Old Master
"Old Master" (or "old master") refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving or etching) made by an artist in the same period. Likewise an "old master drawing".
In theory an Old Master should be an artist who was fully trained, was a Master of his local artists' guild, and worked independently, but in practice paintings considered to be produced by pupils or workshops will be included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term.
Contents
- 1 Period covered
- 2 Anonymous artists
- 3 Incomplete list of the most important Old Masters
- 3.1 Gothic/Proto-Renaissance
- 3.2 Early Renaissance
- 3.3 High Renaissance
- 3.4 Venetian painting Renaissance
- 3.5 Sienese School
- 3.6 Northern Renaissance
- 3.7 Spanish
- 3.8 Mannerism
- 3.9 Baroque painting
- 3.10 Dutch Golden Age Painting and Flemish Baroque painting
- 3.11 Rococo
- 3.12 Rococo era painting
- 3.13 British
- 3.14 Neoclassicism
- 3.15 Romanticism
- 4 See also
- 5 References
Period covered[edit]
In the eighteenth and nineteenth centuries, the term often had a starting date of perhaps 1450 or 1470; paintings made before that were "primitives"; but this distinction is no longer made. The original OED from the beginning of the 20th century, defines the term as "a 'master' who lived before the period accounted 'modern', chiefly applied to painters from the 13th to the 16th or 17th century." Rather surprisingly, the first quotation they give is from a popular encyclopedia of 1840: "As a painter of animals, Edwin Landseer far surpasses any of the old masters". There are comparable terms in Dutch, French and German; the Dutch may have been the first to make use of the term, in the 18th century, when it mostly meant painters of the Dutch Golden Age of the previous century. Les Maitres d'autrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, although "vieux maitres" is also used in French. The famous collection in Dresden at the Gemäldegalerie Alte Meister is one of the few museums to include the term in its actual name, although many more use it in the title of departments or sections. The collection in the Dresden museum essentially stops at the Baroque period.
The end-date is necessarily vague—Goya (1746–1828) is certainly an Old Master, and he was still painting and printmaking at his death in 1828. For example, the term might be used, but usually is not, about John Constable (1776–1837) or Eugène Delacroix (1798–1868).
The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and Old Master drawings are still used. It remains more current in the art trade. Auction houses still usually divide their sales between, for example: "Old Master Paintings", "Nineteenth-century paintings" and "Modern paintings". Christie's defines the term as ranging "from the 14th to the early 19th century".
Anonymous artists[edit]
Artists, most often from early periods, whose hand has been identified by art historians, but to whom no identity can be confidently attached, are often given names by art historians such as Master E.S. (from his monogram), Master of Flémalle (from a previous location of a work), Master of Mary of Burgundy (from a patron), Master of Latin 757 (from the shelf mark of a manuscript he illuminated), Master of the Brunswick Diptych or Master of Schloss Lichtenstein.
Incomplete list of the most important Old Masters[edit]
Gothic/Proto-Renaissance[edit]
- Cimabue (Italian, 1240–1302) Frescoes in the Basilica of San Francesco d'Assisi
- Giotto di Bondone (Italian, 1267–1337) First Renaissance fresco painter
- Duccio (Italian, 1255–1318) Sienese painter
- Simone Martini (Italian, 1285–1344) Gothic painter of the Sienese School
- Jean Pucelle (French, 1290–1334) Manuscript illuminator, miniaturist painter
- Ambrogio Lorenzetti (Italian, c. 1319–1348) Gothic painter
- Pietro Lorenzetti (Italian, c. 1320–1345) Sienese school
- Gentile da Fabriano (Italian, 1370–1427) International gothic painter
- Lorenzo Monaco (Italian, 1370–1425) International gothic style
- Masolino (Italian, 1383–1440) Goldsmith trained painter
- Limbourg brothers (Flemish, 1390–1416) Manuscript illuminators for John, Duke of Berry
- Pisanello (Italian, 1394–1455) International gothic painter and medallist
- Sassetta (Italian, 1395–1450) Sienese International Gothic painter
- Jean Fouquet (French, 1420–1481) Brought Renaissance art to France
Early Renaissance[edit]
- Filippo Brunelleschi (Italian, 1377–1446) Architect who initiated the new style
- Lorenzo Ghiberti (Italian, 1378–1455) Florentine sculptor
- Donatello (Italian, 1386–1466) Important sculptor
- Paolo Uccello (Italian, 1397–1475) Schematic use of foreshortening
- Fra Angelico (Italian, 1400–1455) Noted for San Marco convent frescoes
- Masaccio (Italian, 1401–1428) Florentine painter
- Leon Battista Alberti (Italian, 1404–1472) Genovese architect and theoretician
- Fra Filippo Lippi (Italian, 1406–1469) Father of Filippino
- Andrea del Castagno (Italian, 1410–1457)
- Piero della Francesca (Italian, 1415–1492) Painter who pioneered linear perspective
- Benozzo Gozzoli (Italian, 1420–1497)
- Alesso Baldovinetti (Italian, 1425–1499)
- Vincenzo Foppa (Italian, 1425–1515)
- Antonello da Messina (Italian, 1430–1479) Painter who pioneered oil painting
- Cosimo Tura (Italian, 1430–1495)
- Andrea Mantegna (Italian, 1431–1506) Master of perspective and detail
- Antonio Pollaiuolo (Italian, 1431–1498)
- Francesco Cossa (Italian, 1435–1477)
- Melozzo da Forli (Italian, 1438–1494)
- Luca Signorelli (Italian, 1441–1523)
- Donato Bramante (Italian, 1444–1514) Famous architect
- Perugino (Italian, 1445–1523)
- Verrocchio (Italian, 1435–1488)
- Sandro Botticelli (Italian, 1445–1510) Great Florentine master
- Domenico Ghirlandaio (Italian, 1449–1494) Prolific Florentine fresco painter
High Renaissance[edit]
- Francesco Francia (Italian, 1450–1517)
- Leonardo da Vinci (Italian, 1452–1519) Acclaimed oil painter and draughtsman
- Pinturicchio (Italian, 1454–1513)
- Filippino Lippi (Italian, 1457–1504) Son of Filippo
- Cima da Conegliano (Italian, 1459–1517)
- Lorenzo Costa (Italian, 1460–1535)
- Piero di Cosimo (Italian, 1462–1521)
- Fra Bartolommeo (Italian, 1472–1517)
- Mariotto Albertinelli (Italian, 1474–1515)
- Michelangelo (Italian, 1475–1564) Acclaimed sculptor, painter and architect
- Bernardino Luini (Italian, 1475–1532)
- Marcantonio Raimondi (Italian, 1475–1534)
- Raphael (Italian, 1483–1520) Acclaimed painter
- Il Garofalo (Italian, 1481–1559)
- Ridolfo Ghirlandaio (Italian, 1483–1561)
- Andrea del Sarto (Italian; 1486–1531)
- Correggio (Italian, 1490–1534) Parma painter noted for illusionistic frescoes and altarpiece oils
- Giulio Romano (Italian, 1492–1546)
Venetian painting Renaissance[edit]
- Domenico Veneziano (Italian, 1400–1461)
- Jacopo Bellini (Italian, 1400–1470)
- Gentile Bellini (Italian, 1429–1507) Noted for historical scenes of Venice and portraits of its doges
- Giovanni Bellini (Italian, 1430–1516) Pioneer of luminous oil painting
- Bartolommeo Vivarini (Italian, 1432–1499)
- Carlo Crivelli (Italian, 1435–1495)
- Alvise Vivarini (Italian, 1445–1503)
- Vittore Carpaccio (Italian, 1455–1526)
- Giorgione (Italian, 1477–1510) Pioneer of Venetian School of painting
- Titian (Italian, c.1477–1576) Important Renaissance exponent of colour painting in oils and frescoes
- Palma Vecchio (Italian, 1480–1528)
- Lorenzo Lotto (Italian, 1480–1556)
- Sebastiano del Piombo (Italian, 1485–1547)
- Jacopo Sansovino (Italian, 1486–1570)
- Jacopo Bassano (Italian, 1515–1592) Mannerist painter noted for portraiture and religious genre painting
- Jacopo Tintoretto (Italian, 1518–1594) Major Venetian painter of monumental religious works
- Paolo Veronese (Italian, c.1528–1588) One of Venice's leading colourists
Sienese School[edit]
- Giovanni di Paolo (Italian, 1403–1482)
- Matteo di Giovanni (Italian, 1430–1495)
- Francesco di Giorgio (Italian, 1439–1502)
- Sodoma (Giovanni Antonio Bazzi, Italian, 1477–1549)
- Beccafumi (Italian, 1486–1551)
Northern Renaissance[edit]
- Robert Campin (Flemish, 1375–1444) Northern Renaissance artist who painted Merode Altarpiece
- Jan van Eyck (1395–1441) Pioneer oil painter
- Hans Multscher (German, 1400–1467)
- Stefan Lochner (German, 1400–1451) German painter of the Cologne School
- Konrad Witz (Swiss, 1400–1447)
- Rogier van der Weyden (Flemish, 1400–1464) Dutch artist and leading religious panel painter
- Petrus Christus (Flemish, 1410–1472)
- Dirk Bouts (Dutch, 1420–1475)
- Hans Pleydenwurff (German, 1429–1472)
- Simon Marmion (French, 1420–1489)
- Meister Francke (German, fl.1424-35)
- Hans Memling (German born-Flemish, 1430–1494) Flemish artist of the Bruges School
- Martin Schongauer (German, 1430–1491)
- Lucas Moser (German, fl.1431-40)
- Michael Wolgemut (German, 1434–1519)
- Michael Pacher (Austrian 1435–1498)
- Hugo van der Goes (Flemish, 1440–1483) Oil painter from the Netherlands
- Rueland Frueauf the Elder (German, 1440–1507)
- Veit Stoss (German, 1447–1533)
- Hieronymus Bosch (Dutch, 1450–1516) One of the greatest of all medieval painters
- Nicolas Froment (French, fl.1450-90)
- Gerard David (Flemish, 1450–1523)
- Geertgen tot Sint Jans (Dutch, 1460–1490)
- Hans Holbein the Elder (German, 1460–1524)
- Quentin Massys (Flemish, 1466–1530)
- Jan Mabuse (Flemish, 1470–1533)
- Matthias Grunewald (German, 1470–1528) Noted for his intense expressionist religious paintings
- Albrecht Dürer (German, 1471–1528) Greatest painter and printmaker of the Northern Renaissance
- Lucas Cranach the Elder (German, 1472–1553) Leading German Renaissance painter
- Hans Burgkmair (German, 1473–1531)
- Jean Clouet (French, 1475–1547)
- Jorg Breu (German, 1475–1537)
- Albrecht Altdorfer (German, 1480–1538) Danube School of painting
- Maitre de Moulins (French, fl.1480)
- Housebook Master (German, fl.1480-90)
- Leonhard Beck (German, 1480–1542)
- Hans Baldung Grien (German, 1484–1545) German Renaissance artist
- Joachim Patenier (Flemish, 1485–1524) Pioneer landscape painter of the Netherlandish Renaissance
- Jean Duvet (1485–1561)
- Joos van Cleve (Flemish, 1485–1540)
Card Players by Lucas van Leyden, c. 1508 - Bernard van Orley (Flemish, 1488–1541)
- Hans Springinklee (German, 1490–1540)
- Wolf Huber (German, 1490–1553)
- Lucas van Leyden (Dutch, 1494–1533)
- Jan van Scorel (Dutch, 1495–1562)
- Hans Holbein the Younger (German, 1497–1543) One of the greatest portrait painters
- Georg Pencz (German, 1500–1550)
- Sebald Beham (German, 1500–1550)
- Barthel Beham (German, 1502–1540)
- Lucas Cranach the Younger (German, 1515–1586)
- Pieter Bruegel the Elder (Flemish, c.1525–1569) Leading Flemish artist of his day
- Egidius Sadeler (Flemish, 1570–1629)
Spanish[edit]
- Bartolome Bermejo
- Alonso Berruguete
- Luis de Morales
- Alonso Sanchez Coello
- El Greco
- Juan Bautista Maíno
- Jusepe de Ribera
- Alonso Cano
- Francisco de Zurbarán
- Diego Velázquez
- Juan Bautista Martínez del Mazo
- Juan Carreño de Miranda
- Bartolomé Esteban Murillo
- Francisco Bayeu y Subías
- Francisco Goya
Mannerism[edit]
- Dosso Dossi (Italian, 1479–1542)
- Domenico Campagnola (Italian, 1484–1540)
- Alfonso Lombardi (Italian, 1487–1537)
- Bartolommeo Bandinelli (Italian, 1493–1560)
- Pontormo (Italian, 1494–1556) Florentine fresco/oil painter
- Rosso Fiorentino (Italian, 1494–1540)
- Maarten van Heemskerck (Dutch, 1498–1574)
- Alessandro Moretto (Italian, 1498–1555)
- Giulio Clovio (Croatian born Italian, 1498–1578)
- Niccolo Tribolo (Italian, 1500–1550)
- Benvenuto Cellini (Italian, 1500–1571)
- Parmigianino (Italian, 1503–1540) Mannerist painter/etcher from Parma
- Angelo Bronzino (Italian, 1503–1572)
- Jacob Seisenegger (Dutch, 1505–1567)
- Pieter Aertsen (Dutch, 1508–1575)
- Francois Clouet (French 1510–1572)
- Giorgio Vasari (Italian, 1511–1575) Known for his Lives of the Most Excellent Painters, Sculptors, and Architects
- Antonio Moro (Dutch, 1519–1576)
The Vegetable Seller by Pieter Aertsen, 1567
- Giovanni Battista Moroni (Italian, 1525–1578)
- Federico Barocci (Italian, 1526–1612)
- Giuseppe Arcimboldo (Italian, 1527–1593) Best known for his bizarre Mannerist fruit and vegetable portraits
- Giambologna (Italian, 1529–1608) Hugely influential Mannerist sculptor
- Denis Calvaert (Flemish, 1540–1619)
- El Greco (Greek-born Spanish, 1541–1614) Noted for his dazzling spiritual works and portraits
- Scipione Pulzone (Italian, 1542–1598)
- Bartholomeus Spranger (Flemish, 1546–1611)
- Karel van Mander (Flemish born Dutch, 1548–1606)
- Giovanni Pietro de Pomis (Italian, 1565?–1633) Best known for his Late-Mannerist work in Graz, Austria
- Abraham Bloemaert (Dutch, 1566–1651)
- Joachim Wtewael (Dutch, 1566–1638)
- Adam Elsheimer (German, 1578–1610) Influential German landscape and history painter who influenced Rubens
Baroque painting[edit]
- Jacopo Chimenti (Italian, 1554–1640)
- Giovanni Battista Paggi (Italian, 1554–1627)
- Antonio Tempesta (Italian, 1555–1630)
- Lodovico Caracci (Italian, 1555–1619)
- Bartolomeo Cesi (Italian, 1556–1629)
- Alessandro Maganza (Italian, 1556–1640)
- Bernardo Castello (Italian, 1557–1629)
- Agostino Caracci (Italian, 1557–1602)
- Lodovico Cigoli (Italian, 1559–1613)
- Bartolomeo Carducci (Italian, 1560–1610)
- Annibale Carracci (Italian, 1560–1609) Leader of the academism
- Orazio Gentileschi (Italian, 1563–1639)
- Hans Rottenhammer (German, 1564–1625)
- Pieter Bruegel the Younger (Flemish, 1564–1636)
- Francisco Pacheco (Spanish, 1564–1654)
- Francisco Ribalta (Spanish, 1565–1628)
- Juan de Jauregui y Aguilar (Spanish, 1566–1641)
- Jan Brueghel the Elder (Flemish, 1568–1625)
- Juan Martinez Montanes (Spanish, 1568–1649)
- Caravaggio (Italian, 1573–1610) Noted for his figurative realism and tenebrism
- Guido Reni (Italian, 1575–1642)
- Gregorio Fernández (Spanish, 1576–1636)
- Peter Paul Rubens (Flemish, 1577–1640) Foremost Baroque history painter and portraitist
- Adam Elsheimer (German, 1578–1610)
- Bernardo Strozzi (Italian, 1581–1644)
- Jean de Beaugrand (French, 1584–1640)
- Johann Liss (German, 1590–1631)
- Jusepe de Ribera (Spanish, 1591– 1652) Naples-based religious realist painter
- Guercino (Italian, 1591–1666)
- Artemisia Gentileschi (Italian, 1592–1656)
- Georges de La Tour (French, 1593–1652)
- Jacob Jordaens (Flemish, 1593–1678)
- Louis Le Nain (French, 1593–1648)
- Nicolas Poussin (French, 1594–1665) The main classical artist of his time
- Pietro da Cortona (Italian, 1596–1669) Painter and architect
- Francisco de Zurbarán (Spanish, 1598–1664) Master of chiarscuro who made religious paintings and still lifes
- Gianlorenzo Bernini (Italian, 1598–1680) The dominant sculptor and architect of the era
- Antoine Le Nain (French, 1599–1648)
- Anthony van Dyck (Flemish, 1599–1641) Portraitist living in London
- Diego Velázquez (Spanish, 1599–1660) Regarded as the greatest artist of Spanish Golden Age
- Claude Lorrain (French, 1600–1682) Landscape artist
- Alonso Cano (Spanish, 1601–1667)
- Jan Brueghel the Younger (Flemish, 1601–1678)
- Mathieu Le Nain (French, 1607–1677)
- Giovanni Benedetto Castiglione (Italian, 1609–1664)
- Mattia Preti (Italian, 1613–1699)
- Salvator Rosa (Italian, 1613–1673)
- Carlo Dolci (Italian, 1616–1686)
- Bartolomé Esteban Murillo (Spanish, 1617–1682) One of the most influential religious painters
- Charles Le Brun (French, 1619–1690) The leading painter in the court of Louis XIV
- Juan de Valdes Leal (Spanish, 1622–1690)
- Pedro de Mena (Spanish, 1628–1688)
- Luca Giordano (Italian, 1634–1705)
- Giovanni Battista Gaulli (Italian, 1639–1709) Also known as Baciccia or Baciccio
- Andrea Pozzo (Italian, 1642–1709)
- Johann Michael Rottmayr (Austrian, 1656–1730)
Dutch Golden Age Painting and Flemish Baroque painting[edit]
- Roelant Savery (Flemish born Dutch, 1576–1639)
- Frans Snyders (Flemish, 1578–1657) Undisputed master of Baroque still life from the Antwerp School
- Frans Hals (Dutch, 1580–1666) One of the greatest post Renaissance portraits
- Pieter Lastman (Dutch, 1583–1633)
- Hendrick Terbrugghen (Dutch, 1588–1629) Dutch Realist genre painter and Utrecht Caravaggisti
- Gerrit van Honthorst (Dutch, 1590–1636)
- Wouter Crabeth II (Dutch, 1594–1644)
- Dirck van Baburen (Dutch, 1595–1624)
- Pieter de Grebber (Dutch, 1600–1652)
- Matthias Stom (Dutch, 1600–1652)
- Adriaen Brouwer (Flemish. 1605–1638) Noted for his tavern based genre paintings
- Rembrandt van Rijn (Dutch, 1606–1669) World's greatest portrait artist
- Jan Lievens (Dutch, 1607–1674)
- Jacob Adriaensz Backer (Dutch, 1608–1651)
- Ferdinand Bol (Dutch, 1616–1680)
- Jan Havickszoon Steen (Dutch, 1625–1679) Leiden School, tavern genre scenes
- Jan Davidsz de Heem (Dutch, 1609–1683) Still life artist, Utecht/Antwerp School
- David Teniers the Younger (Flemish, 1610–1690)Dutch Realist, peasant/guardroom scenes
- Adriaen van Ostade (Dutch, 1610–1685) Peasant scene artist, Haarlem School
- Govert Flinck (Dutch, 1615–1660)
- Gerrit Dou (Dutch, 1613–1675)
- Frans van Mieris the Elder (Dutch, 1635–1681)
- Gerard Terborch (Dutch, 1617–1681) Haarlem School genre painter
- Willem Kalf (Dutch, 1619–1693) Noted for still life pictures
- Albert Cuyp (Dutch, 1620–1691) Dordrecht School landscape painter
- Samuel van Hoogstraten (Dutch, 1627–1678) Genre painter
- Jan de Bray (Dutch, 1627-1697)
- Jacob van Ruisdael (Dutch, 1628–1682) Haarlem School landscapes
- Gabriel Metsu (Dutch, 1629–1667) Intimate small scale genre scenes
- Pieter de Hooch (Dutch, 1629–1683) Delft School of Dutch genre painting
- Johannes Vermeer (Dutch, 1632–1675) Delft School Dutch genre painter, little known in his own lifetime
- Meindert Hobbema (Dutch, 1638–1709)
- Aert de Gelder (Dutch 1645–1727)
- Adriaen van der Werff (Dutch, 1659–1722)
- Rachel Ruysch (Dutch, 1664–1750) Important female flower painter from Amsterdam
Rococo[edit]
- Giovanni Battista Piazzetta (Italian, 1682–1754) Master of the fresco
- Jean-Antoine Watteau (French, 1684–1721) Author of the first fête galante
- Giovan Battista Pittoni (Italian, 1687–1767) Known for sacred families and childs
- Giovanni Battista Tiepolo (Italian, 1691–1770) Known for his frescoes, as in Würzburg Residence
- Canaletto (Italian, 1697–1768) Famous for vedutas of Venice
- François Boucher (French, 1703–1770) Noted for female nudes
- Pompeo Batoni (Italian, 1708–1787) Marking the transition to Neoclassicism
- Francesco Guardi (Italian, 1712–1793) View painter of Venice School
- Bernardo Bellotto (Italian, 1720–1780) Canaletto's nephew depicting Warsaw
- Franz Anton Maulbertsch (Austrian, 1724–1796) Decorator of churches
- Jean-Honoré Fragonard (French, 1732–1806) Best known for The Swing
- Louise Élisabeth Vigée Le Brun (French, 1755–1842) Later Neoclassical
Rococo era painting[edit]
- Jean-Baptiste-Siméon Chardin (French, 1699–1779) Important 18th Century still life artist
- Martin Johann Schmidt (Austrian, 1718–1801) Important 18th Century Austrian Late-Baroque painter
- Jean-Baptiste Greuze (French, 1725–1805) Important 18th Century painter
British[edit]
- William Dobson
- Thomas Gainsborough
- Francis Hayman
- Nicholas Hilliard
- William Hogarth
- George Jamesone
- Godfrey Kneller
- Thomas Lawrence
- Peter Lely
- John Opie
- Allan Ramsay
- Joshua Reynolds
- George Romney
- James Thornhill
- John Michael Wright
- Joseph Wright of Derby
- Johann Zoffany
Neoclassicism[edit]
- Anton Raphael Mengs (German, 1728–1779) Friend of Johann Joachim Winckelmann
- Benjamin West (American born British, 1738–1820)
- Angelica Kauffman (Swiss, 1741–1807)
- Jacques-Louis David (French, 1748–1825) Chief artist of the revolution and Napoleon
- Jean Auguste Dominique Ingres (French, 1780–1867) Leader of the style
Romanticism[edit]
- Francisco Goya (Spanish, 1746–1828) Originally Baroque
- Henry Raeburn (Scottish, 1756–1823)
- William Blake (British, 1757–1827) Symbolist religious painter, printmaker and book illustrator
- Antoine-Jean Gros (French, 1771–1835) Pupil of Jacques Louis David
- Théodore Géricault (French, 1791 - 1824)
- Eugène Delacroix (French, 1798–1863) Leader of the style
See also[edit]
- Maestro—the musical equivalent