Exhibition designer

This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (March 2023) (Learn how and when to remove this message)

An exhibition designer is a professional who creates fixtures and display stands for events such as large public exhibitions, conferences, trade shows and temporary displays for businesses, museums, libraries and art galleries.

Duties

[edit]

An exhibition designer's work can include:

presenting their ideas as sketches, scale plans, computer-generated visuals and models
discussing their ideas with clients
producing final specifications
in smaller companies, overseeing the construction of the components (usually in workshops) and assembly and installation at the exhibition venue
handling orders for supplies
liaising with technical specialists such as lighting staff
understanding and interpreting the correct materials and costs involved in constructing the design
creating large format artwork for backdrops and stand components
designing vector based artwork for portable displays such as popup stands^[1]

Employment

[edit]

An exhibition designer might be employed as part of a team by an independent studio. Other employers include national and local government, and large organisations such as museums with their own design departments. There is a steady demand for the services of talented and experienced professionals. The work is studio or office based, but will usually also involve visiting clients or exhibition sites and in some cases may also involve being outside (i.e. outdoor zoos, parades).

Education and training

[edit]

Exhibition designers may come from many different backgrounds such as industrial design/product design, architecture, interior design or graphic design. Exhibition Designers are responsible for an exhibit from conception to completion and will incorporate many of the following knowledge and skills:

Conceptual design
Computer-aided design (CAD) and 3D visualisation
Knowledge of safety, regulations and applicable standards
Knowledge of current build methods
Expertise in mathematics
Model making skills
Programming of CNC devices

Many different companies will have their own multi-purpose system that may be used for the construction of smaller exhibition stands;^[2] there are several different systems available and training into the specifics of each is usually conducted on a case by case basis. For larger stands such as double or triple-deckers, a good knowledge of architectural build methods is useful. An exhibition designer will usually work in conjunction with a structural engineer to ensure the safe implementation of structural columns and beams. When designing larger stands, the designer will take into account all local safety regulations, budget constraints, logistics, design aesthetics and any requirements for electrical and water supply. Sustainability and eco-friendly exhibition stand design is playing an important role in the exhibition industry and the future of trade shows.^[3]

References

[edit]

^ "Exhibition designer | Job profiles | National Careers Service". nationalcareersservice.direct.gov.uk.
^ "Exhibit supports for sandstone artifacts designed through topology optimization and additive manufacturing techniques". Journal of Cultural Heritage. 2022.
^ Sustainable Exhibition Stands - Booth Exhibits

v t e Cultural heritage and historic preservation
Topics and issues	Agents of deterioration Archival processing Archaeological science Archaeology Archive Bioarchaeology Book Calendar (archives) Conservation and restoration of cultural property Conservation and restoration of immovable cultural property Conservation and restoration of movable cultural property Conservation science (cultural property) Collecting Collection (museum) Collection catalog Collections maintenance Collections management Collections management system Cultural heritage Cultural heritage management Cultural property Cultural property documentation Cultural property exhibition Cultural property imaging Cultural property storage Cultural resources management Database preservation Deaccessioning (museum) Digital library Digital photograph restoration Digital preservation Disaster preparedness (cultural property) Film preservation Finding aid Fonds Found in collection Heritage asset Heritage science Inherent vice Intangible cultural heritage Integrated pest management (cultural property) Inventory (library and archive) Inventory (museum) Media preservation Midden Mold control and prevention (library and archive) Museum Optical media preservation Preservation (library and archive) Preservation metadata Preservation survey Provenance Repatriation Ruins Sustainable preservation Treasure Web archiving
Roles and expertise	Archivist Art dealer Art handler Auctioneer Collection manager Conservator-restorer Conservation scientist Conservation technician Curator Exhibition designer Mount maker Objects conservator Paintings conservator Photograph conservator Preservationist Registrar (cultural property) Textile conservator
Methods and techniques	Aging (artwork) Anastylosis Arrested decay Cradling (paintings) Cultural property radiography Detachment of wall paintings Desmet method Display case Digital repository audit method based on risk assessment Historic paint analysis Inpainting Kintsugi Leafcasting Lining of paintings Mass deacidification Overpainting Paleo-inspiration Paper splitting Reconstruction (architecture) Rissverklebung Textile stabilization Transfer of panel paintings UVC-based preservation VisualAudio
Conservation and restoration of immovable cultural property by item type	Archaeological sites Frescos Heritage railways Historic gardens Outdoor artworks Outdoor bronze objects Outdoor murals
Conservation and restoration of movable cultural property by item type	Aircraft Ancient Greek pottery Bone, horn, and antler objects Books, manuscripts, documents and ephemera Ceramic objects Clocks Copper-based objects Feathers Film Flags and banners Fur objects Glass objects Herbaria Human remains Illuminated manuscripts Insect specimens Iron and steel objects Ivory objects Judaica Lacquerware Leather objects Lighthouses Metals Musical instruments Neon objects New media art Paintings Painting frames Panel paintings Papyrus Parchment Performance art Photographs Photographic plates Plastic objects Rail vehicles Road vehicles Shipwreck artifacts Silver objects South Asian household shrines Stained glass Taxidermy Textiles Tibetan thangkas Time-based media art Totem poles Vinyl discs Woodblock prints Wooden artifacts Wooden furniture
Intangible cultural heritage preservation	Ancient music Applied folklore Dance notation Early music Endangered language Ethnochoreology Ethnomusicology Ethnopoetics Family folklore Folklore Folk art Folk dance Folk etymology Folk instrument Folk medicine Folk music Folk process Folk play Foodways Folklore studies Heritage language Heritage language learning Indigenous intellectual property Indigenous culture Indigenous language Language death Language preservation Language revitalization Living history Oral history preservation Preservation of meaning Primitive music Tradition preservation Traditional knowledge
Notable projects	Conservation issues of Pompeii and Herculaneum Conservation-restoration of Ecce Homo by Elías García Martínez Conservation-restoration of The Gross Clinic by Thomas Eakins Conservation-restoration of Leonardo da Vinci's The Last Supper Pompeian frescoes Conservation-restoration of the Shroud of Turin Conservation-restoration of the Sistine Chapel frescoes Conservation-restoration of the Statue of Liberty Conservation-restoration of the H.L. Hunley Conservation response to flood of Arno, Florence Modern and Contemporary Art Research Initiative Preservation Metadata: Implementation Strategies World Heritage Site

Duties

Employment

Education and training

See also

References