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Oberon

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Oberon, also Auberon, King of Shadows and Fairies, is best known as a character in William Shakespeare's play, A Midsummer Night's Dream, written in the mid-1590s. Oberon gives his wife, Titania, a potion that causes her to fall in love with Bottom in order to get the changeling, who was given to Titania by her dying maid.

The medieval concept of the character Oberon arose from a multitude of earlier sources.

Merovingian legend

Oberon's status as king of the elves comes from the character of Alberich (elbe "elves" reix, rex "king"), a sorcerer in the legendary history of the Merovingian dynasty. In the legend, he is the otherworldly "brother" of Merowech, whose name is the eponym of the Merovingians. Alberich wins for his eldest son Walbert the hand of a princess of Constantinople. In the Nibelungenlied, a Burgundian poem written around the turn of the 13th century, Alberich guards the treasure of the Nibelungen, but is overcome by Sigfrid.

French heroic song

The name Oberon got its literary start in the first half of the 13th century from the fairy dwarf Oberon that helps the hero in the chanson de geste, titled Les Prouesses et faitz du noble Huon de Bordeaux. When Huon, son of Seguin count of Bordeaux, passed through the forest where he lives, he was warned against Oberon by a hermit, but his courtesy had him answer Oberon's greetings, and so gain his aid in his quest: having killed Charlot, the Emperor's son, in self-defense, Huon must visit the court of the amir of Babylon and perform various feats to win a pardon, and only with Oberon's aid does he succeed.

This elf appears dwarfish in height, though very handsome; he explains that at his christening, an offended fairy cursed him to the height (the first wicked fairy godmother), but relented and as compensation gave him great beauty. As Alberich features as a dwarf in the Nibelungen, the dwarfish height was thus explained. [1]

The real Seguin was Count of Bordeaux under Louis the Pious in 839, and died fighting against the Normans in 845. Charles l'Enfant, a son of Charles the Bald, died in 866 of wounds inflicted by a certain Aubouin in the circumstances of an ambush similar to the Charlot of the story. Thus Oberon appears in a 13th century French courtly fantasy that is based on a shred of 9th century fact. He is given some Celtic trappings, such as a magical cup (similar to the Holy Grail) that is ever-full for the virtuous: "The magic cup supplied their evening meal; for such was its virtue that it afforded not only wine, but more solid fare when desired" according to Thomas Bulfinch. In this story he is said to be the child of Morgan le Fay and Julius Caesar.

A manuscript of the romance in the city of Turin contains a prologue to the story of Huon de Bordeaux in the shape of a separate romance of Auberon, and four sequels, and there are later French versions as well.

Shakespeare saw or heard of the French heroic song, through the ca 1540 translation of John Bourchier, Lord Berners, called Huon of Burdeuxe. In Philip Henslowe's diary there is a note of a performance of a play, Hewen of Burdocize, on December 28, 1593.

Other historical references

Oberon is a character in The Scottish History of James IV, a play written ca. 1590 by Robert Greene.

In 1610, Ben Jonson wrote a masque of Oberon, the Fairy Prince. It was performed by Henry Frederick Stuart, the Prince of Wales, at the English court on New Year's Day, 1611.

In 1826, Carl Maria von Weber's opera, Oberon (opera), (written after a poem by Christoph Martin Wieland) debuted at Covent Garden in London.

Notably, the name Oberon was also chosen for the outermost natural satellite of the planet Uranus in 1847, as an homage to William Shakespeare and his literary character.

Modern references

References

  1. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Huon de Bordeaux", p227. ISBN 0-394-73467-X

Thomas Bulfinch, Age of Fable vol. IV retells the chanson of Huon de Bordeaux