Jump to content

Soul Man (film)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Ebehn (talk | contribs) at 23:04, 18 August 2018 (→Reception). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

For other uses, see Soul Man.
Soul Man
Theatrical release poster
Directed bySteve Miner
Written byCarol Black
Produced byDonna Smith
Steve Tisch
Starring
CinematographyJeff Jur
Edited byDave Finfe
Music byTom Scott
Production
companies
Balcor Film Investors
The Steve Tisch Company
Distributed byNew World Pictures
Release date
  • October 24, 1986 (1986-10-24)
Running time
104 minutes
CountryUnited States
LanguageEnglish
Budget$4.5 million[1]
Box office$35 million

Soul Man is a 1986 American comedy film about a white man who temporarily darkens his skin, in order to pretend to be black and qualify for a black-only scholarship at Harvard Law School. The film was directed by Steve Miner[2] and stars C. Thomas Howell, Rae Dawn Chong, Arye Gross, James Earl Jones, Leslie Nielsen, James B. Sikking, and Julia Louis-Dreyfus.[2]

The title refers to the Sam and Dave song "Soul Man". The original soundtrack includes a version performed by Sam Moore and Lou Reed.

Plot

Mark Watson (Howell), is the pampered son of a rich family who is about to attend Harvard Law School along with his best friend Gordon (Gross). Unfortunately, his father's neurotic psychiatrist talks his patient into having more fun for himself instead of spending money on his son. Faced with the horrifying prospect of having to pay for law school by himself, Mark decides to apply for a scholarship, but the only suitable one is for African-Americans only. He decides to cheat by using tanning pills in a larger dose than prescribed to appear as an African-American. Watson then sets out for Harvard, naïvely believing that blacks have no problems at all in American society.

However, once immersed in a black student's life, Mark finds that people are less lenient than he imagined and more prone to see him as a black person instead of a fellow student. He meets a young African-American student named Sarah Walker (Chong), whom he first only flirts with; gradually, however, he genuinely falls in love with her. As it turns out, she was the original candidate for the scholarship which he had usurped, and now she has to work hard as a waitress to support herself and her son George while studying. Slowly, Mark begins to regret his deed, and after a chaotic day—in which Sarah, his parents (who are not aware of his double life) and his classmate Whitney (Melora Hardin), who is also his landlord's daughter, make surprise visits at the same time—he drops the charade and openly reveals himself to be white.

Mark declares to his professor (Jones) that he wishes to pay back the scholarship and do charity work to make amends for his fraud. When asked what he has learned, he says that he realizes that he could have changed back to being white at any time and so does not really know what it means to be black.

Sarah decides to give him another chance, and Mark decides to work his way through college.

Cast

Production

C Thomas Howell later said, "when I made the movie, I didn't go into it with the idea that I had a responsibility to sort of teach America a lesson. I went into it because it was a great script. It was so well-written, so funny, and—sadly—very true. A lot of the experiences this guy goes through, maybe he wouldn't have gone through them if he was a white person, but when he's black, it's a very different experience."[3]

Ron Reagan, son of then-president Ronald Reagan and first lady Nancy Reagan, had a small role in the film.[4]

Reception

Controversy

The film was widely criticized for featuring a Caucasian actor wearing blackface.[5] When the film was released, some protests took place within the black community.[6]

NAACP Chapter President Willis Edwards said in a statement at the time, "We certainly believe it is possible to use humor to reveal the ridiculousness of racism. However the unhumorous and quite seriously made plot point of Soul Man is that no black student could be found in all of Los Angeles who was academically qualified for a scholarship geared to blacks."[7]

In defending the film, producer Steve Tisch said it was like Tootsie. "It used comedy as a device to expose sexual stereotyping. I think Soul Man uses it to explode racial stereotyping."[7]

"It was only controversial because Spike Lee made a thing of it," said Rae Dawn Chong years later. "He'd never seen the movie and he just jumped all over it... He was just starting and pulling everything down in his wake. If you watch the movie, it's really making white people look stupid... It [the film] is adorable and it didn't deserve it,""[1]

"I always tried to be an actor who was doing a part that was a character versus what I call 'blackting,' or playing my race, because I knew that I would fail because I was mixed," said Chong. "I was the black actor for sure, but I didn't lead with my epidermis, and that offended people like Spike Lee, I think. You're either militant or you're not and he decided to just attack. I've never forgiven him for that because it really hurt me. I didn't realize [at the time] that not pushing the afro-centric agenda was going to bite me. When you start to do well people start to say you're a Tom [as in Uncle Tom] because you're acceptable."[1]

Spike Lee responded by saying, "In my film career, any comment or criticism has never been based on jealousy."[8]

"A white man donning blackface is taboo," said C Thomas Howell. "Conversation over — you can't win. But our intentions were pure: We wanted to make a funny movie that had a message about racism."[8]

Howell later expanded:

I’m shocked at how truly harmless that movie is, and how the anti-racial message involved in it is so prevalent... This isn’t a movie about blackface. This isn’t a movie that should be considered irresponsible on any level... It’s very funny... It made me much more aware of the issues we face on a day-to-day basis, and it made me much more sensitive to racism... It’s an innocent movie, it’s got innocent messages, and it’s got some very, very deep messages. And I think the people that haven’t seen it that judge it are horribly wrong. I think that’s more offensive than anything. Judging something you haven’t seen is the worst thing you can really do. In fact, Soul Man sort of represents that all the way through. I think it’s a really innocent movie with a very powerful message, and it’s an important part of my life. I’m proud of the performance, and I’m proud of the people that were in it. A lot of people ask me today, “Could that movie be made today?"... Robert Downey Jr. just did it in Tropic Thunder!... The difference is that he was just playing a character in Tropic Thunder, and there was no magnifying glass on racism, which is so prevalent in our country. I guess that’s what makes people more uncomfortable about Soul Man. But I think it’s an important movie.[3]

The film was seen by Ron and Nancy Reagan at Camp David.:"The Reagans enjoyed the film and especially enjoyed seeing their son Ron," a White House spokesman said at the time.[4]

Critical reception

Controversy aside, the film was panned by critics. It has a score of only 14% on Rotten Tomatoes.[9] Roger Ebert gave Soul Man one out of four stars, writing that the main premise "is a genuinely interesting idea, filled with dramatic possibilities, but the movie approaches it on the level of a dim-witted sitcom."[10]

"It's romantic, lovely and fantastic," said Chong. "It's really funny. People should give it a view — especially people who were afraid it was racist."[1]

Box office

Despite the controversy the film was a box office success. On its opening weekend, it debuted at #3 behind Crocodile Dundee and The Color of Money with $4.4 million. In total, Soul Man went on to gross $27.8 million domestically.[4]

Music video

A music video for the film's soundtrack was released for the Sam & Dave song "Soul Man" performed by Sam Moore and Lou Reed. The video starred actors Bruce Willis, Cybill Shepherd, Rae Dawn Chong, C. Thomas Howell, Ron Reagan Jr., George Segal, Jamie Farr, boxer Ray Mancini and the children's character Gumby, all lip synching to the song.[11] Soul Man executive producer Steve Tisch got the actors to do the cameos.[11]

Influence

Defunct mathcore band Botch has a track named "C. Thomas Howell as the 'Soul Man'" on their release We Are the Romans.[12]

DVD releases

Soul Man was released for the first time on DVD on March 19, 2002, by Anchor Bay Entertainment. Special Features included a theatrical and teaser trailer, along with an audio commentary by director Steve Miner and C.Thomas Howell.[13]

It was released again by Anchor Bay Entertainment as a double feature along with Fraternity Vacation on November 20, 2007.

On October 20, 2011, it was released again as a double feature by Image Entertainment along with 18 Again!

References

  1. ^ a b c d Doty, Meriah (19 October 2016). "Rae Dawn Chong Blames Spike Lee for 'Soul Man' Racial Stigma 30 Years Later". The Wrap.
  2. ^ a b Maslin, Janet (October 24, 1986). "Movie Review: Soul Man (1986)". The New York Times.
  3. ^ a b Harris, Will (13 February 2013). "C. Thomas Howell on The Outsiders, blackface, and how Marlboros got him cast in E.T." The AV Club.
  4. ^ a b c "Reagans on 'Soul Man': Thumbs Up". The Los Angeles Times. Retrieved 2010-11-12.
  5. ^ "Soul Man' Just Goes To Show Discrimination Isn't Funny". Orlando Sentinel. Retrieved 2010-11-12.
  6. ^ "NAACP, Black Students Protest Film `Soul Man". The Los Angeles Times. October 1986. Retrieved 2010-11-09.
  7. ^ a b Thomas, Bob (30 October 1986). "Los Angeles NAACP Protest". The Lewiston Daily.
  8. ^ a b Higgins, Bill (25 June 2015). "Throwback Thursday: 'Soul Man' Star Rae Dawn Chong on Rachel Dolezal: "I Say Welcome Her In"". The Hollywood Reporter.
  9. ^ "Soul Man (1986), Rotten Tomatoes.
  10. ^ Ebert, Roger (1986). "Soul Man", retrieved November 6, 2014.
  11. ^ a b Rosenthal, Donna (October 12, 1986). "Soul Synchers". Los Angeles Times.
  12. ^ Albert Mudrian (ed.), Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces, Da Capo Press, 2009, p. 321.
  13. ^ "Soul Man". DVD Talk. Retrieved 2012-05-18.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Soul_Man_(film)&oldid=855522911"