, fervent Reagan supporter. "Go Home Ann" has never been included on an official full-length Ramones original or compilation album.
The "Bonzo Goes to Bitburg" single did not chart highly in Great Britain, it peaked at the low position of #81. Though available only as an import in 1985, it was put into rotation by many American college radio stations, and record stores that handled imports reported robust sales. It inspired Steven Van Zandt to request Joey's participation in his Artists United Against Apartheid single "Sun City", released that October, in which Joey sang a line again protesting Reagan's policies. The single was also a major critical success. Reviewing it for Spin, John Leland wrote,
Just listen to Johnny's freight cars of guitar chords, Dee Dee's "ahh, naa naa naa" surf harmonies, and Joey's down-to-earth irritation at watching our commander in chief on TV. The Ramones are so brilliant because they perceive the world the way regular people do—through television. "Go Home Ann" is ... powerful but lacks that patented Ramones bubblegum melody. "Daytime Dilemma," on the other hand, is the 1910 Fruitgum Company with giant blocks of Gibson guitar.
In the annual Pazz & Jop Critics Poll conducted by The Village Voice, "Bonzo Goes to Bitburg" was ranked the fifth best single of 1985. In his review of Animal Boy, Rolling Stone 's David Fricke called the song "brilliant". He wrote that it "vividly captures the sense of helplessness and confusion felt by rock youth in the Age of Reagan". Salon's Wyman retrospectively describes it as "the group's greatest song and [Joey's] greatest vocal performance".
A concert recording of "Bonzo Goes to Bitburg" appears on the band's 1991 album Loco Live. The studio version was used in the soundtrack of the film School of Rock (2003). Several bands have recorded cover versions: The Agnews on the anthology album Gabba Gabba Hey: A Tribute to the Ramones (1991); The Huntingtons on their album File Under Ramones (1999); Blanks 77 on the Ramones Maniacs tribute album (2001); Wednesday Night Heroes on their Move to Press EP (2005); Trashlight Vision on their album Alibis and Ammunition (2006); and MxPx on their album On the Cover II (2009); Iron Chic on their "Spooky Action" EP (2013). In 2004, The Mighty Mighty Bosstones' Dicky Barrett and Lawrence Katz were joined by ex-Ramones Marky and C.J. for a live performance of the song available on the DVD Too Tough to Die: A Tribute to Johnny Ramone.
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