Sempiternal (album)
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Sempiternal is the fourth studio album by British rock band Bring Me the Horizon. It was released on 1 April 2013 worldwide through RCA Records, a subsidiary label of Sony Music, and 2 April 2013 in the United States and Canada through Epitaph Records. It is the first album to feature former Worship keyboardist Jordan Fish and was believed to be the last album to feature guitarist Jona Weinhofen. However, Weinhofen's role within the album's development has been faced with controversy.
Written and recorded throughout 2012, Sempiternal showed the band pull diverse influences from electronic music, ambient music and pop. "Sempiternal" is an archaic English word denoting the concept of "everlasting time" that can never actually come to pass.[1] It stems from the Latin word "sempiternus" (a concatenation of root "semper" and suffix "aeternum").
The album spawned four singles ("Shadow Moses"; "Sleepwalking"; "Go to Hell, for Heaven's Sake"; and "Can You Feel My Heart"). The album made its debut at No. 3 on the UK Album Chart and is their second successive album to top the ARIA Charts in Australia. It also managed to reach No. 11 on the US Billboard Chart with 27,522 first week sales, making Sempiternal the band's highest charting album in America until That's the Spirit debuted at No. 2 in 2015. Upon its release, the album received critical acclaim.
Background
In 2011, Bring Me the Horizon were finishing up the tour that was held in support of the band's previous album There Is a Hell, Believe Me I've Seen It. There Is a Heaven, Let's Keep It a Secret. Afterward, they had intentions to issue a remix extended play consisting of electronica remixes of tracks off the album, all done by British electronic producer Draper, aiming for a tentative January 2012 release. However, because of the band's situation with their then-label Visible Noise, it was cancelled.[2][3] Later that year, in July, it was announced that the band would be releasing their fourth album on RCA Records.[4]
Although the band's split from Visible Noise wasn't strictly aggressive, the band wanted to join a major record label due the lack of resources and support an independent label could offer during the album's development and promotion.[5] An example of this is where front-man Oliver Sykes and his brother, Tom, who directed the movie wanted to release a "behind-the-scenes" documentary of Bring Me the Horizon's tour called "Lads On Tour".[6] This was to be a part of a re-release of their third album. However this didn't happen as Visible Noise couldn't pay for certain parts of the film.[6] RCA Records have given Bring Me the Horizon lengthy support since their signing, the label introduces their signing of Bring Me the Horizon with the statement "signing you is as important as signing Metallica".[5]
Writing and recording
Most albums we go away somewhere remote and record. It didn't work out as well for us this time because we liked that before as we were always touring, and we needed somewhere quiet to go. But this time, we had a bit of time to chill out before that, so we didn't need it as much. It took us so long to get into the writing process this time because we had that massive tour, and we hadn't written for so long. It takes a while each time – a few months – to find that first song, and be like 'this is it', because we always start off by believing that this album is going to be completely different to the last, but we never know why, and we never have that vision, but it's always about finding that first song that's going to represent the album, and that took us a while.
Singer Oliver Sykes in an interview.[7]
In 2012, the band decided to stop both their touring and media appearances, choosing to fully focus on writing and recording their next album. Rhythm guitarist Jona Weinhofen is quoted as saying "we're not very good at getting motivated to write on tour".[8] The album was written in the Lake District, this keeps with the band's tradition of favouring isolation to write their music.[7] Previous examples of where they've written was Arboga, Sweden for Suicide Season[9] and rural Scotland for There Is a Hell.[10] They felt that they didn't need the isolated environment as much since they had a couple of months to rest after the tour for their previous album. However this posed as an obstacle for the band as they had too long of a break from song writing.[7] The band initially wanted to begin recording the album in May 2012, however, Sykes believed it was too soon and that the band should just demo for a few months instead.[11]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/2014-06-05_Vainsteam_Bring_me_the_Horizon_Jordan_Fish_01.jpg/255px-2014-06-05_Vainsteam_Bring_me_the_Horizon_Jordan_Fish_01.jpg)
The band posted several images of themselves recording at a Top Secret Studio Location,[12] which was later revealed to be the Angelic Studio in Banbury, Oxfordshire.[13] The band announced that by September they would be entering the studio for pre-production of the album.[14] In an interview with The Guardian Sykes stated that a majority of the album was recorded on his laptop.[7]
Vocalist Oliver Sykes revealed in an interview with Kerrang! that Jordan Fish of Worship had been working closely with Bring Me the Horizon in the studio, helping write the album and contribute electronics.[1] His role developed over the course of writing the album as he was initially there to be instructed by the band in what to do but he slowly started to have more say in the album's writing.[1] As his role continued he eventually became "essential" to the framework of the album and that he became "one of the leaders in terms of composition".[15] Sykes has said how both Fish, lead guitarist Lee Malia and himself would spend days writing in his own home.[15] Throughout the development of the album he was never announced as an official member of the band but would tour with the band in support of Sempiternal.[1] However in early 2013 Rock Sound magazine confirmed Fish had left Worship and joined Bring Me the Horizon to become a six piece band.[15] By the middle of September it was announced that Terry Date, who is known for his work with bands like Deftones, Limp Bizkit and Pantera would be the album's producer.[16] Sykes said he admires Date's production work shown on White Pony and Chocolate Starfish and the Hot Dog Flavoured Water.[11] Sykes believes that some of the work Date has done on the band's production makes Bring Me the Horizon sound like a completely different band.[11]
Although the band had previously worked with other artists (like Canadian synthpop artist Lights)[17] the band decided against introducing guest, except for members of post-rock band Immanu El who did backing vocals across the album.[18] On 3 November 2012, the band invited fans and the Drop Dead Clothing team to enter Angelic Studios to record the gang vocals for Sempiternal.[19] Jordan Fish acted as a conductor for the crowd.[20]
Controversy of credit to Jona Weinhofen
Member Jona Weinhofen, who played rhythm guitar in Bring Me the Horizon, left the band January 2013 "for things in the band have been very tense with a lot of disagreements between myself and certain members who I wont name (sic)." After making his departure, it became apparent that Weinhofen made claims that he wrote and recorded a majority of the finalized riffs for Sempiternal, as well as stating that he wrote lyrics for the record. During February 2013, Oliver Sykes used Twitter to contradict Weinhofen's statements. His tweets collectively read: "I would like to advise our fans NOT to believe the comments or answers given by Jona Weinhofen regarding our album 'Sempiternal'. He composed none of the final riffs or music heard on the record, and recorded absolutely nothing heard on the record also. He had no involvement with the lyrics, nor were any lyric meanings ever disclosed to him."
Composition
Influences, style and themes
Despite Sykes' doubts about joining a major record label and how it would affect the band's musical output (believing they would try to convince Bring Me the Horizon to release something more radio friendly), RCA and Sony pushed the band to "write the heaviest album they can".[5] However, instead of going for a heavier sound, Bring Me the Horizon pooled more diverse influences in preparation for the writing of Sempiternal. During the development of the album, Sykes said that he and Jordan Fish were inspired by all the music they heard throughout their daily life and thought about how it applied to their style. Taking influence from ambient music, dance, reggae and pop music[1][21] and both the soundscapes and "weird pianos" from film soundtracks.[11] Sykes had stated specifically that Danny Boyle films like 28 Days Later and The Beach saying: "Before we [Bring Me the Horizon] wrote the album, we would play his 28 Days Later theme tune."[21] The album is also seen as taking the electronic elements that have progressively surfaced in the band's career[22] and incorporating them into the foundation of the songs.[23]
The album has been cited as metalcore,[24][25][26] post-hardcore,[26][27] alternative rock,[28] electronicore,[29] hard rock,[30] and alternative metal,[24] and has been cited as having a more "pop rock sound" while having a "metalcore edge".[29]
Describing the album as blending pieces of their previous three albums and then creating "a whole new sound" Sykes summarises the album as having a "massively" influenced by various electronic music genres.[5] He also commented on how the album would explore similar territory as their third album There Is a Hell. This was due to the fact that the ground covered by the album gave room for further experimentation.[15] The sound of the album is seen as still being as aggressive as their typical work but having choruses that are "made for arenas"[31] and a lot of electronic-influenced hooks.[22] Sykes also sees the album as possessing a very euphoric "happy sad" feeling[5] and this is shown where one of the tracks on the album surfaced to sound like the soundtrack to the end of the world.[32]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/2014-06-05_Vainsteam_Bring_me_the_Horizon_Oli_Sykes_03.jpg/255px-2014-06-05_Vainsteam_Bring_me_the_Horizon_Oli_Sykes_03.jpg)
The album's track listing is arranged to fuel a conceptual interpretation.[21] The album, which is penned by Sykes, is lyrically more positive[32] and tongue-in-cheek in comparison to the dark lyricisms of the previous album, There Is a Hell.[5] The album's lyrics are also focus on self-reflective themes of analysing the consequences of someone's actions on people's lives and transforming them into apologies[32] and described as having "a more considerate, contemplative and self-aware demeanour".[15] Sykes explained that while There Is a Hell examined mannerisms such as dealing with great amounts of depression, Sempiternal examines learning how to deal with that stress. Despite the proclaimed positivity of the album in an interview with Kerrang! magazine where they review the songs track by track Sykes makes several references to "a problem" which cohesively binds the tracks themes together.[31] The lyrics are also cited as possessing anti-religious connotations,[7] with Sykes summarising this by saying "I'm an atheist so it's all about not believing in God. Before the album I was put in a position where I was asked to believe in God to get better, I was in a shitty place and I was asked to put my faith in God".[6] The lyrical structure is also seen as following a "yin-and-yang". Heard in songs like "Can You Feel My Heart", where the lyrics polarise with "the higher I get, the lower I sink".[33][34] It is the only album to feature Sykes playing the rhythm guitar.
Tracks
The introductory song "Can You Feel My Heart" was a musical experiment which helped sculpt the style of Sempiternal.[34][31] The song was the first song which Fish "really got his teeth into" which is shown in the heavy use of electronica.[34] The song's looped vocal pattern was created by Fish as Sykes couldn't think of lyrics that fit in the chorus, but they then became a significant part of the song's structure.[31] The song starts with cascading walls of electronica breaking into a mid-tempo song.[22] The song is credited by Sykes as "admitting you have a problem, and admitting some thing's wrong. That's the first step of the whole album."[21]
"The House of Wolves" is a song about Sykes dealing with pressures to become religious to help overcome personal problems.[31] Lee Malia described the song as having a more Suicide Season inspired sound[34] and having a Glassjaw-influenced chorus.[31]
The song on the album titled "Antivist" was reportedly written about former guitarist Jona Weinhofen. The first time it was played, Sykes made the following statement: "This song is called 'Antivist.' It goes out to Jona Weinhofen."[35] However, in later interviews when asked directly about the song and its meaning the band members revealed that it's not strictly about Weinhofen (although he did serve as an inspiration), but rather deals with modern day people's hypocrisy, particularly on the Internet; where people either state reckless negative opinions and argue with other people which "not actually helping" or on the contrary preach whatever they feel is right to change the world for the better while at the same time behaving in a manner that belies their own statements (thus making them "ANTI-vists" instead of activists).[36][37]
Release and promotion
On 5 November 2012 the band announced that they had hosted a website domain for the album sempiternal.info in which they release an audio clip of "Shadow Moses" and displayed a video which eventually forms a symbol which became a part of the album's cover art.[38] This was the Flower of Life, a geometric design consisting of overlapping circles, and is the main feature of its album cover.[39] On 9 November the band played a free gig in their home town of Sheffield before co-headlining the UK Warped Tour Festival in London with Lostprophets.[40] On 14 January 2013, an "Album Teaser" video was released on Bring Me the Horizon's VEVO account. At the end of this video it was revealed that the album was scheduled to be released on 29 April 2013. All formats/editions of the album can be pre-ordered. Several different packages are available, with some including a t-shirt.[41]
On 23 February 2013, Sempiternal was leaked onto the internet two months before the release date.[18] This however received a positive response from the band as they prepared something due to the "phenomenal demand".[42] This then led to the band streaming the album online until its release date, which was pushed forward from 29 April and 30 April to 1 April and 2 April for Worldwide and North American release, respectively.[43][44] When asked about the leak of Sempiternal, Sykes commented by saying: "I'd make a play for it happening because I was so sure. Music is free now, if you don't want to pay for music then you don't pay for music. Everyone takes that privilege. As a musician you've got to accept that nowadays."[6]
Singles
The first single from the album, "Shadow Moses", debuted on Daniel P. Carter's Rock Show on BBC Radio 1 on 4 January 2013.[45] "Shadow Moses" was officially released as a single on iTunes on 14 January 2013, reaching No. 80 in the Official UK Singles Chart, their first top 100 entry. On 18 February 2013, the band announced that they will release the song "Antivist" as a new song, given that enough people tweet #antivist. The new song's artwork was displayed in .GIF format on the website antivistreveal.com. On 19 February 2013, "Antivist" was released on Soundcloud and YouTube. The song isn't a single.
On 4 March 2013, the band released the second music video from Sempiternal which was "Sleepwalking" on YouTube via the band's VEVO channel and Epitaph Record's channel. The band announced on their Facebook and Twitter pages that their third single would be "Go to Hell, for Heaven's Sake" and would officially release the song as a single on 10 June.
Tours and performances
Bring Me the Horizon embarked on their headline tour of the United States in support of Sempiternal. The tour, known as The American Dream Tour had permanent support from Of Mice & Men and Issues, while letlive. were the opening act for the majority of the tour and Northlane opened on 11 of the dates in their absence.[46]
They finished their last Sempiternal show on 5 December 2014 at the Wembley Arena.[47] This marked the end of the Sempiternal-focused era of Bring Me the Horizon and the break they will use to make a new album.
Critical reception
Aggregate scores | |
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Source | Rating |
Metacritic | (81/100)[48] |
Review scores | |
Source | Rating |
AbsolutePunk | (80%)[49] |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
BBC | (Positive)[33] |
NME | (8/10)[50] |
musicOMH | ![]() ![]() ![]() ![]() |
Shields Gazette | (7/10)[52] |
Sputnikmusic | ![]() ![]() ![]() ![]() ![]() |
Metal Hammer | ![]() ![]() ![]() ![]() ![]() |
Upon its release, the album was met with critical acclaim. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream music critics, the album received an average score of 81, based on 12 reviews, which indicates "universal acclaim".[48]
In a positive review of the album, Drew Beringer of AbsolutePunk said the album "has just as much substance as it has style."[49]
Accolades
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
Metal Hammer | UK | 100 Greatest Albums of the 21st Century[55] | 2016 | 3 |
Kerrang! | UK | The 25 Best Rock Albums of 2013[56] | 2014 | 1 |
Metal Hammer | UK | Top 50 Albums of 2013[57] | 2013 | 6 |
Alternative Press | US | 10 Essential Albums of 2013[58] | 2013 | 9 |
musicOMH | UK | Top 100 Albums of 2013[59] | 2013 | 65 |
Loudwire | US | Best Metal Album of 2013 – 3rd Annual Loudwire Music Awards[60] | 2013 | — |
Awards
Year | Nominee / work | Award | Result |
---|---|---|---|
2013 Kerrang! Awards[61] | Bring Me the Horizon | Best Album | Nominated |
2014 Alternative Press Awards[62] | Bring Me the Horizon | Best Album | Won |
Commercial performance
The album debuted in the United Kingdom at number three on the album chart[63] and number one on the rock chart[64] with over 9,000 copies sold in its first week.[65] In the US, projections of the album selling between 24,000 and 27,000 in its first week were confirmed as it sold over 27,000, achieving a place of number 11 on the US Billboard 200.[66][67] The album was certified gold by the RIAA on 26 April 2016 for surpassing 500,000 sales though the RIAA misspelled the band's name and certified the album as "Beyond the Horizon".
Track listing
All tracks are written by Oliver Sykes, Lee Malia and Jordan Fish
No. | Title | Length |
---|---|---|
1. | "Can You Feel My Heart" | 3:47 |
2. | "The House of Wolves" | 3:25 |
3. | "Empire (Let Them Sing)" | 3:45 |
4. | "Sleepwalking" | 3:50 |
5. | "Go to Hell, for Heaven's Sake" | 4:02 |
6. | "Shadow Moses" | 4:03 |
7. | "And the Snakes Start to Sing" | 5:01 |
8. | "Seen It All Before" | 4:07 |
9. | "Antivist" | 3:13 |
10. | "Crooked Young" | 3:34 |
11. | "Hospital for Souls" | 6:44 |
Total length: | 44:11 |
No. | Title | Length |
---|---|---|
1. | "Join the Club" | 3:06 |
2. | "Chasing Rainbows" | 4:00 |
3. | "Deathbeds" (featuring Hannah Snowdon) | 4:57 |
No. | Title | Length |
---|---|---|
12. | "Join the Club" | 3:06 |
13. | "Deathbeds" (featuring Hannah Snowdon) | 4:57 |
14. | "Sleepwalking" (Instrumental) | 3:50 |
No. | Title | Length |
---|---|---|
12. | "Join the Club" | 3:06 |
13. | "Chasing Rainbows" (US iTunes deluxe edition exclusive) | 4:00 |
14. | "Deathbeds" (featuring Hannah Snowdon) | 4:57 |
Personnel
Bring Me the Horizon
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Production
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Guest musicians
- Capital Voices – choir vocals (tracks 1, 6 and 10)
- Chris Clad – violin (tracks 6 and 10)
- Dermot Crehan – violin (tracks 6 and 10)
- Freddie August – violin (tracks 6 and 10)
- Peter Hanson – violin (tracks 6 and 10)
- Alex Balanescu – violin (tracks 6 and 10)
- Simon Fisher – violin (tracks 6 and 10)
- Manon Derome – violin (tracks 6 and 10)
- Virginia Slater – viola (tracks 6 and 10)
- Katie Wilkinson – viola (tracks 6 and 10)
- Tim Grant – viola (tracks 6 and 10)
- Martin Loveday – cello (tracks 6 and 10)
- Vikki Mathews – cello (tracks 6 and 10)
- Andy Saiker – gang vocals (tracks 2–7, 9 and 11)
- Ed Fenwick – gang vocals (tracks 2–7, 9 and 11)
- Katherine Parrott – gang vocals (tracks 2–7, 9 and 11)
- Mike Plews – gang vocals (tracks 2–7, 9 and 11)
- Sarah Lewin – gang vocals (tracks 2–7, 9 and 11)
- Nesta Rixon – gang vocals (tracks 2–7, 9 and 11)
- Mara Rixon – gang vocals (tracks 2–7, 9 and 11)
- Reece Coyne – gang vocals (tracks 2–7, 9 and 11)
- Luka Spiby – gang vocals (tracks 2–7, 9 and 11)
- Dave Holland – gang vocals (tracks 2–7, 9 and 11)
- Emma Taylor – gang vocals (tracks 2–7, 9 and 11)
- Jenny Millard – gang vocals (tracks 2–7, 9 and 11)
- Yazmin Beckett – gang vocals (tracks 2–7, 9 and 11)
- Jack Beakhust – gang vocals (tracks 2–7, 9 and 11)
- Glen Brown – gang vocals (tracks 2–7, 9 and 11)
- Demi Scott – gang vocals (tracks 2–7, 9 and 11)
- Julia Beaumont – gang vocals (tracks 2–7, 9 and 11)
- Chloe Mellors – gang vocals (tracks 2–7, 9 and 11)
- Janice Nicholls – gang vocals (tracks 2–7, 9 and 11)
- Damien Bennett – gang vocals (tracks 2–7, 9 and 11)
- Richard Nicholls – gang vocals (tracks 2–7, 9 and 11)
- Corey Leary – gang vocals (tracks 2–7, 9 and 11)
- Tom Sykes – gang vocals (tracks 2–7, 9 and 11)
- Brendan Dooney – gang vocals (tracks 2–7, 9 and 11)
- Chris Stokes – gang vocals (tracks 2–7, 9 and 11)
- Jonathon Shaw – gang vocals (tracks 2–7, 9 and 11)
- Sam Hudson – gang vocals (tracks 2–7, 9 and 11)
- Jade Higgins – gang vocals (tracks 2–7, 9 and 11)
- Brigitta Metaxas – gang vocals (tracks 2–7, 9 and 11)
- Ian Sykes – gang vocals (tracks 2–7, 9 and 11)
- Carol Sykes – gang vocals (tracks 2–7, 9 and 11)
- Daniel Stokes – gang vocals (tracks 2–7, 9 and 11)
- Jack Jones – gang vocals (tracks 2–7, 9 and 11)
- Jordan Rudge – gang vocals (tracks 2–7, 9 and 11)
- Jake O'Neill – gang vocals (tracks 2–7, 9 and 11)
- Brad Wood – gang vocals (tracks 2–7, 9 and 11)
- Alex Fisher – gang vocals (tracks 2–7, 9 and 11)
- Suzanne Malia – gang vocals (tracks 2–7, 9 and 11)
- Dave Malia – gang vocals (tracks 2–7, 9 and 11)
- Gill Malia – gang vocals (tracks 2–7, 9 and 11)
- Ian Middleton – gang vocals (tracks 2–7, 9 and 11)
- Claes and Per Strängberg of Immanu El – additional vocals (tracks 4, 6, 7, 8 and 11)
- Hannah Snowdon – guest vocals on "Deathbeds"[71]
Chart performance
Album
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Certifications
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References
Footnotes
- ^ a b c d e Sutherland 2012, p. 7.
- ^ "Bring Me The Horizon remix "The Chill Out Sessions" release cancelled". indiestart.tv. 29 December 2011. Archived from the original on 11 January 2012. Retrieved 6 January 2012.
{{cite news}}
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ignored (|url-status=
suggested) (help) - ^ "Bring Me The Horizon pull 'The Chill Out Sessions' remix album!". deadpress.co.uk. 29 December 2011. Retrieved 6 January 2012.
- ^ "Bring Me The Horizon Announce New Record Label". Rocksound. Retrieved 30 July 2012.
- ^ a b c d e f Sutherland 2012, p. 9.
- ^ a b c d Front 2013, p. 38.
- ^ a b c d e Cooper, Ed (22 February 2013). "Bring Me The Horizon: This album needs to be the one that lasts forever". Independent.co.uk. Archived from the original on 23 October 2015. Retrieved 26 February 2013.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "Bring Me the Horizon Planning 'Post-Rock' Influenced Fourth Album". NME. 29 December 2011. Retrieved 3 January 2012.
- ^ "Bring Me the Horizon new album update". Kerrang!. 30 May 2008. Archived from the original on 6 April 2009.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "Bring Me The Horizon: New Video Interview". Blabbermouth.net. 16 August 2010. Retrieved 28 September 2010.
- ^ a b c d Sutherland 2012, p. 8.
- ^ Mike Hohnen (19 July 2012). "Bring Me The Horizon Begin Work On New Album At 'Top Secret Studio Location'". Music Feeds. Retrieved 28 July 2012.
- ^ "Bring Me The Horizon name forthcoming album". Kerrang!. 24 October 2012. Retrieved 24 October 2012.
- ^ "Bring Me the Horizon album update". Kill Your Stereo. 28 August 2012. Retrieved 24 October 2012.
- ^ a b c d e Bird 2013, p. 31.
- ^ "Bring Me The Horizon Go Back Into The Studio". Metal Hammer. 19 September 2012. Retrieved 24 October 2012.
- ^ "Lights Would Love To Work With Bring Me The Horizon Again". Metal Hammer. 11 October 2010. Retrieved 24 October 2012.
- ^ a b Shanahan Flanders (25 February 2013). "Latest Bring Me The Horizon Album 'Sempiternal' Leaks!". Music Feeds. Retrieved 26 February 2013.
- ^ "BRING ME THE HORIZON Invites Fans To Appear On New Album". Blabbermouth.net. 1 November 2012. Retrieved 6 November 2012.
- ^ "Bring Me The Horizon – Sempiternal Gang Vocals". Drop Dead Clothing. 6 November 2012. Retrieved 6 November 2012.
- ^ a b c d Rick Florino (20 May 2013). "Oli Sykes of Bring Me The Horizon Talks "Sempiternal", Movies, and More". Artist Direct. Retrieved 21 May 2013.
- ^ a b c Metal Hammer Podcast 230 Part 3: Bring Me The Horizon 'Sempiternal' Review. Metal Hammer (Podcast). 13 December 2010. Retrieved 13 April 2013.
- ^ a b Gregory Heaney. "Sempiternal -Bring Me the Horizon : Songs, Reviews, Credits, Awards : AllMusic". AllMusic. Retrieved 13 April 2013.
- ^ a b "The Evolution And Career Arc Of Bring Me The Horizon". Retrieved 30 August 2018.
2013's Sempiternal set Bring Me The Horizon into motion as a metalcore/alternative metal hybrid that could pack arenas and festivals outright.
- ^ Kaufman, Spencer (11 April 2013). "Bring Me the Horizon, 'Sempiternal' – Album Review". Loudwire. Retrieved 31 August 2015.
While fully embracing their metalcore roots, the band aims to redefine the genre with 'Sempiternal.'
- ^ a b East, Brandon (7 April 2013). "Sempiternal Review". Ultimate Guitar Archive. Retrieved 31 August 2015.
[This] album could probably best be described as metalcore. ... [Bring Me the Horizon] still have a predominantly "metalcore" sound, but they have added in a lot of ambient passages in their songs and have minimized the heavy breakdowns. The vocals don't get anywhere near a death metal growl on [Sempiternal].
- ^ "Bring Me The Horizon – Sempiternal review". Metal Storm. 2 April 2013. Retrieved 31 August 2015.
Sempiternal is a post-hardcore release with some heavy electronic hints. ... The guitars have a nice, light, non-metal tone, which complements the electronics quite well.
- ^ James Christopher Monger. "That's the Spirit". AllMusic. Retrieved 26 October 2017.
- ^ a b "That's The Spirit review by Bring Me the Horizon". ultimate-guitar. Retrieved 3 June 2017.
- ^ Lass, Daniel (30 September 2015). "Bring Me The Horizon album review". Retrieved 30 August 2018.
British rock band Bring Me the Horizon released their fifth studio album, That's the Spirit, on Sept. 11. The album is a continuation in the hard-rock direction they started in 2013 with Sempiternal.
- ^ a b c d e f Young 2013, p. 38.
- ^ a b c "Oli Sykes: 'Pushing Ourselves Musically Is The Goal'". Rocksound. Retrieved 9 December 2012.
- ^ a b Mike Diver (21 March 2013). "A fourth album of successful progression from metallers with grander designs than most". BBC Music. Retrieved 13 April 2013.
- ^ a b c d "Bring Me The Horizon's Full Track-By-Track Guide To 'Sempiternal'". Metal Hammer. 14 February 2013. Retrieved 13 April 2013.
- ^ "Bring Me the Horizon 'Dedicate' New Song 'Antivist' to Former Guitarist Jona Weinhofen". Loudwire. Retrieved 8 December 2015.
- ^ Radio.com (7 October 2014), Bring Me the Horizon Live Through Addictions, Religious Zealots to Bring Metal to the Masses, retrieved 5 March 2017
- ^ Loudwire (30 September 2015), Bring Me the Horizon - Wikipedia: Fact or Fiction?, retrieved 5 March 2017
- ^ Kriston McConnell (5 November 2012). "Bring Me The Horizon Release Song Teaser". Under The Gun Review. Archived from the original on 28 November 2012. Retrieved 6 November 2012.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ Cooper, Ed (25 February 2013). "Bring Me The Horizon: This album needs to be the one that lasts forever". The Independent. Archived from the original on 23 October 2015. Retrieved 8 November 2015.
{{cite news}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "Bring Me The Horizon to play free Sheffield gig next week (November 9)". NME. 5 November 2012. Retrieved 6 November 2012.
- ^ "NEWS: Bring Me The Horizon release title and video trailer for fourth album!". Dead Press. 24 October 2012. Retrieved 26 February 2013.
- ^ "Bring Me The Horizon Acknowledge Album Leak". Property of Zack. 25 February 2013. Retrieved 26 February 2013.
- ^ Martin Kielty (1 March 2013). "Hear The Whole New Bring Me The Horizon Album Sempiternal". Metal Hammer. Retrieved 3 March 2013.
- ^ Alex Hudson. "Bring Me The Horizon 'Sempiternal' (album stream)". Exclaim!. Retrieved 3 March 2013.
- ^ "Daytime Takeover: Bring Me The Horizon new tune". BBC. 4 January 2013. Retrieved 26 February 2013.
- ^ Matt Crane (18 December 2013). "Issues, letlive. added to Bring Me The Horizon, Of Mice & Men tour". Alternative Press. Retrieved 25 February 2014.
- ^ Sykes, Oliver. "Oliver Sykes posted a photo showing the end of Sempiternal tours". Oliver Sykes. Retrieved 7 December 2014 – via Instagram.
- ^ a b "Sempiternal Reviews". Metacritic. Retrieved 13 April 2013.
- ^ a b Drew Beringer (31 March 2013). "Bring Me The Horizon -Sempiternal". AbsolutePunk. Retrieved 13 April 2013.
- ^ David Renshaw (2 April 2013). "Bring Me The Horizon -'Sempiternal' The Sheffield metal band's bid to become a Proper Big Deal in 2013 continues apace". NME. Retrieved 13 April 2013.
- ^ Laurence Green (2 April 2013). "Bring Me The Horizon – Sempiternal". musicOMH. Retrieved 13 April 2013.
- ^ "Album review: Bring Me The Horizon, Sempiternal". Shields Gazette. 2 April. Retrieved 13 April 2013.
{{cite web}}
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(help) - ^ J. Ponton (3 April 2013). "Bring Me The Horizon – Sempiternal (album review)". Sputnikmusic. Retrieved 13 April 2013.
- ^ Alderslade, Merlin (May 2013). "Bring Me The Horizon -Sempiternal". Metal Hammer. 243: 82.
- ^ Metal Hammer issue 286, Summer 2016, page 58
- ^ "The 25 Best Rock Albums of 2013". Kerrang!. 16 March 2014. Retrieved 26 August 2014.
- ^ "Metal Hammer's Top 50 Albums Of 2013 – All In One Place!". Metal Hammer. 19 December 2013. Retrieved 26 August 2014.
- ^ "10 Essential albums of 2013". Alternative Press. 4 December 2013. Retrieved 26 August 2014.
- ^ Michael Hubbard (9 December 2013). "musicOMH's Top 100 Albums Of 2013: Full List and Playlist". musicOMH. Retrieved 26 August 2014.
- ^ "Best Metal Album of 2013 – 3rd Annual Loudwire Music Awards". Loudwire. Retrieved 26 August 2014.
- ^ Kate Goodacre (14 June 2013). "Kerrang! Awards 2013 winners: Biffy Clyro, Fall Out Boy triumph". Digital Spy. Retrieved 18 June 2013.
- ^ Chris Parker (22 July 2014). "Fall Out Boy, Bring Me the Horizon & More Win Big at First Alternative Press Music Awards". Billboard. Retrieved 7 August 2014.
- ^ a b "Archive Chart". Official Charts Company. Retrieved 2 August 2013.
- ^ a b "2013 Top 40 Rock & Metal Albums Archive 13th April 2013". Official Charts Company. Retrieved 7 October 2014.
- ^ Paul Sexton. "Justin Timberlake's '20/20' Extends U.K. Chart Reign". Billboard. Retrieved 7 October 2014.
- ^ "Bring Me The Horizon's 'Sempiternal' Projected To Sell 24K-27K First Week". Blabbermouth.net. Retrieved 7 October 2014.
- ^ "Bring Me The Horizon's new album, Sempiternal, has entered the Billboard 200 chart at #11. As of August 2015, sales in the United States have reached 283,000". Lamb Goat. Retrieved 7 October 2014.
- ^ Japanese edition CD Japan 1 May 2013. Retrieved 9 April 2013.
- ^ "Bring Me The Horizon – Oli Sykes on Sempiternal vocal recordings" (Video). YouTube. Bring Me The Horizon. 22 February 2013. Retrieved 10 November 2014.
- ^ "Oliver Sykes of Bring Me The Horizon Talks "Sempiternal", Movies, and More". ARTISTdirect.
- ^ "Deathbeds". Alternative Press. 29 March 2013. Retrieved 29 March 2013.
- ^ a b c d e f g h i j "australian-charts.com – Bring Me The Horizon – Sempiternal". Hung Medien. Retrieved 2 September 2014.
- ^ a b "Bring Me the Horizon – Chart History". Billboard. Retrieved 2 August 2013.
- ^ "irishcharts.com – Discography Bring Me The Horizon". Irish Recorded Music Association. Hung Medien. Retrieved 26 October 2011.
- ^ "Bring Me The Horizonのセンピターナルランキング" [Bring Me The Horizon - 'Sempiternal' Ranking] (in Japanese). Oricon. 15 April 2013. Retrieved 29 November 2017.
- ^ "NZ Top 40 Albums Chart – The Official New Zealand Music Chart". Recorded Music NZ. Retrieved 4 October 2013.
- ^ "ARIA Charts – Accreditations – 2014 Albums" (PDF). Australian Recording Industry Association.
- ^ Jones, Alan (18 September 2015). "Official Charts Analysis: Stereophonics score No.1 LP with Keep the Village Alive". Music Week. Retrieved 16 October 2015.
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suggested) (help) - ^ "British album certifications – Bring Me the Horizon – Sempiternal". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type Sempiternal in the "Search BPI Awards" field and then press Enter.
- ^ "American album certifications – Beyond the Horizon – Sempiternal". Recording Industry Association of America.
Bibliography
- Sutherland, Mark (27 October 2012). James McMahon (ed.). "How To Write The Hottest Album Of 2013". Kerrang! (1438). ISSN 0262-6624.
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(help) - Bird, Ryan (January 2013). "2013 Switched On: Bring Me The Horizon". Rock Sound (170). London. ISSN 1465-0185.
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(help) - Young, Simon (6 April 2013). James McMahon (ed.). "This Is Sempiternal". Kerrang! (1460). ISSN 0262-6624.
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(help) - Front (May 2013). Steve Beech (ed.). "Big Interview – Oli Sykes Bring Me The Horizon". Front Magazine (1460). London. ISSN 1187-5267.
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External links
- Sempiternal at YouTube (streamed copy where licensed)