Hentai: Difference between revisions

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The earliest association between anime and adult animation occurred preceding the release of ''[[Fritz the Cat]]'' when American distributors attempted to cash in on the publicity garnered from the rating by rushing out dubbed versions of two other adult animations from Japan, both of which featured an X rating in their advertising material: ''Senya ichiya monogatari'' and ''Kureopatora'', retitled ''[[One Thousand and One Arabian Nights (film)|One Thousand and One Arabian Nights]]'' and ''[[Cleopatra: Queen of Sex]]'', respectively. However, neither film was actually submitted to the [[MPAA]], and it is not likely that either feature would have received an X rating.<ref>{{cite web | url=http://www.michaelbarrier.com/Funnyworld/FritzPartOne/FritzOne.htm |title=Funnyworld revisited |Reprinted from Funnyworld No. 14, Spring 1972}}</ref> ''One Thousand and One Nights'' was the first erotic animated feature film, and at 130 minutes, it remains one of the longest animated films.
The earliest association between anime and adult animation occurred preceding the release of ''[[Fritz the Cat]]'' when American distributors attempted to cash in on the publicity garnered from the rating by rushing out dubbed versions of two other adult animations from Japan, both of which featured an X rating in their advertising material: ''Senya ichiya monogatari'' and ''Kureopatora'', retitled ''[[One Thousand and One Arabian Nights (film)|One Thousand and One Arabian Nights]]'' and ''[[Cleopatra: Queen of Sex]]'', respectively. However, neither film was actually submitted to the [[MPAA]], and it is not likely that either feature would have received an X rating.<ref>{{cite web | url=http://www.michaelbarrier.com/Funnyworld/FritzPartOne/FritzOne.htm |title=Funnyworld revisited |Reprinted from Funnyworld No. 14, Spring 1972}}</ref> ''One Thousand and One Nights'' was the first erotic animated feature film, and at 130 minutes, it remains one of the longest animated films.


The ''[[Lolita Anime]]'' series was the first hentai [[OVA]], released in 1984 by Wonder Kids, which mainly focused on underage sex, rape, and [[Bondage (sexual)|bondage]]. ''[[Cream Lemon]]'', which contained many themes found in hentai today, was released later that year by Fairy Dust and contained some in-depth storylines and classic (late 1970s to early 1980s style) artwork.<ref>{{cite web |url= http://www.animenation.net/blog/2003/07/22/ask-john-how-much-cream-lemon-is-there/ |title=Ask John: How Much Cream Lemon is There? publisher=animenation.net }}</ref> ''The Brothers Grime'' was a three-video cartoon-pornography series produced by Excalibur Films in 1986, 1987, and 1988, using titles primarily from the ''Cream Lemon'' series, the most popular of Japan's erotic anime before ''[[Urotsukidoji]]''.<ref name="Anime Porn Market">{{cite web |url=http://www.awn.com/mag/issue3.4/3.4pages/3.4patten.html |title=The Anime "Porn" Market |publisher=awn.com}}</ref>
The ''[[Lolita Anime]]'' series was the first hentai [[OVA]], released in 1984 by Wonder Kids, which mainly focused on underage sex, rape, and [[Bondage (sexual)|bondage]]. ''[[Cream Lemon]]'', which contained many themes found in hentai today, was released later that year by Fairy Dust and contained some in-depth storylines and classic (late 1970s to early 1980s style) artwork.<ref>{{cite web |url= http://www.animenation.net/blog/2003/07/22/ask-john-how-much-cream-lemon-is-there/ |title=Ask John: How Much Cream Lemon is There?| publisher=animenation.net }}</ref> ''The Brothers Grime'' was a three-video cartoon-pornography series produced by Excalibur Films in 1986, 1987, and 1988, using titles primarily from the ''Cream Lemon'' series, the most popular of Japan's erotic anime before ''[[Urotsukidoji]]''.<ref name="Anime Porn Market">{{cite web |url=http://www.awn.com/mag/issue3.4/3.4pages/3.4patten.html |title=The Anime "Porn" Market |publisher=awn.com}}</ref>


The ''[[Urotsukidoji]]'' [[anime]] series was created by [[Toshio Maeda]] in 1986 and released in America in 1992 by [[Central Park Media|Anime 18]]. It is most famous for being the first in the [[tentacle rape]] genre, though only one scene in the first OVA actually contains any tentacle rape. Tentacle rape was not present in the ''Urotsukidoji'' [[manga]], but was featured in a series that he would publish years later called ''[[Demon Beast Invasion]]''. ''Demon Beast Invasion'' created what might be called the modern paradigm of tentacle porn, in which the elements of sexual assault are emphasized. Maeda explained that he invented the practice to get around strict Japanese [[censorship]] regulations, which prohibit the depiction of the [[penis]] but apparently do not prohibit showing sexual penetration by a tentacle or similar (often robotic) appendage. Maeda went on to create ''[[La Blue Girl]]'', which departs somewhat from its predecessors by lightening the atmosphere with humor, lightly parodying the tentacle rape genre.
The ''[[Urotsukidoji]]'' [[anime]] series was created by [[Toshio Maeda]] in 1986 and released in America in 1992 by [[Central Park Media|Anime 18]]. It is most famous for being the first in the [[tentacle rape]] genre, though only one scene in the first OVA actually contains any tentacle rape. Tentacle rape was not present in the ''Urotsukidoji'' [[manga]], but was featured in a series that he would publish years later called ''[[Demon Beast Invasion]]''. ''Demon Beast Invasion'' created what might be called the modern paradigm of tentacle porn, in which the elements of sexual assault are emphasized. Maeda explained that he invented the practice to get around strict Japanese [[censorship]] regulations, which prohibit the depiction of the [[penis]] but apparently do not prohibit showing sexual penetration by a tentacle or similar (often robotic) appendage. Maeda went on to create ''[[La Blue Girl]]'', which departs somewhat from its predecessors by lightening the atmosphere with humor, lightly parodying the tentacle rape genre.
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In November 1994 [[A.D. Vision]] released their first title, ''[[The Legend of Lyon]]'', under its hentai label, Soft Cel Pictures. A.D. Vision put out 19 Soft Cel Pictures releases during 1995 and 12 through the first half of 1996, some of which were rereleases of previous A.D. Vision Films titles in their unedited form.<ref name="Anime Porn Market" /> Soft Cel Pictures shut down in 2005 and most of its titles were acquired by [[The Right Stuf International|Critical Mass]].
In November 1994 [[A.D. Vision]] released their first title, ''[[The Legend of Lyon]]'', under its hentai label, Soft Cel Pictures. A.D. Vision put out 19 Soft Cel Pictures releases during 1995 and 12 through the first half of 1996, some of which were rereleases of previous A.D. Vision Films titles in their unedited form.<ref name="Anime Porn Market" /> Soft Cel Pictures shut down in 2005 and most of its titles were acquired by [[The Right Stuf International|Critical Mass]].


[[The Right Stuf International|Critical Mass]] was created in 1996 when The Right Stuf made a deal with [[Manga Entertainment]] to release an unedited edition of ''[[Violence Jack]]'', which they deemed too intense for their normal line.<ref name="Anime Porn Market" /> Critical Mass has since released a large number of hentai titles. Most of their titles are associated with ''The [[Vanilla Series]]'', a series of hentai titles produced in Japan by Digital Works which are tied-in with [[eroge]] games of the same title. When [[Central Park Media]] went bankrupt in the year of 2009, the licenses for all Anime 18-related products and movies were transferred to Critical Mass.<ref>[http://www.animenewsnetwork.com/news/2009-06-08/central-park-media-licenses-offered-by-liquidator Central Park Media's Licenses Offered by Liquidator]</ref>
[[The Right Stuf International|Critical Mass]] was created in 1996 when The Right Stuf made a deal with [[Manga Entertainment]] to release an unedited edition of ''[[Violence Jack]]'', which they deemed too intense for their normal line.<ref name="Anime Porn Market" /> Critical Mass has since released a large number of hentai titles. Most of their titles are associated with ''The [[Vanilla Series]]'', a series of hentai titles produced in Japan by Digital Works which are tied-in with [[eroge]] games of the same title. When [[Central Park Media]] went bankrupt in the year of 2009, the licenses for all Anime 18-related products and movies were transferred to Critical Mass.<ref>{{cite web|url=http://www.animenewsnetwork.com/news/2009-06-08/central-park-media-licenses-offered-by-liquidator |title=Central Park Media's Licenses Offered by Liquidator |publisher=Animenewsnetwork.com |date=2009-06-08 |accessdate=2011-07-30}}</ref>


Censorship is practiced differently in Japan and in the USA, due to their different laws. Japanese law discourages showing of genitals in hentai, while the United States is more concerned about forbidding the display of sex acts involving people under 18, so the characters in hentai have to look 18 or older. Hence, there are censoring mosaics in Japan, and scene removals and different ages of characters in America.<ref name="Anime Porn Market" /> While not featuring the censoring mosaics of the original Japanese version, the US release of ''[[La Blue Girl]]'' was [[edited]] during the initial VHS release and all scenes featuring Miko's companion Nin-Nin engaged in a sexual act were removed, probably to avoid the charge of [[pedophilia]], in spite of the fact that the character is not a minor but a [[dwarfism|dwarf]] ninja. For similar reasons the age of the heroine was also altered: initially stated to be a 16 year old high-schooler in the original Japanese version, she is an 18 year old [[college]] student in the US version. The DVD release contains this edited version.<ref name="editingreport">''[http://www.animeprime.com/index.shtml Anime Prime]'' (April 14, 2004). "[http://www.animeprime.com/reports/lbg.shtml La Blue Girl Editing Report]". Retrieved November 27, 2009.</ref><ref name="animexcpm2000">''[http://www.mania.com/ Mania]'' (July 03, 2000). "[http://www.mania.com/anime-expo-central-park-media-panel_article_86089.html Anime Expo - Central Park Media Panel]" by Chris Beveridge. Retrieved November 27, 2009.</ref> In the UK, the [[British Board of Film Classification]] refused to classify it, thus prohibiting its distribution.<ref name="LBGrejectedBBFC">''[http://www.bbfc.co.uk/general/index.php bbfc]'' (December 30, 1996). "[http://www.bbfc.co.uk/website/Classified.nsf/ClassifiedWorks/06F862821A46D9C8802566C00033C26C?OpenDocument LA BLUE GIRL Rejected by the BBFC]". Retrieved November 27, 2009.</ref><ref name="BBFCCatherineTaylorTalks">''UK Anime''. "[http://www.ukanime.com/template2.php?page=bbfcint.php The BBFC Talks Hentai]". [http://web.archive.org/web/*/http://www.ukanime.com/template2.php?page=bbfcint.php Archived copies] from the [[Wayback Machine]]. Retrieved from the Internet Archive Wayback Machine November 27, 2009.</ref>
Censorship is practiced differently in Japan and in the USA, due to their different laws. Japanese law discourages showing of genitals in hentai, while the United States is more concerned about forbidding the display of sex acts involving people under 18, so the characters in hentai have to look 18 or older. Hence, there are censoring mosaics in Japan, and scene removals and different ages of characters in America.<ref name="Anime Porn Market" /> While not featuring the censoring mosaics of the original Japanese version, the US release of ''[[La Blue Girl]]'' was [[edited]] during the initial VHS release and all scenes featuring Miko's companion Nin-Nin engaged in a sexual act were removed, probably to avoid the charge of [[pedophilia]], in spite of the fact that the character is not a minor but a [[dwarfism|dwarf]] ninja. For similar reasons the age of the heroine was also altered: initially stated to be a 16 year old high-schooler in the original Japanese version, she is an 18 year old [[college]] student in the US version. The DVD release contains this edited version.<ref name="editingreport">''[http://www.animeprime.com/index.shtml Anime Prime]'' (April 14, 2004). "[http://www.animeprime.com/reports/lbg.shtml La Blue Girl Editing Report]". Retrieved November 27, 2009.</ref><ref name="animexcpm2000">''[http://www.mania.com/ Mania]'' (July 03, 2000). "[http://www.mania.com/anime-expo-central-park-media-panel_article_86089.html Anime Expo - Central Park Media Panel]" by Chris Beveridge. Retrieved November 27, 2009.</ref> In the UK, the [[British Board of Film Classification]] refused to classify it, thus prohibiting its distribution.<ref name="LBGrejectedBBFC">''[http://www.bbfc.co.uk/general/index.php bbfc]'' (December 30, 1996). "[http://www.bbfc.co.uk/website/Classified.nsf/ClassifiedWorks/06F862821A46D9C8802566C00033C26C?OpenDocument LA BLUE GIRL Rejected by the BBFC]". Retrieved November 27, 2009.</ref><ref name="BBFCCatherineTaylorTalks">''UK Anime''. "[http://www.ukanime.com/template2.php?page=bbfcint.php The BBFC Talks Hentai]". [http://web.archive.org/web/*/http://www.ukanime.com/template2.php?page=bbfcint.php Archived copies] from the [[Wayback Machine]]. Retrieved from the Internet Archive Wayback Machine November 27, 2009.</ref>
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*'''ero-manga''' or {{Nihongo|''seijin''|成人||literally "adult"}}, aimed at (presumptively heterosexual) men
*'''ero-manga''' or {{Nihongo|''seijin''|成人||literally "adult"}}, aimed at (presumptively heterosexual) men
*'''ladies' comics''' (''redīsu komikku'' or ''redicomi''), originally meaning any manga for adult women<ref>{{cite book|last=Gravett|first=Paul|authorlink=Paul Gravett|title=[[Manga: Sixty Years of Japanese Comics]]|publisher=Laurence King Publishing|year=2004|pages=116|isbn=1856693910}}</ref> (see [[josei]]) but now often applied specifically to pornographic manga for women<ref>{{cite book|last=Shamoon|first=Deborah|title=Porn Studies|editor=[[Linda Williams (United States film critic)|Linda Williams]]|publisher=[[Duke University Press]]|year=2004|pages=77–103|chapter=Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women|isbn=0822333120}}</ref>
*'''ladies' comics''' (''redīsu komikku'' or ''redicomi''), originally meaning any manga for adult women<ref>{{cite book|last=Gravett|first=Paul|authorlink=Paul Gravett|title=[[Manga: Sixty Years of Japanese Comics]]|publisher=Laurence King Publishing|year=2004|page=116|isbn=1856693910}}</ref> (see [[josei]]) but now often applied specifically to pornographic manga for women<ref>{{cite book|last=Shamoon|first=Deborah|title=Porn Studies|editor=[[Linda Williams (United States film critic)|Linda Williams]]|publisher=[[Duke University Press]]|year=2004|pages=77–103|chapter=Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women|isbn=0822333120}}</ref>


===Types which often (but not necessarily) contain pornographic content===
===Types which often (but not necessarily) contain pornographic content===
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Yuri is very similar to yaoi, except that the focus is on female homosexual interactions. The characters in yuri are typically "[[bishōjo]]", meaning "beautiful girl" (this term is not specific to yuri but is applied generally to depictions of attractive women for a male audience; for example, in the term "[[bishōjo game]]"). Shōjo-ai ("girl love") is a western term for the female equivalent of shōnen-ai; in Japan these works are also called yuri. Yuri may be aimed at (presumptively heterosexual) male, [[heterosexual]] female, or [[lesbian]] female audiences.
Yuri is very similar to yaoi, except that the focus is on female homosexual interactions. The characters in yuri are typically "[[bishōjo]]", meaning "beautiful girl" (this term is not specific to yuri but is applied generally to depictions of attractive women for a male audience; for example, in the term "[[bishōjo game]]"). Shōjo-ai ("girl love") is a western term for the female equivalent of shōnen-ai; in Japan these works are also called yuri. Yuri may be aimed at (presumptively heterosexual) male, [[heterosexual]] female, or [[lesbian]] female audiences.


Hentai is perceived as "dwelling" on [[sexual fetishism|sexual fetishes]],<ref name="Peek-a-boo">[http://www.springerlink.com/content/r1267467784j8710/ Peek-a-boo, I See You: Watching Japanese Hard-core Animation]</ref> including:
Hentai is perceived as "dwelling" on [[sexual fetishism|sexual fetishes]],<ref name="Peek-a-boo">{{cite web|url=http://www.springerlink.com/content/r1267467784j8710/ |title=Peek-a-boo, I See You: Watching Japanese Hard-core Animation |doi=10.1007/s12119-008-9039-5 |publisher=Springerlink.com |date= |accessdate=2011-07-30}}</ref> including:
*[[Bakunyū]], the depiction of women with large breasts. Literally translated to "bursting breasts".<ref>[[Jason Thompson (writer)|Thompson, Jason]]. (2007) [[Manga: The Complete Guide]]; p. 451.</ref>
*[[Bakunyū]], the depiction of women with large breasts. Literally translated to "bursting breasts".<ref>[[Jason Thompson (writer)|Thompson, Jason]]. (2007) [[Manga: The Complete Guide]]; p. 451.</ref>
*[[Futanari]], depictions of [[hermaphrodites]] or [[transsexualism|transsexuals]] that have both phallic genitalia (penis with scrotum, only a penile shaft, or an enlarged clitoris) and vaginal genitalia, or, alternatively, a feminine hourglass shape including breasts combined with a penis and scrotum.
*[[Futanari]], depictions of [[hermaphrodites]] or [[transsexualism|transsexuals]] that have both phallic genitalia (penis with scrotum, only a penile shaft, or an enlarged clitoris) and vaginal genitalia, or, alternatively, a feminine hourglass shape including breasts combined with a penis and scrotum.
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==See also==
==See also==
{{div col|colwidth=30em}}
*[[Cartoon pornography]]
*[[Cartoon pornography]]
*[[Ero guro]]
*[[Ero guro]]
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*[[List of pornographic sub-genres]]
*[[List of pornographic sub-genres]]
*[[Panchira]]
*[[Panchira]]
{{div col end}}
*[[Shunga]]


==References==
==References==
{{reflist}}
{{reflist|30em}}


==Further reading==
==Further reading==
* Aquila, Meredith (2007) "[http://www.upress.umn.edu/Books/L/lunning_mechademia2.html Ranma 1/2 Fan Fiction Writers: New Narrative Themes or the Same Old Story?]" ''[[Mechademia]] 2''
* Aquila, Meredith (2007) "[http://www.upress.umn.edu/Books/L/lunning_mechademia2.html Ranma 1/2 Fan Fiction Writers: New Narrative Themes or the Same Old Story?]" ''[[Mechademia]] 2''
* Buckley, Sandra (1991) "'Penguin in Bondage': A Graphic Tale of Japanese Comic Books", pp.&nbsp;163–196, In ''Technoculture''. C. Penley and A. Ross, eds. Minneapolis: University of Minnesota ISBN 0-8166-1932-8
* Buckley, Sandra (1991) "'Penguin in Bondage': A Graphic Tale of Japanese Comic Books", pp.&nbsp;163–196, In ''Technoculture''. C. Penley and A. Ross, eds. Minneapolis: University of Minnesota ISBN 0-8166-1932-8
* McCarthy, Helen, [[Jonathan Clements]] The Erotic Anime Movie Guide pub Titan (London) 1998 ISBN 1 85286 946 1
* McCarthy, Helen, [[Jonathan Clements]] The Erotic Anime Movie Guide pub Titan (London) 1998 ISBN 1852869461
* {{Cite book | last = Napier | first = Susan J. |authorlink=Susan J. Napier | year = 2000 | title = [[Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation|Anime: From ''Akira'' to ''Princess Mononoke'']] | location = New York | publisher = Palgrave | isbn = 0312238630}}
* {{Cite book | last = Napier | first = Susan J. |authorlink=Susan J. Napier | year = 2000 | title = [[Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation|Anime: From ''Akira'' to ''Princess Mononoke'']] | location = New York | publisher = Palgrave | isbn = 0312238630}}
* Perper, Timothy and Cornog, Martha (March 2002) [http://www.springerlink.com/content/30p8x1878nbjlrax/ Eroticism for the masses: Japanese manga comics and their assimilation into the U.S.] ''Sexuality & Culture'', '''6''' (1) pp.&nbsp;3–126
* Perper, Timothy and Cornog, Martha (March 2002) [http://www.springerlink.com/content/30p8x1878nbjlrax/ Eroticism for the masses: Japanese manga comics and their assimilation into the U.S.] ''Sexuality & Culture'', '''6''' (1) pp.&nbsp;3–126


==External links==
==External links==
{{commons category|Hentai}}
*[http://www.seekjapan.jp/article-1/744/The+(Almost)+Complete+Japanzine+Dictionary+of+Japan+Sex Dictionary of Japan Sex]
*[http://www.seekjapan.jp/article-1/744/The+(Almost)+Complete+Japanzine+Dictionary+of+Japan+Sex Dictionary of Japan Sex]
*[http://www.hentai.co.uk/articles/hentai_past_and_present.html Hentai: Past and Present]
*[http://www.hentai.co.uk/articles/hentai_past_and_present.html Hentai: Past and Present]

{{Japanese Erotic Cinema}}
{{Japanese Erotic Cinema}}

{{commons category|Hentai}}

[[Category:Hentai| ]]
[[Category:Hentai| ]]
[[Category:Anime and manga terminology]]
[[Category:Japanese sex terms]]
[[Category:Japanese sex terms]]
[[Category:Anime and manga terminology]]
[[Category:Pornographic cartoons]]
[[Category:Pornographic cartoons]]



Revision as of 12:52, 30 July 2011

Hentai illustration

Hentai (変態 or へんたい) listen is a Japanese word that, in the West, is used when referring to sexually explicit or pornographic comics and animation, particularly those of Japanese origin such as anime, manga, and computer games. The word hentai is a kanji compound of 変 (hen; "change", "weird", or "strange") and 態 (tai; "attitude" or "appearance"). The term is used as a shortened form of the phrase 変態性欲 (hentai seiyoku) meaning "sexual perversion".[1] In Japanese slang, hentai is used as an insult meaning roughly "pervert" or "weirdo".

The term hentai is not often applied to pornography in Japan. Instead, terms such as 18-kin (18禁, literally "18-prohibited") meaning "prohibited to those not yet 18 years old", and seijin manga (成人漫画 "adult manga") are used when referring to pornography.[1] The less official names Ero Anime (エロアニメ) and Ero Manga (エロ漫画) are also widely used. The English acronym AV (for "adult video") is also sometimes used. The English use of hentai is more similar to the way the Japanese use the slang term エッチ (H or ecchi), which refers to any sexually explicit content or behaviour.

History

The earliest association between anime and adult animation occurred preceding the release of Fritz the Cat when American distributors attempted to cash in on the publicity garnered from the rating by rushing out dubbed versions of two other adult animations from Japan, both of which featured an X rating in their advertising material: Senya ichiya monogatari and Kureopatora, retitled One Thousand and One Arabian Nights and Cleopatra: Queen of Sex, respectively. However, neither film was actually submitted to the MPAA, and it is not likely that either feature would have received an X rating.[2] One Thousand and One Nights was the first erotic animated feature film, and at 130 minutes, it remains one of the longest animated films.

The Lolita Anime series was the first hentai OVA, released in 1984 by Wonder Kids, which mainly focused on underage sex, rape, and bondage. Cream Lemon, which contained many themes found in hentai today, was released later that year by Fairy Dust and contained some in-depth storylines and classic (late 1970s to early 1980s style) artwork.[3] The Brothers Grime was a three-video cartoon-pornography series produced by Excalibur Films in 1986, 1987, and 1988, using titles primarily from the Cream Lemon series, the most popular of Japan's erotic anime before Urotsukidoji.[4]

The Urotsukidoji anime series was created by Toshio Maeda in 1986 and released in America in 1992 by Anime 18. It is most famous for being the first in the tentacle rape genre, though only one scene in the first OVA actually contains any tentacle rape. Tentacle rape was not present in the Urotsukidoji manga, but was featured in a series that he would publish years later called Demon Beast Invasion. Demon Beast Invasion created what might be called the modern paradigm of tentacle porn, in which the elements of sexual assault are emphasized. Maeda explained that he invented the practice to get around strict Japanese censorship regulations, which prohibit the depiction of the penis but apparently do not prohibit showing sexual penetration by a tentacle or similar (often robotic) appendage. Maeda went on to create La Blue Girl, which departs somewhat from its predecessors by lightening the atmosphere with humor, lightly parodying the tentacle rape genre.

In November 1994 A.D. Vision released their first title, The Legend of Lyon, under its hentai label, Soft Cel Pictures. A.D. Vision put out 19 Soft Cel Pictures releases during 1995 and 12 through the first half of 1996, some of which were rereleases of previous A.D. Vision Films titles in their unedited form.[4] Soft Cel Pictures shut down in 2005 and most of its titles were acquired by Critical Mass.

Critical Mass was created in 1996 when The Right Stuf made a deal with Manga Entertainment to release an unedited edition of Violence Jack, which they deemed too intense for their normal line.[4] Critical Mass has since released a large number of hentai titles. Most of their titles are associated with The Vanilla Series, a series of hentai titles produced in Japan by Digital Works which are tied-in with eroge games of the same title. When Central Park Media went bankrupt in the year of 2009, the licenses for all Anime 18-related products and movies were transferred to Critical Mass.[5]

Censorship is practiced differently in Japan and in the USA, due to their different laws. Japanese law discourages showing of genitals in hentai, while the United States is more concerned about forbidding the display of sex acts involving people under 18, so the characters in hentai have to look 18 or older. Hence, there are censoring mosaics in Japan, and scene removals and different ages of characters in America.[4] While not featuring the censoring mosaics of the original Japanese version, the US release of La Blue Girl was edited during the initial VHS release and all scenes featuring Miko's companion Nin-Nin engaged in a sexual act were removed, probably to avoid the charge of pedophilia, in spite of the fact that the character is not a minor but a dwarf ninja. For similar reasons the age of the heroine was also altered: initially stated to be a 16 year old high-schooler in the original Japanese version, she is an 18 year old college student in the US version. The DVD release contains this edited version.[6][7] In the UK, the British Board of Film Classification refused to classify it, thus prohibiting its distribution.[8][9]

Demographics

As with other forms of Japanese pop-culture media, publishers of erotic media target material to specific demographic groups. For manga, the most typical divisions are:

Types which are pornographic by definition

The Dream of the Fisherman's Wife, a shunga woodcut made circa 1820 by Hokusai, regarded as an early example of tentacle sex.[10]
  • ero-manga or seijin (成人, literally "adult"), aimed at (presumptively heterosexual) men
  • ladies' comics (redīsu komikku or redicomi), originally meaning any manga for adult women[11] (see josei) but now often applied specifically to pornographic manga for women[12]

Types which often (but not necessarily) contain pornographic content

  • gei comi or menslove (ML), often called bara in the West, for gay men
  • boys' love (boizu rabu or BL), predominately aimed at the shōjo and josei markets (also see below)
  • teen's love (TL), a more explicit type of shōjo romances, likewise aimed predominantly at the shōjo and josei markets
  • Yuri or girls' love (GL), which has long been a component of both men's ero-manga and shōjo gender-exploration but has more recently arisen as a genre in its own right, in both seijin and josei flavors (also see below)

Classification

Lolicon art often blends childlike characteristics with erotic undertones

Hentai that features mainly heterosexual interactions occur in both male-targeted (ero) and female-targeted ("ladies' comics") form. Those that feature mainly homosexual interactions are known as yaoi (male-male) and yuri (female-female). Both yaoi and, to a lesser extent, yuri are generally aimed at members of the opposite sex from the persons depicted.

Yaoi commonly features males of ambiguous gender—in both physical appearance and, frequently, mannerism—called bishōnen, literally "beautiful boy". Some feature biseinen ("beautiful man"), males of more adult or masculine appearance than bishōnen. Less common are bara—larger, often heavily muscled and sometimes hairy males, the yaoi counterpart of the "bear" in gay pornography—as well as oyaji (meaning "daddy" or "uncle"), featuring middle-aged and elderly men; these types are mainly found in material aimed at gay men, which may be called bara or 'men's love' (ML), and is considered to be distinct from yaoi.[13][14] Yaoi also extends beyond the hentai genre, since it applies to any anime/manga material that includes male homosexuality, except for that actually aimed at a gay male audience. In Western usage, yaoi is distinguished from shōnen-ai (literally, "boy-love"), in which two males merely express romantic feelings for each other without actually having sexual relations; however in current Japanese usage this term most commonly refers to pornographic shotacon for men. Women interested in Yaoi are called "Fujoshi" (腐女子), a pun which translate loosely as "rotten girl" or "rotten woman".

Yuri is very similar to yaoi, except that the focus is on female homosexual interactions. The characters in yuri are typically "bishōjo", meaning "beautiful girl" (this term is not specific to yuri but is applied generally to depictions of attractive women for a male audience; for example, in the term "bishōjo game"). Shōjo-ai ("girl love") is a western term for the female equivalent of shōnen-ai; in Japan these works are also called yuri. Yuri may be aimed at (presumptively heterosexual) male, heterosexual female, or lesbian female audiences.

Hentai is perceived as "dwelling" on sexual fetishes,[10] including:

  • Bakunyū, the depiction of women with large breasts. Literally translated to "bursting breasts".[15]
  • Futanari, depictions of hermaphrodites or transsexuals that have both phallic genitalia (penis with scrotum, only a penile shaft, or an enlarged clitoris) and vaginal genitalia, or, alternatively, a feminine hourglass shape including breasts combined with a penis and scrotum.
  • Incest, sexual activity with legal family members; noticeably seen in The Sagara Family, a hentai computer game.
  • Lolicon, depicts prepubescent or preadolescent girls.
  • Omorashi (オモラシ / おもらし / お漏らし) in which individuals struggle with a full bladder before finally wetting themselves (also known as watersports).
  • Shotacon, the depiction of young boys, either with other young boys or older men, or depicting young boys with older women (known as "straight shota" in western jargon).
  • Tentacle erotica, the depiction of tentacled creatures and sometimes monsters (fictional imaginative or otherwise, also includes alien-like creatures) engaging in sex or rape with girls and, less often, men.

Hentai media

Hentai manga on display at Japanese bookstore.
  • Adult anime, or hentai anime, is anime that relies primarily on sex.
  • Adult manga, or hentai manga, is manga designed for purely pornographic purposes. Plot is still used to develop character and setting, but most of the time, the ultimate goal is to show scenes of sexuality with few exceptions. Adult manga is often sold in convenience stores, book stores, and magazine stores in Japan, and also other public places such as airports, and is far more prolific and accessible than the U.S. adult comic book market. It is usually distributed in digest format, containing several stories by different artists (e.g. an anthology).
  • Adult CG artwork includes individual drawings by artists. Art can be available on websites, CD-ROMs, or in printed art books. CG artwork is used frequently in adult video games.
  • Adult video games, or eroge, are games with a pornographic element. They can include bishōjo games that involve character driven plots, and can exist as sex simulations.
  • Adult dōjinshi, or H dōjinshi, refers to a type of work that uses copyrighted characters presented in sexual situations. It usually refers to printed manga, but can also refer to any type of visual work depicting copyrighted characters, including video games, animation, and CG artwork. Familiarity with a particular character or setting can add a sense of relating to the character over a generic character used in mainstream hentai, making dōjinshi more appealing to fans of a particular work. Despite not representing characters and licensed properties as intended, companies often view these works as a free form of license recognition and advertising through dedicated fandom. Some manga artists create hentai dōjinshi with characters from their own manga, such as Maki Murakami creating dōjinshi of Gravitation.[16][17]

Lemon

In Western fanfiction circles, hentai-based works are popularly referred to as "lemon", based on a more popular hentai anime anthology series called Cream Lemon. Fictions referred to as "lime" are ones in which the characters do everything short of having sexual intercourse with each other.[1]

See also

References

  1. ^ a b c "A Short History of 'Hentai'", by Mark McLelland, Intersections: Gender, History and Culture in the Asian Context, Issue 12, January 2006. Footnoted HTML version.
  2. ^ "Funnyworld revisited". {{cite web}}: Text "Reprinted from Funnyworld No. 14, Spring 1972" ignored (help)
  3. ^ "Ask John: How Much Cream Lemon is There?". animenation.net.
  4. ^ a b c d "The Anime "Porn" Market". awn.com.
  5. ^ "Central Park Media's Licenses Offered by Liquidator". Animenewsnetwork.com. 2009-06-08. Retrieved 2011-07-30.
  6. ^ Anime Prime (April 14, 2004). "La Blue Girl Editing Report". Retrieved November 27, 2009.
  7. ^ Mania (July 03, 2000). "Anime Expo - Central Park Media Panel" by Chris Beveridge. Retrieved November 27, 2009.
  8. ^ bbfc (December 30, 1996). "LA BLUE GIRL Rejected by the BBFC". Retrieved November 27, 2009.
  9. ^ UK Anime. "The BBFC Talks Hentai". Archived copies from the Wayback Machine. Retrieved from the Internet Archive Wayback Machine November 27, 2009.
  10. ^ a b "Peek-a-boo, I See You: Watching Japanese Hard-core Animation". Springerlink.com. doi:10.1007/s12119-008-9039-5. Retrieved 2011-07-30.
  11. ^ Gravett, Paul (2004). Manga: Sixty Years of Japanese Comics. Laurence King Publishing. p. 116. ISBN 1856693910.
  12. ^ Shamoon, Deborah (2004). "Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women". In Linda Williams (ed.). Porn Studies. Duke University Press. pp. 77–103. ISBN 0822333120.
  13. ^ Wilson, Brent; Toku, Masami. "Boys' Love," Yaoi, and Art Education: Issues of Power and Pedagogy 2003
  14. ^ Noh, Sueen (2002). "Reading YAOI Comics: An Analysis of Korean Girls' Fandom" (PDF).
  15. ^ Thompson, Jason. (2007) Manga: The Complete Guide; p. 451.
  16. ^ "?". publishersweekly.com.[dead link]
  17. ^ Dru Pagliassotti (April 2009). "GloBLisation and Hybridisation: Publishers' Strategies for Bringing Boys' Love to the United States". intersections.anu.edu.au.

Further reading

External links

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