This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (January 2016) (Learn how and when to remove this template message)
The topic of this article may not meet Wikipedia's general notability guideline. (September 2018) (Learn how and when to remove this template message)
Ney Matogrosso in 2011
|Birth name||Ney de Sousa Pereira|
August 1, 1941|
Bela Vista, Mato Grosso do Sul, Brazil
|Genres||MPB, folk rock, pop rock, glam rock|
|Occupation(s)||Singer, music producer|
|Associated acts||Secos & Molhados|
This section does not cite any sources. (September 2018) (Learn how and when to remove this template message)
Matogrosso enlisted in the Brazilian Air Force at the age of 17, being later transferred to Brasília. Within a few years, Matogrosso started singing in a vocal quartet, performing at college festivals throughout Brazil. With the hope of becoming a stage actor, Matogrosso moved to Rio de Janeiro in 1966, where he lived as a hippie and made ends meet by selling arts and crafts. In 1971, he moved to São Paulo, adopting the artistic name Ney Matogrosso, and joined the glam rock group Secos & Molhados.
In the 1970s he released albums "Pecado", "Bandido", "Feitiço" and "Seu Tipo". In that period, Matogrosso toured round United States, Argentina, Uruguay, Europe and Israel, performing hits like "América do Sul" (Paulo Machado), "Bandolero" (Lucinha) and "Não Existe Pecado ao Sul do Equador" (Chico Buarque/ Rui Guerra). In the 1980s, Matogrosso recorded "Por Debaixo dos Panos" (Ceceu), "Tanto Amar" (Chico Buarque), "Ando Meio Desligado" (Mutantes), "Sangue Latino" (João Ricardo/ Paulo Mendonça) and "Vereda Tropical" (Gonzalo Curiel).
In 1986, Matogrosso performed for the first time without wearing fancy costumes, adopting a low-key image. Since then, he has focused on his work as a singer, recording from the traditional repertoire of MPB (Música popular brasileira — the so-called Brazilian pop music genre). Recordings in this genre first appeared on the album "O Pescador de Pérolas" (1986), which featured "O Mundo É um Moinho" (Cartola), "Dora" (Dorival Caymmi), "Da Cor do Pecado" (Bororó) and "Aquarela do Brasil" (Ary Barroso).
Matogrosso toured with guitarist Raphael Rabello, with whom he recorded the album "À Flor da Pele" in 1990. Then, he made two albums as a tribute to Brazilian performers/songwriters, like Ângela Maria ("Estava Escrito", 1994) and Chico Buarque ("Um Brasileiro", 1996).