Deftones

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Deftones
Deftones2011.jpg
Deftones in 2011 at the Shepherd's Bush Empire. Shown from left to right: Carpenter, Cunningham, Moreno and Vega.
Background information
Origin Sacramento, California, U.S.
Genres
Years active 1988–present
Labels
Associated acts
Website deftones.com
Members
Past members

Deftones is an American alternative metal band from Sacramento, California. Formed in 1988, the band was founded by Chino Moreno (lead vocals, rhythm guitar), Stephen Carpenter (lead guitar), Abe Cunningham (drums) and Dominic Garcia (bass). During the group's first five years, the band's lineup changed several times, but stabilized in 1993 when Cunningham rejoined the group after his departure in 1990. Cunningham replaced John Taylor, who had replaced Garcia after he had switched to drums in 1990, and the bassist role had been filled by Chi Cheng. The lineup remained stable for fifteen years, with the exception of keyboardist and turntablist Frank Delgado being added in 1999. In 2008, Cheng was involved in an automobile accident that ended his stint with Deftones and eventually took his life in 2013. He has been replaced by Sergio Vega. The band is known as one of the most experimental groups to have come from the alternative metal music scene.

Deftones have released eight albums since their inception. After the lineup settled in 1993, the band secured a recording contract with Maverick Records, and subsequently released their debut album, Adrenaline, in 1995. Promoting the album by touring exhaustively with other bands in the scene, Deftones managed to gain a dedicated fan base through word of mouth. Their sophomore album, Around the Fur, was released in 1997. The album and its singles reached chart positions, and the album was the band's first to receive certification from the RIAA. The band found even further success with their third album, White Pony, in 2000. It showed a transition away from the band's earlier sound into a more experimental direction. Its lead single, "Change (In the House of Flies)", is the group's most commercially successful single, and the album track "Elite" won a Grammy Award for Best Metal Performance. White Pony was the band's first album to be certified platinum in the United States.

Their self-titled fourth album was released in 2003. While the group's mainstream success continued, sales proved to be lackluster compared to White Pony. The follow-up, Saturday Night Wrist, was released in 2006 after a temporary falling out within the band due to creative tensions. Its completion was also delayed by personal issues within the band, some of which influenced its material. In 2008, while Deftones were working on an album tentatively titled Eros, Cheng was involved in a traffic collision. As a result, he was left in a minimally conscious state until his death in 2013 of cardiac arrest. During that time, Deftones halted production on Eros and released Diamond Eyes and Koi No Yokan in 2010 and 2012 respectively, with current bassist Vega. In 2016, the band released a followup, titled Gore.

History[edit]

Early years (1988–93)[edit]

When Stephen Carpenter was 15 years old, he was hit by a car while skateboarding. Confined to a wheelchair for several months, he began teaching himself guitar by playing along to bands such as Anthrax, Stormtroopers of Death and Metallica.[1] The driver supposedly paid Carpenter a cash settlement that allowed the band to purchase equipment,[1][2][3] but Abe Cunningham commented in a 2007 interview that the story was simply "a myth about how our band was started".[4]

Carpenter, Moreno and Cunningham began playing together whilst attending McClatchy High School in Sacramento

Carpenter, Cunningham and Chino Moreno were friends from their childhood. All three went to McClatchy High School in Sacramento and remained friends through the city's skateboarding scene.[1] While Carpenter was a fan of heavy metal, Moreno was also interested in hardcore punk bands such as Bad Brains and post-punk and new wave bands such as Depeche Mode.[5] When Moreno found out that Carpenter played guitar, he set up a jam session with Cunningham, who played drums, and the three began playing regularly in Carpenter's garage around 1988. They recruited bassist Dominic Garcia some time after, and the band became a four-piece. After the departure of Garcia, the band acquired Cheng in 1990 and recorded a four-track demo soon afterwards.[1][6] John Taylor replaced Cunningham on drums in 1991, until Cunningham's return in 1993.[7][8] Within two years, the band began playing club shows and later expanded their gigging territory to San Francisco and Los Angeles, where they played shows alongside bands such as Korn.[3][9] While closing for another band in L.A., after the majority of the audience had left, the band impressed a Maverick Records representative. They were signed to the label after performing three of their songs for Freddy DeMann and Guy Oseary.[3][9]

The name "Deftones" was created by Carpenter, who wanted to pick "something that would just stand out but you know, not be all cheese-ball at the same time."[10] Carpenter combined the hip hop slang term "def," which was used by artists such as LL Cool J and Public Enemy, with the suffix "-tones," which was popular among 1950s bands (e.g., Dick Dale and the Del-Tones, The Quin-Tones, The Delltones, The Monotones, The Cleftones and The Harptones). Carpenter said the name is intentionally vague to reflect the band's tendency to not focus on just one style of music.[10] The name is also a pun on the term "tone deaf."[5]

Adrenaline (1994–96)[edit]

The band's debut album, Adrenaline, was recorded at Bad Animals Studio in Seattle, Washington and released on October 3, 1995. It was produced by Deftones and Terry Date, who would go on to produce the band's next three albums. While they were initially unsuccessful, the band built a dedicated fan base through extensive touring, word-of-mouth and Internet promotion. Through their efforts, Adrenaline went on to sell over 220,000 copies.[2][11] It is regarded as an important part of the 1990s nu metal movement.[12][13][14] An early track which predated Adrenaline but did not make the album's final cut was "Teething"; the band contributed the song to the soundtrack for the 1996 film The Crow: City of Angels. The band can also be seen performing the song live during one of the film's scenes.[15]

The album spent 21 weeks on the Billboard Heatseekers chart, reaching a peak position of 23.[16] When asked what he attributed the album's success to, Cheng responded, "One word: perseverance. We've been together for almost eight years, on the road for two, and we do it with honesty and integrity—and the kids can tell".[17] The album was certified gold by the RIAA on July 7, 1999, and was certified platinum on September 23, 2008.[18]

Regarding the recording of the album, Cunningham said, "At the time we did the first record—which I really like and think is good—you can tell the band was really young. We'd been playing most of those songs for quite a while, and we were just so happy to be making a record that we didn't really think a whole lot about making the songs better".[19] Moreno felt that Adrenaline was recorded "really fast"[20] and performed all his vocals live with the band in the room using a hand-held Shure SM58 microphone.[21] AllMusic's review of Adrenaline praised the album's musical control, precision, overall groove and Cunningham's "surprisingly sophisticated drumming". It was also noted that "there is a bit of sameness in Chino Moreno's whispered vocal melodies, which drags the record down a bit".[22]

Around the Fur (1997–99)[edit]

Deftones in July 1997

Deftones' second album, Around the Fur, was recorded at Studio Litho in Seattle, Washington and produced by Date. Released on October 28, 1997, the album was dedicated to Dana Wells, the late stepson of the singer Max Cavalera of Sepultura, Soulfly and Cavalera Conspiracy. Cavalera also collaborated on "Headup", a tribute to Wells.[23] Although not yet a member of the band, Delgado was credited as "audio" on five of the album's tracks. Cunningham's wife, Annalynn, provided guest vocals on "MX".[24]

"When we went in to make this record, we really didn't have a set idea of what we wanted to come out with", said Moreno in a 1998 interview with Chart magazine. However, he felt that the album "fell into place" once the band had settled into the studio.[20] The band expanded its sound, spending more time with Date and giving more thought to the album's production. Cunningham varied his drum sound and experimented by using different types of snare drum on almost every track.[19] The album was praised for its loud-soft dynamics, the flow of the tracks, Moreno's unusual vocals, and the strong rhythm-section performance of Cheng and Cunningham.[20][25][26] Stephen Thomas Erlewine's review noted that "while they don't have catchy riffs or a fully developed sound, Around the Fur suggests they're about to come into their own".[27]

Around the Fur propelled the band to fame in the alternative metal scene on the strength of radio and MTV airplay for the singles "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)".[2] Around the Fur sold 43,000 copies in its first week of release, and entered the Billboard 200 at No. 29 (its peak position), remaining on the charts for 17 weeks.[26][28] The band went back to touring, making appearances at the Warped Tour (in the United States, New Zealand and Australia), Pinkpop Festival, Roskilde Festival and Ozzfest as well as releasing a live EP on June 22, 1999. Around the Fur went on to reach RIAA gold status on June 24, 1999, and platinum status on June 7, 2011.[18] "My Own Summer (Shove It)" appeared on The Matrix: Music from the Motion Picture, released March 30, 1999.[29]

White Pony (2000–02)[edit]

Moreno has been credited as contributing guitar from White Pony onwards.

On June 20, 2000, the band released their third album, White Pony, again produced by Date and Deftones. It was recorded at The Plant Recording Studios in Sausalito, California and at Larrabee Sound Studios, West Hollywood, California. The album debuted at No. 3 on the U.S. Billboard chart with sales of 178,000 copies.[30] Delgado, now a full-time band member, added new elements to the band's music. The melancholy "Teenager", for example, was a departure in style and mood, a "love song", according to Moreno.[31] Programming duties were carried out by DJ Crook, a friend of Moreno (and bandmate in his side project Team Sleep). "Passenger" was a collaboration with singer Maynard James Keenan of Tool, and the refrain in "Knife Prty" featured vocals by Rodleen Getsic. Moreno also started contributing additional guitar work.[32]

An interview with the band in Alternative Press described the recording process of White Pony. After a break from touring, the band spent four months in the studio writing and recording it, the longest amount of time they had dedicated to an album thus far. Moreno said that the majority of this time was spent trying to write songs, and that the writing of "Change (In the House of Flies)" was the turning point where the band began working as a unit. Despite being pressured to release the album sooner, the band decided to take their time. Cheng explained, "We didn't feel like we had anything to lose, so we made the record we wanted to make." Moreno did not have an overall lyrical theme in mind, but made a conscious decision to bring an element of fantasy into his lyrics: "I basically didn't sing about myself on this record. I made up a lot of story lines and some dialogue, even. I took myself completely out of it and wrote about other things".[34]

Reviews were generally positive, commenting on Moreno's increasing sophistication as a lyricist and the group's experimentalism.[35] Allmusic's review said that "Deftones went soft, but in an impressive way, to twist around its signature punk thrash sound".[36]

The album was originally released as an 11-track edition beginning with "Feiticeira" and ending with "Pink Maggit", and featuring gray cover art. A limited-edition print of 50,000 black-and-red jewel case versions of White Pony were also released at the same time with a bonus twelfth track titled "The Boy's Republic".[37] Later, the band released "Back to School (Mini Maggit)", a rap-influenced interpretation of "Pink Maggit". "Back to School (Mini Maggit)" was track 11 on the leaked pre-release version of White Pony in April 2000 but was not included on the original (official) issue of the album in June 2000. The leaked version of White Pony also included the slower version of "Pink Maggit" that appeared on the first official White Pony CDs. That song was listed as a bonus track (track 12) on the leaked pre-release version.[38] The song was released as a single and included as the new opening track of a re-released White Pony on October 3, 2000. The new release still had "Pink Maggit" as the final track and featured altered white cover art. Not entirely happy with re-releasing the album, the band negotiated to have "Back to School" made available as a free download for anyone who had already bought the original album. Moreno noted that "Everybody's already downloaded our record before it came out anyway, otherwise I'd be kind of feelin' like, 'Man, why [are] we putting [out] all these different versions of the record?' [...] that's the best way we can actually get this song out to the people who already purchased this record, for free basically. And if they wanna buy the record again, it's cool".[39]

White Pony achieved platinum status on July 17, 2002,[18] selling over 1.3 million copies in the US,[30] and earned the band a 2001 Grammy Award for Best Metal Performance for the song "Elite".[40]

Deftones (2003–05)[edit]

Deftones began work on their fourth album under the working title Lovers.[41] Regarding the album's direction, Cheng commented, "We've proven that we can musically go in any direction we want, and we want to get kind of heavy on this one".[42] Moreno underwent vocal training as a precaution after severely damaging his vocal cords on the band's 2001 summer tour.[42] The band converted their rehearsal space in Sacramento into a fully equipped studio and recorded most of the album there at negligible cost. The band brought in Date to assist with production and also received input on musical arrangement from Greg Wells on several of the album's tracks. The band later added more material at Studio X in Seattle, Washington and at Larrabee Sound Studios. Overall, the album took 12 months and cost roughly $2.5 million to complete.[43] The band was fined by Maverick for missing deadlines.[44]

In January 2003, Deftones left the studio to perform several one-off shows in Australia and New Zealand as part of the annual Big Day Out festival.[45] Shortly after, the band returned to the studio to finish their fourth album. The self-titled Deftones was released on May 20, 2003. It entered the Billboard 200 at No. 2 and sold 167,000 copies in its first week.[30] The album remained in the Billboard Top 100 for nine weeks, supported by the first single, "Minerva".[46] The band shot a video for the album's second single, "Hexagram", with fans watching the band play the song in an indoor skatepark in Simi Valley, California.[47]

Reviews were mainly positive, praising the band for the album's progression and originality in the midst of declining creativity in contemporary metal.[48] Moreno was quoted as saying, "It's all on record. We told motherfuckers not to lump us in with nu metal because when those bands go down we aren't going to be with them".[43] In reviewing Deftones, Stephen Thomas Erlewine wrote that "Hexagram", the album's opener, "hits hard—harder than they ever have, revealing how mushy Staind is, or how toothless Linkin Park is". He also went on to say, however, that the album "sticks a little too close to familiar territory".[49] A.V. Club similarly called the album "less rewarding than its predecessor, though its peaks rival any in the genre".[50]

The band released a compilation album titled B-Sides & Rarities on October 4, 2005. The CD includes various B-sides and covers from throughout their career, while the DVD contains behind-the-scenes footage and the band's complete videography up to that point.

Saturday Night Wrist (2006–07)[edit]

Deftones performing live in Glasgow, June 2006.

Rather than work with Date, their producer for many years, Deftones decided to record with Bob Ezrin on their fifth studio album. Cunningham said that while the group enjoyed working with Date, "at this point, we just needed to change things up [...] And this is definitely a different style. Working with him [Ezrin] is just putting us fucking upside down. He's cracking the whip".[51] After recording all the instrumental parts for the record, Moreno decided to record his vocals separately, and finished recording the album with former Far guitarist Shaun Lopez as producer.[52] According to an interview with Abe Cunningham, there were tensions involved with the recording of Saturday Night Wrist that were related to the band members' personal lives. Cunningham compared the process to pulling teeth.[53]

The band released the album, titled Saturday Night Wrist, on October 31, 2006. It debuted at No. 10 on the U.S. Billboard chart with sales of just over 76,000,[54] a significant decrease in the first-week sales of their two previous releases. The album's first single, "Hole in the Earth", was released on September 12, 2006.[55] It was later featured as downloadable content for the PlayStation 3 and Xbox 360 versions of Guitar Hero 3.[56] "Mein" was the album's second single, which was released in March 2007.[57] Collaborations on the record include Annie Hardy from Giant Drag on the song "Pink Cellphone" and Serj Tankian from System of a Down on the track "Mein".

Deftones spent the majority of 2006 and 2007 touring around the world in support of the album, performing in North America, Europe, South America, Japan and Australia. The band also performed on such tours as Taste of Chaos, Family Values Tour and the Soundwave Festival.[45]

Eros sessions and Cheng's car accident (2008–09)[edit]

For more details on this topic, see Eros (Deftones album) and Chi Cheng (musician) § Car accident.

In the fall of 2007, Deftones started writing songs for what was planned to be their sixth studio album, Eros. Moreno described the album as unorthodox and aggressive. Recording started on April 14, 2008.[58] The album was initially set to be released early in 2009, but was delayed.

Former bassist Chi Cheng, pictured in 2006. Cheng's music career essentially ended after his accident.

On November 4, 2008, Cheng was seriously injured in a car accident in Santa Clara, California. As a result of the injuries sustained in the crash, he remained in a minimally conscious state. Following the accident, Cheng's bandmates and his mother, Jeanne, began using the Deftones blog to post updates on Cheng's condition. On December 9, 2008, it was announced that Cheng had been moved into the care of an unnamed hospital that "specializes in the care and management of traumatic and non-trauma related brain injuries."

In late January 2009, the band released a new statement, stating that "our fallen comrade has not yet made significant progress", and that a friend of the band, Sergio Vega (formerly of Quicksand), would be taking over as bassist in Cheng's absence, as he had done temporarily in 1998.[59] On April 5, the band played their first show without Cheng since 1998 at the Bamboozle Left festival in Irvine, California.[60]

On June 23, 2009, Deftones announced on their official website that Eros would be delayed indefinitely, saying, "As we neared completion on Eros, we realized that this record doesn't best encompass and represent who we are currently as people and as musicians. And although those songs will see the light of day at some point, we collectively made the decision that we needed to take a new approach, and with Chi's condition heavy on our minds while doing so. We needed to return to the studio to do what we felt was right artistically". They also said, "The decision to hold off on releasing Eros has no connection with Chi's condition or anything associated. This was, and is, purely a creative decision by the band to write, record, and deliver an amazing product".[61]

Korn members Brian "Head" Welch and Reginald "Fieldy" Arvizu, along with members of Sevendust, Slipknot and other rock bands, recorded and released "A Song for Chi", with proceeds benefitting Cheng and his family.[62] To aid in the fundraising for the Cheng family, the band announced two 2009 benefit shows in Los Angeles.[63]

A website—One Love for Chi—was launched by a Deftones fan about four months after Cheng's accident. The site served as a platform for updates and information on Cheng's condition, as well as serving as an auction site for items donated by friends of the band. All proceeds raised by the website were donated to his family so they could provide him the best possible medical care. Items auctioned on the site included rare and autographed pieces from Sevendust, Alice in Chains, Nikki Sixx, Chris Cornell and others.

Diamond Eyes (2010–11)[edit]

Deftones' sixth album, Diamond Eyes, was originally scheduled for release on April 27, 2010; this date was later pushed back to May 18. In March, it was announced that the album had leaked onto the Internet, and the album's release date was moved forward to May 4 as a result.[64] On February 23, 2010, the album's first single, "Rocket Skates", was made available for free download at www.gunsrazorsknives.com.[65][66] The album was produced by Nick Raskulinecz.

Deftones performing at the Big Day Out festival on the Gold Coast in 2011.

On March 15, Deftones debuted their first radio-ready single, "Diamond Eyes". Both "Diamond Eyes" and "Rocket Skates" received positive reviews from fans and critics, with many making comparisons of the two singles' style and sound to that of material from the Around the Fur album.[67]

Teaming up with bands Mastodon and Alice in Chains, Deftones went on tour in the fall of 2010 in the United States and Canada. The tour was called Blackdiamondskye, a portmanteau of the three bands' latest albums (Black Gives Way to Blue, Diamond Eyes and Crack the Skye). The tour included a limited edition series of silk-screened art prints promoting each show individually, created by the poster artist Jermaine Rogers. Rogers has created a majority of the Deftones concert poster and print artwork since the late 1990s.[68]

On April 16, 2011, in honor of Record Store Day, the band released an LP titled Covers, containing several cover songs that the band had recorded over the years, including "Drive" (originally by The Cars), "If Only Tonight We Could Sleep" (originally by The Cure) and "No Ordinary Love" (originally by Sade). On October 25, Deftones released The Vinyl Collection 1995–2011 in a limited edition of 1,000 copies.

Koi No Yokan and Cheng's death (2012–13)[edit]

On March 29, 2012, Carpenter revealed that the band were working on a new record in an interview posted on ESP Guitars's YouTube channel.[69] It was reported that Raskulinecz would return to produce their as-yet-unnamed seventh studio album.[70]

It was also reported that the band would be recording several B-sides for the album, including an Elvis Presley cover and possibly an Earth, Wind, and Fire cover.[71] It was later announced that there would be no bonus tracks.[72] On July 28, Deftones performed a brand-new song titled "Rosemary" and also debuted another track titled "Roller Derby" (later retitled "Poltergeist").[73] Koi No Yokan was announced on August 30, 2012,[74] and released on November 12, 2012, by Reprise Records.

On April 13, 2013, despite making a partial recovery and returning home, Cheng died in a hospital in his hometown of Sacramento, after falling into cardiac arrest. It had been nearly four-and-a-half years since the 2008 accident.[75][76] Moreno announced in May that the album Eros, shelved in 2008 after Cheng's accident, was now more likely to be released following his death.[77]

Gore (2014–present)[edit]

In March 2014, while Moreno was touring with his side project Crosses, in support of their self-titled debut album, the rest of Deftones began writing a follow-up to Koi No Yokan.[78] Deftones also previously reported that they intended to record a new album either in late 2014 or early 2015.[79]

On April 13, 2014, the first anniversary of Cheng's death, Deftones released a track from Eros titled "Smile" on YouTube,[80] the first officially released material from the long-shelved album. The video was removed by Warner Music Group two days later due to copyright infringement, despite the track having been uploaded by Moreno.[81]

In late February 2015, just after the band had finished the new album's drum tracks, Moreno told Rolling Stone that Deftones had written 16 songs during the album's sessions. He described the album as "a little more of a heady record" than the previous album.[82] On May 15, 2015, Moreno was interviewed by Kerrang! about the new album, which he described by saying, "The songs have a lot of different moods". He further explained that it was not a "happy record", but also "not a completely angry record".[83] Despite reports of Carpenter's initial difficulty getting into the feel of the album, band members have noted the album's distinct collaborative nature.[84] Vega utilized a six-string bass when recording the new material, helping to push the band into new sonic territory.[85]

The album was pushed back multiple times from its originally scheduled September 2015 release date.[86][87][88] On February 4, 2016, the band released the first single from Gore, titled "Prayers/Triangles",[89] followed by "Doomed User" on March 16[90] and "Hearts/Wires" on April 3.[91] Gore was officially released on April 8, 2016.

Musical style and influences[edit]

Although initially rooted in heavy metal, Deftones have always claimed diverse influences from groups of various genres, with their musical style diversifying over their career.[2] Their sound has been described as alternative metal, art rock, experimental rock, nu metal, post-punk, post-hardcore, dream pop, drone, shoegazing, post-metal or metalgaze, stoner rock, progressive metal, trip hop, glitch, math metal, psychedelia, space rock and dark pop.[note 1]

Originally, the band was associated with the "nu metal" movement. However, following the release of their third album, White Pony, they were acknowledged by many critics to have moved beyond that label.[112][123][124]

The music critic Johnny Loftus wrote, "Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement [....] Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D.C. hardcore and dream pop into their Northern California alt-metal".[125] Peter Buckley, the author of The Rough Guide to Rock, called the band "one of the most primal, powerful, and experimental" bands in the alternative metal scene.[126]

Moreno's lyrics were described by Time as "suggesting emotions rather than announcing them".[127] Moreno himself described his lyrics as ambiguous and sometimes impersonal, saying: "I like to be ambiguous when writing to a certain extent, and throwing something so brash [as Chi's accident] against that and playing with it. And also making it sound dimensional. Giving the feeling off that it is raw and it is emotional, but it's not just connected with our personal story. It's not merely about our career and our lives, it's bigger than that. When I hear the music, I get inspired to paint the lyrical pictures you describe, but I'm not always talking about myself".[128] The band's legacy has been compared to alternative rock group Radiohead, with some dubbing Deftones "The Radiohead of metal".[111][115][129]

Side projects[edit]

Deftones members have worked on several side projects, with Moreno fronting Team Sleep, Crosses, Palms and supergroup Saudade (the latter including members from hardcore punk bands Bad Brains and Cro-Mags and avant-jazz group Medeski Martin & Wood).[130] Carpenter works with cinematic electronic metal group Sol Invicto, which he founded with producer Richie Londres.[131] Carpenter has also worked with the supergroup Kush, featuring members of Fear Factory and Cypress Hill.[132] Delgado is a member of a DJ group called Decibel Devils, with DJ Crook of Team Sleep, Matt D and DJ Julez.[133] In 2000, Cheng released a CD composed of his own spoken word poetry, called The Bamboo Parachute.[134]

Moreno has also made a number of guest appearances on songs by numerous other bands, such as "Bender" by Sevendust,[135] "Paralytic" by Dead Poetic,[136] "Vengeance Is Mine" by Droid,[137] "Caviar" by Dance Gavin Dance,[138] "Surrender Your Sons" by Norma Jean,[139] and "Reprogrammed to Hate" by Whitechapel.[140] Moreno and Carpenter also appeared on the song "If I Could" on Tech N9ne's 2011 album All 6's and 7's.[141]

Band members[edit]

Current
Former
  • Dominic Garcia – bass (1988–1990); drums (1990-1991)
  • John Taylor – drums (1991–1993)
  • Chi Cheng – bass, backing vocals (1990–2008; died 2013)
Timeline

Discography[edit]

Main article: Deftones discography
Studio albums

Awards[edit]

Year Nominee/work Award Result
2001 "Elite" Best Metal Performance (Grammy Awards) Won[40]
2013 Koi No Yokan Album of the Year (Revolver Golden Gods Awards) Won[142]

Notes[edit]

  1. ^ Musical styles:

References[edit]

  1. ^ a b c d Interview with Stephen Carpenter, Guitar World, October 1997.
  2. ^ a b c d e Prato, Greg. "Deftones biography". Allmusic. Retrieved December 14, 2007. 
  3. ^ a b c "Hotstar – Deftones". Pollstar. December 22, 1997. Retrieved December 16, 2007. [dead link]
  4. ^ Interview with Abe Cunningham, Metal Edge, January 2007.
  5. ^ a b Frere-Jones, Sasha. "Heavy Wather". The New Yorker. Retrieved 9 October 2016. 
  6. ^ Webber, Anna (November 24, 2009). "Deftones Perform Fundraiser for Bassist Chi Cheng at Avalon". L.A. Weekly. Retrieved April 8, 2016. 
  7. ^ "Abe wasn't the first drummer". DeftonesWorld - All about the Deftones. 
  8. ^ The Rough Guide to Rock, edited by Peter Buckley
  9. ^ a b Deftones [interview], Rolling Stone, 2000.
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  11. ^ Bendersky, Ari (October 11, 1997). "Deftones poised for success". Rolling Stone. Retrieved December 14, 2007. [dead link]
  12. ^ DeVille, Chris. "Adrenaline Turns 20". Stereogum.  (October 2nd, 2015). Retrieved on October 8th, 2015
  13. ^ Karan, Tim. "Deftones, 'Adrenaline'". Diffuser. Retrieved 5 May 2015. 
  14. ^ Ramirez, Carlos. "#11: Deftones - White Pony". MetalSucks.com. Retrieved 24 December 2015. 
  15. ^ Hill, Stephen (June 23, 2015). "The 10 best Deftones songs released during 1995-2000". Teamrock.net. Retrieved September 1, 2016. 
  16. ^ "Heatseekers – Adrenaline". Billboard.com. February 1, 1997. Archived from the original on January 10, 2008. Retrieved December 16, 2007. 
  17. ^ Deftones [interview], Guitar World Online – Guitar School, 1997.
  18. ^ a b c "RIAA Gold and Platinum searchable database". Search for artist "Deftones". RIAA. Archived from the original on June 26, 2007. Retrieved November 6, 2015. 
  19. ^ a b Peiken, Matt. Interview with Abe Cunningham, Modern Drummer, 1997.
  20. ^ a b c d Bromley, Adrian. Keeping It Simple, Chart, July 1998.
  21. ^ Walkling, Dennis. Chillin' with Chino: Deftones get Moody, Circus, June 1998.
  22. ^ Gioffre, Daniel. "Review of Adrenaline". Allmusic. Retrieved April 29, 2007. 
  23. ^ Interview with Chino Moreno and Max Cavalera, Metal Hammer, September 1997.
  24. ^ Around the Fur liner notes. Maverick Records. 1997. 
  25. ^ Smith, Matt. Deftones New Album Stays Heavy, Gaston Gazette, 1997.
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  28. ^ "The Billboard 200 – Around the Fur". Billboard.com. June 13, 1998. Archived from the original on January 10, 2008. Retrieved December 17, 2007. 
  29. ^ Byrkit, Becky. "The Matrix [Music From and Inspired by the Motion Picture]". Allmusic. Retrieved September 15, 2016. 
  30. ^ a b c Martins, Todd (May 28, 2003). "Staind, Deftones Rock Billboard Album Chart". Billboard.com. Retrieved December 12, 2007. 
  31. ^ David Simutis. "PONY EXPRESS: Sacramento's DEFTONES balance angst and ambience with White Pony". Deftonesworld.com. Retrieved November 20, 2012. 
  32. ^ White Pony liner notes. Maverick Records. 2000. 
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Sources[edit]

Buckley, Peter, ed. (2003). The Rough Guide to Rock (3rd ed.). London: Rough Guides, Ltd. ISBN 1-85828-457-0. OCLC 43937011. 

External links[edit]