The Catcher in the Rye
First edition cover
|Author||J. D. Salinger|
|Cover artist||E. Michael Mitchell|
|Published||July 16, 1951|
|Publisher||Little, Brown and Company|
The Catcher in the Rye is a story by J. D. Salinger, first published in serial form in 1945-6 and as a novel in 1951. A classic novel originally published for adults, it has since become popular with adolescent readers for its themes of teenage angst and alienation. It has been translated into almost all of the world's major languages. Around 1 million copies are sold each year with total sales of more than 65 million books. The novel's protagonist Holden Caulfield has become an icon for teenage rebellion. The novel also deals with complex issues of innocence, identity, belonging, loss, and connection.
The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923 and it was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. In 2003, it was listed at #15 on the BBC's survey The Big Read.
- 1 Plot
- 2 History
- 3 Writing style
- 4 Interpretations
- 5 Reception
- 6 Censorship and use in schools
- 7 Shooters citing the book as an influence
- 8 Attempted adaptations
- 9 Cultural influence
- 10 See also
- 11 References
- 12 External links
Holden Caulfield, a teenager, is living in an unspecified institution in Southern California near Hollywood in 1951. Caulfield intends to live with his brother D.B, an author and World War II veteran whom Holden resents for becoming a screenwriter, after his release in one month. As he waits, Holden recalls the events of the previous Christmas.
Holden begins his story at Pencey Preparatory Academy, an exclusive boarding school in Agerstown, Pennsylvania, on the Saturday afternoon of the traditional football game with a rival school. Holden has been expelled from Pencey due to poor work and is not to return after Christmas break, which begins the following Wednesday. He plans to return home on that day so that he will not be present when his parents receive notice of his expulsion. After forfeiting a fencing match in New York by forgetting the equipment aboard the subway, he is invited to the home of his history teacher, Mr. Spencer. Spencer is a well-meaning but long-winded old man. Spencer greets him and offers him advice, but embarrasses Holden by further criticizing Holden's work in his subject in a rude manner.
Holden returns to his dorm wearing the new red hunting cap he bought in New York. His dorm neighbor Robert Ackley is one of the few students also missing the game. Ackley, unpopular among his peers, disturbs Holden with his impolite questioning and mannerisms. Holden, who feels sorry for Ackley, tolerates his presence. Later, Holden agrees to write an English composition for his roommate, Ward Stradlater, who is leaving for a date. However, Holden is distressed to learn that Stradlater's date is an old friend, Jane Gallagher, whom Holden had romantic feelings for and feels protective of. That night, Holden decides to go to a Cary Grant comedy with his best friend Mal Brossard and Ackley. Since Ackley and Mal had already seen the film, they end up just playing pinball and returning to Pencey. When Stradlater returns hours later, he fails to appreciate the deeply personal composition Holden wrote for him about the baseball glove of Holden's late brother Allie, and refuses to reveal whether he slept with Jane. Enraged, Holden punches him, and Stradlater easily wins the ensuing fight. When Holden continues insulting him after the fight, Stradlater knocks him unconscious and leaves him with a bloody nose. After leaving for Ackley's room, Holden is disappointed when he treats him rudely. Fed up with the so-called "phonies" at Pencey Prep, Holden impulsively decides to leave Pencey early, sells his typewriter to earn money, and catches a train to Penn Station in New York. Holden intends to stay away from his home in a hotel until Wednesday, when his parents would have received news of his expulsion. Aboard the train, Holden meets the mother of a wealthy, obnoxious Pencey student named Ernest Morrow, and lies to her about himself and her son.
In a taxicab, Holden inquires with the driver about whether the ducks in the Central Park lagoon migrate during winter, a subject he brings up often, but the man barely responds. Holden checks into the dilapidated Edmont Hotel. He spends an evening dancing with three tourist women from Seattle in the hotel lounge and enjoys dancing with one, though is disappointed that he is unable to hold a conversation with them. Following an unpromising visit to Ernie's Nightclub in Greenwich Village, Holden becomes preoccupied with his internal angst and agrees to have a prostitute named Sunny visit his room. His attitude toward the girl changes the minute she enters the room; she seems about the same age as him. Holden becomes uncomfortable with the situation, and when he tells her all he wants to do is talk, she becomes annoyed and leaves. Even though he still paid her the right amount for her time, she returns with her pimp Maurice and demands more money. Holden insults Maurice, and after Sunny takes the money from Holden's wallet, Maurice punches him in the stomach and leaves with Sunny. Afterwards, Holden imagines that he has been shot by Maurice, and pictures murdering him with an automatic weapon.
The next morning, Holden, becoming increasingly depressed and in need of personal connection, calls Sally Hayes, a familiar date. Although Holden claims that she is "the queen of all phonies", they agree to meet that afternoon to attend a play at the Biltmore Theater. Holden shops for a special record, "Little Shirley Beans", for his 10-year-old sister Phoebe. He spots a small boy singing "If a body catch a body coming through the rye", which lifts his mood. Although Holden's date initially goes well, it soon sours after Sally introduces her friend George. After the play, Holden and Sally go ice skating at Rockefeller Center, where Holden suddenly begins ranting against society and frightens Sally. He impulsively invites Sally to run away with him that night to live in the wilderness of New England, but she is uninterested in his hastily conceived plan and declines. The conversation turns sour, and the two angrily part ways.
Holden decides to meet his old classmate, a Columbia student named Carl Luce, for drinks at the Wicker Bar in the Seton Hotel. During the meeting, Holden annoys Carl with his fixation on sex. After Luce leaves, Holden gets drunk, awkwardly flirts with several adults, and calls an icy Sally. Exhausted and out of money, Holden wanders over to Central Park to investigate the ducks, breaking Phoebe's record on the way. Nostalgically recalling his experience in elementary school and the unchanging dioramas in the Museum of Natural History that he enjoyed visiting as a child, Holden heads home to see Phoebe. He sneaks into his parents' apartment while they are out, and wakes up Phoebe – the only person with whom he seems to be able to communicate his true feelings. Although Phoebe is happy to see Holden, she quickly deduces that he has been expelled, and chastises him for his aimlessness and his apparent dislikes towards everything. When asked if he cares about anything, Holden shares a selfless fantasy he has been thinking about (based on a mishearing of Robert Burns's Comin' Through the Rye): he pictures himself as the sole guardian of thousands of children playing in a huge rye field on the edge of a cliff. His job is to catch the children if, in their abandon, they come close to falling off the brink; to be, in effect, the "catcher in the rye". Because of this misinterpretation, Holden believes that to be the "catcher in the rye" means to save children from losing their innocence.
When his mother returns home, Holden slips out and visits his former and much-admired English teacher, Mr. Antolini, who is now a New York University professor. Mr. Antolini expresses concern that Holden is headed for "a terrible fall" and advises him to begin applying himself. Although Holden is exhausted, he is courteous and considers his advice. Mr. Antolini also provides Holden a place to sleep. Holden is upset when he wakes up in the night to find Mr. Antolini patting his head, which he interprets as a homosexual advance. Confused and uncertain, he leaves and spends the rest of the night in a waiting room at Grand Central Station, where he sinks further into despair and expresses regret over leaving Mr. Antolini. He spends most of Monday morning wandering Fifth Avenue.
Losing hope of finding belonging or companionship in the city, Holden impulsively decides that he will head out west and live a reclusive lifestyle as a gas station attendant. He decides to see Phoebe at lunchtime to explain his plan and say farewell. While visiting Phoebe's school to give a forged excuse note, Holden becomes obsessed with graffiti containing the word "fuck", and becomes distressed by the thought of children learning the word's meaning. When he meets Phoebe at the Metropolitan Museum of Art, she arrives with a suitcase and asks to go with him, even though she was looking forward to acting as Benedict Arnold in a play that Friday. Holden refuses to let her come with him, which upsets Phoebe, so Holden decides not to leave after all. He tries to cheer her up by allowing her to skip school and taking her to the Central Park Zoo, but she remains angry with him. They eventually reach the zoo's carousel, where Phoebe reconciles with Holden after he buys her a ticket. Holden is finally filled with happiness and joy at the sight of Phoebe riding in the rain.
In a short epilogue, Holden briefly alludes to encountering his parents that night and "getting sick" (implying a tuberculosis diagnosis), mentioning that he will be attending another school in September. Holden says that he doesn't want to tell anything more because, surprisingly, he has found himself missing his former classmates. He warns the reader that telling others about their own experiences will lead them to miss the people who shared them.
Various older stories by Salinger contain characters similar to those in The Catcher in the Rye. While at Columbia University, Salinger wrote a short story called "The Young Folks" in Whit Burnett's class; one character from this story has been described as a "thinly penciled prototype of Sally Hayes". In November 1941, he sold the story "Slight Rebellion off Madison", which featured Holden Caulfield, to The New Yorker, but it wasn't published until December 21, 1946 due to World War II. The story "I'm Crazy", which was published in the December 22, 1945, issue of Collier's, contained material that was later used in The Catcher in the Rye. In 1946, The New Yorker accepted a 90-page manuscript about Holden Caulfield for publication, but Salinger later withdrew it.
The Catcher in the Rye is narrated in a subjective style from the point of view of Holden Caulfield, following his exact thought processes. There is flow in the seemingly disjointed ideas and episodes; for example, as Holden sits in a chair in his dorm, minor events, such as picking up a book or looking at a table, unfold into discussions about experiences.
- "Old" – term of familiarity or endearment.
- "Phony" – superficially acting a certain way only to change others’ perceptions
- "That killed me" – one found that hilarious or astonishing
- "Flit" – homosexual
- "Crumbum" or "crumby" – inadequate, insufficient, disappointing
- "Snowing" – sweet-talking
- "I got a bang out of that" – one found it hilarious or exciting
- "Shoot the bull" – have a conversation containing false elements
- "Give her the time" or "necking" – sexual intercourse
- "Chew the fat" or "chew the rag" – small-talk
- "Rubbering" or "rubbernecks" – idle onlooking/onlookers
- "The Can" – the bathroom
Bruce Brooks held that Holden's attitude remains unchanged at story's end, implying no maturation, thus differentiating the novel from young adult fiction. In contrast, Louis Menand thought that teachers assign the novel because of the optimistic ending, to teach adolescent readers that "alienation is just a phase." While Brooks maintained that Holden acts his age, Menand claimed that Holden thinks as an adult, given his ability to accurately perceive people and their motives. Others highlight the dilemma of Holden's state, in between adolescence and adulthood. Holden is quick to become emotional. "I felt sorry as hell for..." is a phrase he often uses. It is often said that Holden changes at the end, when he watches Phoebe on the carousel, and he talks about the golden ring and how it's good for kids to try and grab it.
Peter Beidler, in his A Reader's Companion to J. D. Salinger's "The Catcher in the Rye", identifies the movie that the prostitute "Sunny" refers to. In chapter 13 she says that in the movie a boy falls off a boat. The movie is Captains Courageous (1937), starring Spencer Tracy. Sunny says that Holden looks like the boy who fell off the boat. Beidler shows (page 28) a still of the boy, played by child-actor Freddie Bartholomew.
Each Caulfield child has literary talent. D.B. writes screenplays in Hollywood; Holden also reveres D.B. for his writing skill (Holden's own best subject), but he also despises Hollywood industry-based movies, considering them the ultimate in "phony" as the writer has no space for his own imagination, and describes D.B.'s move to Hollywood to write for films as "prostituting himself"; Allie wrote poetry on his baseball glove; and Phoebe is a diarist.[not in citation given] This "catcher in the rye" is an analogy for Holden, who admires in children attributes that he struggles to find in adults, like innocence, kindness, spontaneity, and generosity. Falling off the cliff could be a progression into the adult world that surrounds him and that he strongly criticizes. Later, Phoebe and Holden exchange roles as the "catcher" and the "fallen"; he gives her his hunting hat, the catcher's symbol, and becomes the fallen as Phoebe becomes the catcher.
In their biography of Salinger, David Shields and Shane Salerno argue that: "The Catcher in the Rye can best be understood as a disguised war novel." Salinger witnessed the horrors of World War II, but rather than writing a combat novel, Salinger, according to Shields and Salerno, "took the trauma of war and embedded it within what looked to the naked eye like a coming-of-age novel."
The Catcher in the Rye has been listed as one of the best novels of the twentieth century. Shortly after its publication, writing for The New York Times, Nash K. Burger called it "an unusually brilliant novel," while James Stern wrote an admiring review of the book in a voice imitating Holden's. George H. W. Bush called it a "marvelous book," listing it among the books that have inspired him. In June 2009, the BBC's Finlo Rohrer wrote that, 58 years since publication, the book is still regarded "as the defining work on what it is like to be a teenager. Holden is at various times disaffected, disgruntled, alienated, isolated, directionless, and sarcastic." Adam Gopnik considers it one of the "three perfect books" in American literature, along with Adventures of Huckleberry Finn and The Great Gatsby, and believes that "no book has ever captured a city better than Catcher in the Rye captured New York in the fifties." Jeff Pruchnic wrote an appraisal of The Catcher in the Rye after the death of J.D. Salinger. In this article, Pruchnic focuses on how the novel continues to be received incredibly well, even after it has aged many generations. Pruchnic describes Holden as a “teenage protagonist frozen midcentury but destined to be discovered by those of a similar age in every generation to come”. Bill Gates said that The Catcher in the Rye is one of his favorite books ever. 
However, not all reception has been positive; the book has had its share of critics. Rohrer writes, "Many of these readers are disappointed that the novel fails to meet the expectations generated by the mystique it is shrouded in. J. D. Salinger has done his part to enhance this mystique. That is to say, he has done nothing." Rohrer assessed the reasons behind both the popularity and criticism of the book, saying that it "captures existential teenage angst" and has a "complex central character" and "accessible conversational style"; while at the same time some readers may dislike the "use of 1940s New York vernacular" and other things.
Censorship and use in schools
In 1960, a teacher in Tulsa, Oklahoma was fired for assigning the novel in class; however, he was later reinstated. Between 1961 and 1982, The Catcher in the Rye was the most censored book in high schools and libraries in the United States. The book was banned in the Issaquah, Washington, high schools in 1978 as being part of an "overall communist plot". In 1981, it was both the most censored book and the second most taught book in public schools in the United States. According to the American Library Association, The Catcher in the Rye was the 10th most frequently challenged book from 1990 to 1999. It was one of the ten most challenged books of 2005, and although it had been off the list for three years, it reappeared in the list of most challenged books of 2009.
The challenges generally begin with Holden's frequent use of vulgar language, with other reasons including sexual references, blasphemy, undermining of family values and moral codes, encouragement of rebellion, and promotion of drinking, smoking, lying, promiscuity, and sexual abuse. Often the challengers have been unfamiliar with the plot itself. Shelley Keller-Gage, a high school teacher who faced objections after assigning the novel in her class, noted that "the challengers are being just like Holden... They are trying to be catchers in the rye". A Streisand effect has been that this incident caused people to put themselves on the waiting list to borrow the novel, when there was no waiting list before.
Shooters citing the book as an influence
Several shootings have been associated with Salinger's novel, including Robert John Bardo's murder of Rebecca Schaeffer and John Hinckley, Jr.'s assassination attempt on Ronald Reagan. Additionally, after fatally shooting John Lennon, Mark David Chapman was arrested with a copy of the book that he had purchased that same day, inside of which he had written: "To Holden Caulfield, From Holden Caulfield, This is my statement".
Early in his career, Salinger expressed a willingness to have his work adapted for the screen. In 1949, a critically panned film version of his short story "Uncle Wiggily in Connecticut" was released; renamed My Foolish Heart, the film took great liberties with Salinger's plot and is widely considered to be among the reasons that Salinger refused to allow any subsequent film adaptations of his work. The enduring popularity of The Catcher in the Rye, however, has resulted in repeated attempts to secure the novel's screen rights.
When The Catcher in the Rye was first released, many offers were made to adapt it for the screen, including one from Samuel Goldwyn, producer of My Foolish Heart. In a letter written in the early 1950s, Salinger spoke of mounting a play in which he would play the role of Holden Caulfield opposite Margaret O'Brien, and, if he couldn't play the part himself, to "forget about it." Almost 50 years later, the writer Joyce Maynard definitively concluded, "The only person who might ever have played Holden Caulfield would have been J. D. Salinger."
Salinger told Maynard in the 1970s that Jerry Lewis "tried for years to get his hands on the part of Holden," despite Lewis not having read the novel until he was in his thirties. Celebrities ranging from Marlon Brando and Jack Nicholson to Tobey Maguire and Leonardo DiCaprio have since tried to make a film adaptation. In an interview with Premiere, John Cusack commented that his one regret about turning 21 was that he had become too old to play Holden Caulfield. Writer-director Billy Wilder recounted his abortive attempts to snare the novel's rights:
Of course I read The Catcher in the Rye... Wonderful book. I loved it. I pursued it. I wanted to make a picture out of it. And then one day a young man came to the office of Leland Hayward, my agent, in New York, and said, 'Please tell Mr. Leland Hayward to lay off. He's very, very insensitive.' And he walked out. That was the entire speech. I never saw him. That was J. D. Salinger and that was Catcher in the Rye.
In 1961, Salinger denied Elia Kazan permission to direct a stage adaptation of Catcher for Broadway. More recently, Salinger's agents received bids for the Catcher film rights from Harvey Weinstein and Steven Spielberg, neither of which was even passed on to Salinger for consideration.
In 2003, the BBC television program The Big Read featured The Catcher in the Rye, interspersing discussions of the novel with "a series of short films that featured an actor playing J. D. Salinger's adolescent antihero, Holden Caulfield." The show defended its unlicensed adaptation of the novel by claiming to be a "literary review", and no major charges were filed.
After Salinger's death in 2010, Phyllis Westberg, who was Salinger's agent at Harold Ober Associates, stated that nothing has changed in terms of licensing film, television, or stage rights of his works. A letter written by Salinger in 1957 revealed that he was open to an adaptation of The Catcher in the Rye released after his death. He wrote: "Firstly, it is possible that one day the rights will be sold. Since there's an ever-looming possibility that I won't die rich, I toy very seriously with the idea of leaving the unsold rights to my wife and daughter as a kind of insurance policy. It pleasures me no end, though, I might quickly add, to know that I won't have to see the results of the transaction." Salinger also wrote that he believed his novel was not suitable for film treatment, and that translating Holden Caulfield's first-person narrative into voice-over and dialogue would be contrived.
Banned fan fiction
In 2009, a year before his death, Salinger successfully sued to stop the U.S. publication of a novel that presents Holden Caulfield as an old man. The novel's author, Fredrik Colting, commented: "call me an ignorant Swede, but the last thing I thought possible in the U.S. was that you banned books". The issue is complicated by the nature of Colting's book, 60 Years Later: Coming Through the Rye, which has been compared to fan fiction. Although commonly not authorized by writers, no legal action is usually taken against fan fiction, since it is rarely published commercially and thus involves no profit. Colting, however, has published his book commercially, therefore interfering with copyright law and is not protected.
The Catcher in the Rye has had significant cultural influence, and works inspired by the novel have been said to form their own genre. Sarah Graham assessed works influenced by The Catcher in the Rye to include the novels Less Than Zero by Bret Easton Ellis, The Perks of Being a Wallflower by Stephen Chbosky, A Complicated Kindness by Miriam Toews, The Bell Jar by Sylvia Plath, Ordinary People by Judith Guest, and the film Igby Goes Down by Burr Steers.
Fantasy writer Harry Turtledove has written a pastiche-parody "Catcher in the Rhine", based on his daughter's mishearing of Salinger's title. In this short story, an unnamed narrator, who is clearly meant to be Holden Caulfield but is unnamed to avoid copyright problems, goes on vacation to Germany and meets characters from the Niebelunglied. This was first published in The Chick is in the Mail, edited by Esther Friesner, Baen 2000 and reprinted in the omnibus Chicks Ahoy! (2010). It was reprinted in Atlantis and Other Places also in 2010.
In "Catcher In The Wry" former major league baseball player, Bob Uecker, recounts anecdotes of his years behind the plate and on the road, recalling the antics of his famous teammates, including Hank Aaron, Bob Gibson, Richie Allen, and Warren Spahn.
The July 1985 issue of National Lampoon included a parody of the novel, ostensibly written by Holden Caulfield's son, entitled 'The Son of the Catcher, who Lives in Rye'.
In December 1991, punk rock band Green Day released their second studio album (Kerplunk), containing the song Who Wrote Holden Caulfield. The song describes said character as crazy, frustrated, and lacking motivation.
"The Catcher in the Rye" deeply influenced the biographical drama film, "The Rebel in the Rye", which is about the writer of "The Catcher in the Rye", J.D. Salinger. It is a visual about his life, before and after World War II, and gives more about the author's life than the readers of "The Catcher in the Rye" learned from the novel.
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- Costello, Donald P. (October 1959). "The Language of 'The Catcher in the Rye'". American Speech. 34 (3): 172–182. doi:10.2307/454038. JSTOR 454038.
Most critics who glared at The Catcher in the Rye at the time of its publication thought that its language was a true and authentic rendering of teenage colloquial speech.
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- Shields, David; Salerno, Shane (2013). Salinger (Hardcover ed.). Simon & Schuster. p. xvi. Retrieved 23 August 2015.
The Catcher in the Rye can best be understood as a disguised war novel. Salinger emerged from the war incapable of believing in the heroic, noble ideals we like to think our cultural institutions uphold. Instead of producing a combat novel, as Norman Mailer, James Jones, and Joseph Heller did, Salinger took the trauma of war and embedded it within what looked to the naked eye like a coming-of-age novel.
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- Gopnik, Adam. The New Yorker, February 8, 2010, p. 21
- Pruchnic, Jeff. "Holden at Sixty: Reading Catcher After the Age of Irony." Critical Insights: ------------The Catcher in The Rye (2011): 49-63. Literary Reference Center. Web. 2 Feb. 2015.
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In 1960 a teacher in Tulsa, Okla., was fired for assigning "The Catcher in the Rye". After appealing, the teacher was reinstated, but the book was removed from the itinerary in the school.
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During 1981, The Catcher in the Rye had the unusual distinction of being the most frequently censored book in the United States, and, at the same time, the second-most frequently taught novel in American public schools.
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Another perennial target, J.D. Salinger's "Catcher in the Rye," was challenged in Maine because of the "f" word.
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The foremost allegation made against Catcher is... that it teaches loose moral codes; that it glorifies... drinking, smoking, lying, promiscuity, and more.
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The Catcher in the Rye, interpreted by some as encouraging rebellion against authority...
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- See Dr. Peter Beidler's A Reader's Companion to J. D. Salinger's the Catcher in the Rye, Chapter 7.
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