Talk:FASTWÜRMS
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[edit]Major changes were made to this article. See additions below. I have temporarily deleted these changes in order to add proper citation and edit for NPOV. Edits were made by User:Taragreene who seems to be new to editing Wikipedia and perhaps shows a conflict of interest. --Ella Dawn 00:19, 24 September 2015 (UTC)
- FASTWÜRMS is a Canadian artist collective
- Napo B and Kim Kozzi originally started out making Super 8 films together in Toronto in 1977, "Zig Zag" was the name according to Napoleon Brousseau in an interview with Mike Holbloom http://mikehoolboom.com/?p=13145[1] and Universal Color Systems in 1980. Their films were shown at The Funnel in Toronto, the Ann Arbor Film Festival and the Centre Pompideau in France. Napo B. and Kim Kozzi showed as Fastwurms at the Ydessa Hendeles Gallery which was above the Rivoli on Queen street West. Dai Skuse joined the duo to become a trio. A Retrospective at the Art Gallery of Ontario in Toronto in 1988 was a huge success. The trio's work's are in Museum Collections and the trio represented Canada in Japan at Osaka 90. see Napoleon's History of his years as a collaborating memeber from 1977-1991 with Fastwurms. ````
- Dai Skuse and Kim Kozzi are studio art professors at the University of Guelph in Ontario. Their artwork is multidisciplinary, including video, installation, and performance art. It concerns working class aesthetics, queer politics and witch positivity.[2][3][4][5][6][7] Their first works were feature-length Super 8 films that challenged conventional narrative structures.
References
- ^ Hoolboom, Mike. "Mike Hoolboom".
- ^ Cite error: The named reference
Urban Toronto
was invoked but never defined (see the help page). - ^ Payne, James. "Fastwurms". Beautiful Decay.
- ^ "Fastwurms". contemporaryartgallery.ca. Contemporary Art Gallery.
- ^ Cole, Keith. "Love, Cats, Sex and Text". http://www.fabmagazine.com. Fab Magazine.
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- ^ "FASTWÜRMS". https://www.uoguelph.ca/sofam. University of Guelph.
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- ^ 27a. Bienal De São Paulo Guia. Fundação Bienal de São Paulo. ISBN 978-8-585298-28-9.
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