|Studio album by |
|Released||May 19, 1986|
|Studio||Intergalactic Studios, New York City; mixed at Polar Studios, Stockholm|
|Label||Sire; Beggars Banquet|
|Singles from Animal Boy|
Animal Boy is the ninth studio album released by American punk band the Ramones through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less of performing from lead guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. The album spawned four singles, all of which charted on the UK Singles Chart as well as others. In addition to singles, the band promoted their album using a music video which parodied the contemporary benefit concerts Live Aid and Hands Across America.
Lyrical themes of the album range from band member's frustration with each other, themselves, and loved ones, to more politically themed songs—a rarity in Ramones music. "My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg)" saw the Ramones criticizing U.S. President Ronald Reagan for his actions in Bitburg, Germany regarding World War II, despite not all band members agreeing with its message. Critically, Animal Boy was not nearly as acclaimed as its predecessor, Too Tough to Die, receiving generally mixed reviews. Critics were quick to point out that the band had strayed far from their original style and were experimenting with several genres by this point. It also charted in four different countries, including the United States and United Kingdom.
By 1985, there was a considerable amount of conflict between band members. Lead singer Joey Ramone went so far as to withdraw from the writing process despite being a vital part of it on previous records. Joey recalled, "I'd had it with the Ramones. 'Mental Hell' is about that. Part of it came from breaking up with [his then girlfriend] Angela. The other part of it was that I had really had it with the band." In later interviews, however, Joey stated that it was not the conflict that made him stop writing, but rather he had "ideas on the backburner." Bassist Dee Dee Ramone said lead guitarist Johnny Ramone was the reason for much of the stress, supposedly not wanting to do songs Joey would write for multiple reasons. Dee Dee related: "Joey will present a great tune and Johnny won't do it because it's this or it's that. 'I'm not going to play minor chords. I'm not going to play lead. I'm not going to come to England.' For God's sake! That's why Joey gotta do his solo album."
Consequently, the somewhat recently added drummer Richie Ramone stepped up to the writing process, resulting in the hit song "Somebody Put Something in My Drink," which would be released as a single and also appeared on the band's first compilation album Ramones Mania (1988). "Joey was always encouraging me to write songs," explained Richie, "but I didn't really need the encouragement." This would be the first time the band used the drummer as a songwriter since original drummer Tommy Ramone, with Joey saying he wanted to make Richie feel like a part of the band, because he felt past drummers were not so much a part of the band nor any good at writing, while calling Richie a "regular Phil Collins." Johnny would later say the album needed a better production quality, commenting that the guitar moments did not sound like he had performed them. "The producer on [Animal Boy], Jean Beauvoir," Johnny relates, "was selected by the label, not us."
Marketing and promotion
For the album's front cover, the band wanted to take a photo with a monkey from the Bronx Zoo. George DuBose originally took the picture in the zoo's monkey house, but this photo was rejected by the zoo director. The zoo would not allow the band to borrow a chimp for photographing, so DuBose decided to try hiring Zippy the Chimp from The David Letterman Show and was successful. The resulting idea was to take the picture of the band standing in front of a gorilla cage with Legs McNeil, Punk Magazine author, in a gorilla costume. Richie is holding Zippy the Chimp, a baby chimpanzee, and because of this, DuBose had to refrain from flashing light as he could possibly spooked it, although according to DuBose, the chimp was already out of control. "Zippy was getting wild," Dubose recalled, "he wasn't looking at the camera and was fucking around with the guys. I wasn't getting the picture because the chimp was out of control, so finally the trainer goes up to Zippy and whacks him across the face." The lack of flash resulted in a lowlighted warmer colored photograph, which would be used as the album's cover.
Animal Boy was released May 19, 1986. While touring for its promotion, the band only used four to five songs from the album while the rest of the set list was derived from songs off earlier releases. Johnny described this type of concert setlist to promote releases to be common for "a lot of later [Ramones] albums," saying it was "because the material didn't measure up to our other stuff."
In addition to touring, Sire Records and Beggars Banquet Records released four singles to help promote the album in hopes to receive more radio airplay. The first single off Animal Boy was "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)," issued in Great Britain by Beggars Banquet Records in June 1985. "Go Home Anne" is the first B-side, and is produced by Ed Stasium and mixed by Lemmy, lead singer of Motörhead. There were multiple explanations given for why the single was not released in the United States. The product manager at Sire Records explained that it was both a "financial and political" decision, while there are claims at the parent company, Warner Bros. Records that "It just wasn't considered a good enough record." The single's jacket depicted Reagan before going to Bitburg at the Bergen-Belsen concentration camp giving a speech, however this was removed in later pressings. British newspaper Melody Maker claimed it was removed because the band received pressure from "Moral Majority, the Patriotic League of the Alamo, and the SS."
The music video for "Something to Believe In" was a parody of benefit concert Live Aid and Hands Across America. The video was described by author Everett True to be "reassuringly foolish" and "a welcome return to [the Ramones] old sense of humor." Several guests are featured in the video, including The B52s, Weird Al Yankovic, Spinal Tap, Ted Nugent, The Circle Jerks, Toni Basil, Rodney Bingenheimer, Holly Beth Vincent, and Afrika Bambaataa. Because the music video was praised by Warner Bros., they released "Something to Believe In" as a double A-side with "Somebody Put Something in My Drink." "Something to Believe In" was also released with "Animal Boy" in the United States and "Crummy Stuff" in Great Britain through Beggars Banquet Records.
Lyrics and composition
Animal Boy featured a range of genres and musical elements that were completely new to the band and had never been in previous albums. Frequent use of the synthesizer, as well as minimalistic "gimmicky" lyrics, caused critics and fans to feel as though the Ramones had strayed far away from early, raw punk sound, despite Animal Boy's predecessor Too Tough Too Die being acclaimed for the band returning to their roots. "The main problem with Animal Boy" explain author Everett True, "was that there was no longer one discernible Ramones sound: it sounds as disjointed as the band members probably felt. The guitar parts could've been played by anyone, and Richie's drumming was slipping away from Tommy's original template. The Ramones were turning into a 9-5 job, night not day."
The album begins with Joey singing "Somebody Put Something in My Drink", which was written by Richie who has stated that he came up with the lyrics while he was dating Frankie Valli's daughter, and he mistakenly drank after someone else in a nightclub. Rolling Stone editor David Fricke described Joey's vocal performance in the song as an "exaggerated wino growl while Johnny crushes the chord changes with his trash-compactor guitar." "Animal Boy" and "Apeman Hop" were written to have compositions similar to "Cretin Hop" from 1977's Rocket To Russia, but described by True to be "a thousandth as good." "Love Kills" was inspired by the Alex Cox biopic Sid and Nancy (also known as Sid and Nancy: Love Kills). The lyrics detail that the couple will never be able to win with drugs, despite the writer himself, Dee Dee, died of a heroin overdose. Animal Boy's fifth track, "She Belongs to Me," is a ballad written by Dee Dee and Beauvoir regarding unrequited love, and features a heavy use of synthesizers, while earlier albums would have used a soft acoustic guitar or occasionally strings for ballad-type songs. Side A of the album concludes with "Crummy Stuff". It is especially so here that the band plays with a pop punk style, with very repetitive lyrics based on the bands past being chaotic and never meeting expectations.
Side B begins with one of the band's only politically based songs, "My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)" The lyrics comprised Joey, Dee Dee, and Beauviour's feelings while watching US President Ronald Reagan visit military cemetery in Bitburg, West Germany to pay tribute to the victims of Nazism. In an interview with East Coast Rocker, Joey explained: "What Reagan did was fucked up. Everybody told him not to go, all his people told him not to go, and he went anyway. How can you fuckin' forgive the Holocaust? How can you say, 'Oh well, it's OK now?' That's crazy!" Dee Dee also asserted that Johnny had made the band seem right winged. "It was the first time we could make a statement to show we weren't prejudiced," he explained. "We'd just had these skinheads at our gigs, punks walking around wearing swastikas." Johnny disliked the song and refused to play the song live, saying Reagan was his favorite president of his lifetime.
"Mental Hell," the next track and second track written by Joey, dealt with his recent stress with the band and his relationship with his girlfriend, Angela, ending. Author Dave Thompson described "Eat That Rat" as "reaching back to their pure punk past." While "Eat That Rat" is one minute and thirty-seven seconds long, the shortest track on the album is the next song, "Freak of Nature," which clocks in at one minute and thirty-two seconds. Johnny explained that it was written by him and Dee Dee while changing reels in an open-reel audio tape recording at the studio. "Hair of the Dog," a piece about the guilts of alcoholism, is the third and final song written by Joey. The album's last track, "Something To Believe In," was influenced heavily by Britpop, and was described as a "pseudo-AOR attempted teen anthem" by Susan Cummings of Spin and also a "surging, yearning anthem" by author Scott Schnider.
The album received mixed reviews from critics. Eduardo Rivadavia, editor for AllMusic, criticized the album for using more modern commercial conventions and for its heavy use of synthesizers and keyboards in an attempt to reinvent the band's style. Rivadavia specifically pointed out "Somebody Put Something in My Drink," which he wrote "wastes an aggressive vocal performance from Joey Ramone by supporting it with a shamelessly polished synthesizer backing track." He went on to call "Something to Believe In" "unbearably soft," summing up that the album was a "career low," while he still rated the album three out of five stars. Music critic Robert Christgau gave the album a "B+" and considered both "She Belongs to Me" and "Crummy Stuff" to be "defensive-sounding," but called "Something to Believe In" an anthem, while also praising "My Head Is Hanging Upside Down (Bonzo Goes to Bitburg)." Rolling Stone critic David Fricke deemed the album a "reductionist masterpiece" that "proves they still have a lot more to give," claiming that it rivaled previous albums Leave Home and Rocket to Russia.
The Ramones' decade of discontent on rock's commercial and social fringe has hardened their little rascal hearts; "Mental Hell" is a "My Degeneration" crawling-the-walls blues, and Dee Dee spits out the words of the ninety-seven-second harangue "Eat That Rat" with venomous zeal. "Love Kills," originally intended for the soundtrack of Alex Cox's forthcoming Sid Vicious-Nancy Spungen docudrama, sounds like standard-issue bamalama until you decipher the agitated mix of bitter loss and righteous anger in Dee Dee's rabid yapping.— David Fricke, Rolling Stone
In the United States, the album entered the Billboard 200 on June 21, 1986 at 146, and rose to 143 the following week. Despite staying on the chart for six weeks, the album's peak position did not rise above 143. It entered the UK Album Charts on May 31, 1986, where it stayed for two weeks and reached a peak position of 38. The album entered the Canadian charts on June 7, 1986 at number 96, moving up to 94 a week later. The album returned to position 96 June 21, and leaving the chart on July 12. On June 11 it entered the Swedish Sverigetopplistan charts where it stayed on the chart for one week at position 37.
|1.||"Somebody Put Something in My Drink"||Richie Ramone||3:23|
|2.||"Animal Boy"||Dee Dee Ramone, Johnny Ramone||1:50|
|3.||"Love Kills"||Dee Dee Ramone||2:19|
|4.||"Apeman Hop"||Dee Dee Ramone||2:02|
|5.||"She Belongs to Me"||Dee Dee Ramone, Jean Beauvoir||3:54|
|6.||"Crummy Stuff"||Dee Dee Ramone||2:06|
|7.||"My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)"||Joey Ramone, Dee Dee Ramone, Jean Beauvoir||3:55|
|8.||"Mental Hell"||Joey Ramone||2:38|
|9.||"Eat That Rat"||Dee Dee Ramone, Johnny Ramone||1:37|
|10.||"Freak of Nature"||Dee Dee Ramone, Johnny Ramone||1:32|
|11.||"Hair of the Dog"||Joey Ramone||2:19|
|12.||"Something to Believe In"||Dee Dee Ramone, Jean Beauvoir||4:09|
- Joey Ramone – lead vocals (tracks 1-2, 4-8, 10-12)
- Johnny Ramone – guitar, bass guitar (track 3)
- Dee Dee Ramone – bass guitar, backing vocals, lead vocals (tracks 3, 9)
- Richie Ramone – drums, backing vocals
Production and additional musicians
- Jean Beauvoir – producer, co-mixer, additional guitars, keyboards and background vocals
- Walter Lure - additional guitar
- Jorge Esteban – engineer
- George DuBose - art design, photography
- True 2005, ch. 23 p. 4.
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