The Prowler (1981 film)
Theatrical release poster
|Directed by||Joseph Zito|
|Music by||Richard Einhorn|
|Cinematography||João Fernandes |
(as Raoul Lomas)
|Edited by||Joel Goodman|
|Box office||< $1 million|
The Prowler is a 1981 American slasher film directed by Joseph Zito, written by Neal Barbera and Glenn Leopold, and starring Vicky Dawson, Farley Granger, Lawrence Tierney, and Christopher Goutman. The plot follows a group of college students holding a graduation dance, 35 years after a double-homicide occurred, where a masked assailant dressed in World War II G.I. fatigues begins a murder spree. Internationally, the film was released under the title Rosemary's Killer.
Filmed in late 1980 in Cape May, New Jersey, The Prowler premiered the following fall, and was independently distributed by Sandhurst Films. It was not a major commercial success, ranking 135th overall that year at the U.S. box office, and grossing less than $1 million.
Though it has received mixed reviews from critics, The Prowler developed a cult following in the years after its release, and has been noted for its hard-edged violence—showcasing special effects by Tom Savini—as well as its dreamlike atmosphere. It has been named one of the greatest slasher films of all time by several publications, including Complex and Paste magazine.
In Avalon, California during World War II, a woman named Rosemary writes a letter to her boyfriend, breaking up with him. On June 28, 1945, Rosemary is attending a graduation dance with her new boyfriend Roy, who suggests they go out to lovers lane. While there, they are attacked by a mysterious prowler in an army combat uniform, who impales them both with a pitchfork and leaves behind a rose.
On June 28, 1980, college senior Pam MacDonald is making last-minute arrangements for that night's graduation ball, the first to be held in 35 years. Helping her are friends Lisa, Sherry and Sherry's love interest Carl. That afternoon, while visiting her boyfriend and the town's deputy Mark London, she overhears a report of a prowler. That night, after Pam leaves for the party, Sherry receives a surprise visit from Carl. While undressing, he is attacked and killed with a bayonet. The killer then impales Sherry with a pitchfork in the shower.
At the dance that night, Pam becomes jealous when Mark is pulled into a dance with Lisa and leaves when he accidentally spills his drink onto her dress. She returns to the dorm to change and is chased by the same prowler but escapes. Reuniting with Mark, he investigates but finds nothing. They go together to investigate the Major's home. Pam realizes that his daughter was Rosemary and that her killer has never been found. Convinced the prowler from earlier is the one responsible, Mark and Pam head back to the dance and warn the chaperone, Allison, about the possible danger.
Meanwhile, Lisa goes out to a nearby pool to cool off and encounters the killer, who slits her throat. Paul, Lisa's boyfriend, is arrested by Mark for public intoxication. Allison goes to find Lisa but is stabbed and killed also. Mark tries to call the cabin that the sheriff went to but is ignored by the site worker.
Mark and Pam go to investigate the cemetery and discover an opened grave with Lisa's body in it. Mark tells her the reported prowler had been caught hours earlier and Pam suspects this to be the same killer who murdered Rosemary and her boyfriend in 1945. They go to investigate Major Chatham's house again. Mark is attacked as the prowler chases Pam through the house. An elderly male neighbor appears and shoots the prowler, but he recovers and shoots the neighbor dead with a shotgun before again attacking Pam. While pinned to the ground, Pam manages to unmask the prowler, revealed to be Sheriff Fraser. Pam attempts to wrest the shotgun from his hands, but Fraser pulls it under his chin and discharges it, blowing his head clean off, killing himself.
The next day, Mark returns Pam to her dorm and she goes up alone. Discovering Sherry and Carl's bodies in the shower, she screams as Carl seems to come to life. She realizes Carl is dead and that him grabbing at her was a hallucination.
- Vicky Dawson as Pam MacDonald
- Christopher Goutman as Deputy Mark London
- Lawrence Tierney as Major Chatham
- Farley Granger as Sheriff George Fraser
- Cindy Weintraub as Lisa
- Lisa Dunsheath as Sherry
- David Sederholm as Carl
- Bill Nunnery as Hotel Clerk
- Thom Bray as Ben
- Diane Rode as Sally
- Bryan Englund as Paul
- Donna Davis as Miss Allison
- Carleton Carpenter as 1945 M.C
- Joy Glaccum as Francis Rosemary Chatham
- Timothy Wahrer as Roy
- John Seitz as Pat Kingsley
- Bill Hugh Collins as Otto
- Dan Lounsbery as Jimmy Turner
- Douglas Stevenson as Young Pat Kingsley
- Susan Monts as Young Pat Kingsley's Date
Critic Stephen Deusner of The Washington Post has interpreted The Prowler as a "a sly, strange statement about the stakes of war." Deusner cites the film as transgressive in the genre due to its portrayal of a war veteran as its villain: "Not every movie could get away with casting a spurned veteran as its villain, especially not a WWII vet. Even in 1981, that generation was lionized for the austere morality of that conflict, set in sharp relief by the more controversial Vietnam War." Scholar James Kendrick notes The Prowler as thematically linked to such slasher films as The Burning (1981), in which psychological trauma plays an integral role in the acts of murder committed, and where a present event provides the traumatized, maddened villain an "opportunity to take revenge on the guilty parties or their symbolic substitutes."
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The Prowler was co-written by Glenn Leopold and Neal Barbera, son of Joseph Barbera. Director Joseph Zito read the screenplay and was drawn to its "misty quality": "It had this strange, dreamlike mood in it. It wasn't trying to be real, it was trying to be surreal in a way."
Initially, Zito had wanted to shoot The Prowler in Avalon, California, where it is set. However, it was decided by Zito to shoot the film in Cape May, New Jersey instead, which he felt had a "ghost town quality." The film was shot over a period of six weeks, which each consisted of six days' work, beginning in October 1980. Contemporaneous newspaper reports cite a budget of between $400,000 and $500,000, though Zito has stated that the film ultimately cost $1 million to produce. During production, the film had the working title Graduation.
Because the film's death sequences were so special effects-intensive, the shooting schedule was crafted to prioritize the filming of them specifically, with whole days dedicated to one death scene. The Inn at Cape May served as the building that appears in the dance sequences. The Emlen Physick Estate served as the Chatham house, where the film's last act takes place.
Initially, Avco Embassy Pictures, who had previously released the slasher Prom Night (1980), expressed interest in distributing The Prowler. The film was ultimately distributed independently in the United States by Sandhurst Films, opening in the fall of 1981. Overall, it ranked 135th at the U.S. box office for the year of 1981, earning less than $1 million during its theatrical run.
The Prowler was released under the alternate title Rosemary's Killer in Australia and Europe in a cut that is missing almost a minute of Tom Savini's gore effects. The German version omits all of the gore scenes (including the revelation of the killer's identity) and replaced the soundtrack with bird sounds for daytime scenes, cricket sounds for the night scenes, and Richard Enhorn's score with synthesizer music by an uncredited musician. This version goes by the title Die Forke des Todes (The Pitchfork of Death).
The Encyclopedia of Horror reports that "Savini's particularly graphic special effects resulted in most of the murders being trimmed in the British release print."
Linda Gross of the Los Angeles Times panned the film for its violent content, adding that "Director Joseph Zito prowls around aimlessly without creating an authentic sense of locale. Instead, he delivers a spaced-out nightmare in which the characters act like zombies." Stephen Deusner of The Washington Post described the film as "bloody, terrifying, [and] often sadistic... The Prowler is a war movie re-imagined as slasher flick. And its message is clear: Take your military heroes for granted and they will come back and kill you." Deusner also noted that the film is "gorgeously shot," but conceded that it "is never entirely satisfying. There are too many missed opportunities to transcend the genre’s schlock, too many passages where nothing happens, too many scares that fall flat."
In a review for Slant Magazine, Chris Cabin compared the film to both John Carpenter's Halloween (1978) and William Lustig's Maniac (1980), writing: "These films remain popular due mostly to the films that are made proficiently as far as gore theatrics, tone, and mood are concerned, and in these terms The Prowler is certainly deserving of its modest fan base. What the film lacks in narrative drive, coherence, and performance, it makes up with thoughtful lighting, strong cinematography from Raoul Lomas and an uncredited João Fernandes, and, of course, Savini’s lovingly overblown and impossible splatter effects." Film scholar John Kenneth Muir similarly praised the film, writing that it transcends many of its peers because of its "blunt-faced approach to violence" and Zito's "directorial virtuosity."
The Encyclopedia of Horror notes that like My Bloody Valentine the film moves away from the genre's usual Midwestern setting, but that it does little with the new location, nor with its potentially interesting returning G.I. motif. Like Valentine, the film is judged as being certainly polished, atmospheric, and suspenseful, though hardly original." Leonard Maltin gave the film a negative 1 1/2 out of a possible 4 stars, criticizing the film's plot calling it "illogical." The Time Out film guide noted the film as "cravenly conformist in every department."
AllMovie called it a "run-of-the-mill entry in the early '80s slasher film cycle" that "benefits from an unexpected amount of technical gloss, but has little else to offer." In a retrospective, Dave Wilson of Dread Central noted the film's violent special effects and "sombre atmosphere" as strengths, though conceded that the film's characterization was bland.
As of 2019[update], on review aggregator website Rotten Tomatoes, the film has a 67% approval rating with an average of 5.1/10 based on 6 reviews. In the years since its release, the film has developed a cult following. In 2017, Complex magazine named The Prowler the 24th-best slasher film of all time. The following year, Paste included it in their list of "The 50 Best Slasher Movies of All Time," while the film's killer was ranked the 11th-greatest slasher villain of all time by LA Weekly.
Blue Underground released the fully uncut version of The Prowler on DVD in 2002 and on Blu-ray in 2010. The extras include a trailer, a still and poster gallery, behind the scenes gore footage with Tom Savini, and an audio commentary with Joseph Zito and Tom Savini.
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