Jump to content

The Big Clock (film)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Afarr (talk | contribs) at 13:51, 5 August 2017 (paining --> painting). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Big Clock
Theatrical release poster
Directed byJohn Farrow
Screenplay byJonathan Latimer
Produced byJohn Farrow
Richard Maibaum
StarringRay Milland
Charles Laughton
CinematographyDaniel L. Fapp
John Seitz
Edited byLeRoy Stone
Music byVictor Young
Production
company
Paramount Pictures
Distributed byParamount Pictures
Release date
  • April 9, 1948 (1948-04-09) (United States)
Running time
95 minutes
CountryUnited States
LanguageEnglish
Box office$2 million (US rentals)[1]

The Big Clock is a 1948 crime drama film noir directed by John Farrow and adapted by renowned novelist-screenwriter Jonathan Latimer from the novel of the same name by Kenneth Fearing.

The black-and-white film is set in New York City and stars Ray Milland and Maureen O'Sullivan. Elsa Lanchester and Charles Laughton appear in the film, as does Harry Morgan, in an early film role, listed in the credits as Henry Morgan, as a hired thug. Noel Neill has an uncredited part as an elevator operator very early in the film.[2]

Plot

The story is told in flashback. When it begins, George Stroud (Ray Milland), editor-in-chief of Crimeways magazine, is shown hiding from building security behind the "big clock" ― the largest and most sophisticated clock ever built, which dominates the lobby of the giant publishing company where he works, Janoth Publications, in New York City.

Stroud is eager to go on a long-postponed honeymmon to West Virginia with his wife (Maureen O'Sullivan) and son. He sticks to those plans despite being fired for it by his tyrannical publishing boss, Earl Janoth (Charles Laughton), who wants him to follow up on a missing persons story Stroud has just cracked. Instead of meeting his wife at the train station as planned, however, Stroud finds himself preoccupied with the attention being shown him by Janoth's glamorous mistress, Pauline York (Rita Johnson), who proposes a blackmail plan against Janoth. When Stroud misses their scheduled train, his wife angrily leaves without him, so he begins drinking and spends the evening out on the town with York at various locations, buying a painting and a sundial.

Stroud is at York's apartment but when she sees Janoth arriving he leaves; Janoth spots him leaving but it is dark and he does not get a clear enough look at him to see that it is Stroud. Although Stroud's evening with York had ended platonically, Janoth assumes otherwise, leading to a quarrel which ends with him striking York with the sundial and killing her. Janoth goes to his assistant, Hagen (George Macready) and tells him what happened, intending on going to the police and confessing. But Hagen talks him out of it and convinces him that they can frame the man Janoth saw leaving York's apartment for the crime. Janoth decides to use the magazine's resources to find the man instead of calling the police.

Stroud has since caught up with his wife and son in West Virginia and tells her that he has been fired (but leaves out his adventures with York). Janoth calls him to re-hire him to lead the effort to find this man (leaving out any mention of York) and mentions enough details that lets Stroud know that the man Janoth is looking for is himself. He reluctantly agrees to return to his job and lead this manhunt, to his wife's disappointment.

During the manhunt, Stroud must balance the tasks of outwardly appearing to diligently lead Janoth's investigation and, at the same time, trying to prevent that investigation from uncovering the fact that it is he who is the very target of it. Meanwhile, he must also secretly carry out his own investigation to gather the evidence necessary to prove who the real murderer is.

Eventually York is identified and witnesses are found that saw her and Stroud out on the town. These witnesses are brought to Janoth Publications and all exits are sealed. With no place left to hide, Stroud eventually finds enough evidence that he is able to make a case to Janoth that Hagen killed York. Hagen implores Janoth to help clear him, but Janoth tells him that he will provide the best legal defense possible for him. Enraged, Hagen admits that Janoth killed York and he has helped him cover it up. Janoth shoots Hagen (apparently killing him) and flees, trying to escape in the elevator, but he does not realize that the elevator car is stuck floors below (done by Stroud earlier to escape Janoth's hired thug) and falls down the elevator shaft to his death.

Cast

Morgan's screen name later would become "Henry 'Harry' Morgan" and eventually Harry Morgan, to avoid confusion with the popular humorist of the same name.

Production

Paramount bought the rights to the novel before publication. (Fearing's earlier novel The Hospital had been a best seller.)[3] The purchase price was a reported $45,000.[4]

Jonathan Latimer was assigned to write the script and Ray Milland to star. Leslie Fenton was announced as director but he was held up on Saigon so John Farrow took over. Filming began February 17, 1947.[5] Charles Laughton was cast as the villain.[6]

This was Maureen O'Sullivan's first film in five years, since Tarzan's New York Adventure, after which she had concentrated on raising her family. She did it as a favor for her husband, director John Farrow.[7]

Reception

Film critic Bruce Eder wrote, The Big Clock is a near-perfect match for the book, telling in generally superb visual style a tale set against the backdrop of upscale 1940s New York and offering an early (but accurate) depiction of the modern media industry."[8]

Film writer David M. Meyer calls The Big Clock, "More screwball comedy than noir, The Big Clock's big moments derive from snappy dialogue and over-the-top humor."[9]

In 2001, the American Film Institute nominated this film for AFI's 100 Years...100 Thrills.[10]

Remake

The story was remade in 1987 as No Way Out with Kevin Costner. The 1948 film is closer to the novel. The 1987 remake, on the other hand, updated the events to the United States Department of Defense in Washington D.C. during the Cold War.

References

  1. ^ "Top Grossers of 1948", Variety 5 January 1949 p 46
  2. ^ The Big Clock at the AFI Catalog of Feature Films.
  3. ^ 'Exile' to Head Doug's Independent Program Schallert, Edwin. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 20 June 1946: A2.
  4. ^ FAIRBANKS AGREES TO MAKE 3 FILMS: Actor and International Sign Production Deal--He Will Have Lead in 'The Exile' Laraine Day as Alice Adams Of Local Origin Special to THE NEW YORK TIMES.. New York Times (1923-Current file) [New York, N.Y] 20 June 1946: 19.
  5. ^ PARAMOUNT TO DO FILM ON LUDWIG II: Picture Will Deal With King's Patronage of Wagner--Ray Milland in 'The Big Clock' By THOMAS F. BBADYSpecial to THE NEW YORK TIMES.. New York Times (1923-Current file) [New York, N.Y] 17 Jan 1947: 26.
  6. ^ LAUGHTON TO PLAY ROLE IN 'BIG CLOCK': Will Appear With Ray Milland in Paramount Mystery Film Based on Novel by Searing By THOMAS F. BRADYSpecial to THE NEW YORK TIMES.. New York Times (1923-Current file) [New York, N.Y] 25 Jan 1947: 12.
  7. ^ "Husbands and Wives". The Argus (Melbourne, Vic. : 1848 - 1956). Melbourne, Vic.: National Library of Australia. 4 May 1948. p. 3 Supplement: The Argus Woman's Magazine. Retrieved 3 March 2012.
  8. ^ Template:Allmovie title.
  9. ^ David M. Meyer (1998). A Girl and a Gun: The Complete Guide to Film Noir on Video. Avon Books. ISBN 0-380-79067-X.
  10. ^ "AFI's 100 Years...100 Thrills Nominees" (PDF). Retrieved 2016-08-20.

Streaming audio

Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Big_Clock_(film)&oldid=794044702"