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Untitled

Trouble is the second studio album by English recording artist Natalia Kills, released on 3 September 2013 by Cherrytree Records through will.i.am Music Group and Interscope. Recording for the album started in early 2012 and took place in Los Angeles and New York. During that time, Kills was accompanied by some producers including Jeff Bhasker, who served as Trouble's executive producer. Bhasker helmed a multitude of production tasks, including production, instrumentation and songwriting.

Not identifying with contemporary popular music, Kills eschewed the sound and lyrical content of her debut album Perfectionist (2011). Sonically, Trouble demonstrates a heavier atmosphere, utilizing hard percussion and electric guitars frequently. The lyricism, largely co-written by Kills and Bhasker, explores the former's childhood and adolescence. Accompanying the album, its cover art was designed by Kills and symbolizes the album's main themes. Upon release, music critics commended the album's cohesiveness and perceived an evolution in Kills' songwriting.

The album was announced with the release of a music video for "Controversy" in September 2012; since then, the album has been promoted extensively. Three singles were commissioned from Trouble, accompanied by respective music videos. "Problem" and "Saturday Night" preceded the album's release; later, a remix of the album's title track served as its third single. In addition to being interviewed by a variety of publications, Kills also performed live for some events. The record, however, failed to chart internationally with the exception of the US Billboard 200, where it entered at number 70 with sales of 6,000 copies.

Conception

Danielle Haim played guitar for Trouble.

After being signed to will.i.am Music Group, Kills started recording for her debut studio album with various producers including Martin Kierszenbaum and Jeff Bhasker.[1][2][3] Entitled Perfectionist, it was released in March 2011 to mixed reviews and moderate commercial performance.[4][5][6][7][8][9] It spawned four singles, such as "Mirrors", which managed to peak within the top 10 of Austria and Germany.[10][11] During that year and the following, Kills participated in other musical endeavours, collaborating with diverse groups on their songs. She provided guest vocals for Far East Movement's "2 Is Better";[12] appeared on "1974" by duo The Knux;[13] and featured on "Champagne Showers" by LMFAO, that became a mild success internationally.[14] Kills also guested on a single by DJ Tatana, "You Can't Get In My Head (If You Don't Get In My Bed)".[15][16]

Kills began recording material for Trouble in early 2012.[17] The recording sessions took place in Los Angeles at the Record Plant and Enourmous Studios as well as New York at the Jungle City Studios. A limited number of musicians were recruited to produce the album—Kills worked with Emile Haynie, Glass John and Guillaume Doubet for the first time; while Bhasker was reenlisted and served as the album's executive producer. He helmed a multitude of tasks, having produced or co-produced every song in the album and contributed towards their instrumentation and programming. Bhasker also provided background vocals for some songs, such as "Problem" and "Devils Don't Fly".[18] He stated that he considers his production on Trouble "some of his best work" and commented that it possesses a "dark angle on things".[19][20]

Bhasker was assisted by other musicians on some tasks, such as for the instrumentation of the tracks. Much like him, Danielle Haim from the band Haim and Jimmy Messer played the guitar; programming was also handled by Doubet, Mike Will Made It and Haynie. Pawel Sek and Messer were also engineers for some songs of the album, as well as Tyler Sam Johnson and Rob Suchecki. In terms of the album's post-production, audio mixing was directed by Bhasker and Tony Maserati, whereas mastering was controlled by Chris Athens at his eponymous studio.[18]

Composition

Music and lyricism

"Problem"
"Problem" is a pop song that is styled in pop rock and garage rock.[21][22]
"Saturday Night"
Written by Kills and Bhasker, "Saturday Night" was noted by critics for its autobiographical lyricism, which depicts the former's childhood.[22][18]
Problems playing these files? See media help.

According to Kills, Trouble represents an integral departure from her debut studio album. Musically, the traces of synthpop found in Perfectionist were removed in favor of punk-oriented, "high-impact" pop music. Kills described this sound as mixing hip-hop-resembling strong percussion with electric guitar-led instrumentals.[23] Writing for The New Zealand Herald, Paula Yeoman deemed the album's music as "darker pop", while finding it resemblant of Lana Del Rey, Lady Gaga and Gwen Stefani's works.[24] Conversely, AllMusic's Matt Collar opined that the overall sound of the record was influenced by the latter, Grimes and Courtney Love.[6]

Similarly, the lyricism of Trouble deviates from that of Perfectionist. While the latter explored Kills' ambitions and perfectionism, the former narrates her childhood and adolescence, in which she left her home and pursued dangerous behavior.[23] Kills stated that she conceptualized the album in order to depict her experiences as a teenager and feelings of "having no control", as she did not identify with recent, "happy" popular music.[25] She regarded this attempt as difficult, since it involved the confrontation of her past problems, however Kills desired to reflect them in the songs' lyrics as she felt they had defined her personality.[23] She also stated that "once [she] started writing, [she] couldn't stop" and compared the process to a "confession".[26]

Songs

"Television" and "Rabbit Hole" contrast their dark, "sinister" lyricism with their uptempo production.[27] The former, described by Romy Olutski from Harper's Bazaar as a "more alternative" song, opens with the sound of police sirens and its instrumentation progressively introduces electric guitars and percussion with a vocoder effect. The latter contains explicit references to recreational drugs and sexual intercourse while utilizing the metaphor of "falling down a rabbit hole" to falling in love.[28][29] The pop-styled "Problem" is influenced by rock styles such as garage and pop rock; the last genre is also incorporated in Trouble's title track, which finds Kills singing in a raw and "exhausted" voice backed by "arena rock choirs".[30]

"Daddy's Girl", which was denoted by Kills as her favorite from the album, places a sample of American music duo Hall & Oates' single "Rich Girl" over a "thumping beat".[31][27] Described as a "love song", it discusses her mother's support and "devotion" towards Kills' father when he was incarcerated.[31] Second single "Saturday Night" employs synthesizers on a new wave-based instrumental.[21][22][32] The track was described as autobiographical and discusses growing up in a house where domestic abuse occurs;[22] Kills also deemed it a song about "feeling OK when everything is not".[33] The sole ballads found on the album are "Devils Don't Fly" and "Marlboro Lights". The main instrument utilized in the latter is piano, while the former displays more instrumentation, including the organ and keyboards.[27][18][34] Writing for Idolator, Sam Lansky billed "Devils Don't Fly"'s lyricism as "conceptually sharp".[27] According to Lansky, the eighth track, "Outta Time", is a "throwback [to] '60s girl-group swag".[27]

Artwork

The artwork for Trouble shows Kills wearing a Prabal Gurung dress amidst objects including champagne bottles, police cars, watches and lipstick.[35][31] Kills made the collage for the cover art by printing pictures provided by Getty Images and cutting them.[18][31] She compared the cover art to a "little girl's inspiration board".[36] Kills said the album was "like a collage of all the worst memories and worst mistakes [she had] ever made", and she wanted to make the cover a real collage of "all of the items and moments" that are mentioned throughout the record.[31] Bianca Gracie from Idolator described it as 80s kitsch.[37] Kills said the symbolism behind the champagne and Rolex watches on the cover related to the song "Daddy's Girl", which contains the lyrics, "Let them take it all the way / The sweet Rozay, the Cartier / Stop the warden, call your name / I’d give you all my freedom, babe". She said it means that she would trade all of her family's possessions to have her father back with them.[31]

The champagne bottle represents Kills' father's choice of alcoholic beverage, the handcuffs symbolise Kills' problems with the police as a teenager, and the pearls and the roses represent the gifts which her boyfriends gave her to "fix" her.[36] The cover art also includes nail polish dripping from each side; Kills said she wanted the cover to have "melting feelings to it",[36] which she said was reminiscent of the times when she was 16, lived alone and tried to apply lipstick but could not do it properly. She also said, " ... every time I tried to paint my nails, it would end up completely fucked. I basically ended up painting my whole finger ... and it was dripping everywhere. And that kind of sensation is madness, that melting, dripping feeling of thinking you're in control, and you can do this and live life better than everyone else around ... And you make a mess of it ... I really wanted to find a way to capture that feeling, and that's way I [put the polish on the cover]."[36]

Promotion

The announcement of Kills' second studio album was made with the release of a music video for its first promotional single "Controversy" in mid-September 2012.[38] During an interview with Glamour, Kills said, "I put ["Controversy"] out first because it's a verbal collage of things we see on a daily basis that we turn a blind eye to, especially in the Internet age, where you can literally see anything and everything instantly. This is where the world is now: We all laugh and joke when it's someone else's suffering."[39]

The album's first single, "Problem", was serviced to digital retailers by Interscope in mid-March 2013,[40] followed three months later by its music video.[41] In the same month, "Saturday Night" was chosen as Trouble's second single. It received mostly positive reviews from music critics.[42][43] On 3 January 2014, Cherrytree Records announced a competition to select cover artwork for her next single.[44]

Kills performing at The Bootleg Theater.

Kills attended an after-party for the 2013 MTV Video Music Awards, held on 25 August 2013 in Brooklyn, New York City, where she performed various songs from Trouble. She said she was working to "making something on stage that is remotely accurate" to the cover art of the album and the sound of the songs.[31] Two days later, the song "Outta Time" was released free of charge in a Polydor Records newsletter.[45] Trouble was officially released on 3 September 2013 as a digital download in the United States and Canada.[46][47] A Compact Disc release was sent to stores in the US and Canada on 10 and 17 September 2013.[48][49] "Outta Time" was released as the album's second promotional recording free of charge, coinciding with the US release of Trouble.[50] On the same day, a lyric video for "Outta Time" was released on YouTube.[51]

For the US release of Trouble, "Boys Don't Cry" was premiered on the website of the magazine Glamour.[39] On 18 October 2013, a remix of the song was available on Cosmopolitan.[52] To promote the album and its singles, Kills was interviewed by a number of magazines and websites, including Billboard,[31] Teen Vogue,[53] Ladygunn,[54] Refinery29,[55] Playboy.[34] On 9 October 2013, Kills performed at a Chicago nightclub,[56] and on 31 December 2013 she performed at the Hollywood Roosevelt Hotel.[57] She also performed an acoustic set for Yahoo! Music.[58] During a promotional trip in New Zealand, Kills attended the Vodafone New Zealand Music Awards.[59]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[6]
Idolator[27]
The New Zealand Herald[24]

Trouble elicited positive responses from music critics. Writing for website AllMusic, Matt Collar deemed it a "dance-pop pantomime that artists have been trying to pull off ever since Madonna sang about a sexual experience so revelatory it gave her back her virginity". Collar referenced Kills' personality, commenting that it was similar to that of Pink and Lady Gaga, and that the "concept behind [her] [...] can start to feel a little facile". Nonetheless, he mused that Kills had "enough of her own personality to keep your attention". Collar awarded the album a rating of three and a half points out of five.[6] Idolator's Sam Lansky believed that Kills had evolved in writing songs and added a "richness and authenticity" to them as well. Calling the record "great", he linked its cohesiveness to Bhasker's work.[27] Paula Yeoman from The New Zealand Herald awarded the album a rating of three and a half points out of five, and called it an album "that any decent pop aficionado should pay attention to".[24] At the end of 2013, Mike Wass of Idolator chose Trouble as his favourite album of the year.[60] David Byrne and Tony Peregrin from the Windy City Times said the album was one of 2013's "excellent efforts".[61] The record entered the US Billboard 200 at number 70, becoming her highest placing album on the chart. It opened with sales of 6,000 copies—almost half of Perfectionist's total sold copies.[62]

Track listing

No.TitleWriter(s)Producer(s)Length
1."Television"
  • Bhasker
  • Doubet[a]
5:54
2."Problem"
  • Kills
  • Bhasker
  • Doubet
  • Sky Montique
3:43
3."Stop Me"
  • Kills
  • Bhasker
  • Haynie
  • Haynie
  • Bhasker
3:45
4."Boys Don't Cry"
  • Kills
  • Bhasker
  • Bhasker
  • Haynie[b]
3:36
5."Daddy's Girl"
  • Bhasker
  • Doubet[a]
3:33
6."Saturday Night"
  • Kills
  • Bhasker
Bhasker4:46
7."Devils Don't Fly"
  • Kills
  • Bhasker
  • Glass John
  • Bhasker
  • Glass John[a]
4:37
8."Outta Time"
  • Kills
  • Bhasker
Bhasker3:42
9."Controversy"
  • Kills
  • Bhasker
  • Doubet
  • Bhasker
  • Doubet[a]
4:51
10."Rabbit Hole"
  • Kills
  • Bhasker
  • Doubet
  • Bhasker
  • Doubet[a]
  • Glass John[b]
3:14
11."Watching You"
  • Kills
  • Bhasker
  • Haynie
  • Haynie
  • Bhasker
3:49
12."Marlboro Lights"
  • Kills
  • Bhasker
Bhasker4:05
13."Trouble"
  • Kills
  • Bhasker
4:19
Total length:53:54
Notes
  • ^a denotes a co-producer
  • ^b denotes an additional producer
  • "Daddy's Girl" contains elements and excerpts from "Rich Girl", as performed by Hall & Oates and written by Daryl Hall.[18][31]

Personnel

Credits adapted from the liner notes of Trouble.[18]

  • Jeff Bhasker – production, programming, guitar, keyboards, engineering, mixing, piano, organ, background vocals, executive production
  • Guillaume Doubet – co-production, programming
  • Natalia Kills – vocals
  • Glass John – programming, co-production
  • Pawel Sek – engineering, background vocals
  • Tony Maserati – mixing
  • Chris Tabron – mixing
  • Justin Hergett – mixing assistant
  • James Krausse – mixing assistant
  • Chris Athens – mastering
  • Emile Haynie – additional production, programming, production, keyboards
  • Mike Will – programming
  • Tyler Sam Johnson – engineering
  • Rob Suchecki – engineering
  • Jimmy Messer – guitar, engineering
  • Danielle Haim – guitar

Release history

Region Date Label Format(s)
United States[46] 3 September 2013 Interscope Records Digital download
Canada[47]
Australia[63] 6 September 2013
Germany[64]
Czech Republic[65] 9 September 2013
United Kingdom[66]
France[67]
Spain[68]
Italy[69]
United States[48] 10 September 2013 Universal Music CD
Canada[49] 17 September 2013

References

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  2. ^ Belz, Leigh (1 December 2010). "Natalia Kills On Her Album Perfectionist and Lady Gaga: Teen Vogue Daily". Teen Vogue. Condé Nast. Retrieved 26 January 2014.
  3. ^ Perfectionist (Media notes). Natalia Kills. Cherrytree and Interscope Records. 2011. {{cite AV media notes}}: |access-date= requires |url= (help)CS1 maint: others in cite AV media (notes) (link)
  4. ^ Dunsmore, Summer (22 August 2011). "Album Review: Natalia Kills – Perfectionist". Consequence of Sound. Retrieved 23 April 2012.
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  13. ^ Eraser (liner notes). The Knux. Cherrytree Records. 2011.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  14. ^ "LMFAO feat. Natalia Kills – Champagne Showers (Song)". Austrian Charts. Hung Medien. Retrieved 17 April 2014.
  15. ^ Heart (liner notes). DJ Tatana. Universal Music. 2011.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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