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San Lorenzo in Lucina

Coordinates: 41°54′12.3″N 12°28′43.3″E / 41.903417°N 12.478694°E / 41.903417; 12.478694
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Church of St Lawrence at Lucina
San Lorenzo in Lucina Template:It icon
S. Laurentii in Lucina Template:La icon
Facade of San Lorenzo in Lucina in 1911
Religion
AffiliationRoman Catholic
Ecclesiastical or organizational statusParish church, Titular church, minor basilica
Leadershipvacant
Location
LocationRome, Italy
Geographic coordinates41°54′12.3″N 12°28′43.3″E / 41.903417°N 12.478694°E / 41.903417; 12.478694
Architecture
TypeChurch
Groundbreaking4th century
Specifications
Length65 metres (213 ft)
Width16 metres (52 ft)
Width (nave)18 metres (59 ft)
Website
Official website

The Church of St Lawrence at Lucina (Italian: San Lorenzo in Lucina, Latin: S. Laurentii in Lucina) is a Roman Catholic parish, titular church, and minor basilica in central Rome, Italy. The church is located in Piazza San Lorenzo in the Rione Colonna, about two blocks behind the Palazzo Montecitorio, just off the Via del Corso.

History

The church is dedicated to Saint Lawrence, Roman deacon and martyr. The name Lucina comes from the fourth century Roman matron who gave permission for Christians to build a house of worship. Putatively Pope Marcellus I hid here during persecutions of Maxentius, while Pope Damasus I was elected here in 366. A church here was consecrated by Pope Sixtus III in the year 440 AD. The church was known as Titulus Lucinae, and thus is mentioned in the acts of the 499 synod of Pope Symmachus. It was first reconstructed under Pope Paschal II in the first decades of the 12th century.

In 1606, Pope Paul V placed the church under the order of Clerics Regular Minor. The interior was completely transformed by Cosimo Fanzago in the 17th century, converting the lateral aisles of the basilica structure into chapels. The ceiling then was frescoed by the Neapolitan Mometto Greuter.

In the 19th century a further restoration of the interior commissioned by Pope Pius I[who?] removed the Baroque decorations in the nave and replaced them with frescoes by Roberto Bompiani.

The current Cardinal Priest of the Titulus S. Laurentii in Lucina,[1] established in 684,[contradictory] is Malcolm Ranjith Patabendige Don, Archbishop of Colombo, Sri Lanka, who was appointed on November 20, 2010.

Art and architecture

Interior
Bust of Gabriel Fonseca by Bernini

In the rebuilding of 1650, the aisled basilical plan was destroyed and the side naves were replaced by Baroque chapels, which were then leased to noble families to decorate and to use as mausolea. This was done by inserting walls behind the arcade piers. The arcades themselves have solid square piers with imposts. The flat ceiling is coffered in squares, gilded and decorated with rosettes and has a painting of the Apotheosis of St Lawrence in the central panel. This ceiling was made in 1857, under Pope Pius IX.

Guido Reni's Christ on the Cross (1639-1640)[2] can be seen above the high altar, framed by six Corinthian columns of black marble. Below the altar is a reliquary in which is preserved the gridiron on which St Lawrence was allegedly martyred. The marble throne of Pope Paschal II, in the apse behind the altar, has an inscription recording the placement here of the relics of Lawrence of Rome. A Madonna and Child with John of Nepomuk and Archangel Michael by Onofrio Avellino hangs in the apse behind the high altar.

The Capella Fonseca, fourth on the right, was designed by Gian Lorenzo Bernini for the Portuguese Gabriele Fonseca, who was Pope Innocent X's (1644-1655) physician.[3] The chapel has some fine busts by Bernini and his workshop, including a portrait of Fonseca to the left of the altar. This chapel also contains a painting by Giacinto Gimignani entitled Elisha Pouring Salt Into the Bitter Fountain that dates to 1664.

The French artist Nicolas Poussin (1594–1665) is buried in the second chapel on the right-hand side, and is commemorated with a monument donated by the French Ambassador François-René de Chateaubriand in 1830.

The second chapel on the left has an altarpiece by Carlo Saraceni.

The fifth chapel on the left was designed and decorated by Simon Vouet. His two paintings depict Francis of Assisi; one shows him receiving his religious habit, the other his temptations. The altarpiece shows St. Francis Appearing to Giacinta Marescotti on her Deathbed by Marco Benefial.

The baptistery to the left of the entrance was designed in the 17th century by Giuseppe Sardi.

In the church is also the tomb of the composer Bernardo Pasquini (1637-1710). Three years after the composer's death was placed there his portrait sculpted in Carrara marble by Pietro Francesco Papaleo (ca. 1642-1718). The portrait was a commission by the composer's nephew Felice Bernardo Ricordati and his pupil Bernardo Gaffi.

Charles Stewart, an officer in the Papal army who died in 1864, is buried within the church. He was the son of John Stewart, Prince Charles Edward Stuart's ("Charles III", the "Young Pretender") 'maestro di casa'. Charles had created John a baronet in 1784.

Burials

Notes

  1. ^ David M. Cheney, Catholic-Hierarchy: San Lorenzo in Lucina (Cardinal Titular Church). Retrieved 2016-03-23.
  2. ^ D. Stephen Pepper, Guido Reni: a complete catalogue of his works with an introductory text (Phaidon, 1984 ), pp. 62 and 168.
  3. ^ Prosper Mandrosius, ʘEATPON, in quo maximorum Christiani orbis pontificum Archiatros (Romae: Typographio Paleariniano 1784), pp. 53-54.

References

  • Titi, Filippo (1763). Descrizione delle Pitture, Sculture e Architetture esposte in Roma. Marco Pagliarini, Rome. pp. 367–369.
  • D. Mondini, "S. Lorenzo in Lucina", in: P. C. Claussan, D. Mondini, D. Senekovic, Die Kirchen der Stadt Rom im Mittelalter 1050–1300, Band 3 (G-L), Stuttgart 2010, pp. 261–309, ISBN 978-3-515-09073-5
  • R. Krautheimer, Corpus basilicarum christianarum Romae. The early Christian basilicas of Rome, 2, Città del Vaticano 1959, 178–179.
  • Anthony Morris Clark (1981). Studies in Roman Eighteenth-Century Painting. Decatur House Press, Limited. ISBN 978-0-916276-10-2.
  • Luigi Salerno, S. Lorenzo in Lucina in Via del Corso (Roma 1961).
  • M. E Bertoldi, "L'area archeologica di San Lorenzo in Lucina a Roma", Bollettino di archeologia, 13–15, 1992, 127–134.
  • M. E. Bertoldi, S. Lorenzo in Lucina (Le chiese di Roma illustrate. Nuova serie 28), Roma 1994.
  • Olof Brandt, "Sul battistero paleocristiano di S. Lorenzo in Lucina", Archeologia laziale XII (Quaderni di archeologia etrusco-italica 23), 1, Roma 1995, 145–150.
  • Olof Brandt, "La seconda campagna di scavo nel battistero di S. Lorenzo in Lucina a Roma. Rapporto preliminare", Opuscula Romana 20, 1996, 271-274.
  • Olof Brandt, "Un'iscrizione riutilizzata da S. Lorenzo in Lucina", Rivista di Archeologia Cristiana 70, 1994, 197–201.
  • F. Bertozzi, "S. Lorenzo in Lucina," Roma Sacra 2, 1995, pp. 6-17.
  • G. De Spirito, "Basilica S. Laurentii in Lucina", Lexicon Topographicum Urbis Romae III, Roma 1996, 183–185.
  • M. E. Bertoldi, "Un documento di archivio sul battistero di S. Lorenzo in Lucina", Ultra terminum vagari. Scritti in onore di Carl Nylander a cura di Börje Magnusson et al., Roma 1997, 43–44.
  • Wanda Tymowska; Alain Mérot; Daniela Gallo (2002). Marco Benefial: état de la question. Paris: Mémoire de DEA : Histoire de l'art : Paris 4.
  • Olof Brandt (ed.), "San Lorenzo in Lucina: The Transformations of a Roman Quarter." [Skrifter Utgivna av Svenska Institutet i Athen / Acta Instituti Atheniensis Regni Sueciae. 4°, 61.] Stockholm Rome 2012, ISBN 9789170421792.
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